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05/09/14 @ 10:35 am EST
Tim Seeley Interviews Greg Pak About TUROK
Writer Greg Pak discusses Turok and writing diverse characters.
Writer Greg Pak has been redefining Turok for a whole new generation over at Dynamite. Tim Seeley interviewed Pak about his work on TUROK: DINOSAUR HUNTER and writing different types of characters.
TIM SEELEY: Hey Greg! I think we've met a few times, including once when I drunkenly, and from a distance I mistook you for Joe Hill. Yeah...I know. Sigh.
GREG PAK: I remember that! I kept walking, just to be on the safe side. Also, I am a coward.
TS: Anyway, let's talk TUROK!
GP: Woo hoo!
TS: Having the European arrival involve using dinosaurs as means of eradicating the native population...that seems like an ingenious parallel to Europeans arriving with smallpox infected blankets. Is it tough to manage the very serious aspects of what happened historically in a book that has to be about a bad ass dude fighting dinosaurs?
GP: My favorite genre stories all work on multiple levels. On one level, MARTIAN CHRONICLES is about genocide. On one level, JAWS is about government corruption. I think science fiction and fantasy provide great areas to play with multiple themes like this. The trick is always to keep everything rooted in the characters and to never squish them around in weird ways to accommodate whatever theme you think you're working on. Once you let a preconceived theme take over at the expense of emotional truth, the story becomes a tedious "message" piece that no one really wants to read.
TS: Turok has been "rebooted" a number of times, and has transitioned from comics to video games and back. What makes Turok such a fluid and adaptable character and concept?
GP: I think the best genre characters like this are incredibly simple at first blush, which allows you to explore them in all kinds of different, more complex ways. Turok's a Native American who fights dinosaurs. That simple statement implies all kinds of crazy things about the world in which Native Americans and dinosaurs live at the same time and can lead to a multitude of very different, rich stories. It's like the Hulk -- guy gets angry and turns into a supremely strong monster. Again, very simple idea that a hundred different writers can take in a hundred different directions.
TS: You're kind of known as a guy who is able to really pull the essence of a character to the forefront, especially after your work on Hercules, and most recently Superman. What's your approach when you get a new assignment? Is there a lot of research to find that "soul?" Or do you come into a project knowing that and that's what guides you?
GP: Hey, thanks for the kind words!
And it's a combination of both. I'll often take on a project because the instant I heard about it, I felt it in my gut -- I just instinctively knew the character and what the story would become. Sure, the project will develop organically and collaboratively and my ideas will change and grow. But often from the beginning I can feel that click. The Hulk and Superman and Turok are a bit like that for me -- from the minute I first started talking with editors about these characters, I felt at home. And then other times, I have to work at it longer to get under the characters' skins and figure out what's going on and what they really want and who the heck they really are. The toughest for me was probably Johann Schmidt, the orphan who eventually becomes the Red Skull, whose origin story we told in RED SKULL INCARNATE. I had to kind of work my way into that one, taking more time to read about habitual killers and psychopaths in order to figure out how he might have become who he is.
TS: With Storm coming up for you, and Turok under your belt, you're one of the writers breaking the ol' WHITE HETEREO MALE mold that has dominated superhero comics since the 60s. What's the importance of giving minority characters the proper starring spotlight in the modern era?
GP: Ha! Yeah, diversity in storytelling has always been hugely important to me. I grew up as a half-Korean kid reading Spider-man and Superman and loving them, and I still do. But I remember being hugely affected by characters like Storm and Robbie Robertson. When you grow up looking different from everyone around you, fictional stories can remind you that you still belong, that there's a place for you, that your dreams should never be limited by other people's racism. So yes, I think it's hugely important and worthwhile to diversify comics. The fact that Turok is Native American and Storm is black is a huge reason why I jumped on the chance to write those books.
TS: And why do you think there's a small but very vocal pushback against it?
GP: I've personally gotten no pushback from anyone about the non-white characters I've been writing. I love my readers -- they are FANTASTIC and I literally owe my entire career to them.
But of course, we've all seen racist rants online from people distressed about characters like Miles Morales and non-white actors being cast in THOR and FANTASTIC FOUR.
All I can say about that is... bless their hearts, but I don't care. The world is changing -- for the better -- when it comes to diversity in storytelling. That's good for everyone -- white people, too, because it opens all our hearts up to other people. And that's something to celebrate.
