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11/27/13 @ 3:35 pm EST
Source: Comics Beat
Coming in January this year, Legenderry: A Steampunk Adventure will see writer Bill Willingham and artist Sergio Fernandez Davila take on a host of Dynamite’s most recognizable characters for a seven-issue re-imagining. Not only will the story have characters as diverse as Green Hornet, Vampirella, The Six Million Dollar Man and Red Sonja all in the same story – the story will be set inside a giant world created by the creative team, based around the steampunk genre.

To find out more about the series, I spoke to Willingham about how the project came about, how he built up this new world for the series, and his plans for the characters going forward.

The Beat: Legenderry: A Steampunk Adventure takes characters from a whole range of genres and contexts and places them within one steampunk world. How did you first come onboard a project like this?

Bill:
It’s been a long time since I’ve been in a place where I had enough room in my schedule to work on something new. That time is still not quite upon us, but Nick and I have been itching to work on a book together for Dynamite for years now. I wasn’t able to bring something brand-new and creator owned to the table since there’s a lot of work to put into building a new series from the ground up.

Initially, I wanted to work on a series that borrowed characters that no one else was using at the time to avoid having to deal with continuity and where they all are in their current books. All of the characters that appear in Legenderry are characters that are currently being used, so Nick got a little creative and that’s where the steampulp idea came from – a place where I could create new versions of these characters in my own way that was separate from everything else going on.

The Beat: How do you view the concept of steampunk, personally? Have you written within the style before?

Bill:
I have not written within the genre before, but not really for any other reason than I dislike the term “steampunk”. The “steampunk” genre embodies brilliant aspects from the works of HG Wells and Jules Verne who wrote of adventurers, discovery and action. They were not punks. Punks instead fit into the subgenre of cyberpunks because cocky punks are exactly who they were and one of the reasons that I never warmed up to the genre as a whole.

I call the genre steampulp since it more accurately describes the vibe that I’m going for, but I expect that the time to change the name of the genre has long past and my redubbing of it won’t catch on.

The Beat: How much input did you have in the individual design of the characters, and of the general aesthetic of the miniseries itself?

Bill:
As much as I wanted. At least that’s the impression I got, but I haven’t yet really had to test the limits, since the character designs and art were so well done from the starting gate that I asked for very few changes. I requested things like, “I’d like to see her hair a bit longer, or his coat a bit longer, or I see Zorro’s sword as being a skosh thinner.” Nothing major.

Also, so far, I’ve never had to ask for a correction of any of the artwork Sergio has done for the actual story. He seems to start at wonderful and adds quality from there.

The Beat: When you take on a story like this, how carefully do you plan out the World which the characters inhabit? How important is it to you that you get the details of the city, and the society, and make sure everything fits together?

Bill:
The world building part of any story, especially for a tale set in an entirely invented world, is perhaps the most important part of said story, at least in the planning and pre-planning stages. It’s also the most rewarding part for me. It’s like putting together an intricate 5000 piece jigsaw puzzle, with no picture on the box to guide you. It’s a combination of decision making and then extrapolating all of the possible results of those decisions. I love it. Getting all of the details right is vital. If I can’t make the world, and every important part of it, interesting and detailed and engaging to me, I can’t ask a reader to believe in it.

The Beat: Are there any details in particular which you’re excited to see realized in the story? Bill: A few. First the look of The Big City (that’s actually its name), where the story starts out. Having the art in for the first two issues, I already see that Sergio has delivered more than my notes and imagination asked for. I got just a glimpse of the skyship Victory at the end of Issue Two and that again delivered wonderfully on my expectations. We’ve yet to get to Landing, the Miracle Science City, which comes along in issue four (or is it five?), which is the steampunk era view of what the future must look like.

The Beat: Was it tricky to fit certain characters into the same universe? I can’t imagine fitting The Six Million Dollar Man into a Victorian setting would be easy, for example.

Bill:
I thought fitting the Six Million Dollar Man into this world would indeed be the greatest challenge of the bunch. He turned out to be the most fun to adapt and is currently my favorite character in this world of the best possible characters.

The Beat: Will you be getting inside the head of any of the characters like Vampirella, Red Sonja, Green Hornet, etc. – or will the story be viewing them from a distance?

Bill:
Yes. Deeply so in at least one instance. But I’ll divulge no details. Sorry.

The Beat: The story seems to be a large-scale mystery, with pieces being put together each issue. What kicks off the narrative of Legenderry?

Bill:
It is a mystery, yes, which is to say, it’s a mystery who the villains are and what they want with the MacGuffin character, the woman who leads us from one of our heroes to the next. But it’s also a chase against time, where the adventure leads us on a tour of the entire world of Legenderry.

The Beat: We’ll be following a young woman as she interacts with various characters in turn throughout the series – do you view her as the guide for the reader? The classic stories associated with steampunk are usually works by people like H.G. Wells, which are all about a guide/adventurer heading off and introducing the reader to all kinds of new ideas and sights.

Bill:
I so want to answer this question in detail, but I’ve already said too much about her. She’s not the guide. She’s the treasure everyone seems to be after. But why?

The Beat: Although this is a complete seven-issue storyline, do you think you could ever be tempted back for another story set in this world, at some point in the future?

