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10/05/15 @ 3:50 pm EST
Dynamite Entertainment is proud to announce that beloved comic book heroines Red Sonja, Vampirella, and Dejah Thoris will undergo bold new directions and costume redesigns in new monthly series debuting in the first quarter of 2016. Following narrative direction from Gail Simone, the fan-favorite author of this past summer's Swords of Sorrow crossover epic, the new titles promise unexpected storylines for its headlining characters, delivered by some of today's most innovative creators. Red Sonja#1 will launch in January, helmed by writer Marguerite Bennett and artist Aneke. Dejah Thoris #1 and Vampirella #1 will debut in subsequent months, written by Frank J. Barbiere and Kate Leth respectively.
Gail Simone, whose critically acclaimed work on Red Sonja for the past two years inspired the massive company-wide celebration of female characters entitled Swords of Sorrow (featuring contributions by her hand-picked team of all-female writers), has created a road map for Red Sonja, Vampirella, and Dejah Thoris that will serve as the basis for all-new series with radically different settings and situations, fresh yet true to the traditional motivations of these comic book icons.
"We're doing a monster makeover with these characters, and it's a joy to be part of this. Make no mistake, these are characters we love, badasses all; the She-Devil with a Sword, the queen of all vampire hunters, and the warlord princess. Characters do not get any better than that," says Simone. "Our mission here is to spruce up their look and remind people that these were the original female ass-kickers that inspired Xena, Buffy, and Leia Organa. They are the map others followed, and we get to bring them each a hot, new look from brilliant artist/designer Nicola Scott, as well as thrilling new mission statements for each of them."
Artist Nicola Scott (Birds of Prey, Superman) designed the new look for these iconic characters, blending classic costume elements with the functional, action-ready designs that modern and diverse audiences long to see. "It's an honor to reimagine these amazing, iconic women and be part of their ongoing legacy," Scott says.
SPOTLIGHT ON RED SONJA:
Red Sonja #1, by the creative team of Marguerite Bennett (Bombshells, A-Force, Angela) and Aneke (Legenderry: Red Sonja, Damsels) and scheduled for release on January 13, 2016, will see its titular heroine return to her homeland of Hyrkania, only to find it changed into an almost unrecognizable landscape. As envisioned by Gail Simone, the new series sends Sonja on a mission of infiltration, sabotage, and assassination when she discovers that her native people have been conscripted into the service of a Nazi-like regime.
"It's an honor and a pleasure to be the new writer on a book as crazy and colorful as Red Sonja," says Bennett. "While I've never yet had the pleasure of working with Aneke, our phenomenal new artist, I cannot wait for us to make the big, bloody, sexy, sweeping splash in a universe this rich with story, history, and the contributions of the creators and creatives who came before us. I am particularly indebted to Gail Simone, who has always been one of my idols in comics, who first suggested that I follow her run on the title and was endlessly guiding and encouraging as I broke into this new level of the medium."
Regarding the direction of Red Sonja, the first issue will show that Red Sonja's return home is necessitated when her king hovers at death's door, while a dread new power rises from within Hyrkania's own borders. The new authority is bent on defending its homeland - no matter the cost, no matter what its people become. Billed as a defining chapter in the Red Sonja saga, the opening "Falcon Throne" storyline is dark, clever, vicious, and at times even mirthful, as the She-Devil with a Sword must topple the brutal regime, her own people.
Bennett says, "This current arc allows me to explore elements of my favorite stories, which have always been those that are enormously morally gray. In this case, we're nearly to 'Red Sonja vs. The Iron Age Nazis', as she watches her own people united and then profaned by a charismatic leader with intimate connections to Sonja's own long-buried past. She is placed in an impossible crisis, on the run from the very people she has saved, torn between saving her homeland... or destroying it. I hope readers will enjoy something dark but fun, vicious but witty, balanced between battle, romance, intrigue, and good old-fashioned monster-slaying. I'm so grateful to have a chance to lead Sonja into this brave new world."
"I was thrilled to draw Red Sonja from the beginning. She is one of my favorite characters ever, so when I was told that I would be drawing this magnificent warrior, I just couldn't stand the excitement," says Aneke, the illustrator of the new series and a self-proclaimed devotee of Frank Thorne, artist of Red Sonja's first-ever series. "I was expecting some powerful stuff from Marguerite Bennett, and I haven't been disappointed! The strength and the misanthropic touch of the red-headed heroine have always spoken to me, so I feel really lucky to draw her."
