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10/05/15 @ 3:50 pm EST
Dynamite Entertainment is proud to announce that beloved comic book heroines Red Sonja, Vampirella, and Dejah Thoris will undergo bold new directions and costume redesigns in new monthly series debuting in the first quarter of 2016. Following narrative direction from Gail Simone, the fan-favorite author of this past summer's Swords of Sorrow crossover epic, the new titles promise unexpected storylines for its headlining characters, delivered by some of today's most innovative creators. Red Sonja#1 will launch in January, helmed by writer Marguerite Bennett and artist Aneke. Dejah Thoris #1 and Vampirella #1 will debut in subsequent months, written by Frank J. Barbiere and Kate Leth respectively.
Gail Simone, whose critically acclaimed work on Red Sonja for the past two years inspired the massive company-wide celebration of female characters entitled Swords of Sorrow (featuring contributions by her hand-picked team of all-female writers), has created a road map for Red Sonja, Vampirella, and Dejah Thoris that will serve as the basis for all-new series with radically different settings and situations, fresh yet true to the traditional motivations of these comic book icons.
"We're doing a monster makeover with these characters, and it's a joy to be part of this. Make no mistake, these are characters we love, badasses all; the She-Devil with a Sword, the queen of all vampire hunters, and the warlord princess. Characters do not get any better than that," says Simone. "Our mission here is to spruce up their look and remind people that these were the original female ass-kickers that inspired Xena, Buffy, and Leia Organa. They are the map others followed, and we get to bring them each a hot, new look from brilliant artist/designer Nicola Scott, as well as thrilling new mission statements for each of them."
Artist Nicola Scott (Birds of Prey, Superman) designed the new look for these iconic characters, blending classic costume elements with the functional, action-ready designs that modern and diverse audiences long to see. "It's an honor to reimagine these amazing, iconic women and be part of their ongoing legacy," Scott says.
SPOTLIGHT ON RED SONJA:
Red Sonja #1, by the creative team of Marguerite Bennett (Bombshells, A-Force, Angela) and Aneke (Legenderry: Red Sonja, Damsels) and scheduled for release on January 13, 2016, will see its titular heroine return to her homeland of Hyrkania, only to find it changed into an almost unrecognizable landscape. As envisioned by Gail Simone, the new series sends Sonja on a mission of infiltration, sabotage, and assassination when she discovers that her native people have been conscripted into the service of a Nazi-like regime.
"It's an honor and a pleasure to be the new writer on a book as crazy and colorful as Red Sonja," says Bennett. "While I've never yet had the pleasure of working with Aneke, our phenomenal new artist, I cannot wait for us to make the big, bloody, sexy, sweeping splash in a universe this rich with story, history, and the contributions of the creators and creatives who came before us. I am particularly indebted to Gail Simone, who has always been one of my idols in comics, who first suggested that I follow her run on the title and was endlessly guiding and encouraging as I broke into this new level of the medium."
Regarding the direction of Red Sonja, the first issue will show that Red Sonja's return home is necessitated when her king hovers at death's door, while a dread new power rises from within Hyrkania's own borders. The new authority is bent on defending its homeland - no matter the cost, no matter what its people become. Billed as a defining chapter in the Red Sonja saga, the opening "Falcon Throne" storyline is dark, clever, vicious, and at times even mirthful, as the She-Devil with a Sword must topple the brutal regime, her own people.
Bennett says, "This current arc allows me to explore elements of my favorite stories, which have always been those that are enormously morally gray. In this case, we're nearly to 'Red Sonja vs. The Iron Age Nazis', as she watches her own people united and then profaned by a charismatic leader with intimate connections to Sonja's own long-buried past. She is placed in an impossible crisis, on the run from the very people she has saved, torn between saving her homeland... or destroying it. I hope readers will enjoy something dark but fun, vicious but witty, balanced between battle, romance, intrigue, and good old-fashioned monster-slaying. I'm so grateful to have a chance to lead Sonja into this brave new world."
"I was thrilled to draw Red Sonja from the beginning. She is one of my favorite characters ever, so when I was told that I would be drawing this magnificent warrior, I just couldn't stand the excitement," says Aneke, the illustrator of the new series and a self-proclaimed devotee of Frank Thorne, artist of Red Sonja's first-ever series. "I was expecting some powerful stuff from Marguerite Bennett, and I haven't been disappointed! The strength and the misanthropic touch of the red-headed heroine have always spoken to me, so I feel really lucky to draw her."
