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10/05/15 @ 3:50 pm EST
Dynamite Entertainment is proud to announce that beloved comic book heroines Red Sonja, Vampirella, and Dejah Thoris will undergo bold new directions and costume redesigns in new monthly series debuting in the first quarter of 2016. Following narrative direction from Gail Simone, the fan-favorite author of this past summer's Swords of Sorrow crossover epic, the new titles promise unexpected storylines for its headlining characters, delivered by some of today's most innovative creators. Red Sonja#1 will launch in January, helmed by writer Marguerite Bennett and artist Aneke. Dejah Thoris #1 and Vampirella #1 will debut in subsequent months, written by Frank J. Barbiere and Kate Leth respectively.
Gail Simone, whose critically acclaimed work on Red Sonja for the past two years inspired the massive company-wide celebration of female characters entitled Swords of Sorrow (featuring contributions by her hand-picked team of all-female writers), has created a road map for Red Sonja, Vampirella, and Dejah Thoris that will serve as the basis for all-new series with radically different settings and situations, fresh yet true to the traditional motivations of these comic book icons.
"We're doing a monster makeover with these characters, and it's a joy to be part of this. Make no mistake, these are characters we love, badasses all; the She-Devil with a Sword, the queen of all vampire hunters, and the warlord princess. Characters do not get any better than that," says Simone. "Our mission here is to spruce up their look and remind people that these were the original female ass-kickers that inspired Xena, Buffy, and Leia Organa. They are the map others followed, and we get to bring them each a hot, new look from brilliant artist/designer Nicola Scott, as well as thrilling new mission statements for each of them."
Artist Nicola Scott (Birds of Prey, Superman) designed the new look for these iconic characters, blending classic costume elements with the functional, action-ready designs that modern and diverse audiences long to see. "It's an honor to reimagine these amazing, iconic women and be part of their ongoing legacy," Scott says.
SPOTLIGHT ON RED SONJA:
Red Sonja #1, by the creative team of Marguerite Bennett (Bombshells, A-Force, Angela) and Aneke (Legenderry: Red Sonja, Damsels) and scheduled for release on January 13, 2016, will see its titular heroine return to her homeland of Hyrkania, only to find it changed into an almost unrecognizable landscape. As envisioned by Gail Simone, the new series sends Sonja on a mission of infiltration, sabotage, and assassination when she discovers that her native people have been conscripted into the service of a Nazi-like regime.
"It's an honor and a pleasure to be the new writer on a book as crazy and colorful as Red Sonja," says Bennett. "While I've never yet had the pleasure of working with Aneke, our phenomenal new artist, I cannot wait for us to make the big, bloody, sexy, sweeping splash in a universe this rich with story, history, and the contributions of the creators and creatives who came before us. I am particularly indebted to Gail Simone, who has always been one of my idols in comics, who first suggested that I follow her run on the title and was endlessly guiding and encouraging as I broke into this new level of the medium."
Regarding the direction of Red Sonja, the first issue will show that Red Sonja's return home is necessitated when her king hovers at death's door, while a dread new power rises from within Hyrkania's own borders. The new authority is bent on defending its homeland - no matter the cost, no matter what its people become. Billed as a defining chapter in the Red Sonja saga, the opening "Falcon Throne" storyline is dark, clever, vicious, and at times even mirthful, as the She-Devil with a Sword must topple the brutal regime, her own people.
Bennett says, "This current arc allows me to explore elements of my favorite stories, which have always been those that are enormously morally gray. In this case, we're nearly to 'Red Sonja vs. The Iron Age Nazis', as she watches her own people united and then profaned by a charismatic leader with intimate connections to Sonja's own long-buried past. She is placed in an impossible crisis, on the run from the very people she has saved, torn between saving her homeland... or destroying it. I hope readers will enjoy something dark but fun, vicious but witty, balanced between battle, romance, intrigue, and good old-fashioned monster-slaying. I'm so grateful to have a chance to lead Sonja into this brave new world."