With the new series comes a character redesign by celebrated artist Nicola Scott, who describes her fresh take on Red Sonja: "Sonja was a collaboration between myself, Gail, Dynamite and the licensors. Her big red hair and chainmail are iconic, and I felt strongly they needed to carry the look but be modernized. Keeping her hair big but out of her face seemed practical, and the idea of the chainmail tank rather than bikini was a suitable update."
Dynamite will celebrate the new Red Sonja #1 with a variety of cover options, including Cover A by Marguerite Sauvage (Bombshells); Cover B by Jay Anacleto (Legends of Red Sonja) which will interconnect with the Cover B editions of Dejah Thoris #1 and Vampirella#1; and Cover C by Tula Lotay (Swords of Sorrow). A special Subscription Edition (Cover D) features the "cute" artwork of Tony Fleecs, intended for consumers who place preorders with their local comic shops and interconnecting with the Subscription Edition variants of Dejah Thoris #1 and Vampirella #1. Robert Hack (Chilling Adventures of Sabrina) provides cover artwork for the Shared Retailer Exclusive, and a Blank Authentix cover variant is available, perfect for aspiring artists and convention commissions. Finally, Ming Doyle (New Avengers) provides a special incentive cover to encourage strong preorders from comic shop retailers, as does Nicola Scott with an image of her first redesign of the character.
Red Sonja, known also as "The She-Devil with a Sword," is renowned as fantasy fiction's most prominent female character, formerly a swashbuckling ally of the Robert E. Howard character, Conan. Her early adventures in the Marvel Feature comic book series led to a successful ongoing Red Sonja solo series, a celebrated run of comics from 1976 through 1979. Dynamite Entertainment acquired the Red Sonja license in 2005 as their second-ever published title, arriving on newsstands to critical acclaim and a very receptive audience. Dynamite has since published over one hundred Red Sonja comic books, including crossovers with popular characters including Conan, Dejah Thoris (of Warlord of Mars), Vampirella, Spider-Man, and more.
SPOTLIGHT ON DEJAH THORIS:
Dejah Thoris, a royal warrior who has served as a major supporting cast member of Dynamite's various Warlord of Mars series as well as the star of several solo Dejah Thorisseries, will appear in a new #1 issue this coming February, courtesy of writer Frank J. Barbiere (Avengers World, Solar: Man of the Atom). As described by Gail Simone, Dejah Thoris would present a fall from grace for the Martian princess, as she embarks on a self-imposed exile, assuming a new identity and enlisting as a rookie soldier on the farthest, deadliest borders of her Barsoomian civilization.
Barbiere says, "I am truly honored to be writing Dejah Thoris, a character with such a robust history and celebrated pulp pedigree. I'm a big fan of Edgar Rice Burroughs, and to be able to contribute to the canon of one of his most celebrated characters is really exciting. This is a new start for Dejah Thoris, and I think our story is going to reignite the spark of what makes her great. It's a bold new take that really captures the spirit of Dejah as a dynamic, interesting, and capable character while exploring her past in a way that fans new and old won't expect."
"Dejah Thoris was about playing with themes and the Barsoom aesthetic," says costume designer Nicola Scott. "Plaited leathers, swooping, organic shaped armour, and gossamer fabrics seemed the right place to start. It was just a matter of playing around with shapes and proportions until it came together."
Dejah Thoris, a "Princess of Mars", debuted as the eponymous heroine of Edgar Rice Burroughs' original John Carter story (A Princess of Mars, dated 1912). While the love interest of the world-displaced Confederate soldier, the strong and talented royal never stood on the sidelines, often venturing into danger or battle -- and thus serving as a template for later science fiction heroines such as Princess Leia of Star Wars and Neytiri of James Cameron's Avatar. Since her debut in comic books in 2010, she has been an adventurous mainstay at the company.
SPOTLIGHT ON VAMPIRELLA:
Vampirella #1, debuting in March 2016, will feature the writing talents of Kate Leth (Adventure Time, Bravest Warriors), and see a return to the character's roots as a horror hostess, as her costumed identity goes public... while privately, she uses her new celebrity status to uncover the links between silver screen killers and a real conspiracy of monsters.