With the new series comes a character redesign by celebrated artist Nicola Scott, who describes her fresh take on Red Sonja: "Sonja was a collaboration between myself, Gail, Dynamite and the licensors. Her big red hair and chainmail are iconic, and I felt strongly they needed to carry the look but be modernized. Keeping her hair big but out of her face seemed practical, and the idea of the chainmail tank rather than bikini was a suitable update."
Dynamite will celebrate the new Red Sonja #1 with a variety of cover options, including Cover A by Marguerite Sauvage (Bombshells); Cover B by Jay Anacleto (Legends of Red Sonja) which will interconnect with the Cover B editions of Dejah Thoris #1 and Vampirella#1; and Cover C by Tula Lotay (Swords of Sorrow). A special Subscription Edition (Cover D) features the "cute" artwork of Tony Fleecs, intended for consumers who place preorders with their local comic shops and interconnecting with the Subscription Edition variants of Dejah Thoris #1 and Vampirella #1. Robert Hack (Chilling Adventures of Sabrina) provides cover artwork for the Shared Retailer Exclusive, and a Blank Authentix cover variant is available, perfect for aspiring artists and convention commissions. Finally, Ming Doyle (New Avengers) provides a special incentive cover to encourage strong preorders from comic shop retailers, as does Nicola Scott with an image of her first redesign of the character.
Red Sonja, known also as "The She-Devil with a Sword," is renowned as fantasy fiction's most prominent female character, formerly a swashbuckling ally of the Robert E. Howard character, Conan. Her early adventures in the Marvel Feature comic book series led to a successful ongoing Red Sonja solo series, a celebrated run of comics from 1976 through 1979. Dynamite Entertainment acquired the Red Sonja license in 2005 as their second-ever published title, arriving on newsstands to critical acclaim and a very receptive audience. Dynamite has since published over one hundred Red Sonja comic books, including crossovers with popular characters including Conan, Dejah Thoris (of Warlord of Mars), Vampirella, Spider-Man, and more.
SPOTLIGHT ON DEJAH THORIS:
Dejah Thoris, a royal warrior who has served as a major supporting cast member of Dynamite's various Warlord of Mars series as well as the star of several solo Dejah Thorisseries, will appear in a new #1 issue this coming February, courtesy of writer Frank J. Barbiere (Avengers World, Solar: Man of the Atom). As described by Gail Simone, Dejah Thoris would present a fall from grace for the Martian princess, as she embarks on a self-imposed exile, assuming a new identity and enlisting as a rookie soldier on the farthest, deadliest borders of her Barsoomian civilization.
Barbiere says, "I am truly honored to be writing Dejah Thoris, a character with such a robust history and celebrated pulp pedigree. I'm a big fan of Edgar Rice Burroughs, and to be able to contribute to the canon of one of his most celebrated characters is really exciting. This is a new start for Dejah Thoris, and I think our story is going to reignite the spark of what makes her great. It's a bold new take that really captures the spirit of Dejah as a dynamic, interesting, and capable character while exploring her past in a way that fans new and old won't expect."
"Dejah Thoris was about playing with themes and the Barsoom aesthetic," says costume designer Nicola Scott. "Plaited leathers, swooping, organic shaped armour, and gossamer fabrics seemed the right place to start. It was just a matter of playing around with shapes and proportions until it came together."
Dejah Thoris, a "Princess of Mars", debuted as the eponymous heroine of Edgar Rice Burroughs' original John Carter story (A Princess of Mars, dated 1912). While the love interest of the world-displaced Confederate soldier, the strong and talented royal never stood on the sidelines, often venturing into danger or battle -- and thus serving as a template for later science fiction heroines such as Princess Leia of Star Wars and Neytiri of James Cameron's Avatar. Since her debut in comic books in 2010, she has been an adventurous mainstay at the company.
SPOTLIGHT ON VAMPIRELLA:
Vampirella #1, debuting in March 2016, will feature the writing talents of Kate Leth (Adventure Time, Bravest Warriors), and see a return to the character's roots as a horror hostess, as her costumed identity goes public... while privately, she uses her new celebrity status to uncover the links between silver screen killers and a real conspiracy of monsters.
