|
07/27/16 @ 6:07 pm EST
A Writer’s Commentary: David Avallone talks Twilight Zone/The Shadow #4, on sale today from Dynamite. Cover by Francesco Francavilla, interiors by Dave Acosta. The cover.When Francesco Francavilla was doing the cover for issue#3, he tweeted that he was listening to Bernard Herrmann’s soundtrack from Vertigo. (The movie, not the comic book imprint.) When issue #4 came around and they asked if I had any ideas for a cover, I said, “Why not a pastiche of Saul Bass’ famous Vertigo cover?” Francesco ran with it, and the result is a beautiful cover. The Twilight Zone spiral gets us already halfway there.  Page one.A little Serling-esque voice-over, and we’re off. Dave Acosta found that authentic Nazi propaganda poster online, and added it to this scene. We collaborated with a private Pinterest page, swapping photo references and ideas back and forth. After this commentary is published, I’ll make the Pinterest board public so people can see a little more of the process. Check my Twitter to see it. (@DAvallone)  Page two.I spent enough time researching the uniforms and rank-systems of American Nazis/Bund that I probably got on some NSA watchlist. I promise, guys, it was all for the comic. I hate these guys. “Kreisleiter” means “regional commander”, sort of. The name Penzler might be familiar to some old mystery fans.  Page three.The Shadow makes a snide reference to talented Nazi filmmaker/stooge Leni Riefenstahl. Penzler calls the Shadow a vigilante, and not qualified to invoke the law. I always think it’s a good idea to give the villain a valid point every now and again.  Page four.“Dallenbach’s” was the name of a popular swimming hole in my home town of East Brunswick, NJ. I’ve always wanted to use the name in something.  Pages six and seven.In the fourth issue, we finally see the Shadow use one of his “powers”. In this case, hypnosis… which reveals what evil that lurks in the hearts of men… or Hitlerjugend. These kids were real. They weren’t monsters. They were people who behaved as monsters. I gave this one, for our purposes, perhaps too simple a motivation… but it’s hard to get at a topic as big and nuanced as anti-Semitism in a 20-page comic book. Pages ten through thirteen.In prepping to write this book, I ran through the synopses of all the original TZ episodes, looking for common threads, tropes, themes, etc. At the beginning, I wasn’t sure what I’d do for issue #4 … but as the story came together I realized that all the elements pointed towards this scene. The Shadow shows mercy to a Nazi youth, and introduces him to some new ideas… and the embodiment of those ideas in his long friendship with Moses Shrevnitz. I feel confident Serling would have approved of this scene. To me, this is what The Twilight Zone is all about: an arrogant man learns to apologize, and a young man consumed with hatred is shown another way. Page twelve.“…but my old friend Moses Shrevnitz is a son of Abraham.” I thought long and hard about that sentence. “Jew” is thrown around with such hatred by the Nazi characters in this issue that it seemed wrong for the Shadow to use it, even benignly. In the period, he might have said “Hebrew”, but I had a feeling that would also read awkwardly to a modern audience. “Son of Abraham” seemed appropriately poetic and Old Testament for the Shadow’s particular manner of speaking. As a Son of Abraham myself, I felt it worked best, for the period and for today’s reader. Page fifteen.Guns are loud. I love Moe putting his fingers in his ears as Margo bangs away with the .45 right over his head. Pages seventeen and eighteen.There’s a pretentious writer cliché: that the characters take over the story. Originally, this scene ended with Peter’s sacrifice and the Shadow and company making good their escape. It was supposed to be the shocker that ends the sequence. I really wanted three pages for the final scene. But I swear… the Shadow wouldn’t let me do it. He would not run away after seeing Peter Dallenbach gunned down. I was prepared to move on to the next scene, the epilogue… and then the Shadow said, “Shrevvy, stop the car!” And machine-gunned a bunch of Nazis. This story was supposed to be about the Shadow learning mercy… and this final action muddies and complicates that. But people are muddy and complicated: even having just learned a lesson about mercy, there was no way the Shadow wouldn’t avenge Peter Dallenbach, and he insisted I give him another page to do it. And who am I to say no to the Shadow? Pages nineteen and twenty.Epilogue at the Cobalt Club. The Shadow tries to understand the journey he’s just taken, and finds a little proof that it all was real. I considered making the “twist” more clear by including a little flashback inset of “Justice” slashing Allard’s hand, but decided to have a little more faith in the audience. As a Twilight Zone trope, it’s borrowed from episodes like “King Nine Will Not Return”: the dream/hallucination leaves physical evidence that it really happened. I’ve said before that my favorite part of this series was the chance to write in the “voice” of Rod Serling. I rewrote this final narration quite a few times trying to wrap it all up, to get the voice right, and to suggest that this experience will maybe have a lasting effect on the Shadow, as he continues his war on crime. I’d like to thank Dynamite, and Executive Editor Joe Rybandt in particular, for the unique opportunity to combine two of my favorite things, and tell this story. 05/14/24 @ 12:00 pm EST