"I was thrilled to draw Red Sonja from the beginning. She is one of my favorite characters ever, so when I was told that I would be drawing this magnificent warrior, I just couldn't stand the excitement," says Aneke, the illustrator of the new series and a self-proclaimed devotee of Frank Thorne, artist of Red Sonja's first-ever series. "I was expecting some powerful stuff from Marguerite Bennett, and I haven't been disappointed! The strength and the misanthropic touch of the red-headed heroine have always spoken to me, so I feel really lucky to draw her."
With the new series comes a character redesign by celebrated artist Nicola Scott, who describes her fresh take on Red Sonja: "Sonja was a collaboration between myself, Gail, Dynamite and the licensors. Her big red hair and chainmail are iconic, and I felt strongly they needed to carry the look but be modernized. Keeping her hair big but out of her face seemed practical, and the idea of the chainmail tank rather than bikini was a suitable update."
Dynamite will celebrate the new Red Sonja #1 with a variety of cover options, including Cover A by Marguerite Sauvage (Bombshells); Cover B by Jay Anacleto (Legends of Red Sonja) which will interconnect with the Cover B editions of Dejah Thoris #1 and Vampirella#1; and Cover C by Tula Lotay (Swords of Sorrow). A special Subscription Edition (Cover D) features the "cute" artwork of Tony Fleecs, intended for consumers who place preorders with their local comic shops and interconnecting with the Subscription Edition variants of Dejah Thoris #1 and Vampirella #1. Robert Hack (Chilling Adventures of Sabrina) provides cover artwork for the Shared Retailer Exclusive, and a Blank Authentix cover variant is available, perfect for aspiring artists and convention commissions. Finally, Ming Doyle (New Avengers) provides a special incentive cover to encourage strong preorders from comic shop retailers, as does Nicola Scott with an image of her first redesign of the character.
Red Sonja, known also as "The She-Devil with a Sword," is renowned as fantasy fiction's most prominent female character, formerly a swashbuckling ally of the Robert E. Howard character, Conan. Her early adventures in the Marvel Feature comic book series led to a successful ongoing Red Sonja solo series, a celebrated run of comics from 1976 through 1979. Dynamite Entertainment acquired the Red Sonja license in 2005 as their second-ever published title, arriving on newsstands to critical acclaim and a very receptive audience. Dynamite has since published over one hundred Red Sonja comic books, including crossovers with popular characters including Conan, Dejah Thoris (of Warlord of Mars), Vampirella, Spider-Man, and more.
SPOTLIGHT ON DEJAH THORIS:
Dejah Thoris, a royal warrior who has served as a major supporting cast member of Dynamite's various Warlord of Mars series as well as the star of several solo Dejah Thorisseries, will appear in a new #1 issue this coming February, courtesy of writer Frank J. Barbiere (Avengers World, Solar: Man of the Atom). As described by Gail Simone, Dejah Thoris would present a fall from grace for the Martian princess, as she embarks on a self-imposed exile, assuming a new identity and enlisting as a rookie soldier on the farthest, deadliest borders of her Barsoomian civilization.
Barbiere says, "I am truly honored to be writing Dejah Thoris, a character with such a robust history and celebrated pulp pedigree. I'm a big fan of Edgar Rice Burroughs, and to be able to contribute to the canon of one of his most celebrated characters is really exciting. This is a new start for Dejah Thoris, and I think our story is going to reignite the spark of what makes her great. It's a bold new take that really captures the spirit of Dejah as a dynamic, interesting, and capable character while exploring her past in a way that fans new and old won't expect."
"Dejah Thoris was about playing with themes and the Barsoom aesthetic," says costume designer Nicola Scott. "Plaited leathers, swooping, organic shaped armour, and gossamer fabrics seemed the right place to start. It was just a matter of playing around with shapes and proportions until it came together."
