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06/11/17 @ 8:47 pm EST
 The cast of Battlestar Galactica reunited Saturday at closing night of the ATX Television Festival and while it marked the first official reunion, those behind the Syfy drama revealed they've kept in close contact since the series went off the air eight years ago. "It is profoundly different than I think what happens to a lot of casts when it's time to run away from each other," Mary McDonnell told the crowd. Battlestar was developed as a reimagining of the 1978 series of the same name and originally premiered as a miniseries on Syfy in 2003. The following year, the project returned as a full-fledged series and ran for four seasons, wrapping in 2009. Over its run, the drama quickly became a critical darling, and went onto win Peabody and Television Critics Association awards. Looking back on the original miniseries, showrunner Ronald D. Moore recalled watching every episode but said "it didn't light the fire in me," despite his love of other sci-fi projects in the '70s like Star Trek and Star Wars.When he got a call in early 2002 about potential coming onboard the reboot, Moore was hesitant after logging 10 years on Star Trek: The Next Generation and Deep Space Nine. "I wasn’t sure if I want to go back into space again," he said. However, Moore thought it over and rented the original tape from Blockbuster. "It had completely different resonance," Moore said of watching the original in a post-9/11 world. "I just sort of immediately thought if you did that show now, it was an opportunity to talk about the thing that were happening in the world." He then took the job. When asked how Battlestar would be different if it launched in present-day, Moore said the show "would take advantage of the current political situation," he said, but added, "It's hard to imagine doing it today if it was just from zero." However, McDonnell pointed out the current administration was made some of Battlestar's key themes even more relevant."We're living in a time where the powers that be are trying to create as much difference between us as their pockets books will allow. With Battlestar, we have a reminder that it could go away," McDonnell said. "We're unfortunately living on the edge at the moment of the planet. Perhaps we can stop dividing each other and seeing each other as the other." Moore and stars including McDonnell, Edward James Olmos, Katee Sackhoff, Tricia Helfer, Grace Park, James Callis and Michael Trucco reflected on their auditions, Olmos' big speech to the cast and what Moore calls "one of the stupidest things" the writers ever wrote into the show. Read on for more highlights from the show: Olmos Initially Said NoWhen he was offered the role, "I said no at the beginning. I said, 'Thank you very much but I'm working,'" he said. But his agent urged him to read the script anyway. "And then I read it, and I immediately said, 'I want to be with them. Let's do this.' The Female PresidentMary McDonnell never saw the original Battlestar. "I didn't have a television. I didn't know anything about it. I didn’t understand. It was presented to me as you have the opportunity to do the reboot or the reinventing of Battlestar Galactica. I just giggled," she said. However, when she the script, "I was attracted to these people in the first readthrough." McDonnell also found the script extremely prescient to the current times, particularly playing a female president. "We were shooting this when Hillary [Clinton] was running [for the Senate] and it became a very timely event for me," McDonnell said. "We started it not too long after September 11th so there was a strong emotional connection for me as well." A Female Starbuck?Moore said one of his first ideas was to change Starbuck from a male character to e a female. "This was a moment in time when we ere just starting to see women in combat, female combat pilots for the first time," he said. "I really didn't think it would be a thing," he said. However, it quickly drew ire from fans. "I was surprised and sort of like really? People are getting upset about this?" he said. "It seemed like the dumbest thing in the world. It was just kind of baffling." However, Moore quickly learned to embrace it. "Yell about it, get angry," he recalled thinking. "I need publicity."Sackhoff recalled being told she was "too girly" for the part. "I was told so many times that I was not right for this part. There's a piece of you that goes, 'Oh my God, I'm not right for this part.'" She subsequently had to audition six or seven times. "I cut my hair in the process. I took off my stiletos and eventually, I got the part," she