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10/05/15 @ 3:50 pm EST
Dynamite Entertainment is proud to announce that beloved comic book heroines Red Sonja, Vampirella, and Dejah Thoris will undergo bold new directions and costume redesigns in new monthly series debuting in the first quarter of 2016. Following narrative direction from Gail Simone, the fan-favorite author of this past summer's Swords of Sorrow crossover epic, the new titles promise unexpected storylines for its headlining characters, delivered by some of today's most innovative creators. Red Sonja#1 will launch in January, helmed by writer Marguerite Bennett and artist Aneke. Dejah Thoris #1 and Vampirella #1 will debut in subsequent months, written by Frank J. Barbiere and Kate Leth respectively.
Gail Simone, whose critically acclaimed work on Red Sonja for the past two years inspired the massive company-wide celebration of female characters entitled Swords of Sorrow (featuring contributions by her hand-picked team of all-female writers), has created a road map for Red Sonja, Vampirella, and Dejah Thoris that will serve as the basis for all-new series with radically different settings and situations, fresh yet true to the traditional motivations of these comic book icons.
"We're doing a monster makeover with these characters, and it's a joy to be part of this. Make no mistake, these are characters we love, badasses all; the She-Devil with a Sword, the queen of all vampire hunters, and the warlord princess. Characters do not get any better than that," says Simone. "Our mission here is to spruce up their look and remind people that these were the original female ass-kickers that inspired Xena, Buffy, and Leia Organa. They are the map others followed, and we get to bring them each a hot, new look from brilliant artist/designer Nicola Scott, as well as thrilling new mission statements for each of them."
Artist Nicola Scott (Birds of Prey, Superman) designed the new look for these iconic characters, blending classic costume elements with the functional, action-ready designs that modern and diverse audiences long to see. "It's an honor to reimagine these amazing, iconic women and be part of their ongoing legacy," Scott says.
SPOTLIGHT ON RED SONJA:
Red Sonja #1, by the creative team of Marguerite Bennett (Bombshells, A-Force, Angela) and Aneke (Legenderry: Red Sonja, Damsels) and scheduled for release on January 13, 2016, will see its titular heroine return to her homeland of Hyrkania, only to find it changed into an almost unrecognizable landscape. As envisioned by Gail Simone, the new series sends Sonja on a mission of infiltration, sabotage, and assassination when she discovers that her native people have been conscripted into the service of a Nazi-like regime.
"It's an honor and a pleasure to be the new writer on a book as crazy and colorful as Red Sonja," says Bennett. "While I've never yet had the pleasure of working with Aneke, our phenomenal new artist, I cannot wait for us to make the big, bloody, sexy, sweeping splash in a universe this rich with story, history, and the contributions of the creators and creatives who came before us. I am particularly indebted to Gail Simone, who has always been one of my idols in comics, who first suggested that I follow her run on the title and was endlessly guiding and encouraging as I broke into this new level of the medium."
Regarding the direction of Red Sonja, the first issue will show that Red Sonja's return home is necessitated when her king hovers at death's door, while a dread new power rises from within Hyrkania's own borders. The new authority is bent on defending its homeland - no matter the cost, no matter what its people become. Billed as a defining chapter in the Red Sonja saga, the opening "Falcon Throne" storyline is dark, clever, vicious, and at times even mirthful, as the She-Devil with a Sword must topple the brutal regime, her own people.
Bennett says, "This current arc allows me to explore elements of my favorite stories, which have always been those that are enormously morally gray. In this case, we're nearly to 'Red Sonja vs. The Iron Age Nazis', as she watches her own people united and then profaned by a charismatic leader with intimate connections to Sonja's own long-buried past. She is placed in an impossible crisis, on the run from the very people she has saved, torn between saving her homeland... or destroying it. I hope readers will enjoy something dark but fun, vicious but witty, balanced between battle, romance, intrigue, and good old-fashioned monster-slaying. I'm so grateful to have a chance to lead Sonja into this brave new world."
"I was thrilled to draw Red Sonja from the beginning. She is one of my favorite characters ever, so when I was told that I would be drawing this magnificent warrior, I just couldn't stand the excitement," says Aneke, the illustrator of the new series and a self-proclaimed devotee of Frank Thorne, artist of Red Sonja's first-ever series. "I was expecting some powerful stuff from Marguerite Bennett, and I haven't been disappointed! The strength and the misanthropic touch of the red-headed heroine have always spoken to me, so I feel really lucky to draw her."