The Tomb Raider TV series is moving forward at Amazon. A year and change after The Hollywood Reporter revealed Emmy winner Phoebe Waller-Bridge was writing and producing an adaptation of the popular video game turned action movie Tomb Raider, the retail giant/streamer has handed out a series order for the live-action series. A worldwide casting search will begin soon for an actress to play Lara Croft in the series from Legendary Television. The surprise announcement was made Tuesday during Amazon’s first trip to woo Madison Avenue ad buyers at TV’s Upfront week in New York, with the news arriving after another video game adaptation, Fallout, has become a breakout hit for the service. The Tomb Raider TV series is the first project to stem from a massive rights deal with Johnson’s dj2 Entertainment. A feature film and at least one video game in the Lara Croft franchise are also in the works as Amazon plots a Marvel-like franchise with all of the projects connected. 05/14/24 @ 11:50 am EST
Bestselling creator Maria Llovet (Crave, Luna, Porcelain) returns with this sexy one-shot compilation of her three-part story—previously published in the Image 30th Anniversary Anthology—titled, All the Things We Didn’t Do Last Night. This complete, criminals-to-lovers tale is set to hit shelves in July from Image Comics. In All the Things We Didn’t Do Last Night, Mamen is a young art historian who has become a jewelry thief because of a trauma from her past. Damon is a hitman tired of his bosses. Oblivious to their secret lives, they meet cute and promise to go on a date. But fate unites them before they planned, as both witness each other’s crime. "This one-shot was initially created as an 'origin story' of a bigger project of mine, so in this edition I’ve decided to include a lot of extra material and info where the readers will know more about these characters that I love and their future adventures," said Llovet. All the Things We Didn’t Do Last Night one-shot will be available at comic book shops on Wednesday, July 3: Cover A by Llovet - Lunar Code 0524IM238 Cover B by Llovet - Lunar Code 0524IM239 Cover C by Jesús Orellana - Lunar Code 0524IM240 Cover D (1:10 copy incentive virgin variant) by Orellana - Lunar Code 0524IM241 Cover E (1:15 copy incentive) by Llovet - Lunar Code 0524IM242 Cover F (1:20 copy incentive virgin variant) by Llovet - Lunar Code 0524IM243 All the Things We Didn’t Do Last Night one-shot will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.            
... 05/14/24 @ 11:36 am EST
Amazon continues to have faith in The Boys. The series has been renewed for Season 5, the company announced during Tuesday’s Upfront presentation. The news comes about a month before the fourth installment is set to hit Prime Video. The eight-episode Season 4 premieres on June 13 with three episodes, followed by a new episode each week, ending with the season finale on July 18. In Season 4, the world is on the brink. Victoria Neuman is closer than ever to the Oval Office and under the muscly thumb of Homelander, who is consolidating his power. Butcher, with only months to live, has lost Becca’s son and his job as The Boys’ leader. The rest of the team are fed up with his lies. With the stakes higher than ever, they have to find a way to work together and save the world before it’s too late. The Boys is based on The New York Times best-selling comic by Garth Ennis and Darick Robertson, who also serve as executive producers. Eric Kripke developed the series for TV and serves as showrunner and executive producer. (via Deadline) 05/13/24 @ 10:50 pm EST
The Barbarella feature starring Sydney Sweeney is getting more oxygen. Edgar Wright is in talks to direct the film for Sony Pictures, with Jane Goldman and Honey Ross in talks to write the script, The Hollywood Reporter has confirmed. The project is still in early development and is planned as a new take on the character that originated in a French comic series from Jean-Claude Forest. Barbarella, a mercenary who travels the universe, was portrayed by Jane Fonda in a 1968 movie version that has become a cult favorite. Sweeney’s involvement in the new film was announced in 2022. Wright is known for helming films including Last Night in Soho, Baby Driver and Scott Pilgrim vs. the World. His next project is set to be a new adaptation of The Running Man for Paramount Pictures that will star Glen Powell. 05/13/24 @ 10:29 pm EST
Fan-favorite Cliff Rathburn (The Walking Dead, Brit) will launch an all-new, four-issue science-fiction miniseries titled, Remote Space. This tale will kick off in June from Image Comics. Remote Space is set in the year 2450 and Earth is dying. The human species has gone down two different evolutionary paths. One used cybernetic augmentation to adapt to space travel. The humans left behind used genetic manipulation to adapt to earth's worsening climate. For earth to survive, civilizations need to collide. "I am proud of what I've done with Remote Space and I think anyone who buys a copy will be happy with their purchase," said Rathburn. Remote Space #1 will be available at comic book shops on Wednesday, June 12: Cover A (wraparound) by Rathburn - Lunar Code 0424IM209 Cover B (1:10 copy incentive) by Ryan Ottley - Lunar Code 0424IM210 Remote Space #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.     
