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10/25/16 @ 7:15 am EST
A Writer’s Commentary: Amy Chu talks KISS #1 with additional commentary by Kewber Baal, on sale now from Dynamite. Cover by Goni Montes with interiors by Kewber Baal.Hi there, readers, putting together this behind-the-scenes look in the wee hours so bear with me. I had a crazy but wonderful night in New York City signing KISS #1 at Midtown Comics. I do think it’s really important that readers know how much work goes into the making of a monthly comic like this one. A comics script goes through multiple revisions between writer and editor, before it gets to the artist, then the art goes to the writer for another script revision before going to the letterer so the dialogue and captions can be adjusted to fit the art better. And ALL this needs to happen within the month, every month.  I think most of you know that script comes first, but after that writing process and styles can differ wildly. In my case, I’m more of a “Marvel” method writer than full script. I like collaborating with artists, especially when they are such huge KISS fans like Kewber and Schimerys Baal, and the letterer Troy Peteri. In the end I think everyone has a better time and you get a better book. Plus, everyone gets to put their Easter eggs in, so watch out for those! [ Note: Look for comments by artist Kewber Baal at the end of this Chu commentary.] Page 1Establishing shot. The city was actually more of a town in my mind, but Kewber really added a lot more into this page. This was the first page of art I saw, and I knew immediately that the Baals were going to rock these pages for the rest of the issue. Pages 2-3These next pages were critical for establishing some of the history, world-building and mood and also the last pages that were done. I am sure Kewber’s least favorite! For print comics, the odd number pages are the page turn pages so the bottom right corner is an important page turn. I try to make sure there’s a solid one right there. Pages 4-5Here we have the introduction of the twins Noa and Eran and their childhood friends Adi and Alex. Talking with Kelly Sue Deconnick, a HUGE KISS fan, cemented the idea that KISS were rock GODS, and as GODS they were timeless. So rather than focusing on them, I decided to create some new relatable characters. I wanted to make this story is for KISS fans, but also accessible to new readers.  Pages 6-7The Four discover a way out of the city. The idea for the city of Blackwell came from the song Mr. Blackwell in the Elder album. So much of this issue came out of this album. If you listened to the album when it came out in 1981 and didn’t like it then, I really hope you revisit it now. Pages 8-9Aspiring artists — a good test for visual storytelling is if you take away all the dialogue and you can see what’s going on you’re doing an A+ job. That’s what Kewber and Schymirys did here. I kind of want to just take out all the dialogue here… Pages 10-11This turned into my favorite scene when the artwork came back. Especially where Adi hugs the tree. The kids are trying to reach the surface but they discover something entirely unexpected here. At this point I think I started cutting out a lot of unnecessary dialogue. Pages 12-13Can you tell Kewber likes splash pages?! There is a certain rhythm to structuring a comic — conventional wisdom says 5-7 panels per page, and splash pages every 4-5 pages or so, but there is no hard or fast rule. Pages 14-15“Only you have the answers.” Kewber added a lot of detail here that wasn’t in the script, taking full advantage of the double page spread opportunity here. I don’t tend to give much layout direction to someone like Kewber because I think he has a better sense of where he wants to take it. The downside, of course, is it’s going to be harder to read in the digital edition but hey, you can’t make everyone happy…   Pages 16-17For the artists I work with, I usually set up a folder on Pinterest for photo references. I really dislike embedding them in the script, and this way it’s easier to collaborate on ideas. Here they really came in handy with the monastery. I found a bunch of real monasteries that Kewber used. Pages 18-19Big no-no in comics is endless talking heads so I really tried to keep things going while building the world. Fortunately Kewber had a lot of visual tricks — he had a nice idea of adding a cape for Noa. I didn’t really think much about it at the time, but I think it came out quite nice visually. Page 20Last page and first one I think about when scripting. Most of my stories I work backwards to make sure I’ve got good pacing and reveals and this is no exception. It’s got to tie up the issue, but also be enough to get you to #2 where we explain about the Elders and Morpheus. Now that the script and art is complete, this is where I go back and think about comics journalist Heidi MacDonald’s “satisfying chunk” theory. Did you guys feel like you got a satisfying chunk of story for your time and dollars? Do you want more of the story at this point?And there you go! Hope you found this deep dive into my sleep-deprived brain interesting. Shout out to my super cool editors Anthony Marques and Joe Rybandt for basically saying, sure, sci-fi, robots, computers, why not?!, and to my kids for reading it pre-press and giving it the thumbs up. I’m hoping your store has ordered it, but to be sure put this series on your pull list!  Comments from artist Kewber Baal:Q: What was your favorite page or scene to draw in the first issue? Kewber: It was the double spread page, when the kids are running away into the tunnels, and they see the KISS band, painted on the walls, for the first time. This was a scene that made me turn sad when I finished it; I wanted to spend more time on it. Q: Who is your favorite character? Kewber: This is an unfair question! Each character is developing its own personality, and I am enjoying working on each one a lot. For now, on KISS #1, I think my favorite character is Eram, he is the determined guy who wants to explore new things, and he does not believe everything people say. But I’m sure in the next chapters, my opinion will change! Q: Which was the most difficult page/scene for you to draw? Kewber: Definitely the first page. It was a big establishing shot for the entire series, the city, the mood, KISS, and I was drawing all of this for the first time. Everything still was new for me, I was still realizing I will draw a KISS series, and I felt I should define the style of the book, and prepare the readers for the story, in only one splash page. Well, I really hope I achieved that!
