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06/11/17 @ 8:47 pm EST
 The cast of Battlestar Galactica reunited Saturday at closing night of the ATX Television Festival and while it marked the first official reunion, those behind the Syfy drama revealed they've kept in close contact since the series went off the air eight years ago. "It is profoundly different than I think what happens to a lot of casts when it's time to run away from each other," Mary McDonnell told the crowd. Battlestar was developed as a reimagining of the 1978 series of the same name and originally premiered as a miniseries on Syfy in 2003. The following year, the project returned as a full-fledged series and ran for four seasons, wrapping in 2009. Over its run, the drama quickly became a critical darling, and went onto win Peabody and Television Critics Association awards. Looking back on the original miniseries, showrunner Ronald D. Moore recalled watching every episode but said "it didn't light the fire in me," despite his love of other sci-fi projects in the '70s like Star Trek and Star Wars.When he got a call in early 2002 about potential coming onboard the reboot, Moore was hesitant after logging 10 years on Star Trek: The Next Generation and Deep Space Nine. "I wasn’t sure if I want to go back into space again," he said. However, Moore thought it over and rented the original tape from Blockbuster. "It had completely different resonance," Moore said of watching the original in a post-9/11 world. "I just sort of immediately thought if you did that show now, it was an opportunity to talk about the thing that were happening in the world." He then took the job. When asked how Battlestar would be different if it launched in present-day, Moore said the show "would take advantage of the current political situation," he said, but added, "It's hard to imagine doing it today if it was just from zero." However, McDonnell pointed out the current administration was made some of Battlestar's key themes even more relevant."We're living in a time where the powers that be are trying to create as much difference between us as their pockets books will allow. With Battlestar, we have a reminder that it could go away," McDonnell said. "We're unfortunately living on the edge at the moment of the planet. Perhaps we can stop dividing each other and seeing each other as the other." Moore and stars including McDonnell, Edward James Olmos, Katee Sackhoff, Tricia Helfer, Grace Park, James Callis and Michael Trucco reflected on their auditions, Olmos' big speech to the cast and what Moore calls "one of the stupidest things" the writers ever wrote into the show. Read on for more highlights from the show: Olmos Initially Said NoWhen he was offered the role, "I said no at the beginning. I said, 'Thank you very much but I'm working,'" he said. But his agent urged him to read the script anyway. "And then I read it, and I immediately said, 'I want to be with them. Let's do this.' The Female PresidentMary McDonnell never saw the original Battlestar. "I didn't have a television. I didn't know anything about it. I didn’t understand. It was presented to me as you have the opportunity to do the reboot or the reinventing of Battlestar Galactica. I just giggled," she said. However, when she the script, "I was attracted to these people in the first readthrough." McDonnell also found the script extremely prescient to the current times, particularly playing a female president. "We were shooting this when Hillary [Clinton] was running [for the Senate] and it became a very timely event for me," McDonnell said. "We started it not too long after September 11th so there was a strong emotional connection for me as well." A Female Starbuck?Moore said one of his first ideas was to change Starbuck from a male character to e a female. "This was a moment in time when we ere just starting to see women in combat, female combat pilots for the first time," he said. "I really didn't think it would be a thing," he said. However, it quickly drew ire from fans. "I was surprised and sort of like really? People are getting upset about this?" he said. "It seemed like the dumbest thing in the world. It was just kind of baffling." However, Moore quickly learned to embrace it. "Yell about it, get angry," he recalled thinking. "I need publicity."Sackhoff recalled being told she was "too girly" for the part. "I was told so many times that I was not right for this part. There's a piece of you that goes, 'Oh my God, I'm not right for this part.'" She subsequently had to audition six or seven times. "I cut my hair in the process. I took off my stiletos and eventually, I got the part," she recalled. When she learned about the controversy surrounding her character in a chat room at an Internet café, "I thought, f– 'em,'" she said. The Other StarbuckPark recalled it was down to her and Sackhoff for the role Starbucks. "When I was told I got Boomer, I was pissed," Park said with a laugh. "I was like, 'Who the 'eff is Boomer?'" Subsequently, it took part a while to figure out her character was a Cylon. "I just hadn't realized because I wasn't reading for that and I probably wasn't picking up on the clues," she said. A First Day KissHelfer had been acting professionally for about a year when she got the gig, and recalled the nerves she had the first day on the set, particularly when it came to shooting a steamy scene with Callis. "He was getting nervous. I was getting nervous We were both sweating," she said. "I finally said, "James, there's a basement, let's go downstairs.'"One thing led to another and "I just planted a kiss on him," Helfer said. "Genuinely it was a really good move because we were both really self-conscious," Callis said. "It’s a thing about trust and I think that was what helped us and helped us establish that relationship." Another Apollo?Trucco remember auditioning for the role of Apollo originally. "Rumor has it that I got initially, initially not very close at all," he said with a laugh. "I wrote in my journal, 'This is the greatest television show ever made.'" In season two, he came onboard for what was originally