Dejah Thoris, a "Princess of Mars", debuted as the eponymous heroine of Edgar Rice Burroughs' original John Carter story (A Princess of Mars, dated 1912). While the love interest of the world-displaced Confederate soldier, the strong and talented royal never stood on the sidelines, often venturing into danger or battle -- and thus serving as a template for later science fiction heroines such as Princess Leia of Star Wars and Neytiri of James Cameron's Avatar. Since her debut in comic books in 2010, she has been an adventurous mainstay at the company.
SPOTLIGHT ON VAMPIRELLA:
Vampirella #1, debuting in March 2016, will feature the writing talents of Kate Leth (Adventure Time, Bravest Warriors), and see a return to the character's roots as a horror hostess, as her costumed identity goes public... while privately, she uses her new celebrity status to uncover the links between silver screen killers and a real conspiracy of monsters.
Kate Leth, writer of the new Vampirella, says, "Vampirella takes Hollywood! In this new and twisted take on the classic horror queen, Vampi moves to the City of Angels to find more than a few demons in the mix. Along with her paramour/werewolf Tristan and trusty butler Coleridge, she begins to investigate mysterious disappearances in the shadowy world of B-movies and the monsters who make them. All the while, she finds herself a sudden sensation after a video of her monster-hunting in her classic ensemble goes viral. Can Vampirella be both a cult icon on the rise and take down an empire of ghouls and ghosts? Signs point to: Hell yes!"
Regarding the redesign of one of comics' most iconic costumes, Nicola Scott says, "Vampirella was a lot of fun. We could actually make her modern, with some retro influence. I liked the idea of keeping her in a one-piece but making it a leather jumpsuit with her logo embroidered on the back. Part biker, part roller-derby. I hope to see cosplayers in this one ASAP!"
Vampirella is a raven-haired heroine who remains, even after 45 years of publication, one of the comic industry's leading ladies, due in no small part to Dynamite Entertainment's stewardship of the character. Since Vampirella's very healthy resurgence in 2010, Dynamite has published two volumes of a monthly series, several miniseries and one-shot specials, and crossovers with multimedia brands and comic book peers. The Vampirella franchise is a haven for writers and artists with a penchant for the macabre.
CONCLUSION:
Regarding the accessibility of the new Red Sonja, Dejah Thoris, and Vampirella series, Gail Simone says, "You don't need to know their history, you just need to like awesome damn women doing awesome damn stuff. Come join us!"
"We're beyond thrilled to be working with a host of talent on these iconic characters, with not only new imagery, but new directions and adventures as well," says Joseph Rybandt, Senior Editor of Dynamite Entertainment.
Dynamite's Red Sonja #1 will be solicited in the upcoming November edition of Diamond Comic Distributors' Previews catalog, the premier source of merchandise for the comic book specialty market. Comic book fans are encouraged to reserve copies of Red Sonja with their local comic book retailers. Individual customer purchases will be available through digital platforms courtesy of Comixology, Dynamite Digital, iVerse, and Dark Horse Digital. Fans and retailers are encouraged to follow Dynamite Entertainment's official social media channels for the latest updates regarding Dejah Thoris and Vampirella project development and release dates.
