11/12/13 @ 3:07 pm EST

Source: Newsarama

There is a fifth dimension, beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call The Twilight Zone.

Those are Rod Serling's immortal words, an introduction emblazoned upon the minds of science fiction fans from at least three generations. While it has had some television revivals, this time around The Twilight Zone returns via comic books thanks to Dynamite Entertainment.

Coming in December 2013, The Twilight Zone comes from writer J. Michael Straczynski and artist Guiu Vilanova with covers from Francesco Francavilla. Straczynski, commonly referred to by his initials as simply JMS, has a history with the franchise that crosses from boyhood fandom to writing a revival for TV in the 1980s and now launching this comic book version.

For more on the series, including how storyarcs will play out, the similarities to writing television episodes, and even why JMS keeps responding to the siren call of comic books, we spoke with the writer. Let's all enter The Twilight Zone (and have that doo be doo doo music in our heads the rest of the day).

Newsarama: Joe, please start off by telling us a bit about what The Twilight Zone means to you, and how it has influenced you as a writer.

J. Michael Straczynski: As a geeky kid science fiction fan (as opposed to a geeky adult science fiction fan) I grew up reading the classics: Heinlein, Asimov, Clarke, Simak... all these writers who had amazing ideas about technology and the future, but which were sometimes a bit dry when it came to fully fleshed-out characters. So for me, The Twilight Zone was my introduction to unapologetically humanist science fiction and fantasy. The stories were less about hard SF, flashy hardware and special effects and more about what Faulkner described as "the human heart in conflict with itself." It spun my head around and allowed me to see SF and fantasy stories in a way I had never understood before.

They also taught me the importance of finding the right word rather than settling for the word on the shelf next to the right word. Serling's precision of writing dazzled me. As a teenager in that long pre-internet darkness, I'd sit in front of the TV with a tape recorder and a notepad, hurriedly capturing bits of dialogue in order to study them later. I'd unlock the prose for hours, trying to figure out how he managed to get this effect from this precise combination of words. It was like having the best and most frustrating teacher in the world, because when the writing sucks, it's easy to see why; but when something really works it's hard to figure how and why because the methodology is almost invisible.

Nrama: How does your approach change when writing a comic about the Twilight Zone versus a TV episode?

JMS: I think it can't really change too much or you risk becoming false to what the Zone represents: fantastical stories about characters, often running from or to something who are caught in situations they cannot understand or explain to others, the resolution of which will ultimately come down to who they are at their core.

Nrama: Will your stories here be self-contained "episodic" issues, or areyou going to be setting up story arcs?

JMS: In trying to transplant one form into the other, I opted to go for 3-4 issue arcs in order to encompass the amount of time Serling spent with his characters in those original half-hour episodes. Some online nutjobs out there chose deliberately to misstate that as me saying you can't do short fantastical stories in one issue or less, which is not just ridiculous, it actually creates an entirely new form of stupid, since I've written done-in-ones and other shorter forms. It's about page count. A half-hour original Zone episode allowed you to spend a lot of time with those characters and slowly develop the situation in which they find themselves; if you want to replicate that experience, that gradual development, you need the pages to do it. Hence, 3-4 issue arcs which, in the aggregate, are about equal to one half-hour TV script.

The cool thing about the Dynamite books is that I'm layering these arcs in such a way that they seem like three individual stories that happen to be taking place at the same time. Then, slowly, gradually, they begin to interweave in ways that create a much larger narrative. It's kind of an experiment in form, but Serling was always big on experimentation in the Zone, so I think he would approve.

Nrama: What's the essential, the elevator pitch if you will, for a Twilight Zone story?

JMS: It has to be something built around a character flaw or development that is enhanced, exacerbated or attacked. So when I wrote "The Mind of Simon Foster" for the 88 Zone series, the "elevator pitch" would've been: A desperate man in need of money begins selling his memories at a futuristic pawn shop, realizes in time what he's giving up, and decides to get it back... only to find some things can never quite be put back to rights again.

Nrama: Do you look at The Twilight Zone more like your creator-owned works, in so much as you can really be creating a world and characters here, or more like your corporate superhero work, where it is clearly understood you're playing in someone else's toy box?