With the new series comes a character redesign by celebrated artist Nicola Scott, who describes her fresh take on Red Sonja: "Sonja was a collaboration between myself, Gail, Dynamite and the licensors. Her big red hair and chainmail are iconic, and I felt strongly they needed to carry the look but be modernized. Keeping her hair big but out of her face seemed practical, and the idea of the chainmail tank rather than bikini was a suitable update."
Dynamite will celebrate the new Red Sonja #1 with a variety of cover options, including Cover A by Marguerite Sauvage (Bombshells); Cover B by Jay Anacleto (Legends of Red Sonja) which will interconnect with the Cover B editions of Dejah Thoris #1 and Vampirella#1; and Cover C by Tula Lotay (Swords of Sorrow). A special Subscription Edition (Cover D) features the "cute" artwork of Tony Fleecs, intended for consumers who place preorders with their local comic shops and interconnecting with the Subscription Edition variants of Dejah Thoris #1 and Vampirella #1. Robert Hack (Chilling Adventures of Sabrina) provides cover artwork for the Shared Retailer Exclusive, and a Blank Authentix cover variant is available, perfect for aspiring artists and convention commissions. Finally, Ming Doyle (New Avengers) provides a special incentive cover to encourage strong preorders from comic shop retailers, as does Nicola Scott with an image of her first redesign of the character.
Red Sonja, known also as "The She-Devil with a Sword," is renowned as fantasy fiction's most prominent female character, formerly a swashbuckling ally of the Robert E. Howard character, Conan. Her early adventures in the Marvel Feature comic book series led to a successful ongoing Red Sonja solo series, a celebrated run of comics from 1976 through 1979. Dynamite Entertainment acquired the Red Sonja license in 2005 as their second-ever published title, arriving on newsstands to critical acclaim and a very receptive audience. Dynamite has since published over one hundred Red Sonja comic books, including crossovers with popular characters including Conan, Dejah Thoris (of Warlord of Mars), Vampirella, Spider-Man, and more.
SPOTLIGHT ON DEJAH THORIS:
Dejah Thoris, a royal warrior who has served as a major supporting cast member of Dynamite's various Warlord of Mars series as well as the star of several solo Dejah Thorisseries, will appear in a new #1 issue this coming February, courtesy of writer Frank J. Barbiere (Avengers World, Solar: Man of the Atom). As described by Gail Simone, Dejah Thoris would present a fall from grace for the Martian princess, as she embarks on a self-imposed exile, assuming a new identity and enlisting as a rookie soldier on the farthest, deadliest borders of her Barsoomian civilization.
Barbiere says, "I am truly honored to be writing Dejah Thoris, a character with such a robust history and celebrated pulp pedigree. I'm a big fan of Edgar Rice Burroughs, and to be able to contribute to the canon of one of his most celebrated characters is really exciting. This is a new start for Dejah Thoris, and I think our story is going to reignite the spark of what makes her great. It's a bold new take that really captures the spirit of Dejah as a dynamic, interesting, and capable character while exploring her past in a way that fans new and old won't expect."
"Dejah Thoris was about playing with themes and the Barsoom aesthetic," says costume designer Nicola Scott. "Plaited leathers, swooping, organic shaped armour, and gossamer fabrics seemed the right place to start. It was just a matter of playing around with shapes and proportions until it came together."
Dejah Thoris, a "Princess of Mars", debuted as the eponymous heroine of Edgar Rice Burroughs' original John Carter story (A Princess of Mars, dated 1912). While the love interest of the world-displaced Confederate soldier, the strong and talented royal never stood on the sidelines, often venturing into danger or battle -- and thus serving as a template for later science fiction heroines such as Princess Leia of Star Wars and Neytiri of James Cameron's Avatar. Since her debut in comic books in 2010, she has been an adventurous mainstay at the company.
SPOTLIGHT ON VAMPIRELLA:
Vampirella #1, debuting in March 2016, will feature the writing talents of Kate Leth (Adventure Time, Bravest Warriors), and see a return to the character's roots as a horror hostess, as her costumed identity goes public... while privately, she uses her new celebrity status to uncover the links between silver screen killers and a real conspiracy of monsters.