supposed to be two-episode arc. "Something incredible happened: The majority of the people f—ing hated my character and I think that fueled Ron," Trucco said. Interjected Moore: "He's coming back now." Trucco also remembered the early days of internet chat rooms, saying "People said horrible things." The Admiral's SpeechWhen shooting the miniseries that led then to the series, Callis recalled the speech Olmos gave to the entire cast in which he foreshadowed the show's success. "The show's going to go for five years. Every episode is going to be like a movie. Keep your powder dry. We're in here for the long haul. You are not to make fun of this," Callis said Olmos told the cast. "Nobody needs to take this as seriously as we do." Looking back, Callis called it a "galvanizing" moment. "At the time, you don't realize how important something like that is." Six's Big Moment in the First EpisodeHelfer's Six killed a baby in first episode, specifically by cracking its neck. "The network didn’t want it in there," Helfer said, but said she believed the moment added "depth" to her character. "To me, that was a very integral moment of showing that this other side, you're very quickly going to learn that this the other side, this the evil side, has some sort of empathy."However, because of that moment, Helfer's sister never watched the series because she had given birth shortly before. "It was just a hard thing, the crack sound," she recalled. The Evolution of 'Frak'While muttered once on the original series, it became a popular (and frequent) part of reboot. "I just said this a brilliant opportunity to say f– over and over again," Moore said. "This is just a license to kill so I'm just going to do it over and over." The Big Debates Behind the ScenesMoore remembered, "when I pitched it, I could have done anything. They really don't care. You can do whatever you want with this, was the attitude." However, that changed once the series was in full swing. ""All the big ticket items we never fought about," Moore said. "We fought about stupid things. We fought about how much blood you're going to show, how many pilots you're going to kill. … Is it too dark? Is it too depressing?"Another concern from the network was the show's serialized nature which is why many of the show's early hours are standalone episodes. "Serialized TV was really unusual and frowned upon and networks didn't like it," Moore said. "The network was terrified that people would watch them out of order." Starbuck's Death (Kind of)When asked about her favorite moment, Sackhoff recalled getting the call from Moore and David Eicks that her character was going to get killed but then brought back. "'We're going to kill you but we're going to bring you back so don't worry,'" she said. "So I went to Mexico for a couple episodes but the problem was I was lying to everyone."Moore interjected: "This is one of the stupidest things David and I did in the entire run of the show." Sackhoff eventually told Olmos, who then told the entire cast at a magazine shoot she wasn't really dead, "and I felt like such an asshole."Meanwhile, Moore recalled "We're getting calls in Los Angeles saying they're really upset. You don't understand. People are really freaking out that you're killing [her]," Moore said, particularly Olmos. "Eddy is walking around saying this is death of the show. … It just spiraled completely out of control." (Via THR)
11/01/25 @ 2:53 pm EST
There is a major movie franchise out there that is not going by its original name and it’s thanks to the star. When screenwriter Derek Kolstad finished what would become is most popular film, he was inspired by revenge-thrillers with one-word titles like Payback and Shooter. He dubbed his film, Scorn. The problem came when the star of the film went out and talked about it, he always referred to it by the lead character’s name rather than the title. After a while, the studio realized that their star, Keanu Reeves, had done millions of dollars worth of brand recognition for the name John Wick… they decided to go with it and renamed the film. Why Reeves did this is unknown, but Kolstad has since admitted that John Wick is a better franchise name, saying, “I can’t imagine it being Scorn now.” Was this an intentional thing on Reeves’ part or just a happy coincidence? We may never know.
11/01/25 @ 2:38 pm EST
If you check the major Hollywood sites like Deadline and Variety, they’ll tell you that October 2025 has been the lowest box office take in almost 30 years. It sits currently at $440 million with a few days left to add. In 1998 the box office did $455 million, which this month should just creep past. By comparison October 2018 did $832 million with just three films: Venom, A Star is Born and Halloween, taking in $481 million. But last year, October only took in $478 million showing the decreasing trend. Adding to the decline is the fact that no major releases were scheduled for this weekend because of the Halloween holiday. And what was put into theaters the whole month really didn’t get people’s attention. Tron: Ares was the highest profile film and that hasn’t even broken $70 million in its four weeks in theaters. When you look at numbers like that, it’s hard not to think about what might have been. There was a big budget film slated for release this month, a film that got delayed and delayed and hasn’t even started filming. A film that finally has a finished script and is set to release in October of 2027… that of course is Matt Reeves’ The Batman Part 2. One of the most anticipated films currently in production, the sequel to the 2022 hit, bolstered also by the fan favorite HBO series The Penguin, would easily match and likely succeed the success of the first film. The Batman opened on March 4, 2022 and ended that month with $338 million domestically. It was originally scheduled to be released October 3rd, looking at that release date, this year there really wasn’t any big film put in its place. The film would’ve done better than the first and that amount would’ve driven 2025 towards the top of the list, maybe even surpassing 2018. Ah, what could’ve been.  ...
