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05/09/16 @ 11:45 pm EST
A Writers’ Commentary: Ben Acker and Heath Corson talk Kings Quest #1, on sale now from Dynamite. Cover is by Marc Laming and Lara Margarida. Interiors by Dan McDaid and Omi Remalante. PAGE ONE:  BEN ACKER: Let me start by saying that I love this book. I love the story and I love the characters, but the thing I want to talk about here that I love above and beyond all that is I love collaboration. In this book, I get to work with three people with whom I’ve been dying to work for as long as I’ve known them. Page one, you got an artist named Bob Q, who at the time of this writing isn’t credited, but I hope he will be by the time you’re reading this. Bob Q has a unique style that is clean and cool and just dynamic. He’s doing flashbacks that set the scene along the way in this series and, in issue 3, you’ll see way more of him. I’ve always loved the personality of his art. I’m sure you’ll see more of him, but you’re on the ground floor with the great Bob Q, here!Dan McDaid is a genius. Every page, every panel, he knocks me out. We’ll get to him, as we’re talking about Page 1. But Dan is a guy I’ve known a little longer than Bob Q. I think we’ve come very close to working together a few times over the years, and when he was available and down to do this book, I couldn’t have been happer.Omi Remalante is not someone I’ve had to wait to work with. I’ve done a few books with Omi and he is consistently wonderful, as you’ll see. He kills it on colors and always has.Heath Corson has been a great friend of mine for years and years. We’ve never collaborated a lick and it was a little daunting, what with him being a powerhouse writer in his own right. Let me tell you that the process of collaborating with him was a joy. His sense of story and character and action and plotting – everything – he’s just great at the stuff of writing. I could go on and on. Heath is just as good at the stuff of collaboration. Egoless and inspiring. You don’t know how it’s going to be to do work with your friend, but you hope it’s just like this. And now I’ll let him tell about the book. Hit it Heath! HEATH CORSON: First of all, everything Ben just said and then some. We have had just a blast working together and the fact that ON TOP OF THAT we get to work with all these amazing artists, is just cream in our collective coffee. Now… To the book:Since the “Quest” aspect of King’s Quest is returning to space to get Dale Arden, who was left behind, we really needed to start out with a unique, grounded perspective on who Dale is and why she’s special. With that in mind, the most interesting POV was Jen’s. So we start with an intimate recollection between Jen and Dale. Which also serves to ease us into Jen’s VO that narrates this issue and throws us headfirst into the… PAGE TWO & THREE: DOUBLE PAGE SPREAD!  HEATH: Boom. Here’s our entire cast bracing for impact. I was particularly proud of Zarkov’s line here.BEN: When I read Zarkov’s line, I cheered. Good stuff, Heath!HEATH: Thanks buddy. Also, I love Phantom Jen’s design in the purple hoodie. Man, I want that hoodie. BEN: This is a good spread. You get all the characters and their POVs and relationships and roles in the group starting to come out. And this layout is all McDaid. PAGE FOUR: HEATH: Yeah, we hit the ground running… Or crashing as the case might be. But it let’s us dive right into playing with the character dynamics, which is my personal favorite part of writing ensemble stories like this. BEN: You nail it here, Heath. I love this dialogue, of which yours is the lion’s share. PAGE FIVE: HEATH: Here we see how great Flash’s reflexes are… And how itchy his zap gun trigger finger is. The man loves to vaporize space creatures. This monkey is no exception. BEN: I love that Lothar Phantom in panel 1. Make yourself at home, Phantom. This is the first time I noticed Zarkov’s flask. So good. And those monsters in the last panel. This commentary is just gonna be me chanting McDaid! McDaid! Over and over. Like I do in the emails I send him whenever I get new pages. I’d call, but he lives overseas. PAGE SIX & SEVEN: HEATH: Dan McDaid, folks. Drink that in. BEN: McDaid! McDaid! HEATH: I love these pages. These are the pages as a writer you hope you get back when you pass the storytelling off to your artist by saying stuff like: “A bunch of hideous monsters jump out here. Everyone freaks.” Plus, I LOVE Valiant’s expression here and how chuffed he is to chop things in half. BEN: I love Zarkov’s Jack Bennyish take on what’s going on. And how many trunks does that elephant monster have? McDaid! McDaid! Gubba gubba gubba gubba! PAGE EIGHT:  HEATH: How cowboy cool is Mandrake here? Throwing doves at monsters without breaking a sweat. And doing it in formal-wear. Mandrake might be my favorite to write. Lothar, on the other hand, takes no chances