JMS: I think it's a bit of both. On the one hand, you're telling your own story. But on the other hand, you have to be respectful toward, and mindful of the playground you're stomping around in. There's a certain attitude that goes into telling a Zone story that has to be maintained if you're going to be true to that universe. There can't be a careless word anywhere in there; it's got to be tight and well-crafted and have a moral point of view at the center of it while not being preachy. In the end there has to be a sense of hope about the world, even if some characters rightly suffer for their actions within that world. Writing nihilistic stories is easy; being hopeful without being corny is tough.

Nrama: What can you tell us about this first storyand your lead character Trevor Richmond? Why the economic slant to your first story here?

JMS: Serling always looked to be current with the times. He wrote about what was going on politically and socially, though sometimes couching it in fantastic terms. "The Monsters Are Due on Maple Street" is a direct shot across the bow of McCarthyism, as "The Obsolete Man" is a poke in the eye aimed at fascism. Wall Street bandits have become the new aristocracy, exempt from the same penalties faced by the rest of us. Steal twenty bucks of comics from a store? Go to jail. Steal billions and leave taxpayers to pick up the tab? Get a raise. So yeah, I wanted to deal with that element in the first arc. The second two take stranger turns.

Nrama: You've been steadily increasing your comic book work recently, while also doing a good amount of film and TV work – why do comics remain a medium that you like to tell stories in?

JMS: Short but true answer: I love it. I grew up on comics, and love the form as a writer and a reader. I put the same effort into writing a comics script that I put into writing a big-budget feature, knowing the financials of the former are a fraction of the latter, but that's not the point, it's all about writing for the sheer joy of the form. Some choosing to reinterpret that negatively say, "So it's your hobby." No! Collecting vintage rocket ships is my hobby. Writing comics is what I love; it's the dearest thing to my heart. Always has been, always will be.

Nrama: What else is coming up that you'd like to mention/talk about a bit (free plug time!)?

JMS: Coming into 2014 is going to be an amazing year. I realized that starting in February, when we launch the four-issue miniseries The Adventures of Apocalypse Al, for several months I'm going to be having six titles per month hitting the stands, which is an insane amount of work, all of it fun.

That will drop down again as we finish the initial runs on Al, Sidekick and Ten Grand, at which time I'll be deep in production on Sense8, the Netflix series I'm writing, producing and – for a good chunk of it – directing with the Wachowskis.

Around the same time we start shooting, Summer 2014, as we finish Protectors Inc., we'll be re-launching Dream Police, The Book of Lost Souls and beginning the six issue run of Alone with Bill Sinkiewicz. Then in Winter '14 I finally start prep for the movie I'll be directing in Germany. It's gonna be a crazy, wonderful roller coaster ride.

http://www.newsarama.com/19539-jms-enters-the-twilight-zone-a-child-adult-dream-come-true.html

04/24/24 @ 5:02 pm EST

Source: Deadline | Categories: MIsc

Briarcliff Entertainment has acquired domestic rights to Valiant One, a military action thriller starring Chase Stokes (Outer Banks) and Lana Condor (To All the Boys franchise), slating it for release in theaters nationwide on January 24, 2025. Check out a first-look still above. Marking the feature directorial debut of producer Steve Barnett, the film watches as a routine mission goes awry when a U.S. army helicopter crashes deep within North Korean territory. Now, a team of non-combat tech specialists, led by Captain Edward Brockman (Stokes), must navigate the hostile terrain and fend off North Korean forces as they desperately race to escort a civilian tech specialist across the treacherous Demilitarized Zone. A Monarch Media production written by Barnett and Eric Tipton, with counsel from former members of the U.S. Military, CIA and Department of Defense, Valiant One also stars Desmin Borges (Only Murders in the Building) and Callan Mulvey (The Grey Man). The film is produced by Bernie Goldmann and Alan Powell, and executive produced by Vicky Patel. Stokes served as co-executive producer. (via Deadline)