Kate Leth, writer of the new Vampirella, says, "Vampirella takes Hollywood! In this new and twisted take on the classic horror queen, Vampi moves to the City of Angels to find more than a few demons in the mix. Along with her paramour/werewolf Tristan and trusty butler Coleridge, she begins to investigate mysterious disappearances in the shadowy world of B-movies and the monsters who make them. All the while, she finds herself a sudden sensation after a video of her monster-hunting in her classic ensemble goes viral. Can Vampirella be both a cult icon on the rise and take down an empire of ghouls and ghosts? Signs point to: Hell yes!"
Regarding the redesign of one of comics' most iconic costumes, Nicola Scott says, "Vampirella was a lot of fun. We could actually make her modern, with some retro influence. I liked the idea of keeping her in a one-piece but making it a leather jumpsuit with her logo embroidered on the back. Part biker, part roller-derby. I hope to see cosplayers in this one ASAP!"
Vampirella is a raven-haired heroine who remains, even after 45 years of publication, one of the comic industry's leading ladies, due in no small part to Dynamite Entertainment's stewardship of the character. Since Vampirella's very healthy resurgence in 2010, Dynamite has published two volumes of a monthly series, several miniseries and one-shot specials, and crossovers with multimedia brands and comic book peers. The Vampirella franchise is a haven for writers and artists with a penchant for the macabre.
CONCLUSION:
Regarding the accessibility of the new Red Sonja, Dejah Thoris, and Vampirella series, Gail Simone says, "You don't need to know their history, you just need to like awesome damn women doing awesome damn stuff. Come join us!"
"We're beyond thrilled to be working with a host of talent on these iconic characters, with not only new imagery, but new directions and adventures as well," says Joseph Rybandt, Senior Editor of Dynamite Entertainment.
Dynamite's Red Sonja #1 will be solicited in the upcoming November edition of Diamond Comic Distributors' Previews catalog, the premier source of merchandise for the comic book specialty market. Comic book fans are encouraged to reserve copies of Red Sonja with their local comic book retailers. Individual customer purchases will be available through digital platforms courtesy of Comixology, Dynamite Digital, iVerse, and Dark Horse Digital. Fans and retailers are encouraged to follow Dynamite Entertainment's official social media channels for the latest updates regarding Dejah Thoris and Vampirella project development and release dates.
11/16/25 @ 12:48 pm EST
While most of the focus over at Marvel Studios is currently on the pair of upcoming Avengers films, Ryan Coogler is ready to return to Wakanda for a third Black Panther film. We’d heard of the possibility of the film originally from Denzel Washington who, while speaking of his potential retirement, mentioned the film as one of his future projects and then when Nate Moore left Marvel last year, he said he would be back producing the third Black Panther film. Now, Coogler himself said while on stage talking about his film Sinners, that Black Panther 3 would be his next movie. The series kicked off with Chadwick Boseman as T’Challa, king of the African Nation of Wakanda and while he reprised the role in Avengers: Infinity War and Endgame, he sadly passed away shortly after. The sequel dealt with the characters death and passed the mantle on to his sister Shuri played by Letitia Wright who is expected to reprise the role in the upcoming Avenger films, but with talks of a potential soft reboot of the MCU, it’s unclear who will be wearing the mask for the third film.  11/16/25 @ 12:31 pm EST
The most recent news on the DCU has to do with Jimmy Olsen. Variety is reporting that Skyler Gisondo will reprise his role from Superman in a true-crime docuseries style show that focuses on villains in the universe starting with the Flash rogue, Gorilla Grodd. Tony Yacenda and Dan Perrault are set to write and showrun with James Gunn and Peter Safran joining them as executive producers. The show is planned for HBO Max and will be a mockumentary style similar to Yacenda and Perrault’s previous series like American Vandal and Players. In the original report, Variety claimed the series would be called DC Crime, something Gunn took to social media to debunk, saying there had never been any project in production called DC Crime, he then added that his saying that doesn’t mean that the rest of the report is false. This sounds like a pretty good confirmation to me.  11/15/25 @ 12:49 pm EST