recalled. When she learned about the controversy surrounding her character in a chat room at an Internet café, "I thought, f– 'em,'" she said. The Other StarbuckPark recalled it was down to her and Sackhoff for the role Starbucks. "When I was told I got Boomer, I was pissed," Park said with a laugh. "I was like, 'Who the 'eff is Boomer?'" Subsequently, it took part a while to figure out her character was a Cylon. "I just hadn't realized because I wasn't reading for that and I probably wasn't picking up on the clues," she said. A First Day KissHelfer had been acting professionally for about a year when she got the gig, and recalled the nerves she had the first day on the set, particularly when it came to shooting a steamy scene with Callis. "He was getting nervous. I was getting nervous We were both sweating," she said. "I finally said, "James, there's a basement, let's go downstairs.'"One thing led to another and "I just planted a kiss on him," Helfer said. "Genuinely it was a really good move because we were both really self-conscious," Callis said. "It’s a thing about trust and I think that was what helped us and helped us establish that relationship." Another Apollo?Trucco remember auditioning for the role of Apollo originally. "Rumor has it that I got initially, initially not very close at all," he said with a laugh. "I wrote in my journal, 'This is the greatest television show ever made.'" In season two, he came onboard for what was originally supposed to be two-episode arc. "Something incredible happened: The majority of the people f—ing hated my character and I think that fueled Ron," Trucco said. Interjected Moore: "He's coming back now." Trucco also remembered the early days of internet chat rooms, saying "People said horrible things." The Admiral's SpeechWhen shooting the miniseries that led then to the series, Callis recalled the speech Olmos gave to the entire cast in which he foreshadowed the show's success. "The show's going to go for five years. Every episode is going to be like a movie. Keep your powder dry. We're in here for the long haul. You are not to make fun of this," Callis said Olmos told the cast. "Nobody needs to take this as seriously as we do." Looking back, Callis called it a "galvanizing" moment. "At the time, you don't realize how important something like that is." Six's Big Moment in the First EpisodeHelfer's Six killed a baby in first episode, specifically by cracking its neck. "The network didn’t want it in there," Helfer said, but said she believed the moment added "depth" to her character. "To me, that was a very integral moment of showing that this other side, you're very quickly going to learn that this the other side, this the evil side, has some sort of empathy."However, because of that moment, Helfer's sister never watched the series because she had given birth shortly before. "It was just a hard thing, the crack sound," she recalled. The Evolution of 'Frak'While muttered once on the original series, it became a popular (and frequent) part of reboot. "I just said this a brilliant opportunity to say f– over and over again," Moore said. "This is just a license to kill so I'm just going to do it over and over." The Big Debates Behind the ScenesMoore remembered, "when I pitched it, I could have done anything. They really don't care. You can do whatever you want with this, was the attitude." However, that changed once the series was in full swing. ""All the big ticket items we never fought about," Moore said. "We fought about stupid things. We fought about how much blood you're going to show, how many pilots you're going to kill. … Is it too dark? Is it too depressing?"Another concern from the network was the show's serialized nature which is why many of the show's early hours are standalone episodes. "Serialized TV was really unusual and frowned upon and networks didn't like it," Moore said. "The network was terrified that people would watch them out of order." Starbuck's Death (Kind of)When asked about her favorite moment, Sackhoff recalled getting the call from Moore and David Eicks that her character was going to get killed but then brought back. "'We're going to kill you but we're going to bring you back so don't worry,'" she said. "So I went to Mexico for a couple episodes but the problem was I was lying to everyone."Moore interjected: "This is one of the stupidest things David and I did in the entire run of the show." Sackhoff eventually told Olmos, who then told the entire cast at a magazine shoot she wasn't really dead, "and I felt like such an asshole."Meanwhile, Moore recalled "We're getting calls in Los Angeles saying they're really upset. You don't understand. People are really freaking out that you're killing [her]," Moore said, particularly Olmos. "Eddy is walking around saying this is death of the show. … It just spiraled completely out of control." (Via THR)