and just opens fire. Which is the other side of the badass coin. BEN: These colors are amazing! Remalante! Remalante! Remalante! HEATH: Yes, yes! Let’s tip our collective tops hats to Omi Remalante, our genius colorist. More of him coming in hot. PAGE NINE: BEN: There’s a thing in commentary tracks where the commenters are just relating the experience of watching the movie or reading the book, not because we’re taken with what we’ve created, but because creation like this is a collaboration and we’re so enjoying the work of our collaborators. It makes for solid work, but sometimes a commentary that just feels like narrating what you’re seeing. Sorry, not sorry. HEATH: Hahaha. It’s true. You realize that in comics we’re all fans as well as creators.Uh-oh. Shambling, scream-y mound has a secret, you guys. Wait for it… PAGE TEN: HEATH: Yup. It’s JUNGLE JIM! I found his dialogue really fun but deceptively challenging to write. I think Ben had to confer with actual Brits to get some of the phrasing correct. Right, Ben? BEN: Credit to Humphrey Ker, a decidedly English name for a decidedly English person giving me the Englishisms. Also credit to the “How British Am I?” sketch by the brilliant comedy group Superego. Once Humphrey pitched “dashed,” all I could think of was Superego’s Matt Gourley voicing Jungle Jim. And I love the “Ming’s forces” turn in here, so I hope it was Heath that wrote it, or else I’m just patting myself on the back. You know it’s a good collaboration when you’re not sure who wrote what.HEATH: I always assume if it is funny or clever, it was Ben. You should too. PAGE ELEVEN: HEATH: Ming’s forces, on the other hand, were really fun to write with their terrible corporate-slash-military-slash-Kafkaesque circular reasoning. And, peep those awesome spaceships! McDaid bringing it. Hard. Again, can we also just call out the COLORS here by Remalante? The jungle, the creatures, the spaceships and our heroes. All fantastic vibrant colors reminiscent of the pulp origins of these heroes. Makes it all sing.  BEN: You’re not wrong, Heath. You’re right. And look: “Gordon’s alive!” Remember that line? We’re just fans of this stuff. PAGE TWELVE: HEATH: Yeah, this would scare ME if I was a Ming flunky. It’s also a nice reminder how crazy powerful Jim is. Beast mode, indeed. BEN: More of Humphrey’s help here. I love beast mode that sounds like Downton Abbey. PAGE THIRTEEN: HEATH: It was right around finding the line “Be merciless for Ming” that it really sunk in that I was writing Flash freakin’ Gordon and these HUGE iconic characters that I grew up with. So cool.BEN: And look at those guys. These designs – the monsters and the soldiers – they’re so killer. And they only exist for a few panels. That’s crazy! So fully realized. McDaid! McDaid! PAGE FOURTEEN: HEATH: This Mandrake page is my favorite of the issue. Ben and I talked a lot about playing with his sense of theatricality and performance. Between the astounding art and the dialogue I felt like we all really did justice to Mandrake on this page. PS: THIS is the McDaid page I desperately want in my office… You know, just in case he’s reading this.BEN: Ha! Next issue’s Mandrake page is my favorite of that issue and is the one I want in my office. I told McDaid already. And to the point of the theatricality of Mandrake, I really love that he’s an old school stage magician at his core. It sets him apart from your Doctor Strange and Doctor Fate. Mandrake is not a doctor. He’s a smoke and mirrors guy and look – the illusions he’s casting are smoke! PAGE FIFTEEN: HEATH: Flash is a helluva action hero. He’s a real “shoot first, ask questions never” kind of guy. It was important to show that and McDaid really captures his physicality here. BEN: Yeah, usually we make it fun that he’s so gung ho. Like “maybe relax, Flash and ask a question or two before you charge in.” But here, when it’s clear, when it’s as black and white as Flash sees it anyway, you get to spend the bulk of a page having him say a cool thing and kick a bad guy off his rocket. PAGE SIXTEEN:  HEATH: I like this Jen/Lothar beat here. We talked a lot about their mentor/mentee dynamic and how it’s on Lothar to get Jen to step up. I like that Jen is out of her league and really sharply feels that deep into this adventure. But she IS supposed to be the Phantom and that’s a honest struggle for her to take on that mantle… Especially in the face of Lothar being as good a Phantom as there’s ever been. BEN: Yeah, there’s something really interesting to me about the nature of Lothar’s relationship with the mantle of the Phantom. I hope we remember to get into it in one of these issues. PAGE SEVENTEEN: HEATH: This page layout is just such wild fun. BEN: McDaid! McDaid! HEATH: You get this great heightened sense of flow and movement in Valiant. We see that the guy is an unstoppable freight train of violence. BEN: And also