Kate Leth, writer of the new Vampirella, says, "Vampirella takes Hollywood! In this new and twisted take on the classic horror queen, Vampi moves to the City of Angels to find more than a few demons in the mix. Along with her paramour/werewolf Tristan and trusty butler Coleridge, she begins to investigate mysterious disappearances in the shadowy world of B-movies and the monsters who make them. All the while, she finds herself a sudden sensation after a video of her monster-hunting in her classic ensemble goes viral. Can Vampirella be both a cult icon on the rise and take down an empire of ghouls and ghosts? Signs point to: Hell yes!"
Regarding the redesign of one of comics' most iconic costumes, Nicola Scott says, "Vampirella was a lot of fun. We could actually make her modern, with some retro influence. I liked the idea of keeping her in a one-piece but making it a leather jumpsuit with her logo embroidered on the back. Part biker, part roller-derby. I hope to see cosplayers in this one ASAP!"
Vampirella is a raven-haired heroine who remains, even after 45 years of publication, one of the comic industry's leading ladies, due in no small part to Dynamite Entertainment's stewardship of the character. Since Vampirella's very healthy resurgence in 2010, Dynamite has published two volumes of a monthly series, several miniseries and one-shot specials, and crossovers with multimedia brands and comic book peers. The Vampirella franchise is a haven for writers and artists with a penchant for the macabre.
CONCLUSION:
Regarding the accessibility of the new Red Sonja, Dejah Thoris, and Vampirella series, Gail Simone says, "You don't need to know their history, you just need to like awesome damn women doing awesome damn stuff. Come join us!"
"We're beyond thrilled to be working with a host of talent on these iconic characters, with not only new imagery, but new directions and adventures as well," says Joseph Rybandt, Senior Editor of Dynamite Entertainment.
Dynamite's Red Sonja #1 will be solicited in the upcoming November edition of Diamond Comic Distributors' Previews catalog, the premier source of merchandise for the comic book specialty market. Comic book fans are encouraged to reserve copies of Red Sonja with their local comic book retailers. Individual customer purchases will be available through digital platforms courtesy of Comixology, Dynamite Digital, iVerse, and Dark Horse Digital. Fans and retailers are encouraged to follow Dynamite Entertainment's official social media channels for the latest updates regarding Dejah Thoris and Vampirella project development and release dates.
11/01/25 @ 2:53 pm EST
There is a major movie franchise out there that is not going by its original name and it’s thanks to the star. When screenwriter Derek Kolstad finished what would become is most popular film, he was inspired by revenge-thrillers with one-word titles like Payback and Shooter. He dubbed his film, Scorn. The problem came when the star of the film went out and talked about it, he always referred to it by the lead character’s name rather than the title. After a while, the studio realized that their star, Keanu Reeves, had done millions of dollars worth of brand recognition for the name John Wick… they decided to go with it and renamed the film. Why Reeves did this is unknown, but Kolstad has since admitted that John Wick is a better franchise name, saying, “I can’t imagine it being Scorn now.” Was this an intentional thing on Reeves’ part or just a happy coincidence? We may never know.  11/01/25 @ 2:38 pm EST
If you check the major Hollywood sites like Deadline and Variety, they’ll tell you that October 2025 has been the lowest box office take in almost 30 years. It sits currently at $440 million with a few days left to add. In 1998 the box office did $455 million, which this month should just creep past. By comparison October 2018 did $832 million with just three films: Venom, A Star is Born and Halloween, taking in $481 million. But last year, October only took in $478 million showing the decreasing trend. Adding to the decline is the fact that no major releases were scheduled for this weekend because of the Halloween holiday. And what was put into theaters the whole month really didn’t get people’s attention. Tron: Ares was the highest profile film and that hasn’t even broken $70 million in its four weeks in theaters. When you look at numbers like that, it’s hard not to think about what might have been. There was a big budget film slated for release this month, a film that got delayed and delayed and hasn’t even started filming. A film that finally has a finished script and is set to release in October of 2027… that of course is Matt Reeves’ The Batman Part 2. One of the most anticipated films currently in production, the sequel to the 2022 hit, bolstered also by the fan favorite HBO series The Penguin, would easily match and likely succeed the success of the first film. The Batman opened on March 4, 2022 and ended that month with $338 million domestically. It was originally scheduled to be released October 3rd, looking at that release date, this year there really wasn’t any big film put in its place. The film would’ve done better than the first and that amount would’ve driven 2025 towards the top of the list, maybe even surpassing 2018. Ah, what could’ve been.  ... 10/26/25 @ 12:25 pm EST