10/26/25 @ 12:25 pm EST
DC Studios has potentially taken a significant step by filing for a trademark for a film titled "Salvation Run." A move that isn’t too surprising since the Salvation planet and the idea of using it as a prison for meta humans was introduced in the season finale of Peacemaker season 2. But the filing does indicate just how big this idea could be for the DCU. "Salvation Run" is a storyline from DC Comics that originally ran in the late 2000s. The story centers on the mass exile of some of DC's most notorious villains to a hostile alien world, forcing them to band together for survival. It was a concept originally pitched to DC by Game of Thrones writer George R.R. Martin. The trademark filing by DC Studios suggests that the company is considering developing "Salvation Run" into a feature film. While trademark filings do not guarantee that a film will be produced, they often indicate serious intent or early-stage development. The filing protects the title and concept, ensuring that DC Studios retains exclusive rights as plans evolve. Should "Salvation Run" move forward, it could introduce a fresh dynamic to DC's film slate. Instead of focusing on heroes, this story would shine a spotlight on villains, possibly expanding character development and offering audiences new perspectives on well-known antagonists. It also opens opportunities for ensemble casting, complex storytelling, and connections to other DC properties.
10/26/25 @ 11:56 am EST
For many MCU fans, there has been concerns about when or even if Jeremy Renner would be returning to the role of Clint Barton aka the Avenger Hawkeye. Renner first portrayed the archer in 2011’s Thor and returned in 2012’s The Avengers. He has been popping up as the character in various films and even his own Disney+ series that had been rumored to be getting a second season. And then came New Year’s Day 2023 and a horrific snowplow accident where the actor sustained over 30 broken bones, including a shattered leg, broken ribs, a collapsed lung, and a punctured lung. Renner has made a miraculous recovery and has returned to working on projects like Mayor of Kingstown and Wake Up Dead Man… but his future in the MCU is still unclear. Earlier this year Renner gave fans a disappointing update when he revealed that Marvel had talked to him about returning for season two but only offered him half of what he made for season one, which he turned down. None of this was looking good, even with two Avengers movies on the horizon. Shift to now where Renner is out doing various interviews and talking about the character again. He spoke of how Clint Barton has repeatedly tried to retire but keeps coming back and how he believes that it will continue that way until the character is killed off. He also said of the Hawkeye series specifically, "We got to where we’re trying to do the second season. And I think I’ll get strong enough to be able to do it. And we’ll work it out. It’s gonna be great." He was also asked by another Avenger actor, Brie Larson, if he would be returning for Avengers: Doomsday, to which he said “no” and then turned it back on her asking, “Are you?” The whole thing was done very playfully. And even if he doesn’t return for Doomsday, there’s always Secret Wars a year later.  ...
10/25/25 @ 12:37 pm EST
The highly anticipated Marvel series, Fantastic Four: First Steps, is set to make its debut on Disney+. Fans of Marvel’s first family have been eagerly awaiting the arrival of this new adaptation, which promises to bring fresh storytelling and exciting action to the beloved characters of Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm. The film, which was directed by WandaVision’s Matt Shakman, will be available for streaming starting November 5th. The Fantastic Four have long been favorites among comic book readers, and with Marvel Studios now handling the property after the luke-warm reception of the first two Fox films and the universally hated reboot. First Steps is not a retelling of the origin story but rather moves on to the team having been well established after four years and dealing with their greatest threat, the world-devourer Galactus. The new cast includes Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn as the quartet of heroes along with Ralph Ineson, Julia Garner, Paul Walter Hauser, Sarah Niles, Mark Gatis and Natasha Lyonne. The film did moderately well in theaters, taking in a worldwide box office total of $521M and an 86% critic’s score on Rotten Tomatoes.