01/17/26 @ 12:41 pm EST
Netflix’s proposed acquisition of Warner Bros. has stirred plenty of speculation across Hollywood, but one message from the streamer’s leadership has been unusually clear: the theatrical experience isn’t going anywhere. In fact, if the sale closes, Netflix says it will strengthen Warner Bros.’ traditional theatrical model rather than shrink it. Ted Sarandos, Netflix’s co‑CEO, has repeatedly emphasized that Warner Bros. films will continue to enjoy a 45‑day exclusive theatrical window—a stance that directly counters fears that Netflix would rush major releases to streaming. Sarandos described Warner Bros.’ theatrical distribution as a “phenomenal” engine that generates billions in revenue, insisting Netflix has no intention of putting that at risk. This commitment marks a notable shift in tone for Netflix, which historically prioritized streaming-first strategies. But after reviewing Warner Bros.’ financials, Sarandos acknowledged that the economics of theatrical releases are stronger than Netflix had previously modeled. He framed the 45‑day window not as a compromise but as a competitive strategy: Netflix wants to “win opening weekend” and “win box office,” embracing the same metrics that drive traditional studios. Industry observers have taken notice. While some feared the acquisition would accelerate the decline of theatrical exclusivity, Netflix’s public stance suggests a more balanced future—one where streaming power and box office ambition coexist. For now, at least, moviegoers can expect Warner Bros. films to keep lighting up big screens for a full month and a half before landing on Netflix’s platform.
01/17/26 @ 12:20 pm EST
The DCU is expanding with the casting of one of the universe’s biggest bads… Darkseid. While this seems to go against something co-studio head James Gunn has said previously about staying away from the cosmic threat, but this casting isn’t for Man of Tomorrow, but rather the upcoming Mister. Miracle animated series and you can’t really tell the story of Scott Free with mentioning his adopted daddy. Writer Tom King was on the Word Balloon podcast when he talked about the series that he is showrunning and said that they had cast Darkseid and Orion along with Mr. Miracle and Big Barda. If you’re not familiar with these characters, they are all part of the Fourth World Saga created by comic legend Jack Kirby during his short stint with DC Comics. It tells the story of two warring factions, the New Gods and the planet Apokolips and a deal that was made in an attempt for peace. The leaders of the factions, High Father and Darkseid, would exchange children… this sent Scott Free to be raised on the oppressive planet while Orion was sent to the peaceful New Genesis. Scott would become and escape artist, finding a way off of Apokolips with the female warrior, Barda, and eventually come to Earth. Exactly what part of that history the series will focus on is unclear, but we do know that Darkseid and the others will be involved. Gunn also confirmed on social media that the series will be cannon to the DCU that includes the recent Superman movie, the Peacemaker series and the animated Creature Commandos. This means that whoever is voicing these characters in the series would also play them in live action in the future and King has said that the Mister Miracle series will have big ramifications on the DCU as a whole. No word on when the series will debut, but with the casting already made, we can expect an announcement in the near future.  ...
01/10/26 @ 11:52 am EST
Takashi Yamazaki’s follow-up to the 2023 Godzilla Minus One is set to hit North American theaters on November 6th, 2026, three days after its premier in Japan. The Academy Award winning film took in $11.4 million in the US on its opening weekend and $57 million total during its domestic box office run. Godzilla Minus Zero is the second film in the franchise from Gkids since taking Toho acquired the company in 2024. David Jesteadt, president of Gkids, said in a statement: “Gkids is proud to bring Godzilla Minus Zero to North American audiences, following the incredible global reception of Godzilla Minus One. This next chapter is sure to become another defining moment for the most colossal monster ever to dominate the screen. It is only fitting that this bold, new Godzilla event be experienced in its fullest theatrical glory, and we’re honored that Toho has entrusted us to carry this legacy forward.”