Kate Leth, writer of the new Vampirella, says, "Vampirella takes Hollywood! In this new and twisted take on the classic horror queen, Vampi moves to the City of Angels to find more than a few demons in the mix. Along with her paramour/werewolf Tristan and trusty butler Coleridge, she begins to investigate mysterious disappearances in the shadowy world of B-movies and the monsters who make them. All the while, she finds herself a sudden sensation after a video of her monster-hunting in her classic ensemble goes viral. Can Vampirella be both a cult icon on the rise and take down an empire of ghouls and ghosts? Signs point to: Hell yes!"
Regarding the redesign of one of comics' most iconic costumes, Nicola Scott says, "Vampirella was a lot of fun. We could actually make her modern, with some retro influence. I liked the idea of keeping her in a one-piece but making it a leather jumpsuit with her logo embroidered on the back. Part biker, part roller-derby. I hope to see cosplayers in this one ASAP!"
Vampirella is a raven-haired heroine who remains, even after 45 years of publication, one of the comic industry's leading ladies, due in no small part to Dynamite Entertainment's stewardship of the character. Since Vampirella's very healthy resurgence in 2010, Dynamite has published two volumes of a monthly series, several miniseries and one-shot specials, and crossovers with multimedia brands and comic book peers. The Vampirella franchise is a haven for writers and artists with a penchant for the macabre.
CONCLUSION:
Regarding the accessibility of the new Red Sonja, Dejah Thoris, and Vampirella series, Gail Simone says, "You don't need to know their history, you just need to like awesome damn women doing awesome damn stuff. Come join us!"
"We're beyond thrilled to be working with a host of talent on these iconic characters, with not only new imagery, but new directions and adventures as well," says Joseph Rybandt, Senior Editor of Dynamite Entertainment.
Dynamite's Red Sonja #1 will be solicited in the upcoming November edition of Diamond Comic Distributors' Previews catalog, the premier source of merchandise for the comic book specialty market. Comic book fans are encouraged to reserve copies of Red Sonja with their local comic book retailers. Individual customer purchases will be available through digital platforms courtesy of Comixology, Dynamite Digital, iVerse, and Dark Horse Digital. Fans and retailers are encouraged to follow Dynamite Entertainment's official social media channels for the latest updates regarding Dejah Thoris and Vampirella project development and release dates.
07/11/26 @ 2:32 pm EST
The pandemic affected most everyone in one way or another, but for actor Kyle Chandler it left him in a unique state of mind. The Friday Night Lights actor wouldn’t call it a depression or anxiety or even an agoraphobic reaction but rather a “strange haze in the air” that “kind of shook me up” and left him in ruminations. What got him out of it is his upcoming role as former test pilot and intergalactic space cop Hal Jordan in the upcoming HBO series Lanterns. Chandler talks about taking on the DC Franchise as "The old man upstairs said, 'Hey, I'm gonna give you a gift.' He threw me a bone, and I chewed that thing all the way through. Before I went out, I decided I'm gonna have fun. Damn the torpedoes." The veteran actor is paired with rising star Aaron Pierre as John Stewart in a prestige crime thriller likened to the hit HBO series True Detective. While the series has a cosmic origin, the approach to this first season at least is much more grounded as Jordan comes to investigate a murder in a small, midwestern town and brings along the new recruit forced upon him by his bosses, the Guardians. Stewart is the first recruit selected by the Guardians where all the other Green Lanterns were selected by the rings after the previous owner dies. Jordan doesn’t respond well to his new partner and that animosity carries over into their investigation. The series will take place in two timelines set ten years apart with the investigation starting in 2016 and then we see what is happening now. The series premieres on August 16th and while a second season has not been green lit yet, writer Christopher Cantwell ( Halt and Catch Fire) has been hired to work on scripts for season two… so DC Studios and HBO must like what they’ve seen.  ... 07/04/26 @ 3:22 pm EST