03/14/26 @ 2:53 pm EST
Multiple sites, including Deadline and Variety, are reporting that one of the stars of the upcoming HBO series Lanterns will be making taking his character to the big screen. Aaron Pierre, who plays new Green Lantern John Stewart, is now set to appear in the upcoming James Gunn film Man of Tomorrow. Though not officially a Superman sequel, MoT stars David Corenswet and Nicholas Hoult reprising their roles as Superman and Lex Luthor along with other returning cast members Rachel Brosnahan, Skyler Gisondo and Sara Sampaio. This film will also introduce another popular DC Comic’s villain, Brainiac, played by German actor Lars Eidinger. Pierre joins DC’s cosmic police force along with Kyle Chandler as Hal Jordan as they team up to investigate a murder in Nebraska. The tone of the Lanterns series is much darker and grounded, in the style of a True Detective season, but this move drives home that the series is connected to Gunn’s growing DC Universe that also includes Peacemaker and the animated Creature Commandos. The interesting thing to note is that while Pierre’s Stewart will appear, there is no word on whether Nathan Fillion’s Guy Gardner, the Green Lantern introduced in Superman, will return. Fillion is also set to appear in Lanterns, having told reporters he has sworn more in his appearance in the upcoming series than in all of his previous roles combined. This may not bode well for the ring-wielding hero or his bowl cut. Lanterns is set to debut in August on HBO Max and Man of Tomorrow is scheduled for July 2027.  03/14/26 @ 2:34 pm EST
The anticipated reboot of Buffy the Vampire Slayer will not be moving forward at Hulu. The news was broken to disappointed fans by producer and returning star Sarah Michelle Gellar on her Instagram this morning. The streamer had originally ordered a pilot to be directed by Eternals director Chloé Zhao from a script written Poker Face writers by Nora and Lilla Zuckerman. Gellar wrote in her post, “I want to thank Chloé Zhao because I never thought I would find myself back in Buffy’s stylish yet affordable boots. And thanks to Chloé, I was reminded how much I love her and how much she means, not only to me, but to all of you. This doesn’t change any of that, and I promise if the apocalypse actually comes… you can still beep me.” Sources say that the initial reaction to the pilot were not good and while discussions were had about reworking the pilot, Hulu has decided not to proceed but remains excited about the Buffy IP and will likely regroup and find a new approach to move the franchise forward.  02/21/26 @ 2:38 pm EST
You may have noticed that I’m not the biggest fan of ‘Industry Insiders’ who have paywalls set up to dole out rumors like… well, I couldn’t find a metaphor that wasn’t extremely insulting so we’ll just move on. Those ‘insiders’ need to have a ready supply of rumors to keep their subscribers coming back and since there is no accountability for erroneous rumors, one has to wonder if some of them are just made up out of thin air. James Gunn, co-head of DC Studios, has a times come out and addressed a batch of rumors that fans ask him about on social media. He did this again recently and here are some of the rumors he addressed along with his response. A report that the upcoming Man of Tomorrow has changed its title to Superman: Man of Tomorrow. Gunn has said before that this was more than a Superman movie and confirms the title has NOT changed by simply saying, “Nope.” Another report says that the film with begin filming in a few weeks, and while it will begin shortly, he says “by strict definition of Few, nope.” Reports say that he’s trying to rush through Matt Reeves’ The Batman Epic Crime Saga so he can then get to Brave and the Bold. That’s another ‘Nope’. Scoopers claim that Paradise Lost, the Wonder Woman prequel series was now dead or shelved. I know this will surprise you, but he said, “Nope”. And he did confirm one thing, that Superman does not believe in Santa Claus because, “He’s an adult.” Rumors can be fun to talk about and debate, but if they set unrealistic expectations that ruin the film for someone, then that’s a problem. And paying for rumors… that seems a bit crazy to me.  ... 02/21/26 @ 2:21 pm EST
Many MCU fans wonder why the events of Daredevil: Born Again won’t be even referenced in upcoming films like Spider-Man: Brand New Day. In Born Again, Wilson Fisk ( Vincent D’Onofrio) is the new Mayor of New York and has declared martial law along with creating a taskforce to hunt down vigilantes and you would think someone like Spider-Man ( Tom Holland) would be on his radar. But that’s not going to happen on the big screen, no Fisk in BND and SFX Magazine thought that would be a good thing to ask Born Again showrunner Dario Scardapane about. “I’d be into it, because I dig the comics! But no, that’s been kind of a fun and challenging thing. We know there’s a huge world out there of the MCU. This corner of it has crossovers. We’ve seen Daredevil in other shows, there are other characters that are going to be popping up in movies and stuff, and that all goes into the larger MCU of it all. The joke we make is, ‘Oh, those guys are uptown – we’re downtown!’ We kind of have a pocket that’s in this world of Hell’s Kitchen, in this world of New York. I always think that maybe these characters take a little vacation into the larger world but the story that we’re focusing on is really granular.” Let me translate that, “They can borrow our toys, but we can’t touch there’s.” A shame as we all want a real Daredevil/Spider-Man crossover.  02/14/26 @ 2:33 pm EST