04/24/24 @ 4:46 pm EST

Source: Marvel | Categories: Wolverine

Marking the milestone 50th issue of Benjamin Percy’s run and hitting stands during Wolverine’s 50th anniversary year, next month’s WOLVERINE #50 will be one of the character’s most pivotal issues ever! In anticipation of this landmark issue, fans can check out never-before-seen artwork from each story now. Packed with bonus material, the giant-size issue presents the explosive final chapter of Percy, Victor LaValle, Geoff Shaw, and Cory Smith’s 10-part epic “Sabretooth War” storyline plus a story co-starring Jubilee from legendary Wolverine scribe Larry Hama and a special sneak peek at Wolverine’s upcoming adventures in the From the Ashes era! Having masterfully guided Logan over the last few years, Benjamin Percy will also bid farewell to the character in WOLVERINE #50. After closing out Wolverine’s Krakoan age adventures in the main story, Percy will team up with artist Javi Fernández in a special send-off that explores Wolverine’s incredible legacy. On closing out his run, Percy shared, “Fifty issues of Wolverine is a hell of a lot to be thankful for. But the math gets hairier when I do some accounting. I've actually been writing Logan -- in the audio drama, in X-Force and Wolverine and all the crossovers and spin-off events -- for seven years, twenty episodes, and a hundred thirty-ish issues. That’s a whole lot of SNIKT. That’s a big part of my life and career, and I feel nothing but gratitude for the experience. I can’t believe I’ve been lucky enough to serve as the custodian of a character who is so important to me. Thanks, bubs, for joining the mayhem.” The Sabretooth War concludes in the way it began - a violent, bloody battle - but WHO will be left standing? Preorder WOLVERINE #50 at your local comic shop today!

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04/24/24 @ 2:50 pm EST

Source: Deadline | Categories: MIsc

Jeffery Self (Search Party, The Horror of Dolores Roach) and Gabrielle Ryan (Power Book IV: Force, Bonding) have boarded Christopher Landon’s coming fast-paced thriller Drop from Blumhouse, Platinum Dunes and Universal Pictures. The duo join the previously announced cast including Meghann Fahy and Brandon Sklenar. The film’s logline is being kept under wraps at this time. Drop is written by Jillian Jacobs & Chris Roach. Michael Bay, Jason Blum, Brad Fuller and Cameron Fuller are producers. Ron Lynch and Sam Lerner are EPs. Drop is a Platinum Dunes and Blumhouse production for Universal. (via Deadline)

04/24/24 @ 2:52 pm EST

Source: Skybound | Categories: Skybound

Today Skybound Comet and Image Comics revealed all-new interior pages from Sea Serpent’s Heir Book Three: Queen of Mercy, the third and final installment of the high seas fantasy trilogy about growing up and changing your fate from acclaimed creators Mairghread Scott (Netflix’s Dragon Age: Absolution, Marvel’s Guardians of the Galaxy) and Pablo Tunica (Teenage Mutant Ninja Turtles). Sea Serpent’s Heir Book Three concludes the fantasy Young Adult trilogy from Skybound Comet, the original graphic novel imprint aimed at Young Adult (Ages 12+) and Middle Grade (Ages 8-12) audiences, but sure to captivate readers of all ages. In the final chapter of the Sea Serpent’s Heir Trilogy, the hunter becomes the hunted after Aella’s aunt Kiana steals the power of Xir for themselves! Can Aella stop the person who taught her everything she knows about magic from destroying the world?

Sea Serpent’s Heir Book One: Pirate’s Daughter (Lunar Code 0623IM958, ISBN 978-1-5343-2129-8 I SRP: $14.99) and Sea Serpent’s Heir Book Two: Black Wave ( Lunar Code 0723IM381, ISBN 978-1-5343-9993-8 I SRP: $14.99) are available everywhere books are sold now.

The Skybound Comet slate also includes the upcoming release of Ava's Demon Book Two: Aftermath (Lunar Code 0324IM187, ISBN: 978-1-5343-9852-8 SRP: $17.99), the next chapter of the groundbreaking YA graphic novel by acclaimed author Michelle Fus, available for the first time in the book market in May 2024 along with the July release of Super Dinosaur Compendium One (ISBN: 978-1-5343-2775-7 I MSRP: $34.99) from Robert Kirkman (Invincible, The Walking Dead) and artist Jason Howard (Batman, The Flash). Clementine Book Two (Lunar Code 0923IM926, ISBN: 978-1-5343-2519-7 SRP: $14.99) by acclaimed writer/artist Tillie Walden (Spinning, On a Sunbeam) is available everywhere books are sold now.