10/25/25 @ 11:38 am EST
When James Gunn and Peter Safran were announced as the new co-heads of DC Studios, they put out a list of projects as part of their first phase called Gods & Monsters. And while some of those projects like Creature Commandos, Superman and Lanterns have moved forward, one of the projects seems to be stalled. That would be the DCU version of Batman in an announced The Brave and The Bold project. This is a different Batman from the one Robert Pattinson portrays in the Matt Reeves films and would be a bit older and paired with his son Damian as the current Robin. Andy Muschietti, the director of The Flash, has been attached to the project the entire time and appears to still be in line to helm the project. But in the last week we’ve gotten the first movement on the project in a while. First Gunn said in various interviews that the project is still in the work and has changed some since the initial announcement, but he didn’t go into any specific details. Then Muschietti and his producing partner and sister Barbara were asked about the project while at the premier of their new series Welcome to Derry, and IT prequel story. When asked if they were still doing the film, Barbara said, “The intention is yes, but we can’t talk about it.” Andy added, “We have to wait a few, a couple of months to start talking about it.” But then realizing he may have said too much: “I screwed it already.” This is leading fans to speculate that an announcement is imminent and that we may finally learn who will be donning the cowl opposite David Corenswet’s Superman.
10/18/25 @ 2:06 pm EST
Though we have yet to see season two of the Percy Jackson series, season three is adding Kate McKinnon, known for her energetic performances and comedic brilliance on “Saturday Night Live,” as the goddess Aphrodite. McKinnon brings her unique charm and wit to the role, promising an exciting new take on the goddess of love and beauty. Aphrodite is one of the most famous figures from Greek mythology. She is the goddess of love, beauty, desire, and passion. Ancient Greeks believed Aphrodite had the power to inspire love and attraction in gods and mortals alike. According to myth, she was born from the sea foam and emerged fully grown, captivating all who saw her. Aphrodite’s stories often involve her relationships with gods like Ares and mortal heroes, and she played a key role in the legendary events leading up to the Trojan War, most notably by awarding the golden apple to Paris. With Kate McKinnon stepping into the role, viewers can expect a fresh, humorous, and dynamic portrayal of Aphrodite. Besides her time on SNL, McKinnon has been in various movies including the 2016 reboot of Ghostbusters and the 2023 mega-hit Barbie.
10/18/25 @ 1:49 pm EST
In an interesting turn of events, someone posted an image of the wrap gift for the upcoming Lanterns series, showing a baseball hat with the Green Lantern symbol and in the center of that symbol, a series of concentric circles. That person then commented that the modified logo could be indicating an involvement of The Centre, the main antagonist in Darwyn Cooke’s celebrated DC: The New Frontier series. That post was then removed by Warner Bros… In completely unrelated coincidence, have you read The New Frontier? Let me tell you about The Centre, a metaphysical, almost Lovecraftian presence, embodying existential dread and posing a challenge unlike any other faced by the world’s greatest superheroes. The Centre made its debut in "DC: The New Frontier" (2004), a miniseries that bridges the gap between the Golden Age and Silver Age of superheroes. In this alternate history, The Centre is portrayed as an ancient, primordial being that predates humanity itself. It is described as the very source of life on Earth, a sentient landmass that witnessed the rise and fall of prehistoric creatures and eventually grew to despise humanity, whom it perceives as a threat to the planet’s balance. The Centre is not a conventional villain. It is a massive, floating island with psychic and reality-altering abilities. Its consciousness spans across its entire form, making it nearly impossible to attack or reason with in any traditional sense. The Centre’s powers include: <!--[if !supportLists]-->· <!--[endif]-->Telepathy: The Centre can communicate with and manipulate the minds of others, sending visions, inducing madness, or telepathically broadcasting its intentions. <!--[if !supportLists]-->· <!--[endif]-->Physical Invulnerability: Its immense size and composition make it resistant to most forms of attack, even those from the world’s strongest superheroes. <!--[if !supportLists]-->· <!--[endif]-->Creation of Monsters: The Centre spawns various mutated and monstrous creatures to defend itself and attack humanity. <!--[if !supportLists]-->· <!--[endif]-->Levitation and Flight: It can float above the Earth, moving with intention and purpose. In "DC: The New Frontier," The Centre’s appearance catalyzes the unification of the DC universe’s heroes, including Superman, Batman, Wonder Woman, Green Lantern, and The Flash. Realizing that The Centre’s power is too great for any single hero to face alone, they join forces, combining their unique abilities and intellects in a coordinated assault. This is basically the precursor for the Justice League and would be an interesting story to loosely adapt if you were, say, building a new cohesive universe.  ...