“You have failed this beach!” Okay, there is probably no way Stephen Amell will say that line in the new Baywatch reboot, but I can’t be the only one who thought about it. Fox announced yesterday that the former Arrow, Heels and Suits LA star would be the lead in the networks bid to recapture the popularity of their lifeguard themed drama from the 90s. Amell will be playing the role of Hobie Buchannon, a role first introduced in the OG series. Hobie’s world turns upside down when Charlie, the daughter he didn’t know he had, shows up ready to put on the red bathing suit and follow in the family business. The show got a straight-to-series 12-episode order back in September, so the network is moving quickly. An interesting note is that Amell is the right age if the network wanted to bring back David Hasselhoff to reprise the role of Hobie’s father Mitch for an episode or two.  02/14/26 @ 2:12 pm EST
You may not have known this, but in 2021 a Zatanna movie was in the works. J.J. Abrams had given the project to Emerald Fennell to script as she was coming off 2020 directorial debut, A Promising Young Woman. So, what happened? According to Fennell, who recently joined the Happy Sad Confused podcast, what she had written was “probably too far away from the genre.” She was very honest about the work, saying: “I think it was demented because I was probably going through it at the time. And the thing is, I think what I can’t help but—and then, I’d just finished A Promising Young Woman, and there was this huge thing in this world I’d never operated in. And again, it was a kind of superhero movie, and I was like, ‘How do I make the version of a superhero movie that I would connect to emotionally?’ Which is sort of the woman in the middle of a nervous breakdown, so it’s a script reflective of a woman in the middle of a nervous breakdown. And in terms of what that means, I suppose it just meant that it was probably too far away from the genre.” For those of you who are not familiar with Zatanna, she was created by Gardner Fox and Murphy Anderson in the pages of November 1964’s Hawkman and has been a consistent magical character in the DC Universe ever since, regularly teaming up with Batman, John Constantine and was a member of the Justice League. Fennell went on to describe the script, “It was really dark. I haven’t read it for a really long time, because I found it really difficult. Because, also the thing is, I love JJ [Abrams] so much, and he took a chance offering me to do it, and I really wanted to deliver something amazing for them. And I always felt like I hadn’t quite maybe delivered the thing that they wanted. So, I haven’t read it since, and I wonder if I read it now, I’d be more generous toward myself. But I felt like, I wished I’d been able to deliver the thing they wanted. They were really lovely about it, it’s even just remembering. You’re making me remember scenes, I’m like, ‘Nobody would have made that.'” I have to admit I totally want to read that script now.  ... 02/07/26 @ 11:45 am EST
Don’t expect to see Vincent D’Onofrio show up in Spider-Man: Brand New Day. It seems the rights to the character still precludes him from appearing in a film unless Sony wants him to. Which, yes, Brand New Day is a Sony/Marvel production… but while visiting the Bingworthy podcast, the Kingpin actor responded to the question about the current mayor of the MCU NYC showing up by saying, “No. I think I’ll just wait until they have the rights to my character and they put me in one of those movies, and then I’ll figure it all out.” This makes sense that Marvel can’t just have the character show up in any random film, like The Thunderbolts, without Sony saying okay, but he is available for television appearances. Why Sony has chosen to not let the character show up in a Sony film though seems a little odd, unless the actor is using the rights issue as a cover to keep from telling us that Wilson Fisk will not be the mayor after the events of the upcoming Daredevil: Born Again season two, which is scheduled to release in March and complete well before Brand New Day hits theaters.  01/31/26 @ 2:22 pm EST