A new Star Trek film is in the works and Paramount is tapping the team of Jonathan Goldstein and John Frances Daley to write, produce and direct. This news comes shortly after David Ellison, founder of Skydance who recently purchased the studio, told investors that the next Star Trek film would not be a sequel to the Chris Pine/ Zachary Quinto lead series of films. While this hasn’t been 100% confirmed, word is that the new film will be focused on new characters and not directly tied to any previous film or television series. Goldstein and Daley have a good track record when it comes to revitalizing franchises having written Spider-Man: Homecoming for Marvel Studios and wrote and directed Dungeons & Dragons: Honor Among Thieves which was very well received by fans and critics.  11/15/25 @ 12:32 pm EST
With The Fantastic Four: First Steps having moved to Disney+, the Pedro Pascal and Vanessa Kirby lead team is now first in fans minds. But one person still thinks about the First Family of Marvel presented a decade ago and what went wrong. Miles Teller, who played Reed Richards in Josh Trank’s 2015 version of the property, still thinks about the project and how he believes the problems all came down to one person. Teller was on Sirius XM’s Radio Andy show said, “You saw the movie, right? Your eyes were working during that time? I think it’s unfortunate because so many people worked so hard on that movie. And, honestly, maybe there was one really important person who kind of f***ed it all up.” While Teller didn’t say who that was, he was referring to the person who made the final cut on the film, which was not director Trank. Teller said that he wanted a superhero film on his resume to help show him as a serious leading man, but after seeing the final cut recalled, “I remember talking to one of the studio heads, and I was like, ‘I think we’re in trouble.'” The 2015 version made $167 million worldwide compared to this year’s version which made $521 million. He stopped short of calling for a director’s cut of the film.  11/09/25 @ 2:03 pm EST
The Creeper is a unique character from DC Comics, first introduced in "Showcase #73" in 1968. Created by Steve Ditko, The Creeper’s real name is Jack Ryder, a former television talk show host and investigative journalist in Gotham City. After being attacked during an undercover operation at a costume party, Ryder is injected with a serum by Dr. Yatz and gains superhuman abilities, including enhanced strength, agility, rapid healing, and a pain tolerance bordering on the supernatural. The serum, combined with a bizarre costume, transforms him into The Creeper, a vigilante known for his wild laughter, erratic behavior, and flamboyant appearance—a shock of green hair, yellow skin, and a red mane-like cape. The Creeper remains largely untouched by mainstream media, providing an opportunity to introduce audiences to a fresh face and break away from more established archetypes. His blend of horror, humor, and psychological complexity could create a film that stands out from traditional superhero fare. The Creeper’s unsettling persona and visual style lend themselves well to a film that could blend genres—horror, black comedy, and superhero action. His maniacal laugh and unpredictable methods could inject dark humor and psychological thrills, appealing to fans of films like "Joker" and "Deadpool" while carving out a distinctive identity in the DCU. Jack Ryder’s journey from cynical journalist to bizarre vigilante offers rich storytelling potential. Exploring themes of identity, sanity, and the nature of heroism, a Creeper film could delve into Ryder’s internal struggles and the impact of his dual life, making for a character-driven narrative that resonates with audiences seeking depth and complexity. And with being set in Gotham City, The Creeper’s adventures naturally intersect with the city’s gritty underworld, providing opportunities for noir-style detective storytelling. His background in journalism and investigation can be leveraged to create suspenseful plots involving corruption, criminal conspiracies, and moral ambiguity—making him an ideal protagonist for a film that explores the darker aspects of the DC Universe. The Creeper stands as one of DC Comics’ most unconventional and intriguing characters. His untapped potential, distinctive personality, and ability to straddle multiple genres make him a perfect candidate to lead a film in the new DCU.  ... 11/09/25 @ 1:37 pm EST
Predator: Badlands is doing very well, thanks for asking. The latest film in the long-running franchise set a few high franchise marks including domestic opening with $40M, best worldwide opening with $80M and best Cinemascore with an A-. The film also sits a the top of this week’s box office beating out the 2nd place film, Regretting You, by $32.9M… though that film is in its 3rd week. Other new films opening this week, Sarah’s Oil and Nuremberg, opened in 4th and 5th with just over $4M each. Badlands is the third Predator project for director Dan Trachtenberg, the first Prey showed how he could handle the franchise but then he wanted to follow it up with an animated film, Killer of Killers and then for the first time Badlands make the Predator the protagonist. 