10/11/25 @ 11:50 am EST
Rian Johnson, the acclaimed writer-director behind the “Knives Out” franchise, has made headlines with his latest entry, “Wake Up Dead Man: A Knives Out Mystery.” Johnson has openly described this third film as the closest the series has come to emulating the classic structure of an Agatha Christie novel—a deliberate shift from the subversive approaches of “Knives Out” and “Glass Onion.” At the Deadline Contenders London event, Johnson explained that “Wake Up Dead Man” adopts a “more traditional murder mystery structure,” echoing the formula Christie perfected. In his words: “This is how most Agatha Christie books work, where in the first act you meet all the suspects, you meet the protagonist, who’s not the detective. Then the murder happens, and the detective shows up.” This marks a departure from the previous films, which played with audience expectations—solving the murder early in “Knives Out,” and presenting a deceptively simple case in “Glass Onion.” In “Wake Up Dead Man,” Daniel Craig’s Benoit Blanc returns to tackle a darker, more gothic mystery, set in a remote stone church and featuring religious intrigue. The film’s protagonist, played by Josh O’Connor, is a priest who becomes Blanc’s sidekick, further grounding the story in classic whodunnit territory. Johnson also cited inspiration from Edgar Allan Poe, aiming for a “grounded, gothic tone” that predates Christie’s work. With the release of “Wake Up Dead Man,” Johnson completes his two-film deal with Netflix. So, what’s next? Johnson has confirmed that he will be taking a break from the “Knives Out” series to focus on an original project. “I’m writing right now, [but] it’s not one of these [Knives Out] films. It’s just something completely different, an original thing. I actually feel very energized after making this one [Wake Up Dead Man], but this is three in a row. It’s probably healthy to see other people.” He hasn’t revealed details about this new project or whether it will be with Netflix, but he’s made it clear that he wants to explore a different genre. Johnson’s creative philosophy is to “empty the well and then start from scratch,” ensuring each new film is a fresh challenge. Despite the break, Johnson remains enthusiastic about returning to the world of Benoit Blanc. He’s stated that as long as Daniel Craig is interested and audiences are engaged, he’d be happy to keep making “Knives Out” mysteries for life. Producer Ram Bergman echoed this, saying future installments are possible, but for now, the focus is on Johnson’s original script.  ...
10/11/25 @ 11:37 am EST
The Season 2 finale of Peacemaker has left fans with mixed feelings and a lot of speculation for the future. Known for its irreverent humor, brutal action, and surprising depth, the closing episode focused more on wrapping up emotional drama but also planted significant seeds for the future of the DC Universe (DCU). This was done through the introduction of Checkmate and Salvation, signaling the long-term direction for the first phase of the new universe. Checkmate, for those unfamiliar with DC Comics lore, is a covert intelligence agency known for operating in the shadows, often handling threats that are too dangerous or politically sensitive for public superhero teams. They first appeared in Action Comics #598, created by Paul Kupperberg and Steve Erwin. While in the comics, the organization is created by Amanda Waller, in the HBO Max series, it is founded by Amanda’s daughter, Leota Adebayo and the rest of the 11th Street Kids using the drug money that Vigilante had been saving. Their arrival marks a significant turning point, suggesting that future seasons—and perhaps other DCU projects—will explore the complex world of espionage, betrayal, and secret wars within the superhero community. Salvation in the comics is a prison planet where Waller and Rick Flag started sending metahumans too powerful to be held in regular prisons. This was introduced in the Salvation Run comic series, originally pitched by George R.R. Martin, written by Bill Willingham and Lilah Sturges and drawn by a variety of artists including Sean Chen and Joe Bennet. This lead into the Final Crisis event which had Darkseid coming to Earth. In the series, Salvation is an alternate reality discovered through the Quantum Unfolding Chamber that appears to be Earth-like and ideal for Flag and Lex Luthor’s plan for a place to send Metahumans. The season ends with Chris Smith aka Peacemaker, forced into Salvation by Argus and left to fend for himself. These introductions show that James Gunn overall plan for Gods & Monsters, the first phase of the DCU, is going to loosely adapt Salvation Run and may lead us to a version of Final Crisis. Even though there is a cliffhanger ending, Gunn has said that there are no immediate plans for a third season of Peacemaker, but he’s promised that these characters will be seen again soon, and the existence of Salvation will playout over all of the DCU including the upcoming Lanterns series and the 2027 film Man of Tomorrow. Reaction to the finale has been mixed with some fans disappointed with the lack of action nor any big cameo that many had speculated. Other fans though appreciated the emotional catharsis achieved by the characters and the new direction which included a few members of Argus, specifically Sasha Bordeaux, Langston Feury and Judo Master, becoming members of Checkmate along with the 11th Street Kids. Where and how we’ll see this story continue has yet to be announced.  ...
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