Simon Bowland, the letterer, is just as much the boss of how your eye takes in this page. Bowland is a real pro, consistently just great. Bowland! Bowland! HEATH: No kidding! Kudos to Bowland. Especially since in the first lettering pass, I’m pretty sure we accidently reversed all the dialogue from the bottom to the top. Which would have made everyone’s eyes cross. PAGE EIGHTEEN: HEATH: Jim realizing Valiant is still telling off the baddies makes me laugh a lot. That was a Ben joke that showed up in the second lettering pass. It took me by surprise when I read it and I totally laughed out loud. BEN: Thanks, Heath. You wrote Valiant’s pure joy here and I love it. I regret that we didn’t find a moment for Jungle Jim and Zarkov to share a drink. Maybe next issue!PAGE NINETEEN:BEN: I love how McDaid draws Barin. His little mustache! HEATH: Prince Barin. Finally! We’ve only been looking for him this entire issue. But he’s got pretty bad news… BEN: You bet he does. It’s been two years, not the two hours it felt like it took. This is one of the most important details of the book and Mandrake is about to explain it, and Flash gives him “Who cares why!” I love that. That’s so Flash. PAGE TWENTY: HEATH: HOLY CRAP! Dale is… Empress?! Does that mean she’s married to Ming? What the-?! I love this twist. And it only gets worse, you guys. Much MUCH worse. BEN: Stay tuned. 11/01/25 @ 2:53 pm EST
There is a major movie franchise out there that is not going by its original name and it’s thanks to the star. When screenwriter Derek Kolstad finished what would become is most popular film, he was inspired by revenge-thrillers with one-word titles like Payback and Shooter. He dubbed his film, Scorn. The problem came when the star of the film went out and talked about it, he always referred to it by the lead character’s name rather than the title. After a while, the studio realized that their star, Keanu Reeves, had done millions of dollars worth of brand recognition for the name John Wick… they decided to go with it and renamed the film. Why Reeves did this is unknown, but Kolstad has since admitted that John Wick is a better franchise name, saying, “I can’t imagine it being Scorn now.” Was this an intentional thing on Reeves’ part or just a happy coincidence? We may never know.  11/01/25 @ 2:38 pm EST
If you check the major Hollywood sites like Deadline and Variety, they’ll tell you that October 2025 has been the lowest box office take in almost 30 years. It sits currently at $440 million with a few days left to add. In 1998 the box office did $455 million, which this month should just creep past. By comparison October 2018 did $832 million with just three films: Venom, A Star is Born and Halloween, taking in $481 million. But last year, October only took in $478 million showing the decreasing trend. Adding to the decline is the fact that no major releases were scheduled for this weekend because of the Halloween holiday. And what was put into theaters the whole month really didn’t get people’s attention. Tron: Ares was the highest profile film and that hasn’t even broken $70 million in its four weeks in theaters. When you look at numbers like that, it’s hard not to think about what might have been. There was a big budget film slated for release this month, a film that got delayed and delayed and hasn’t even started filming. A film that finally has a finished script and is set to release in October of 2027… that of course is Matt Reeves’ The Batman Part 2. One of the most anticipated films currently in production, the sequel to the 2022 hit, bolstered also by the fan favorite HBO series The Penguin, would easily match and likely succeed the success of the first film. The Batman opened on March 4, 2022 and ended that month with $338 million domestically. It was originally scheduled to be released October 3rd, looking at that release date, this year there really wasn’t any big film put in its place. The film would’ve done better than the first and that amount would’ve driven 2025 towards the top of the list, maybe even surpassing 2018. Ah, what could’ve been.  ... 10/26/25 @ 12:25 pm EST
DC Studios has potentially taken a significant step by filing for a trademark for a film titled "Salvation Run." A move that isn’t too surprising since the Salvation planet and the idea of using it as a prison for meta humans was introduced in the season finale of Peacemaker season 2. But the filing does indicate just how big this idea could be for the DCU. "Salvation Run" is a storyline from DC Comics that originally ran in the late 2000s. The story centers on the mass exile of some of DC's most notorious villains to a hostile alien world, forcing them to band together for survival. It was a concept originally pitched to DC by Game of Thrones writer George R.R. Martin. The trademark filing by DC Studios suggests that the company is considering developing "Salvation Run" into a feature film. While trademark filings do not guarantee that a film will be produced, they often indicate serious intent or early-stage development. The filing protects the title and concept, ensuring that DC Studios retains exclusive rights as plans evolve. Should "Salvation Run" move forward, it could introduce a fresh dynamic to DC's film slate. Instead of focusing on heroes, this story would shine a spotlight on villains, possibly expanding character development and offering audiences new perspectives on well-known antagonists. It also opens opportunities for ensemble casting, complex storytelling, and connections to other DC properties.  10/26/25 @ 11:56 am EST