In 1989 writer/artist John Byrne was working on the West Coast Avengers title for Marvel and decided to have some fun. Since there was both an east and west coast version of the team, he decided to make a third one, in the middle of the country, and keeping with the body of water theme to the names… we got the Great Lakes Avengers. The team was made up of five founding members: Mr. Immortal, Flat Man, Big Bertha, Dinah Soar and Doorman and while the team has probably had more cease-and-desist lawsuits filed against them than real battles, they have been around for years now and have popped up a lot. The interesting thing though is that two of these members have now made appearances in the MCU. And not just blink-and-you-missed-it moments. Both Mr. Immortal and Doorman have had at least half, if not a full episode of a series dedicated to them. In She-Hulk: Attorney at Law, David Pasquesi plays Craig Hollis aka Mr. Immortal who has his immortal ability and uses it to get out a marriages, which he has a lot of. When pressured by his own attorneys, he leapt out of a high-rise window and plummeted to the street below, slamming into the roof of a car, only to pop right back up and walk away. It doesn’t end well for him though as he is forced to pay off all of his exes. Then we get to meet DeMarr Davis aka the Doorman in the new Wonder Man series. Byron Bowers plays the man with the ability to use his body as a door in and out of the dark dimension. While he is a mutant in the comics, in the MCU he gets his abilities by touching toxic waste from Roxxon, similar to how Cloak & Dagger got their powers. DeMarr becomes a cautionary tale about chasing fortune and fame in Hollywood that may have cost the life of beloved actor Josh Gad. It also made the industry enact a law banning superpowered people from working in show business. This is a major plot point in the series. With two of the five characters both located in Southern California, could we end up getting the rest of the team at some point and them relocating for a fresh start? Sounds like the perfect idea for one of those Marvel Spotlight one-hour specials.  ... 01/18/26 @ 2:23 pm EST
Fans are eager to see the upcoming Lanterns series on HBO and besides a still shot and a few seconds of footage, very little about the series is known at this point. We got our first comments about it from series star Kyle Chandler who will be playing one of the most well-known Green Lanterns, Hal Jordan. Chandler was being interviewed on the Today Show for his new film The RIP with Ben Affleck and Matt Damon. During the interview he was asked about Lanterns and said, “I’ve never had as much fun shooting something as I did that. The people from the top to the bottom. I can’t say enough about Chris Mundy, and the producers, the DC folks. It was an excellent experience. I expect the show to be as good as the experience I had. Aaron Pierre, who I worked with, he and I had a great time.” The series is slated to be released later this year and comes from Mundy, Damon Lindelof and Tom King. Joining Chandler and Pierre in the cast are Ulrich Thomsen as Sinestro, Nathan Fillion as Guy Gardner and then Kelly Macdonald, Garret Dillahunt, Jason Ritter, Poorna Jagannathan, and Paul Ben-Victor. There will be eight episodes and it is said to be mostly an Earth-based mystery set in the heartland of America with a True Detective vibe. 01/17/26 @ 12:41 pm EST
Netflix’s proposed acquisition of Warner Bros. has stirred plenty of speculation across Hollywood, but one message from the streamer’s leadership has been unusually clear: the theatrical experience isn’t going anywhere. In fact, if the sale closes, Netflix says it will strengthen Warner Bros.’ traditional theatrical model rather than shrink it. Ted Sarandos, Netflix’s co‑CEO, has repeatedly emphasized that Warner Bros. films will continue to enjoy a 45‑day exclusive theatrical window—a stance that directly counters fears that Netflix would rush major releases to streaming. Sarandos described Warner Bros.’ theatrical distribution as a “phenomenal” engine that generates billions in revenue, insisting Netflix has no intention of putting that at risk. This commitment marks a notable shift in tone for Netflix, which historically prioritized streaming-first strategies. But after reviewing Warner Bros.’ financials, Sarandos acknowledged that the economics of theatrical releases are stronger than Netflix had previously modeled. He framed the 45‑day window not as a compromise but as a competitive strategy: Netflix wants to “win opening weekend” and “win box office,” embracing the same metrics that drive traditional studios. Industry observers have taken notice. While some feared the acquisition would accelerate the decline of theatrical exclusivity, Netflix’s public stance suggests a more balanced future—one where streaming power and box office ambition coexist. For now, at least, moviegoers can expect Warner Bros. films to keep lighting up big screens for a full month and a half before landing on Netflix’s platform.  |
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