Sea Serpent’s Heir Book Three: Queen of Mercy (ISBN: 978-1-5343-3209-6 SRP $14.99) will be available at comic book shops on Wednesday September 4, 2024, and at booksellers, along with digital platforms including Amazon Kindle, Apple Books, comiXology, and Google Play Tuesday, September 17, 2024.

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04/24/24 @ 2:33 pm EST

Source: Image Comics | Categories: Image

The New York Times bestselling, multiple award winning writer Chip Zdarsky (Newburn, Batman), fan-favorite artist Rachael Stott (Fantastic Four, Dr. Who) and stellar colorist Eren Angiolini (Justice League: Last Ride) bring fans of the Eisner Award winning series Public Domain its comic-book-within-the-comic-book in the upcoming new title, The Domain. This five-issue miniseries is the in-universe comic book at the center of the Public Domain series and will launch this July from Image Comics. In the pages of Public Domain, Syd Dallas and the team at Dallas Comics reimagine their classic character The Domain for a new audience, and… this is that comic! “When I realized that my characters from Public Domain would be creating a new superhero comic, I just knew I had to actually make that comic! It was an opportunity to create a fun, classic superhero comic while also enhancing the narrative of Public Domain and those characters’ journeys," said Zdarsky. "But to do it right I needed a great art team who could pull off a kinetic, explosive superhero style, and Rachael Stott and Eren Angiolini are the perfect fit for this story. The only problem has been that fact that they’re too good and have, in fact, made Public Domain look bad by comparison. I did this to myself!" Stott added: "Every single time I get to work with Chip Zdarsky I feel like the luckiest artist in comics—we've worked in his sexy Sex Criminals universe on the Sexual Gary Annual, and then an equally sexy Spider-Man one shot, but now we get to create a world and characters together for Domain. Every (sexy) page has been a joy and delight to draw. And sexy. Then add Eren Angiolini into that equation and you have a dream project. They are one of the most talented colourists working today, and I'm so lucky to get to collaborate with them again. I love being a part of this team, and we've made a really cool, beautiful book together and I'm so proud excited for people to read it. Chip, did I say sexy enough? How many times did you say it would take to get the book on Oprah's book club?" In the upcoming The Domain, three best friends discover a crashed UFO and uncover technology that imbues them with incredible abilities. But there’s a catch: only one of them can use the powers at a time! Can their friendship survive the power’s temptation? The Domain promises a classic superhero story for those coming in fresh, and a fun meta story for readers of Public Domain. "Do you know what is better than working with Chip Zdarsky on Justice League and better than working with Rachael Stott on Doctor Who? Working with BOTH Chip AND Rachael on a fun, cosmic adventure filled with badass characters and handsome aliens," said Angiolini. "I had a wonderful time colouring this series and I couldn't be prouder of the result! Also, they let me go wild with illustrating the TTRPG variant covers! Pretty cool, right?!”

The Domain #1 will be available at comic book shops on Wednesday, July 10:

Cover A by Stott - Lunar Code 0524IM229

Cover B by Angiolini - Lunar Code 0524IM230

The Domain will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Public Domain, Vol. 1 trade paperback (ISBN: 9781534324572) is available now at local comic book shops and independent bookstores, Amazon, Barnes & Noble, Books-a-Million, Indigo, and Waterstones.

Public Domain #6 (Lunar Code 0524IM245) will be available at comic book shops on Wednesday, July 3.

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04/23/24 @ 5:33 pm EST

Source: ComicBook | Categories: Marvel

Famke Janssen isn't expecting another X-Men rebirth. The Boy Kills World star played the telepathic mutant Jean Grey / Phoenix in five X-Men movies between 2000 and 2014, including cameos in The Wolverine and X-Men: Days of Future Past. Sophie Turner took over the role as young Jean in two prequels, 2016's X-Men: Apocalypse and 2019's X-Men: Dark Phoenix, the latter marking the final film in the Fox franchise following Disney's purchase of 21st Century Fox. But — like a phoenix — the X-Verse has slowly risen from the ashes in the MCU. Hugh Jackman will soon return as Logan in Marvel Studios' Deadpool & Wolverine. With the just-released trailer revealing multiversal cameos of actors and characters from past X-Men movies, could Janssen's Jean Grey make her first appearance in more than a decade? "I don't know. I mean, I didn't expect to come back after dying as Jean Grey," Janssen told ComicBook ahead of her new movie, the bloody action-thriller Boy Kills World. "I came back as the Phoenix [in 2006's X-Men: The Last Stand], and I came back in flashback scenes in The Wolverine, and then in Days of Future Past." Jean's post-X2 returns "were all surprises that I never anticipated," Janssen added. As for yet another unanticipated return in July's Deadpool & Wolverine, she said: "I don't know. I doubt it, but you never know."