For many MCU fans, there has been concerns about when or even if Jeremy Renner would be returning to the role of Clint Barton aka the Avenger Hawkeye. Renner first portrayed the archer in 2011’s Thor and returned in 2012’s The Avengers. He has been popping up as the character in various films and even his own Disney+ series that had been rumored to be getting a second season. And then came New Year’s Day 2023 and a horrific snowplow accident where the actor sustained over 30 broken bones, including a shattered leg, broken ribs, a collapsed lung, and a punctured lung. Renner has made a miraculous recovery and has returned to working on projects like Mayor of Kingstown and Wake Up Dead Man… but his future in the MCU is still unclear. Earlier this year Renner gave fans a disappointing update when he revealed that Marvel had talked to him about returning for season two but only offered him half of what he made for season one, which he turned down. None of this was looking good, even with two Avengers movies on the horizon. Shift to now where Renner is out doing various interviews and talking about the character again. He spoke of how Clint Barton has repeatedly tried to retire but keeps coming back and how he believes that it will continue that way until the character is killed off. He also said of the Hawkeye series specifically, "We got to where we’re trying to do the second season. And I think I’ll get strong enough to be able to do it. And we’ll work it out. It’s gonna be great." He was also asked by another Avenger actor, Brie Larson, if he would be returning for Avengers: Doomsday, to which he said “no” and then turned it back on her asking, “Are you?” The whole thing was done very playfully. And even if he doesn’t return for Doomsday, there’s always Secret Wars a year later.  ... 10/25/25 @ 12:37 pm EST
The highly anticipated Marvel series, Fantastic Four: First Steps, is set to make its debut on Disney+. Fans of Marvel’s first family have been eagerly awaiting the arrival of this new adaptation, which promises to bring fresh storytelling and exciting action to the beloved characters of Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm. The film, which was directed by WandaVision’s Matt Shakman, will be available for streaming starting November 5th. The Fantastic Four have long been favorites among comic book readers, and with Marvel Studios now handling the property after the luke-warm reception of the first two Fox films and the universally hated reboot. First Steps is not a retelling of the origin story but rather moves on to the team having been well established after four years and dealing with their greatest threat, the world-devourer Galactus. The new cast includes Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn as the quartet of heroes along with Ralph Ineson, Julia Garner, Paul Walter Hauser, Sarah Niles, Mark Gatis and Natasha Lyonne. The film did moderately well in theaters, taking in a worldwide box office total of $521M and an 86% critic’s score on Rotten Tomatoes.  10/25/25 @ 11:38 am EST
When James Gunn and Peter Safran were announced as the new co-heads of DC Studios, they put out a list of projects as part of their first phase called Gods & Monsters. And while some of those projects like Creature Commandos, Superman and Lanterns have moved forward, one of the projects seems to be stalled. That would be the DCU version of Batman in an announced The Brave and The Bold project. This is a different Batman from the one Robert Pattinson portrays in the Matt Reeves films and would be a bit older and paired with his son Damian as the current Robin. Andy Muschietti, the director of The Flash, has been attached to the project the entire time and appears to still be in line to helm the project. But in the last week we’ve gotten the first movement on the project in a while. First Gunn said in various interviews that the project is still in the work and has changed some since the initial announcement, but he didn’t go into any specific details. Then Muschietti and his producing partner and sister Barbara were asked about the project while at the premier of their new series Welcome to Derry, and IT prequel story. When asked if they were still doing the film, Barbara said, “The intention is yes, but we can’t talk about it.” Andy added, “We have to wait a few, a couple of months to start talking about it.” But then realizing he may have said too much: “I screwed it already.” This is leading fans to speculate that an announcement is imminent and that we may finally learn who will be donning the cowl opposite David Corenswet’s Superman.  10/18/25 @ 2:06 pm EST