11/08/25 @ 4:21 pm EST
Recent reports about problems on the set of Stranger Things may not have been what they seemed. There were stories being published that Millie Bobby Brown had filed a report against co-star David Habour, accusing the older actor of bullying. But the validity of those reports are now in question as both Brown and Harbour joined their Stranger Things cast members at the red=carpet premiere of the show’s fifth and final season. Brown and Harbour were seen joking together and even hugging. Brown has also spoke of Habour to Extra, saying: “It’s been amazing. We’re so lucky to have each other. The show means so much to the both of us, and to everyone here. This has been the last 10 years of our lives.” Brown stars as the psych-powered Eleven and Harbour plays Sherriff Jim Hopper who ends up adopting her. The fifth and final season will release on Netflix in three sets with Volume 1 on November 26 (four episodes), Volume 2 on Christmas (three episodes), and The Finale on New Year’s Eve.  11/01/25 @ 2:53 pm EST
There is a major movie franchise out there that is not going by its original name and it’s thanks to the star. When screenwriter Derek Kolstad finished what would become is most popular film, he was inspired by revenge-thrillers with one-word titles like Payback and Shooter. He dubbed his film, Scorn. The problem came when the star of the film went out and talked about it, he always referred to it by the lead character’s name rather than the title. After a while, the studio realized that their star, Keanu Reeves, had done millions of dollars worth of brand recognition for the name John Wick… they decided to go with it and renamed the film. Why Reeves did this is unknown, but Kolstad has since admitted that John Wick is a better franchise name, saying, “I can’t imagine it being Scorn now.” Was this an intentional thing on Reeves’ part or just a happy coincidence? We may never know.  11/01/25 @ 2:38 pm EST
If you check the major Hollywood sites like Deadline and Variety, they’ll tell you that October 2025 has been the lowest box office take in almost 30 years. It sits currently at $440 million with a few days left to add. In 1998 the box office did $455 million, which this month should just creep past. By comparison October 2018 did $832 million with just three films: Venom, A Star is Born and Halloween, taking in $481 million. But last year, October only took in $478 million showing the decreasing trend. Adding to the decline is the fact that no major releases were scheduled for this weekend because of the Halloween holiday. And what was put into theaters the whole month really didn’t get people’s attention. Tron: Ares was the highest profile film and that hasn’t even broken $70 million in its four weeks in theaters. When you look at numbers like that, it’s hard not to think about what might have been. There was a big budget film slated for release this month, a film that got delayed and delayed and hasn’t even started filming. A film that finally has a finished script and is set to release in October of 2027… that of course is Matt Reeves’ The Batman Part 2. One of the most anticipated films currently in production, the sequel to the 2022 hit, bolstered also by the fan favorite HBO series The Penguin, would easily match and likely succeed the success of the first film. The Batman opened on March 4, 2022 and ended that month with $338 million domestically. It was originally scheduled to be released October 3rd, looking at that release date, this year there really wasn’t any big film put in its place. The film would’ve done better than the first and that amount would’ve driven 2025 towards the top of the list, maybe even surpassing 2018. Ah, what could’ve been.  ... 10/26/25 @ 12:25 pm EST
DC Studios has potentially taken a significant step by filing for a trademark for a film titled "Salvation Run." A move that isn’t too surprising since the Salvation planet and the idea of using it as a prison for meta humans was introduced in the season finale of Peacemaker season 2. But the filing does indicate just how big this idea could be for the DCU. "Salvation Run" is a storyline from DC Comics that originally ran in the late 2000s. The story centers on the mass exile of some of DC's most notorious villains to a hostile alien world, forcing them to band together for survival. It was a concept originally pitched to DC by Game of Thrones writer George R.R. Martin. The trademark filing by DC Studios suggests that the company is considering developing "Salvation Run" into a feature film. While trademark filings do not guarantee that a film will be produced, they often indicate serious intent or early-stage development. The filing protects the title and concept, ensuring that DC Studios retains exclusive rights as plans evolve. Should "Salvation Run" move forward, it could introduce a fresh dynamic to DC's film slate. Instead of focusing on heroes, this story would shine a spotlight on villains, possibly expanding character development and offering audiences new perspectives on well-known antagonists. It also opens opportunities for ensemble casting, complex storytelling, and connections to other DC properties.  |
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