04/26/24 @ 9:41 pm EST
Sony has pushed its reboot of Karate Kid from December 13 this year to May 30, 2025. This has created a bit of a backward domino effect but won’t rob the year of theatrical releases. Backfilling Karate Kid‘s spot is Sony/Marvel’s Kraven the Hunter, which goes from August 30, the Labor Day weekend frame, to December 13. The Aaron Taylor-Johnson movie will have Imax and PLF screens. Kraven the Hunter will be the only R-rated movie during the holidays, directed by J.C. Chandor, it will go up that frame against Warner Bros’ animated Lord of the Rings: The War of Rohirrim. The plus here on Karate Kid‘s move: The movie will now follow the sixth and final season of Cobra Kai, which was delayed due to the strike. The summer date will see 50% K-12 out on its opening day with great family-film spacing. Warner Bros has the weekend reserved for an untitled movie. Through five movies, the Karate Kid cinema franchise counts north of $620 million worldwide. (via Deadline) 04/26/24 @ 9:35 pm EST
The two most talked-about comic book icons of the year are co-starring in their latest team-up-series—DEADPOOL & WOLVERINE: WWIII. Brought to you by two of the characters’ most legendary creators, writer Joe Kelly and artist Adam Kubert, DEADPOOL & WOLVERINE: WWIII is a three-issue epic that’s a must-have for fans and a perfect entry point for newcomers to Wade and Logan’s comic book adventures. The debut issue hits stands next week, and to celebrate this highly-anticipated launch, comic shops will receive a special surprise DEADPOOL & WOLVERINE: WWIII variant cover! The Promo Surprise Variant Cover is an all-new take on acclaimed artist Gabriele Dell’Otto’s regular variant cover that features Wolverine in his beloved brown costume. WADE WILSON AND LOGAN AT THE ENDS OF THE EARTH - AND EACH OTHER'S THROATS! The most intensely mismatched team-up in comics and pop culture - the best there is and the merc with the mouth - undergoes a radical change in this three-part, globe-spanning saga for the ages! The mysterious Delta believes in change. Change is good. But as he sets his sights on Deadpool, and Wolverine is caught up in the plot, is the third time really the charm, or the curse? Get ready for WWIII to erupt on the scene with the wildest duo in comics! The DEADPOOL & WOLVERINE: WWIII Promo Surprise Variant Cover is the latest complimentary cover delivered from Marvel to show appreciation for retailers and build excitement for readers. Check out Dell’Otto’s variant cover below and inquire with your local comic shop regarding availability.  04/26/24 @ 8:46 am EST
James Bond alum Pierce Brosnan is returning to his espionage roots. The actor is attached to star in A Spy’s Guide to Survival from director Simon Barry, the creator behind Netflix series Warrior Nun. Uri Singer’s Passage Pictures is producing the project that centers around a reclusive, retired spy who is brought out of hiding by his enigmatic new neighbor, digging up both of their secrets in the process. Barry will also write the film based on a story by him and his father, Derek Barry. The project will mark Simon Barry’s feature directing debut. “As a longtime Pierce Brosnan fan, I’m extremely grateful to have the opportunity to work alongside someone I admire for their craft, character and humanity,” said Simon Barry. (via The Hollywood Reporter) 04/26/24 @ 8:35 am EST
This June, chaos reignites when Steve Orlando’s SCARLET WITCH run returns! Teaming up with X-Men Red’s Jacopo Camagni, Orlando’s SCARLET WITCH will continue to push the limits of what Wanda’s magic is capable of as she becomes the Marvel Universe’s prime defender against deadly mystical threats—new and old! Among them will be LORE, Wanda’s demonic counterpart from 1994’s Scarlet Witch limited series. Complete with a wicked new look from Russell Dauterman, fans can check out Lore on both the cover of August’s SCARLET WITCH #3 and Dauterman’s original design sheet. In addition, Dauterman will join Camagni as an interior artist on SCARLET WITCH #3 to bring Wanda and Lore’s epic battle to life. LORE RETURNS! Scarlet Witch’s fight to reach the land of the living puts her face-to-face with her necromantic multiversal counterpart! Lore won’t stop until her death at Wanda’s hands is avenged – but another one of Wanda’s nemeses may hold the key to her survival! "Redesigning Lore was a huge treat!” Dauterman said. “Lore is an evil Wanda variant, so I wanted to contrast the design I did for our Scarlet Witch, which was meant to be magical, vibrant, and super-heroic, by going dark and sinister, with a goth, undead vibe. I’m incredible excited to also be drawing some interiors in the issue where these two Wandas face off!" Lore, who destroyed her own world before trying to conquer the multiverse, represents Wanda’s worst fear—a version of herself that’s gone mad with power! Will Scarlet Witch need her own inner darkness in order to defeat her? Preorder SCARLET WITCH #1 at your local comic shop today! 