Though we have yet to see season two of the Percy Jackson series, season three is adding Kate McKinnon, known for her energetic performances and comedic brilliance on “Saturday Night Live,” as the goddess Aphrodite. McKinnon brings her unique charm and wit to the role, promising an exciting new take on the goddess of love and beauty. Aphrodite is one of the most famous figures from Greek mythology. She is the goddess of love, beauty, desire, and passion. Ancient Greeks believed Aphrodite had the power to inspire love and attraction in gods and mortals alike. According to myth, she was born from the sea foam and emerged fully grown, captivating all who saw her. Aphrodite’s stories often involve her relationships with gods like Ares and mortal heroes, and she played a key role in the legendary events leading up to the Trojan War, most notably by awarding the golden apple to Paris. With Kate McKinnon stepping into the role, viewers can expect a fresh, humorous, and dynamic portrayal of Aphrodite. Besides her time on SNL, McKinnon has been in various movies including the 2016 reboot of Ghostbusters and the 2023 mega-hit Barbie.  10/18/25 @ 1:49 pm EST
In an interesting turn of events, someone posted an image of the wrap gift for the upcoming Lanterns series, showing a baseball hat with the Green Lantern symbol and in the center of that symbol, a series of concentric circles. That person then commented that the modified logo could be indicating an involvement of The Centre, the main antagonist in Darwyn Cooke’s celebrated DC: The New Frontier series. That post was then removed by Warner Bros… In completely unrelated coincidence, have you read The New Frontier? Let me tell you about The Centre, a metaphysical, almost Lovecraftian presence, embodying existential dread and posing a challenge unlike any other faced by the world’s greatest superheroes. The Centre made its debut in "DC: The New Frontier" (2004), a miniseries that bridges the gap between the Golden Age and Silver Age of superheroes. In this alternate history, The Centre is portrayed as an ancient, primordial being that predates humanity itself. It is described as the very source of life on Earth, a sentient landmass that witnessed the rise and fall of prehistoric creatures and eventually grew to despise humanity, whom it perceives as a threat to the planet’s balance. The Centre is not a conventional villain. It is a massive, floating island with psychic and reality-altering abilities. Its consciousness spans across its entire form, making it nearly impossible to attack or reason with in any traditional sense. The Centre’s powers include: <!--[if !supportLists]-->· <!--[endif]-->Telepathy: The Centre can communicate with and manipulate the minds of others, sending visions, inducing madness, or telepathically broadcasting its intentions. <!--[if !supportLists]-->· <!--[endif]-->Physical Invulnerability: Its immense size and composition make it resistant to most forms of attack, even those from the world’s strongest superheroes. <!--[if !supportLists]-->· <!--[endif]-->Creation of Monsters: The Centre spawns various mutated and monstrous creatures to defend itself and attack humanity. <!--[if !supportLists]-->· <!--[endif]-->Levitation and Flight: It can float above the Earth, moving with intention and purpose. In "DC: The New Frontier," The Centre’s appearance catalyzes the unification of the DC universe’s heroes, including Superman, Batman, Wonder Woman, Green Lantern, and The Flash. Realizing that The Centre’s power is too great for any single hero to face alone, they join forces, combining their unique abilities and intellects in a coordinated assault. This is basically the precursor for the Justice League and would be an interesting story to loosely adapt if you were, say, building a new cohesive universe.  ... 10/11/25 @ 11:50 am EST