Long before Lin Manuel Miranda took the Founding Fathers to Broadway with the Tony Award Winning Hamilton, the likes of Thomas Jefferson, John Adams and Benjamin Franklin sang about the birth of the United States of America and the musical led to an amazing musical called 1776. With this being the 250th anniversary of the signing of the Declaration of Independence, now would be a good time to watch this classic film that’s available on streaming services like Hulu and Tubi. The film adapts the celebrated musical by Peter Stone with an all-star cast that includes William Daniels ( Boy Meets World), Ken Howard ( The White Shadow), Howard de Silva ( The Great Gatsby) and Blythe Danner ( Meet the Parents). The film focuses on the days leading up to the Continental Congress debating and eventually declaring independence and gives us look at the chaos that existed leading up to the birth of the nation. While dealing with a serious topic, the film is laced with humorous moments and unforgettable songs while showing just how difficult it really was to get the thirteen colonies to agree and how different parts of the country had different priorities. Not too unlike the way the country is now. 1776 is entertaining and sneakily educational and I watch if every July 4th… which I’m doing as I type this article.  07/04/26 @ 3:00 pm EST
With Supergirl underperforming at the box office there is a rush to point fingers… as often happens when it comes to big studios like DC, Marvel and Star Wars. Will there be similar handwringing with the latest Minions film coming in about $17 million below it’s expected opening… probably not. But The Hollywood Reporter has exclusive details about what happened with the Milly Alcock project that seems to pit director Craig Gillespie against James Gunn and the studio. The criticism of the film varies with complaints about the editing, the musical choices, the depth of character for the villain to the changes from the source material. The new report focuses on a few of those and talks about the test screenings happening back in March of this year. Gillespie was given free reign on his film until test audiences had their say and the best the film was able to do was score in the 60s. This led to the studio getting involved and creating their own cut of the film. Gunn brought in Guardians of the Galaxy editor Fred Raskin to re-edit and Jeremy Slater of Godzilla X Kong to work with screenwriter Anna Nogueira on a few new scenes. Then Gillespie’s original cut, edited by Tatiana S. Riegel from Cruella, and the new cut were both shown to audiences to see which would faire better. Neither film stood out too much with the studio version scoring about two points more than Gillespie’s. While the director’s cut came in about 11 minutes longer and scored higher on the villain and the music, two things complained about in reviews, the overall score favored the studio cut and it was chosen to be the theatrical release. Though reports don’t say what the specific scores were, it does say the highest score reached among all the testing was only 70 out of 100. While this may sound like a behind-the-scenes struggle and signs of studio interference, things like this happen all the time in Hollywood with the goal of putting out the best film possible and had the film had a higher opening, this probably wouldn’t be news at all. An on-line movement is now building to have the “director’s cut” released even though a handful of people claim to have been in the audience for the Gillespie cut and claims that the film isn’t that different than what was released to theaters. Perhaps the deleted scenes will be included on the Blu-ray release.  ... 06/27/26 @ 4:07 pm EST
DC Studios and Warner Bros. Animation used this week’s Annecy International Animation Film Festival to signal a broader push into animation, unveiling three new series built around some of DC’s most recognizable characters. The slate includes Absolute Batman, Joker: Laugh Riot, and Krypto, each aimed at a different corner of the superhero audience. The boldest announcement may be Joker: Laugh Riot, described as DC Studios’ first anime series. Produced with Sola Entertainment and directed by Yasuhiro Aoki, the show imagines a Gotham where Batman has been murdered and the Joker hunts for the killer who robbed him of his greatest obsession. That premise turns the usual Batman-Joker dynamic inside out, pushing the Clown Prince of Crime into uneasy detective territory. Absolute Batman adapts the recent comic by Scott Snyder and Nick Dragotta, reimagining Bruce Wayne as a working-class hero rather than a billionaire crimefighter. Snyder is expected to serve as executive producer and showrunner, while Dragotta will produce. The series’ “no manor, no money” approach positions Batman as a more grounded figure facing wealth, power, and corruption from the outside. Rounding out the lineup is Krypto, a children’s animated series centered on Superman’s loyal super-dog. Developed by C.H. Greenblatt, the project gives DC a lighter, family-friendly entry alongside the darker Batman and Joker titles. Together, the announcements show DC Studios treating animation not as a side lane but as a flexible creative engine. From anime to kid-focused comedy to a radical Batman reinvention, the Annecy slate suggests DC is betting that familiar icons can still feel new when placed in unexpected formats and tones.  06/20/26 @ 2:31 pm EST