05/13/24 @ 12:20 pm EST
Jason Statham (Fast & Furious) has been set to lead a new action-thriller from director Baltasar Kormákur (Everest), which Black Bear is launching this week for the Cannes market. In the currently untitled film, Statham will play Mason who lives in isolation in a remote Scottish island. When he rescues a young girl from the ocean in a terrible storm, he sets a chain of events in motion that brings a violent attack to his hideaway, forcing him back into the world to confront the ghosts of his past. Principal photography is scheduled to commence in November in the UK and Iceland with production services and filming to take place at Kormákur’s RVK Studios facility in Reykjavik. The script comes from Ward Parry. (via Deadline) 05/13/24 @ 12:15 pm EST
These apes are going to need a bigger boat for their cash! 20th Century Studios‘ Kingdom of the Planet of the Apes has come in over expectations with a $58.5M opening. Sunday came in at $16.5M, down 19%, a strong attributable to Mother’s Day. Who knew moms were fans of the Planet of the Apes movies? Typical Mother’s Day Saturday to Sunday drops are around the -28% range. That’s now the third highest opening for an Apes movie after Dawn of the Planet of the Apes ($72.6M) and Tim Burton’s Planet of the Apes ($68.5M). Kingdom of the Planet of the Apes only cost $160M, which is cheaper than Matt Reeves’ War for the Planet of the Apes which cost $190M before P&A. As Deadline reported yesterday, there’s hope for summer in a movie that can beat its tracking projections. Not everything is destined to become flat footed. 05/12/24 @ 2:40 pm EST
Susan Backlinie, the actress seen in one of the most terrifying cinematic moments in history, has passed away at the age of 77. Backlinie played the skinny-dipping swimmer attacked by the shark in the opening scene of the 1975 horror classic Jaws. She would later re-team with director Steven Spielberg to parody that same scene in his film 1941. From their her career moved more into stunt work for films and television including work on The Great Muppet Caper, Day of the Animals and The Fall Guy television series. No cause of death has been released. She is survived by her husband, Harvey. 
05/12/24 @ 2:10 pm EST
Recently we’ve been seeing a rise in the number of “insiders” leaking information and photos from upcoming films. And while this has been going on for years, one in particular has hit a nerve with Marvel Studios so much that they have gone to the courts to try and have their true identity revealed. Documents have been found that show that Marvel’s VP of Global Security & Content Protection has subpoenaed Instagram for the identity of who runs the account “CanWeGetSomeToast,” a scooper who is known for posting leaks and spoilers. They are doing this because of a “leaked, pre-release image” from Captain America: Brave New World. The film is already dealing with leaks due to images from the upcoming McDonald’s toy tie-in hitting the web that showed a few characters that have not been officially confirmed for the film. It’s unclear what Marvel plans to do if they are able to get the information about who runs the account.  05/12/24 @ 1:13 pm EST
B-movie legend Roger Corman passed away at the age of 98. The director and producer of hundreds of low-budget films and the man who discovered a ton of industry stars from Jack Nicholson to Martin Scorsese to Rober De Niro. Variety reported that he died on May 9th at his some surrounded by his family. Previously asked how he wished to be remembered, Corman said, “I was a filmmaker, just that.” He specialized in fast-paced, low-budget genre movies including horror, action, science fiction and the occasional family fare. His films included Little Shop of Horrors, Boxcar Bertha, Machine Gun Kelly, Fall of the House of Ushers, Masque of the Red Death, Dementia 13, Eat My Dust, Frankenstein Unbound and in 1994 he famously produced with Bernd Eichinger an unreleased Fantastic Four film that was made so Eichinger could retain the rights to the franchise. Though the film never hit theaters, bootleg copies have been sold around at conventions for years. Corman is survived by his wife, producer Julie Corman, and daughters, Catherine and Mary.  |