Rian Johnson, the acclaimed writer-director behind the “Knives Out” franchise, has made headlines with his latest entry, “Wake Up Dead Man: A Knives Out Mystery.” Johnson has openly described this third film as the closest the series has come to emulating the classic structure of an Agatha Christie novel—a deliberate shift from the subversive approaches of “Knives Out” and “Glass Onion.” At the Deadline Contenders London event, Johnson explained that “Wake Up Dead Man” adopts a “more traditional murder mystery structure,” echoing the formula Christie perfected. In his words: “This is how most Agatha Christie books work, where in the first act you meet all the suspects, you meet the protagonist, who’s not the detective. Then the murder happens, and the detective shows up.” This marks a departure from the previous films, which played with audience expectations—solving the murder early in “Knives Out,” and presenting a deceptively simple case in “Glass Onion.” In “Wake Up Dead Man,” Daniel Craig’s Benoit Blanc returns to tackle a darker, more gothic mystery, set in a remote stone church and featuring religious intrigue. The film’s protagonist, played by Josh O’Connor, is a priest who becomes Blanc’s sidekick, further grounding the story in classic whodunnit territory. Johnson also cited inspiration from Edgar Allan Poe, aiming for a “grounded, gothic tone” that predates Christie’s work. With the release of “Wake Up Dead Man,” Johnson completes his two-film deal with Netflix. So, what’s next? Johnson has confirmed that he will be taking a break from the “Knives Out” series to focus on an original project. “I’m writing right now, [but] it’s not one of these [Knives Out] films. It’s just something completely different, an original thing. I actually feel very energized after making this one [Wake Up Dead Man], but this is three in a row. It’s probably healthy to see other people.” He hasn’t revealed details about this new project or whether it will be with Netflix, but he’s made it clear that he wants to explore a different genre. Johnson’s creative philosophy is to “empty the well and then start from scratch,” ensuring each new film is a fresh challenge. Despite the break, Johnson remains enthusiastic about returning to the world of Benoit Blanc. He’s stated that as long as Daniel Craig is interested and audiences are engaged, he’d be happy to keep making “Knives Out” mysteries for life. Producer Ram Bergman echoed this, saying future installments are possible, but for now, the focus is on Johnson’s original script.  ... 10/11/25 @ 11:37 am EST
The Season 2 finale of Peacemaker has left fans with mixed feelings and a lot of speculation for the future. Known for its irreverent humor, brutal action, and surprising depth, the closing episode focused more on wrapping up emotional drama but also planted significant seeds for the future of the DC Universe (DCU). This was done through the introduction of Checkmate and Salvation, signaling the long-term direction for the first phase of the new universe. Checkmate, for those unfamiliar with DC Comics lore, is a covert intelligence agency known for operating in the shadows, often handling threats that are too dangerous or politically sensitive for public superhero teams. They first appeared in Action Comics #598, created by Paul Kupperberg and Steve Erwin. While in the comics, the organization is created by Amanda Waller, in the HBO Max series, it is founded by Amanda’s daughter, Leota Adebayo and the rest of the 11th Street Kids using the drug money that Vigilante had been saving. Their arrival marks a significant turning point, suggesting that future seasons—and perhaps other DCU projects—will explore the complex world of espionage, betrayal, and secret wars within the superhero community. Salvation in the comics is a prison planet where Waller and Rick Flag started sending metahumans too powerful to be held in regular prisons. This was introduced in the Salvation Run comic series, originally pitched by George R.R. Martin, written by Bill Willingham and Lilah Sturges and drawn by a variety of artists including Sean Chen and Joe Bennet. This lead into the Final Crisis event which had Darkseid coming to Earth. In the series, Salvation is an alternate reality discovered through the Quantum Unfolding Chamber that appears to be Earth-like and ideal for Flag and Lex Luthor’s plan for a place to send Metahumans. The season ends with Chris Smith aka Peacemaker, forced into Salvation by Argus and left to fend for himself. These introductions show that James Gunn overall plan for Gods & Monsters, the first phase of the DCU, is going to loosely adapt Salvation Run and may lead us to a version of Final Crisis. Even though there is a cliffhanger ending, Gunn has said that there are no immediate plans for a third season of Peacemaker, but he’s promised that these characters will be seen again soon, and the existence of Salvation will playout over all of the DCU including the upcoming Lanterns series and the 2027 film Man of Tomorrow. Reaction to the finale has been mixed with some fans disappointed with the lack of action nor any big cameo that many had speculated. Other fans though appreciated the emotional catharsis achieved by the characters and the new direction which included a few members of Argus, specifically Sasha Bordeaux, Langston Feury and Judo Master, becoming members of Checkmate along with the 11th Street Kids. Where and how we’ll see this story continue has yet to be announced.  ... |