Make sure to check out TUROK: DINOSAUR HUNTER from Dynamite Comics!
02/21/26 @ 2:38 pm EST
You may have noticed that I’m not the biggest fan of ‘Industry Insiders’ who have paywalls set up to dole out rumors like… well, I couldn’t find a metaphor that wasn’t extremely insulting so we’ll just move on. Those ‘insiders’ need to have a ready supply of rumors to keep their subscribers coming back and since there is no accountability for erroneous rumors, one has to wonder if some of them are just made up out of thin air. James Gunn, co-head of DC Studios, has a times come out and addressed a batch of rumors that fans ask him about on social media. He did this again recently and here are some of the rumors he addressed along with his response. A report that the upcoming Man of Tomorrow has changed its title to Superman: Man of Tomorrow. Gunn has said before that this was more than a Superman movie and confirms the title has NOT changed by simply saying, “Nope.” Another report says that the film with begin filming in a few weeks, and while it will begin shortly, he says “by strict definition of Few, nope.” Reports say that he’s trying to rush through Matt Reeves’ The Batman Epic Crime Saga so he can then get to Brave and the Bold. That’s another ‘Nope’. Scoopers claim that Paradise Lost, the Wonder Woman prequel series was now dead or shelved. I know this will surprise you, but he said, “Nope”. And he did confirm one thing, that Superman does not believe in Santa Claus because, “He’s an adult.” Rumors can be fun to talk about and debate, but if they set unrealistic expectations that ruin the film for someone, then that’s a problem. And paying for rumors… that seems a bit crazy to me.  ... 02/21/26 @ 2:21 pm EST
Many MCU fans wonder why the events of Daredevil: Born Again won’t be even referenced in upcoming films like Spider-Man: Brand New Day. In Born Again, Wilson Fisk ( Vincent D’Onofrio) is the new Mayor of New York and has declared martial law along with creating a taskforce to hunt down vigilantes and you would think someone like Spider-Man ( Tom Holland) would be on his radar. But that’s not going to happen on the big screen, no Fisk in BND and SFX Magazine thought that would be a good thing to ask Born Again showrunner Dario Scardapane about. “I’d be into it, because I dig the comics! But no, that’s been kind of a fun and challenging thing. We know there’s a huge world out there of the MCU. This corner of it has crossovers. We’ve seen Daredevil in other shows, there are other characters that are going to be popping up in movies and stuff, and that all goes into the larger MCU of it all. The joke we make is, ‘Oh, those guys are uptown – we’re downtown!’ We kind of have a pocket that’s in this world of Hell’s Kitchen, in this world of New York. I always think that maybe these characters take a little vacation into the larger world but the story that we’re focusing on is really granular.” Let me translate that, “They can borrow our toys, but we can’t touch there’s.” A shame as we all want a real Daredevil/Spider-Man crossover.  02/14/26 @ 2:33 pm EST
“You have failed this beach!” Okay, there is probably no way Stephen Amell will say that line in the new Baywatch reboot, but I can’t be the only one who thought about it. Fox announced yesterday that the former Arrow, Heels and Suits LA star would be the lead in the networks bid to recapture the popularity of their lifeguard themed drama from the 90s. Amell will be playing the role of Hobie Buchannon, a role first introduced in the OG series. Hobie’s world turns upside down when Charlie, the daughter he didn’t know he had, shows up ready to put on the red bathing suit and follow in the family business. The show got a straight-to-series 12-episode order back in September, so the network is moving quickly. An interesting note is that Amell is the right age if the network wanted to bring back David Hasselhoff to reprise the role of Hobie’s father Mitch for an episode or two.  02/14/26 @ 2:12 pm EST
You may not have known this, but in 2021 a Zatanna movie was in the works. J.J. Abrams had given the project to Emerald Fennell to script as she was coming off 2020 directorial debut, A Promising Young Woman. So, what happened? According to Fennell, who recently joined the Happy Sad Confused podcast, what she had written was “probably too far away from the genre.” She was very honest about the work, saying: “I think it was demented because I was probably going through it at the time. And the thing is, I think what I can’t help but—and then, I’d just finished A Promising Young Woman, and there was this huge thing in this world I’d never operated in. And again, it was a kind of superhero movie, and I was like, ‘How do I make the version of a superhero movie that I would connect to emotionally?’ Which is sort of the woman in the middle of a nervous breakdown, so it’s a script reflective of a woman in the middle of a nervous breakdown. And in terms of what that means, I suppose it just meant that it was probably too far away from the genre.” For those of you who are not familiar with Zatanna, she was created by Gardner Fox and Murphy Anderson in the pages of November 1964’s Hawkman and has been a consistent magical character in the DC Universe ever since, regularly teaming up with Batman, John Constantine and was a member of the Justice League. Fennell went on to describe the script, “It was really dark. I haven’t read it for a really long time, because I found it really difficult. Because, also the thing is, I love JJ [Abrams] so much, and he took a chance offering me to do it, and I really wanted to deliver something amazing for them. And I always felt like I hadn’t quite maybe delivered the thing that they wanted. So, I haven’t read it since, and I wonder if I read it now, I’d be more generous toward myself. But I felt like, I wished I’d been able to deliver the thing they wanted. They were really lovely about it, it’s even just remembering. You’re making me remember scenes, I’m like, ‘Nobody would have made that.'” I have to admit I totally want to read that script now.  ... 02/07/26 @ 11:45 am EST
Don’t expect to see Vincent D’Onofrio show up in Spider-Man: Brand New Day. It seems the rights to the character still precludes him from appearing in a film unless Sony wants him to. Which, yes, Brand New Day is a Sony/Marvel production… but while visiting the Bingworthy podcast, the Kingpin actor responded to the question about the current mayor of the MCU NYC showing up by saying, “No. I think I’ll just wait until they have the rights to my character and they put me in one of those movies, and then I’ll figure it all out.” This makes sense that Marvel can’t just have the character show up in any random film, like The Thunderbolts, without Sony saying okay, but he is available for television appearances. Why Sony has chosen to not let the character show up in a Sony film though seems a little odd, unless the actor is using the rights issue as a cover to keep from telling us that Wilson Fisk will not be the mayor after the events of the upcoming Daredevil: Born Again season two, which is scheduled to release in March and complete well before Brand New Day hits theaters.  01/31/26 @ 2:22 pm EST
In 1989 writer/artist John Byrne was working on the West Coast Avengers title for Marvel and decided to have some fun. Since there was both an east and west coast version of the team, he decided to make a third one, in the middle of the country, and keeping with the body of water theme to the names… we got the Great Lakes Avengers. The team was made up of five founding members: Mr. Immortal, Flat Man, Big Bertha, Dinah Soar and Doorman and while the team has probably had more cease-and-desist lawsuits filed against them than real battles, they have been around for years now and have popped up a lot. The interesting thing though is that two of these members have now made appearances in the MCU. And not just blink-and-you-missed-it moments. Both Mr. Immortal and Doorman have had at least half, if not a full episode of a series dedicated to them. In She-Hulk: Attorney at Law, David Pasquesi plays Craig Hollis aka Mr. Immortal who has his immortal ability and uses it to get out a marriages, which he has a lot of. When pressured by his own attorneys, he leapt out of a high-rise window and plummeted to the street below, slamming into the roof of a car, only to pop right back up and walk away. It doesn’t end well for him though as he is forced to pay off all of his exes. Then we get to meet DeMarr Davis aka the Doorman in the new Wonder Man series. Byron Bowers plays the man with the ability to use his body as a door in and out of the dark dimension. While he is a mutant in the comics, in the MCU he gets his abilities by touching toxic waste from Roxxon, similar to how Cloak & Dagger got their powers. DeMarr becomes a cautionary tale about chasing fortune and fame in Hollywood that may have cost the life of beloved actor Josh Gad. It also made the industry enact a law banning superpowered people from working in show business. This is a major plot point in the series. With two of the five characters both located in Southern California, could we end up getting the rest of the team at some point and them relocating for a fresh start? Sounds like the perfect idea for one of those Marvel Spotlight one-hour specials.  ... 01/18/26 @ 2:23 pm EST
Fans are eager to see the upcoming Lanterns series on HBO and besides a still shot and a few seconds of footage, very little about the series is known at this point. We got our first comments about it from series star Kyle Chandler who will be playing one of the most well-known Green Lanterns, Hal Jordan. Chandler was being interviewed on the Today Show for his new film The RIP with Ben Affleck and Matt Damon. During the interview he was asked about Lanterns and said, “I’ve never had as much fun shooting something as I did that. The people from the top to the bottom. I can’t say enough about Chris Mundy, and the producers, the DC folks. It was an excellent experience. I expect the show to be as good as the experience I had. Aaron Pierre, who I worked with, he and I had a great time.” The series is slated to be released later this year and comes from Mundy, Damon Lindelof and Tom King. Joining Chandler and Pierre in the cast are Ulrich Thomsen as Sinestro, Nathan Fillion as Guy Gardner and then Kelly Macdonald, Garret Dillahunt, Jason Ritter, Poorna Jagannathan, and Paul Ben-Victor. There will be eight episodes and it is said to be mostly an Earth-based mystery set in the heartland of America with a True Detective vibe.  01/17/26 @ 12:41 pm EST