01/10/26 @ 11:38 am EST
As we get closer to the start of production on Matt Reeves’ The Batman Part 2, the cast starts to take shape with the second MCU veteran being added to the cast. We heard of Scarlet Johansson’s casting earlier in December and now multiple sources are saying Sebastian Stan has come on board as well, with the Hollywood Reporter’s Heat Vision report claiming that the actor who plays Bucky Barnes will now take on the role of District Attorney Harvey Dent aka Two-Face. This lines up with the rumors that Johansson would be playing Gilda Dent and that the story may be following the Long Halloween, a popular comic arch by Jeph Loeb and Tim Sale. While the story does focus on the Dents, many of the other characters in the story have already appeared in The Batman and The Penguin and have already been eliminated. Plus, the setting of the sequel is said to be set around a week after The Penguin series ended, just before Christmas. How ever the characters are used, if Stan is in the film, it then puts the fate of his MCU character in question as The Batman Part 2 will be filming around the same time as Avengers: Secret Wars. While the casting of both Stan and Johansson have not been made official, neither have they been denied by Reeves, James Gunn or DC Studios.
01/03/26 @ 1:19 pm EST
Deadline is reporting that Mike Flanagan is working on a new adaptation of Stephen King’s The Dark Tower series. Flanagan said his plan is to adapt the beloved franchise into a five-season series that would then be capped off by two stand-alone movies. The acclaimed horror director recently told Empire Magazine, “We’ve got a lot of scripts done for it. It’s the first priority.” He also made it clear that he doesn’t want the 2017 Idris Elba/ Matthew McConaughey film to be the final word on the property. That adaptation has a 16% critic rating on Rotten Tomatoes. Though Flanagan and Intrepid Pictures have a deal with Amazon, the rights to the Dark Tower were specifically carved out of their arrangement and could end up with another studio, but Amazon is also a possibility. Flanagan is known for his work on films like Gerald’s Game, Doctor Sleep and the Life of Chuck as well as series like The Fall of the House of Ushers, The Midnight Club and Midnight Mass. He also came up with the initial story and script for the upcoming Clayface movie that was so strong that James Gunn and Peter Safran has to greenlight a body horror film starring a B-level Batman villain as the third film released in their new DCU.
01/03/26 @ 12:45 pm EST
Now that we’re in 2026, we need to keep an ear out for casting news for the two big DC Studios films shooting this year, Man of Tomorrow and The Batman Part 2. The Superman follow-up is the one going first and we already got the casting announcement for the main villain, Brainiac with the addition of German actor Lars Eidinger to the cast. There have been rumors that there was a female role being cast for a potential hero that many have assumed was going to be this universe’s Wonder Woman, and while that has not been confirmed, John Rocha of the Hot Mic podcast says his sources confirm that James Gunn is looking to cast the Amazon warrior for the film. That would make sense with the idea that DC is pushing Wonder Woman for a new film with Supergirl scribe Ann Nogueira said to be working on the script. This still falls into the rumor category, but Gunn has not debunked the story as of yet. With the film expected to begin production in the spring, more casting news is expected in the next few weeks/months, and we know that if the “scoopers” have it right, DC likes to get the news out their themselves as they did with Eidinger. So I wouldn’t trust any of the rumored castings as of now.
12/20/25 @ 12:26 pm EST
James Gunn took to social media this morning to welcome Lars Eidinger to the DCU and Man of Tomorrow in the role of Brainiac. Eidinger, while not a household name, is best known for his roles in Clouds of Sils Maria and Personal Shopper but also appeared in the recent Netflix film Jay Kelly. Gunn talked about a worldwide search for the iconic Superman villain led to Eidinger rising to the top. He will join David Corenswet, Nicholas Hoult and Rachel Brosnahan as the film is expected to begin shooting in the spring of 2026 for a release in July of 2027. There have been multiple attempts to use Brainiac in a Superman film, but each attempt has fallen to the wayside, and his only live-action appearance so far was in the short-lived SciFi series Krypton where he was played by Blake Ritson.