DC Studios has potentially taken a significant step by filing for a trademark for a film titled "Salvation Run." A move that isn’t too surprising since the Salvation planet and the idea of using it as a prison for meta humans was introduced in the season finale of Peacemaker season 2. But the filing does indicate just how big this idea could be for the DCU. "Salvation Run" is a storyline from DC Comics that originally ran in the late 2000s. The story centers on the mass exile of some of DC's most notorious villains to a hostile alien world, forcing them to band together for survival. It was a concept originally pitched to DC by Game of Thrones writer George R.R. Martin. The trademark filing by DC Studios suggests that the company is considering developing "Salvation Run" into a feature film. While trademark filings do not guarantee that a film will be produced, they often indicate serious intent or early-stage development. The filing protects the title and concept, ensuring that DC Studios retains exclusive rights as plans evolve. Should "Salvation Run" move forward, it could introduce a fresh dynamic to DC's film slate. Instead of focusing on heroes, this story would shine a spotlight on villains, possibly expanding character development and offering audiences new perspectives on well-known antagonists. It also opens opportunities for ensemble casting, complex storytelling, and connections to other DC properties.  10/26/25 @ 11:56 am EST
For many MCU fans, there has been concerns about when or even if Jeremy Renner would be returning to the role of Clint Barton aka the Avenger Hawkeye. Renner first portrayed the archer in 2011’s Thor and returned in 2012’s The Avengers. He has been popping up as the character in various films and even his own Disney+ series that had been rumored to be getting a second season. And then came New Year’s Day 2023 and a horrific snowplow accident where the actor sustained over 30 broken bones, including a shattered leg, broken ribs, a collapsed lung, and a punctured lung. Renner has made a miraculous recovery and has returned to working on projects like Mayor of Kingstown and Wake Up Dead Man… but his future in the MCU is still unclear. Earlier this year Renner gave fans a disappointing update when he revealed that Marvel had talked to him about returning for season two but only offered him half of what he made for season one, which he turned down. None of this was looking good, even with two Avengers movies on the horizon. Shift to now where Renner is out doing various interviews and talking about the character again. He spoke of how Clint Barton has repeatedly tried to retire but keeps coming back and how he believes that it will continue that way until the character is killed off. He also said of the Hawkeye series specifically, "We got to where we’re trying to do the second season. And I think I’ll get strong enough to be able to do it. And we’ll work it out. It’s gonna be great." He was also asked by another Avenger actor, Brie Larson, if he would be returning for Avengers: Doomsday, to which he said “no” and then turned it back on her asking, “Are you?” The whole thing was done very playfully. And even if he doesn’t return for Doomsday, there’s always Secret Wars a year later.  ... 10/25/25 @ 12:37 pm EST
The highly anticipated Marvel series, Fantastic Four: First Steps, is set to make its debut on Disney+. Fans of Marvel’s first family have been eagerly awaiting the arrival of this new adaptation, which promises to bring fresh storytelling and exciting action to the beloved characters of Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm. The film, which was directed by WandaVision’s Matt Shakman, will be available for streaming starting November 5th. The Fantastic Four have long been favorites among comic book readers, and with Marvel Studios now handling the property after the luke-warm reception of the first two Fox films and the universally hated reboot. First Steps is not a retelling of the origin story but rather moves on to the team having been well established after four years and dealing with their greatest threat, the world-devourer Galactus. The new cast includes Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn as the quartet of heroes along with Ralph Ineson, Julia Garner, Paul Walter Hauser, Sarah Niles, Mark Gatis and Natasha Lyonne. The film did moderately well in theaters, taking in a worldwide box office total of $521M and an 86% critic’s score on Rotten Tomatoes.  10/25/25 @ 11:38 am EST