04/25/24 @ 9:48 pm EST
Universal Pictures will release DreamWorks Animation‘s Gabby’s Dollhouse: The Movie on September 26, 2025, the studio said Thursday. Universal already had the release date on hold for an untitled DWA movie.Late September is a prime time to launch family friendly animated pics, going back to Open Season and Cloudy With a Chance of Meatballs, among others, including DreamWorks Animation‘s own Abominable.In the new film, directed by Ryan Crego, Gabby (Laila Lockhart Kraner, reprising her role from the series) heads out on a road trip with her Grandma Gigi to the urban wonderland of Cat Francisco. But when Gabby’s dollhouse, her most prized possession, ends up in the hands of an eccentric cat lady named Vera, Gabby sets off on an adventure through the real world to get the Gabby Cats back together and save the dollhouse before it’s too late. (via Deadline) 04/25/24 @ 9:38 pm EST
Mutants may no longer have a homeland—but they’ll always have a home! Announced last month and launching in August, celebrated writer Gail Simone and superstar artist David Marquez’s UNCANNY X-MEN will be the second of three flagship X-titles set in the upcoming From the Ashes era. Today, fans can see the reveal of the main cover and discover more about the series! With Professor X gone and his school transformed into a nightmare reflection of itself called Graymalkin Prison, the series sees Rogue step up to be the pillar of Xavier’s dream alongside Wolverine, Gambit, Nightcrawler, and Jubilee. From their new base of operations in New Orleans, the Uncanny X-Men are back to being the outlaw heroes the world hates and fears—and the light in the darkness for mutants everywhere! Mutantkind made a big statement with Krakoa, and now, life is harder for them than ever before, but Rogue’s X-Men will be there to welcome mutants to their new found family. A core group of essential X-Men rise From the Ashes to face a world without a home – and without Professor X! All bonds among the mutant community seem to be slipping away, and Rogue reluctantly finds herself as the hero designated to bring them back together...but a fearless, malignant power is out there hunting mutants, and it has a terrible secret that may destroy what remains of the X-Men. “Most of my time lately has been spent trying to keep my brain from exploding right out of my skull from this book,” Simone shared. “It's either the fun of all my favorite mutants acting in surprising and wonderful ways, the impossibly brilliant work of the art team, or the thrilling collaboration with all the other writers, but somehow every DAY is just filled with some kind of manic joy. Ever since I took the book, I've been scribbling notes and plots and bits of dialogue day and night. I feel like a kid at a carnival. Who DOESN'T want to write Rogue and Jubilee and Gambit all the rest?” "Uncanny X-Men is the book that made me fall in love with comics,” Marquez said. “It's been a dream come true getting to work with Gail, Matt [Wilson], and the whole Marvel editorial crew under Tom to put together this story: a badass, heartfelt, action-packed, character driven X-Men mystery. I hope readers have at least half as much fun reading it as we have had making it." “I absolutely have to take a moment to praise David Marquez,” Simone added. “Not only is this going to be one of the best-looking books on the stands, he's simply an idea MACHINE and he makes every single page better than I wrote it. Anyway, come join us, we're having an X adventure and you're all INVITED!” With three flagship titles and a host of additional satellite series, the upcoming From the Ashes era will present fans with a wide range of different approaches to the X-Men’s mission. Jed MacKay and Ryan Stegman’s X-MEN are ready to do whatever it takes to secure mutantkind’s future, even if it means revolution. Eve L. Ewing and Carmen Carnero’s EXCEPTIONAL X-MEN train and prepare mutants to survive the dangers they’ll inevitably face. Meanwhile, Simone and Marquez’s UNCANNY X-MEN are here to save everyone, making the world a brighter place for mutant and human alike! Check out Marquez’s main cover below! 