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04/23/24 @ 5:13 pm EST

Source: Deadline | Categories: MIsc

The trailer for Zoe Kravitz's directorial debut thriller Blink Twice has hit the internet. Written by Kravitz and E.T. Feigenbaum, the film stars (Channing Tatum), Naomi Ackie, Alia Shawkat, Simon Rex, Adria Arjona, Haley Joel Osment, Christian Slater, Kyle MacLachlan and Geena Davis. Producers are Bruce Cohen, Tiffany Persons, Garret Levitz and Kravitz. Tech billionaire Slater King (Tatum) meets cocktail waitress Frida (Ackie) at his fundraising gala, and sparks fly. He invites her to join him and his friends on a dream vacation on his private island. It’s paradise. Wild nights blend into sun-soaked days and everyone’s having a great time. No one wants this trip to end, but as strange things start to happen, Frida begins to question her reality. There is something wrong with this place. She’ll have to uncover the truth if she wants to make it out of this party alive. (via Deadline)

Trailer: https://youtu.be/aMcmfonGWY4

04/23/24 @ 5:38 pm EST

Source: BOOM! Studios | Categories: Power Rangers

BOOM! Studios, together with leading toy and game company Hasbro, today announced the FINAL issue in the eight-year comic book saga… MIGHTY MORPHIN POWER RANGERS: DARKEST HOUR #1. It all ends here! With the Morphin Grid in peril, the people of Earth are left without the Power Rangers to protect them. The ultimate battle against Dark Specter will play out with unexpected consequences, while an unlikely group of rogues, villains, and Rangers make strange company… But even if they win… can they rebuild everything they’ve lost? Fan favorite Rangers writer Melissa Flores (Spider-Gwen: Smash), acclaimed artist Simona Di Gianfelice (Firefly: Return to the Earth That Was), and acclaimed colorist Raúl Angulo, weave together a story that fans have been waiting nearly a decade for… delivering an unforgettable finale that everything has been building to! “After nearly two years, the Darkest Hour comes to a close. This event has been one of the biggest tasks of my career, but I've enjoyed every single, heart-wrenching minute. Although I put our poor Rangers through the ringer, I hope the ending is as satisfying for the reader as it was for me to write it!" said series scribe Melissa Flores. “I’m really excited to tell this incredible adventure together with Melissa. So far she has kept us in suspense and now she's ready to surprise us again! Get ready to dive into this final chapter of Darkest Hour! GO GO!" said veteran Power Rangers artist Simona Di Gianfelice. This epic, oversized issue will feature a main cover by the iconic Taurin Clarke, alongside a new Dark Grid variant by Björn Barends, Helmet variant by Goñi Montes, and a top secret Spoiler variant by Santa Fung, among many others.