How well is Supergirl going to do in theaters? It’s really hard to say, especially if you are reading on-line takes. Since the tickets were made available for presale, the opening projections have moved all over the place with initial thoughts being between $40 - $50 million, then after a few really positive days it jumped to $60 - $75 and has bounced higher and lower to where now they’re saying $50 - $60. The film is set to open against a popular Toy Story 5 that will be on its second week and likely to stay at the top of the box office if it has an average second week drop. Bottom line the expert seem to be having a hard time locking in on this one. What about critics’ thoughts? The film was screened for reviewers and while originally embargoed until next week, the studio lifted the embargo for reactions a week early and now you can see what they thought. Not their full reviews, but their short initial reactions and if you look online most sites are claiming they’re “mixed”… unless you go into the comments and read them yourself. Even sites like Deadline are saying that yet of the reactions they list, the positives outnumber the negatives three or four to one. There is consistent praise for Milly Alcock, Jason Momoa, the action and the heart of the film. The villain is often called bland and the pacing gets called out, but to call it mixed is a stretch. The problem is that like everything in life, film coverage has become political. Sites use negative headlines to get attention and with DC Studios particularly you have a split fan base between what is happening now and those that prefer the previous films… which means that narrative gets created to further their own cause. The truth is, Supergirl will struggle a bit with a film like Toy Story 5 going against it, the character is not popular on her own and is a derivative of a bigger character and in a lot of ways, the previous incarnations, while entertaining, did nothing to make the character stand on her own. Regardless of how it does, there will be a narrative claiming success and another claiming failure. The only way to judge the truth is to see the movie yourself and decide… but that’s really how we judge all movies isn’t it? ... 06/13/26 @ 2:25 pm EST
We’re just weeks away from the release of the first Supergirl movie in over 40 years and with ticket presales well underway, experts are making their projects on opening weekend. After the initial sales started happening, most sites were predicting anywhere from $45 to $55 million domestically, but after a few days of higher-than-expected numbers, some sites have adjusted up to as high as $60 to $77 million. This would put the Milly Alcock lead film right in line with the last few Marvel Studios films (except Deadpool and Wolverine). While there has been some debate, Deadline claims the film’s budget is $175 million and the breakeven point would be around $315 million. Other sites claim it’s as high as $425 million globally to call it a success. Only DC Studios and its co-heads James Gunn and Peter Safran know what would make this film a success for them, but with trying to rebuild a franchise that had been pretty much run into the ground with underperforming films like The Flash, Aquaman 2 and Shazam 2, having a film that makes most of its money back and is a critical and audience success could be more valuable. Coming off the success of last year’s Superman film, DC is hoping that Craig Gillespie’s vision will continue to excite fans and keep building the new DCU to higher and higher heights. The success of this film and this universe may be driven more on word-of-mouth than box office numbers and the studio appear to be confident enough in the film that they have already had media screenings over two weeks before the film’s release. Yes, there is still an embargo so they can have those reviews come out closer to when the film is in theaters, but you can probably tell the way the project is being covered whether or not it was well received.  ... 06/13/26 @ 2:01 pm EST
A new rumor is shaking up what fans are expecting from The Batman Part 2. On the same day that writer/director Matt Reeves posted that filming had begun, insider Jeff Schnieder posted about how everything we knew about Sebastian Stan’s role in the project was wrong. Sites had been reporting that Stan would be playing Harvey Dent/Two-Face and while that had never been confirmed by Reeves or DC Studios, people took comments from Stan as confirmation such as how he would be playing, “multiple roles” as a hint at him playing the split-personality of the Batman villain. But the new report claims that Stan is not Dent but rather the serial killer Victor Zsasz and actor Bryan Tyree Henry would be playing Dent. Other insiders have some out since and claim to have collaborating information. Zsasz is an interesting character, a killer who notches a mark on his skin for every kill. He’s been portrayed in live action a couple of times including on Gotham and in the Birds of Prey movie but has never been the main focus of a story. This would match up to Reeves saying that the film would be exploring a story never done in film before. It doesn’t really match up to Stan’s