When James Gunn and Peter Safran were announced as the new co-heads of DC Studios, they put out a list of projects as part of their first phase called Gods & Monsters. And while some of those projects like Creature Commandos, Superman and Lanterns have moved forward, one of the projects seems to be stalled. That would be the DCU version of Batman in an announced The Brave and The Bold project. This is a different Batman from the one Robert Pattinson portrays in the Matt Reeves films and would be a bit older and paired with his son Damian as the current Robin. Andy Muschietti, the director of The Flash, has been attached to the project the entire time and appears to still be in line to helm the project. But in the last week we’ve gotten the first movement on the project in a while. First Gunn said in various interviews that the project is still in the work and has changed some since the initial announcement, but he didn’t go into any specific details. Then Muschietti and his producing partner and sister Barbara were asked about the project while at the premier of their new series Welcome to Derry, and IT prequel story. When asked if they were still doing the film, Barbara said, “The intention is yes, but we can’t talk about it.” Andy added, “We have to wait a few, a couple of months to start talking about it.” But then realizing he may have said too much: “I screwed it already.” This is leading fans to speculate that an announcement is imminent and that we may finally learn who will be donning the cowl opposite David Corenswet’s Superman.  10/18/25 @ 2:06 pm EST
Though we have yet to see season two of the Percy Jackson series, season three is adding Kate McKinnon, known for her energetic performances and comedic brilliance on “Saturday Night Live,” as the goddess Aphrodite. McKinnon brings her unique charm and wit to the role, promising an exciting new take on the goddess of love and beauty. Aphrodite is one of the most famous figures from Greek mythology. She is the goddess of love, beauty, desire, and passion. Ancient Greeks believed Aphrodite had the power to inspire love and attraction in gods and mortals alike. According to myth, she was born from the sea foam and emerged fully grown, captivating all who saw her. Aphrodite’s stories often involve her relationships with gods like Ares and mortal heroes, and she played a key role in the legendary events leading up to the Trojan War, most notably by awarding the golden apple to Paris. With Kate McKinnon stepping into the role, viewers can expect a fresh, humorous, and dynamic portrayal of Aphrodite. Besides her time on SNL, McKinnon has been in various movies including the 2016 reboot of Ghostbusters and the 2023 mega-hit Barbie.  10/18/25 @ 1:49 pm EST
In an interesting turn of events, someone posted an image of the wrap gift for the upcoming Lanterns series, showing a baseball hat with the Green Lantern symbol and in the center of that symbol, a series of concentric circles. That person then commented that the modified logo could be indicating an involvement of The Centre, the main antagonist in Darwyn Cooke’s celebrated DC: The New Frontier series. That post was then removed by Warner Bros… In completely unrelated coincidence, have you read The New Frontier? Let me tell you about The Centre, a metaphysical, almost Lovecraftian presence, embodying existential dread and posing a challenge unlike any other faced by the world’s greatest superheroes. The Centre made its debut in "DC: The New Frontier" (2004), a miniseries that bridges the gap between the Golden Age and Silver Age of superheroes. In this alternate history, The Centre is portrayed as an ancient, primordial being that predates humanity itself. It is described as the very source of life on Earth, a sentient landmass that witnessed the rise and fall of prehistoric creatures and eventually grew to despise humanity, whom it perceives as a threat to the planet’s balance. The Centre is not a conventional villain. It is a massive, floating island with psychic and reality-altering abilities. Its consciousness spans across its entire form, making it nearly impossible to attack or reason with in any traditional sense. The Centre’s powers include: <!--[if !supportLists]-->· <!--[endif]-->Telepathy: The Centre can communicate with and manipulate the minds of others, sending visions, inducing madness, or telepathically broadcasting its intentions. <!--[if !supportLists]-->· <!--[endif]-->Physical Invulnerability: Its immense size and composition make it resistant to most forms of attack, even those from the world’s strongest superheroes. <!--[if !supportLists]-->· <!--[endif]-->Creation of Monsters: The Centre spawns various mutated and monstrous creatures to defend itself and attack humanity. <!--[if !supportLists]-->· <!--[endif]-->Levitation and Flight: It can float above the Earth, moving with intention and purpose. In "DC: The New Frontier," The Centre’s appearance catalyzes the unification of the DC universe’s heroes, including Superman, Batman, Wonder Woman, Green Lantern, and The Flash. Realizing that The Centre’s power is too great for any single hero to face alone, they join forces, combining their unique abilities and intellects in a coordinated assault. This is basically the precursor for the Justice League and would be an interesting story to loosely adapt if you were, say, building a new cohesive universe.  ... 10/11/25 @ 11:50 am EST