Netflix’s proposed acquisition of Warner Bros. has stirred plenty of speculation across Hollywood, but one message from the streamer’s leadership has been unusually clear: the theatrical experience isn’t going anywhere. In fact, if the sale closes, Netflix says it will strengthen Warner Bros.’ traditional theatrical model rather than shrink it. Ted Sarandos, Netflix’s co‑CEO, has repeatedly emphasized that Warner Bros. films will continue to enjoy a 45‑day exclusive theatrical window—a stance that directly counters fears that Netflix would rush major releases to streaming. Sarandos described Warner Bros.’ theatrical distribution as a “phenomenal” engine that generates billions in revenue, insisting Netflix has no intention of putting that at risk. This commitment marks a notable shift in tone for Netflix, which historically prioritized streaming-first strategies. But after reviewing Warner Bros.’ financials, Sarandos acknowledged that the economics of theatrical releases are stronger than Netflix had previously modeled. He framed the 45‑day window not as a compromise but as a competitive strategy: Netflix wants to “win opening weekend” and “win box office,” embracing the same metrics that drive traditional studios. Industry observers have taken notice. While some feared the acquisition would accelerate the decline of theatrical exclusivity, Netflix’s public stance suggests a more balanced future—one where streaming power and box office ambition coexist. For now, at least, moviegoers can expect Warner Bros. films to keep lighting up big screens for a full month and a half before landing on Netflix’s platform.  01/17/26 @ 12:20 pm EST
The DCU is expanding with the casting of one of the universe’s biggest bads… Darkseid. While this seems to go against something co-studio head James Gunn has said previously about staying away from the cosmic threat, but this casting isn’t for Man of Tomorrow, but rather the upcoming Mister. Miracle animated series and you can’t really tell the story of Scott Free with mentioning his adopted daddy. Writer Tom King was on the Word Balloon podcast when he talked about the series that he is showrunning and said that they had cast Darkseid and Orion along with Mr. Miracle and Big Barda. If you’re not familiar with these characters, they are all part of the Fourth World Saga created by comic legend Jack Kirby during his short stint with DC Comics. It tells the story of two warring factions, the New Gods and the planet Apokolips and a deal that was made in an attempt for peace. The leaders of the factions, High Father and Darkseid, would exchange children… this sent Scott Free to be raised on the oppressive planet while Orion was sent to the peaceful New Genesis. Scott would become and escape artist, finding a way off of Apokolips with the female warrior, Barda, and eventually come to Earth. Exactly what part of that history the series will focus on is unclear, but we do know that Darkseid and the others will be involved. Gunn also confirmed on social media that the series will be cannon to the DCU that includes the recent Superman movie, the Peacemaker series and the animated Creature Commandos. This means that whoever is voicing these characters in the series would also play them in live action in the future and King has said that the Mister Miracle series will have big ramifications on the DCU as a whole. No word on when the series will debut, but with the casting already made, we can expect an announcement in the near future.  ... 01/10/26 @ 11:52 am EST
Takashi Yamazaki’s follow-up to the 2023 Godzilla Minus One is set to hit North American theaters on November 6th, 2026, three days after its premier in Japan. The Academy Award winning film took in $11.4 million in the US on its opening weekend and $57 million total during its domestic box office run. Godzilla Minus Zero is the second film in the franchise from Gkids since taking Toho acquired the company in 2024. David Jesteadt, president of Gkids, said in a statement: “Gkids is proud to bring Godzilla Minus Zero to North American audiences, following the incredible global reception of Godzilla Minus One. This next chapter is sure to become another defining moment for the most colossal monster ever to dominate the screen. It is only fitting that this bold, new Godzilla event be experienced in its fullest theatrical glory, and we’re honored that Toho has entrusted us to carry this legacy forward.” 
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