comment about “multiple roles” or reports that he was already working with make-up to figure out the look. Reeves is not confined by what is in the comics so he could make major changes to characters, even to the point of making Zsasz a divergent personality of Harvey Dent that manifested prior to the acid attack causing Two-Face to emerge. It’s also possible that Schneider’s information is slightly off and instead of playing the serial killer, Stan could be playing Charles Victor Szasz who is also known as Victor Sage or The Question. How’s that for a twist? The bottom line here is that Schnieder is hearing this from an insider, and it has not been confirmed by any official source and I wouldn’t put it past film studios to start leaking false information to protect a movie that is just starting to film. I think this one stays in the, “take with a grain of salt” category and we wait to find out more.  ... 06/06/26 @ 2:40 pm EST
DC Studios and their co-head James Gunn have talked about a lot of potential series and films with some of them being mentioned and then sort of forgotten about. One of those seemed to be Paradise Lost, a Wonder Woman prequel series showing life on Themyscira before the birth of Diana. Though after its initial mention, the project hadn’t been talked about in a while and someone asked Gunn its fate. Gunn insisted the project was still in the works and now we are seeing some possible confirmation. Back in 2024, two names were attached as writers on the series Kira Snyder and Janet Lin and now, according to the WGA website, both are set to work on Paradise Lost for 2027-2028. Snyder is known for writing and producing on The Handmaid’s Tale and The 100 while Lin has credits on Bridgerton, Cursed, and Bones. There has been talks recently about trying to fast track a new Wonder Woman film and while there is no confirmation, rumors persist that the character may debut in Man of Tomorrow, so seeing Paradise Lost finally moving forward would make a lot of sense.  05/30/26 @ 2:41 pm EST
Sony’s new Spider-Noir series has out done the MCU when it comes to fans. According to Forbes, the new Nicholas Cage lead series with him playing a 1930s variant of Spider-Man has garnered the highest audience score of all Marvel related television projects on Rotten Tomatoes. In the new series, Cage plays detective Ben Reilly who used to be the web-swinging hero called The Spider but hung up his mask after the death of his fiancée. Audience have really taken to the series that is available in both color and B&W, giving it a 93% (a point higher than when Forbes did their article) and even scored well with the critics at 92%. While the critic score is impressive, other Marvel projects have done better such as X-Men ’97 with a 99% score and Ms. Marvel with a 98% among critics. But on the audience side, 93% is tops beating out shows like Agents of SHIELD, Daredevil (Netflix) and WandaVision. While there has been no word on a second season, it would be hard for Amazon and Sony to ignore results like this.  05/30/26 @ 2:08 pm EST
James Gunn, co-head of DC Studios and writer/director of the upcoming Man of Tomorrow film, was back on social media this week answering questions and one in particular stood out. A Threads user named “boyturizmo” asked, “Will we ever see General Zod, Doomsday, Dr. Fate, Black Adam, Ultraman (with his Crime Syndicate) or Darkseid?” Gunn replied, “Two of them in not too long…” This of course led to a ton of speculation on which two and where? Now the obvious one is Darkseid, and while Gunn has said his DCU isn’t building toward a big Thanos like battle with Darkseid, the character is going to be appearing in the upcoming animated series Mr. Miracle. The series is in production with comic writer Tom King onboard as the showrunner and he recently showed off a clip to interviewer Brandon Davis, who did not share what he saw. Mr. Miracle is an escape artist raised on Darkseid’s planet Apokolips who falls in love with a warrior woman named Big Barda and they escape to Earth. Though no casting has been announced for the series, Gunn has stated that the animated series are cannon to the DCU and actors cast in the animated shows, like Frank Grillo as Rick Flag Sr., would carry over into live action like Grillo did in both Peacemaker and Superman. As for the second character we will see soon, it is possible that Gunn could bring back more characters from the DCEU and have Dwayne Johnson return as Black Adam or Pierce Brosnan don the helmet of Dr Fate once more. And Ultraman could return from the black hole he was sucked into… but I think the most likely possibility will be in flashbacks to Krypton, possibly in Supergirl, where we could see General Zod cameo in a scene with Jor-El ( Bradley Cooper) and Zor-El ( David Krumholtz) discussing the fate of the planet and how to handle it. This would be a great scene for world-building… though part of me really wants Brosnan back as Fate.  ...
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