12/20/25 @ 11:25 am EST
After having begun production in August of this year, director Destin Daniel Cretton revealed that Spider-Man: Brand New Day has wrapped filming as of Friday. The film, which is set to premiere July 31st, 2026, features the return of Tom Holland as Peter Parker and is the first in the MCU franchise to not be directed by Jon Watts. Cretton wrote on Instagram, “I’m so deeply grateful for the people who walked with me through the biggest, most rewarding film I’ve ever been a part of. To our amazing cast, for breathing so much life into these beloved characters and moving us every day. To our unbelievable crew, who worked tirelessly with unmatched creativity and craftsmanship, who made me laugh so hard my stomach never stopped hurting. I love you all so much and can’t wait for the world to see your stunning work on the big screen. And of course, to @tomholland2013, for your kind, generous leadership on and off screen, for your relentless work ethic, your fearless performances, and for your friendship. That’s a wrap on Spider-Man: Brand New Day!” This is Cretton’s second MCU film after having helmed Shang Chi and the Legend of the Ten Rings. He has also produced the Wonder Man series set to debut on Disney+ next month.
12/06/25 @ 2:03 pm EST
Scarlett Johansson is said to be in negotiations to join the cast of the highly anticipated sequel, The Batman Part 2. While Warner Bros. has not officially revealed which character Johansson would portray, speculation is rife across social media and film forums. Many fans are hoping she will take on the role of a major antagonist or perhaps bring a new dimension to an existing character from the Batman lore. Johansson’s acclaimed work in action and drama—especially her iconic run as Black Widow in the Marvel Cinematic Universe—positions her as a compelling choice for a complex role in Gotham’s shadowy streets. The Batman Part 2 is currently in pre-production, with filming scheduled to commence in May of next year. The film is targeted for a theatrical release in 2026, although official dates may be subject to change. Director Matt Reeves returns to helm the sequel, ensuring continuity in the vision and tone that made the first installment a critical and box office success. Johansson’s addition is expected to boost the already stellar lineup led by Robert Pattinson as Bruce Wayne/Batman. Within hours of the announcement, social media platforms lit up with enthusiastic posts and trending hashtags. Speculation is running rampant with guesses of her role ranging from villains like Poison Ivy and Harley Quinn to love interests like Silver St. Cloud and Vickie Vale. One of the more popular suggestions is that Johansson could be playing Andrea Beaumont, a love interest and antagonist from the hit animated film Mask of the Phantasm. The casting has not been confirmed and neither the studio nor Reeves has commented since the story broke.
12/06/25 @ 1:50 pm EST
In a dramatic shift for the entertainment industry, Netflix has announced its acquisition of Warner Bros, one of Hollywood's most iconic studios. This unprecedented deal marks a pivotal moment in the ongoing evolution of media and streaming services. Netflix, already a leader in streaming content, has been searching for ways to expand its library and production capabilities. Warner Bros, with its vast catalog of beloved films and television franchises—including the Harry Potter, DC, and Looney Tunes properties—represents a treasure trove of content and creative resources. The acquisition signals Netflix's commitment to not only dominating streaming but also to strengthening its influence in theatrical releases and television programming. Though Netflix has been against theatrical releases in the past, in a recent statement they said they planned to continue them for Warner Bros films just with a shorter release window. By purchasing Warner Bros, Netflix gains access to a library of classic and highly profitable intellectual properties. This move allows Netflix to offer exclusive streaming rights to blockbuster franchises, while also leveraging Warner Bros’ production infrastructure. The deal also positions Netflix to compete more directly with other major studios and streaming platforms, such as Disney and Amazon. Industry analysts predict that this acquisition will accelerate the consolidation trend within the entertainment sector. Other studios and streaming services may seek mergers or partnerships to remain competitive. Audiences can likely expect a surge in new content, including reboots, spin-offs, and original productions drawing from Warner Bros' legacy. For Netflix subscribers, the platform could soon become the go-to destination for both new releases and classic favorites. While some industry veterans express concern about further consolidation of media power, others see this as an opportunity for innovation and greater investment in high-quality storytelling. Only time will tell how this landmark deal reshapes Hollywood and the global entertainment landscape.  ...
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