... 04/25/24 @ 12:24 pm EST
Today Skybound and Image Comics, in partnership with Universal Products & Experiences, revealed an impressive slate of variant covers and a first look at interior pages from Universal Monsters: Creature from The Black Lagoon Lives! #2, the next issue of the new four-issue limited comic book series from acclaimed writers Dan Watters (Home Sick Pilots, Lucifer) and Ram V (The Many Deaths of Laila Starr, Batman: Detective Comics), along with artist Matthew Roberts (Manifest Destiny), and colorist Dave Stewart (Ultramega, Hellboy). The next installment of the new Universal Monsters phenomenon hits comic book shops May 22, 2024. In addition to the main cover by Matthew Roberts and Dave Stewart, Universal Monsters: Creature from the Black Lagoon Lives! #2 boasts a variant cover lineup from top artists including both an open to order cover and “classic horror” black and white 1:25 incentive variant by Francis Manapul, the continuation of a four-part 1:10 incentive connecting cover series by DANI, a 1:50 incentive variant by Stephanie Pepper, and a 1:75 incentive variant by Christian Ward. Kate Marsden has miraculously survived – but just who, or what, is the creature that she saw? As Doctor Thompson and Kate work to discover the truth, they come face to face with an elusive serial killer...who’s also the man that Kate has dedicated her life to destroying. Picking up where the original films left off, this Universal Monsters tale takes readers back to the mysterious Amazonian lagoon where terror lurks beneath its murky waters. This series is perfect for new readers and longtime fans alike. Universal Monsters: Creature from the Black Lagoon Lives! is the second Universal Monsters series launch from Skybound, following James Tynion IV and Martin Simmonds’ Dracula, and will be followed by Universal Monsters: Frankenstein by writer/artist Michael Walsh coming in August and more new limited series pairing the biggest names in comics with pop culture’s most iconic monsters. Universal Monsters: Creature from the Black Lagoon Lives! #2 (of 4) (Lunar Codes Below SRP: $4.99) will be available at comic book shops and digital platforms including Amazon Kindle, Apple Books, comiXology, and Google Play on Wednesday, May 22, 2024. The full list of covers is below: Universal Monsters: Creature from the Black Lagoon Lives! #2 Cover A by Matthew Roberts & Dave Stewart (Lunar Code 0324IM295) Universal Monsters: Creature from the Black Lagoon Lives! #2 Cover B by Francis Manapul (Lunar Code 0324IM296) Universal Monsters: Creature from the Black Lagoon Lives! #2 Cover C (1:10 Connecting Copy Incentive) by DANI (Lunar Code 0324IM297) Universal Monsters: Creature from the Black Lagoon Lives! #2 Cover D (1:25 “Classic Horror” B&W Copy Incentive) by Francis Manapul (Lunar Code 0324IM298) Universal Monsters: Creature from the Black Lagoon Lives! #2 Cover E (1:50 Copy Incentive) by Stephanie Pepper (Lunar Code 0324IM299) Universal Monsters: Creature from the Black Lagoon Lives! #2 Cover F (1:75 Copy Incentive) by Christian Ward (Lunar Code 0324IM300) 
     
... 04/25/24 @ 12:16 pm EST
A new Harry Potter audiobook series is coming to Audible. As part of a partnership with Pottermore Publishing and Audible, the two will release seven new English language audiobooks scheduled for late 2025. The audiobooks will feature a full range of character voices, with the Audible CEO citing more than 100 actors, Dolby Atmos sound design and new scoring. Each book will be released sequentially and globally. This is in addition to the original single-voice audiobook recordings by Jim Dale and Stephen Fry, which were first released in 1999 and have reached 1.4 billion global listening hours after launching on Audible in 2015.The Harry Potter audiobooks on Audible also include The Tales of Beedle the Bard performed by Jude Law, Harry Potter: A History of Magic performed by Natalie Dormer, Fantastic Beasts and Where to Find Them performed by Eddie Redmayne, and Quidditch Through the Ages performed by Andrew Lincoln. (via The Hollywood Reporter) 04/25/24 @ 12:16 pm EST