Rian Johnson, the acclaimed writer-director behind the “Knives Out” franchise, has made headlines with his latest entry, “Wake Up Dead Man: A Knives Out Mystery.” Johnson has openly described this third film as the closest the series has come to emulating the classic structure of an Agatha Christie novel—a deliberate shift from the subversive approaches of “Knives Out” and “Glass Onion.” At the Deadline Contenders London event, Johnson explained that “Wake Up Dead Man” adopts a “more traditional murder mystery structure,” echoing the formula Christie perfected. In his words: “This is how most Agatha Christie books work, where in the first act you meet all the suspects, you meet the protagonist, who’s not the detective. Then the murder happens, and the detective shows up.” This marks a departure from the previous films, which played with audience expectations—solving the murder early in “Knives Out,” and presenting a deceptively simple case in “Glass Onion.” In “Wake Up Dead Man,” Daniel Craig’s Benoit Blanc returns to tackle a darker, more gothic mystery, set in a remote stone church and featuring religious intrigue. The film’s protagonist, played by Josh O’Connor, is a priest who becomes Blanc’s sidekick, further grounding the story in classic whodunnit territory. Johnson also cited inspiration from Edgar Allan Poe, aiming for a “grounded, gothic tone” that predates Christie’s work. With the release of “Wake Up Dead Man,” Johnson completes his two-film deal with Netflix. So, what’s next? Johnson has confirmed that he will be taking a break from the “Knives Out” series to focus on an original project. “I’m writing right now, [but] it’s not one of these [Knives Out] films. It’s just something completely different, an original thing. I actually feel very energized after making this one [Wake Up Dead Man], but this is three in a row. It’s probably healthy to see other people.” He hasn’t revealed details about this new project or whether it will be with Netflix, but he’s made it clear that he wants to explore a different genre. Johnson’s creative philosophy is to “empty the well and then start from scratch,” ensuring each new film is a fresh challenge. Despite the break, Johnson remains enthusiastic about returning to the world of Benoit Blanc. He’s stated that as long as Daniel Craig is interested and audiences are engaged, he’d be happy to keep making “Knives Out” mysteries for life. Producer Ram Bergman echoed this, saying future installments are possible, but for now, the focus is on Johnson’s original script.  ... 10/11/25 @ 11:37 am EST
The Season 2 finale of Peacemaker has left fans with mixed feelings and a lot of speculation for the future. Known for its irreverent humor, brutal action, and surprising depth, the closing episode focused more on wrapping up emotional drama but also planted significant seeds for the future of the DC Universe (DCU). This was done through the introduction of Checkmate and Salvation, signaling the long-term direction for the first phase of the new universe. Checkmate, for those unfamiliar with DC Comics lore, is a covert intelligence agency known for operating in the shadows, often handling threats that are too dangerous or politically sensitive for public superhero teams. They first appeared in Action Comics #598, created by Paul Kupperberg and Steve Erwin. While in the comics, the organization is created by Amanda Waller, in the HBO Max series, it is founded by Amanda’s daughter, Leota Adebayo and the rest of the 11th Street Kids using the drug money that Vigilante had been saving. Their arrival marks a significant turning point, suggesting that future seasons—and perhaps other DCU projects—will explore the complex world of espionage, betrayal, and secret wars within the superhero community. Salvation in the comics is a prison planet where Waller and Rick Flag started sending metahumans too powerful to be held in regular prisons. This was introduced in the Salvation Run comic series, originally pitched by George R.R. Martin, written by Bill Willingham and Lilah Sturges and drawn by a variety of artists including Sean Chen and Joe Bennet. This lead into the Final Crisis event which had Darkseid coming to Earth. In the series, Salvation is an alternate reality discovered through the Quantum Unfolding Chamber that appears to be Earth-like and ideal for Flag and Lex Luthor’s plan for a place to send Metahumans. The season ends with Chris Smith aka Peacemaker, forced into Salvation by Argus and left to fend for himself. These introductions show that James Gunn overall plan for Gods & Monsters, the first phase of the DCU, is going to loosely adapt Salvation Run and may lead us to a version of Final Crisis. Even though there is a cliffhanger ending, Gunn has said that there are no immediate plans for a third season of Peacemaker, but he’s promised that these characters will be seen again soon, and the existence of Salvation will playout over all of the DCU including the upcoming Lanterns series and the 2027 film Man of Tomorrow. Reaction to the finale has been mixed with some fans disappointed with the lack of action nor any big cameo that many had speculated. Other fans though appreciated the emotional catharsis achieved by the characters and the new direction which included a few members of Argus, specifically Sasha Bordeaux, Langston Feury and Judo Master, becoming members of Checkmate along with the 11th Street Kids. Where and how we’ll see this story continue has yet to be announced.  ... |
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