Mighty Morphin Power Rangers: Darkest Hour #1 A Main: TK

Mighty Morphin Power Rangers: Darkest Hour #1 B Variant: TK

Mighty Morphin Power Rangers: Darkest Hour #1 C Dark Grid Variant: TK

Mighty Morphin Power Rangers: Darkest Hour #1 D Helmet Variant: TK

Mighty Morphin Power Rangers: Darkest Hour #1 E Spoiler Variant: TK

Mighty Morphin Power Rangers: Darkest Hour #1 F Foil Variant: TK

Mighty Morphin Power Rangers: Darkest Hour #1 G 1:5 INCV: TK

Mighty Morphin Power Rangers: Darkest Hour #1 H 1:10 INCV: TK

Mighty Morphin Power Rangers: Darkest Hour #1 I 1:25 INCV: TK

Mighty Morphin Power Rangers: Darkest Hour #1 J FOC Reveal Variant: TK

Mighty Morphin Power Rangers: Darkest Hour #1 K Unlockable Variant: TK

MIGHTY MORPHIN POWER RANGERS: DARKEST HOUR #1 will be available in comic shops July 31, 2024. It is available for pre-order at your local comic shop. Digital copies can be purchased from content providers, including Kindle, iBooks, and Google Play. Ahead of this milestone issue, fans can pick up the final issue of the main series, Mighty Morphin Power Rangers #122, a week earlier on July 24, 2024. Additionally, fans can look forward to many exciting POWER RANGERS announcements from BOOM! Studios in the coming months, including exciting plans for San Diego Comic-Con. MIGHTY MORPHIN POWER RANGERS: DARKEST HOUR is the newest release from BOOM! Studios’ eponymous imprint, home to critically acclaimed original series, including BRZRKR by Keanu Reeves, Matt Kindt, and Ron Garney; Something is Killing the Children by James Tynion IV and Werther Dell’Edera; Grim by Stephanie Phillips and Flaviano; Stuff of Nightmares by R.L. Stine and A.L. Kaplan; Damn Them All by Simon Spurrier and Charlie Adlard; Once Upon a Time at the End of the World by Jason Aaron, Alexandre Tefenkgi, Leila del Duca, and Nick Dragotta; Know Your Station by Sarah Gailey and Liana Kangas; A Vicious Circle by Mattson Tomlin and Lee Bermejo; The Neighbors by Jude Ellison S. Doyle and Letizia Cadonici; Ghostlore by Cullen Bunn and Leomacs; Sirens of the City by Joanne Starer and Khary Randolph; Coda by Simon Spurrier and Matías Bergara; Rare Flavours by Ram V and Filipe Andrade; Underheist by David and Maria Lapham; and Animal Pound by Tom King and Peter Gross. The imprint also publishes popular licensed properties, including Dune: House Corrino from Brian Herbert, Kevin J. Anderson, and Simone Ragazzon; and The Expanse: Dragon Tooth by Andy Diggle and Rubine.

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04/23/24 @ 11:12 am EST

Source: ComicBook | Categories: DC

Blue Beetle has grown to be a beloved character in the modern DC Universe, with the Jaime Reyes incarnation of the hero starring in a number of comics and his own self-titled movie last year. As DC's new July 2024 solicitations reveal, Jaime's next foray will be into the world of graphic novels. The solicits include the first look and details surrounding This Land Is Our Land: A Blue Beetle Story, a new standalone graphic novel centered on Jaime. Scheduled to be released on October 1st, This Land Is Our Land: A Blue Beetle Story hails from writer Julio Anta (Home) and Jacoby Salcedo (It's Only Teenage Wasteland). (via ComicBook.com) Per the DC solicit: "Jaime Reyes is an ordinary high school student in El Paso, Texas, with a deep love for his family, culture, and home, and loves nothing more than his neighborhood’s spontaneous gatherings that go late into the night. But lately, he’s begun to realize that he and his border community are being used as pawns in an increasingly toxic immigration debate. The last few months have seen armed troops deployed along the U.S. and Mexico border, manufactured crackdowns at official border crossings, and a mounting resentment among a group of disaffected and reactionary youth. Jaime’s problems get even more complicated when he finds an odd bug-like artifact while stargazing. He starts feeling a little different—like there’s another voice in his head pushing him toward his most base instincts. And to make matters worse, he’s been having surreal dreams that show him that the true threat El Paso faces isn’t “illegal aliens” but actual aliens known as the Reach. In fact, according to his dreams, Jaime is meant to pave the way for the Reach’s impending invasion!"

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04/23/24 @ 10:58 am EST

Source: Deadline | Categories: Atlas

Jennifer Lopez is the savior of the future in the Brad Peyton-directed sci-fi Netflix film, Atlas–and a full trailer has dropped for the film. Written by Leo Sardarian and Aron Eli Coleite, Lopez stars alongside Sterling K. Brown, Simu Liu, Gregory James Cohan, Abraham Popoola, Lana Parrilla, and Mark Strong. The film follows Atlas Shepherd (Lopez), a brilliant but misanthropic data analyst with a deep distrust of artificial intelligence, joins a mission to capture a renegade robot with whom she shares a mysterious past. But when plans go awry, her only hope of saving the future of humanity from AI is to trust it. Atlas debuts on Netflix May 24. (via Deadline)

Trailer: https://youtu.be/Jokpt_LJpbw