The feast-for-the-eyes, bestselling comic book series Seven to Eternity—by fan-favorite and New York Times bestselling team of Rick Remender (Napalm Lullaby, Deadly Class, LOW), Jerome Opeña (The Avengers, The Punisher), James Harren (Ultramega, Rumble), and colorist Matt Hollingsworth (Love Everlasting, Wytches)—will be collected in its entirety into one complete compendium paperback edition this September and join the Giant Generator line at Image Comics. The Seven to Eternity Compendium will include Seven to Eternity issues #1-17 of the series with a brand new cover by Opeña and Hollingsworth. The God of Whispers has spread an omnipresent paranoia to every corner of the kingdom of Zhal; his spies hide in every hall spreading mistrust and fear. Adam Osidis, a dying knight from a disgraced house, must choose between joining a hopeless band of magic users in their desperate bid to free their world of the evil God, or accepting his promise to give Adam everything his heart desires. “I couldn’t be prouder of a project than Seven to Eternity. The sum of my relationship with Jerome, which began 20 years ago at Image on Strange Girl, you’ll find no better comic with our names on it. We’re very excited to put the entire tale in one compendium to allow a whole new audience to enjoy the entire journey,” said Remender. Opeña added: "Seven to Eternity represents seven years of my life and is one of the projects I’ve worked on that I am most proud of. I’m extremely thankful to everyone that has supported the book over the years and hopeful that new readers will be able to enjoy the book with this new Compendium Collection." Seven to Eternity Compendium paperback (ISBN: 9781534363861) will be available at local comic book shops on Wednesday, September 11 and independent bookstores, Amazon, Barnes & Noble, Books-a-Million, Indigo, and Waterstones on Tuesday, September 24. Seven to Eternity is also available in trade paperback and hardcover editions: Vol. 1 trade paperback - ISBN: 9781534300613 Vol. 2 trade paperback - ISBN: 9781534303218 Vol. 3 trade paperback - ISBN: 9781534306981 Vol. 4 trade paperback - ISBN: 9781534312425 Book One deluxe hardcover - ISBN: 9781534319318 Seven to Eternity will also remain available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.    
... 04/24/24 @ 5:02 pm EST
Briarcliff Entertainment has acquired domestic rights to Valiant One, a military action thriller starring Chase Stokes (Outer Banks) and Lana Condor (To All the Boys franchise), slating it for release in theaters nationwide on January 24, 2025. Check out a first-look still above. Marking the feature directorial debut of producer Steve Barnett, the film watches as a routine mission goes awry when a U.S. army helicopter crashes deep within North Korean territory. Now, a team of non-combat tech specialists, led by Captain Edward Brockman (Stokes), must navigate the hostile terrain and fend off North Korean forces as they desperately race to escort a civilian tech specialist across the treacherous Demilitarized Zone. A Monarch Media production written by Barnett and Eric Tipton, with counsel from former members of the U.S. Military, CIA and Department of Defense, Valiant One also stars Desmin Borges (Only Murders in the Building) and Callan Mulvey (The Grey Man). The film is produced by Bernie Goldmann and Alan Powell, and executive produced by Vicky Patel. Stokes served as co-executive producer. (via Deadline) |
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