Bill:
Yes. Why create a whole world just for seven issues of anything? I always want to explore further.

http://comicsbeat.com/interview-bill-willingham-creates-a-legenderry-world/
11/15/25 @ 12:49 pm EST
Source: Deadline
A new Star Trek film is in the works and Paramount is tapping the team of Jonathan Goldstein and John Frances Daley to write, produce and direct. This news comes shortly after David Ellison, founder of Skydance who recently purchased the studio, told investors that the next Star Trek film would not be a sequel to the Chris Pine/Zachary Quinto lead series of films. While this hasn’t been 100% confirmed, word is that the new film will be focused on new characters and not directly tied to any previous film or television series. Goldstein and Daley have a good track record when it comes to revitalizing franchises having written Spider-Man: Homecoming for Marvel Studios and wrote and directed Dungeons & Dragons: Honor Among Thieves which was very well received by fans and critics.  Star Trek 
11/15/25 @ 12:32 pm EST
Source: Deadline
With The Fantastic Four: First Steps having moved to Disney+, the Pedro Pascal and Vanessa Kirby lead team is now first in fans minds. But one person still thinks about the First Family of Marvel presented a decade ago and what went wrong. Miles Teller, who played Reed Richards in Josh Trank’s 2015 version of the property, still thinks about the project and how he believes the problems all came down to one person. Teller was on Sirius XM’s Radio Andy show said, “You saw the movie, right? Your eyes were working during that time? I think it’s unfortunate because so many people worked so hard on that movie. And, honestly, maybe there was one really important person who kind of f***ed it all up.” While Teller didn’t say who that was, he was referring to the person who made the final cut on the film, which was not director Trank. Teller said that he wanted a superhero film on his resume to help show him as a serious leading man, but after seeing the final cut recalled, “I remember talking to one of the studio heads, and I was like, ‘I think we’re in trouble.'” The 2015 version made $167 million worldwide compared to this year’s version which made $521 million. He stopped short of calling for a director’s cut of the film.FF 2015 
11/09/25 @ 2:03 pm EST
Source: Wikipedia
The Creeper is a unique character from DC Comics, first introduced in "Showcase #73" in 1968. Created by Steve Ditko, The Creeper’s real name is Jack Ryder, a former television talk show host and investigative journalist in Gotham City. After being attacked during an undercover operation at a costume party, Ryder is injected with a serum by Dr. Yatz and gains superhuman abilities, including enhanced strength, agility, rapid healing, and a pain tolerance bordering on the supernatural. The serum, combined with a bizarre costume, transforms him into The Creeper, a vigilante known for his wild laughter, erratic behavior, and flamboyant appearance—a shock of green hair, yellow skin, and a red mane-like cape. The Creeper remains largely untouched by mainstream media, providing an opportunity to introduce audiences to a fresh face and break away from more established archetypes. His blend of horror, humor, and psychological complexity could create a film that stands out from traditional superhero fare. The Creeper’s unsettling persona and visual style lend themselves well to a film that could blend genres—horror, black comedy, and superhero action. His maniacal laugh and unpredictable methods could inject dark humor and psychological thrills, appealing to fans of films like "Joker" and "Deadpool" while carving out a distinctive identity in the DCU. Jack Ryder’s journey from cynical journalist to bizarre vigilante offers rich storytelling potential. Exploring themes of identity, sanity, and the nature of heroism, a Creeper film could delve into Ryder’s internal struggles and the impact of his dual life, making for a character-driven narrative that resonates with audiences seeking depth and complexity. And with being set in Gotham City, The Creeper’s adventures naturally intersect with the city’s gritty underworld, providing opportunities for noir-style detective storytelling. His background in journalism and investigation can be leveraged to create suspenseful plots involving corruption, criminal conspiracies, and moral ambiguity—making him an ideal protagonist for a film that explores the darker aspects of the DC Universe. The Creeper stands as one of DC Comics’ most unconventional and intriguing characters. His untapped potential, distinctive personality, and ability to straddle multiple genres make him a perfect candidate to lead a film in the new DCU.Creeper  ...
11/09/25 @ 1:37 pm EST
Source: Deadline
Predator: Badlands is doing very well, thanks for asking. The latest film in the long-running franchise set a few high franchise marks including domestic opening with $40M, best worldwide opening with $80M and best Cinemascore with an A-. The film also sits a the top of this week’s box office beating out the 2nd place film, Regretting You, by $32.9M… though that film is in its 3rd week. Other new films opening this week, Sarah’s Oil and Nuremberg, opened in 4th and 5th with just over $4M each. Badlands is the third Predator project for director Dan Trachtenberg, the first Prey showed how he could handle the franchise but then he wanted to follow it up with an animated film, Killer of Killers and then for the first time Badlands make the Predator the protagonist.Badlands 
11/08/25 @ 4:21 pm EST
Source: Deadline
Recent reports about problems on the set of Stranger Things may not have been what they seemed. There were stories being published that Millie Bobby Brown had filed a report against co-star David Habour, accusing the older actor of bullying. But the validity of those reports are now in question as both Brown and Harbour joined their Stranger Things cast members at the red=carpet premiere of the show’s fifth and final season. Brown and Harbour were seen joking together and even hugging. Brown has also spoke of Habour to Extra, saying: “It’s been amazing. We’re so lucky to have each other. The show means so much to the both of us, and to everyone here. This has been the last 10 years of our lives.” Brown stars as the psych-powered Eleven and Harbour plays Sherriff Jim Hopper who ends up adopting her. The fifth and final season will release on Netflix in three sets with Volume 1 on November 26 (four episodes), Volume 2 on Christmas (three episodes), and The Finale on New Year’s Eve.Stranger Things 
11/01/25 @ 2:53 pm EST
Source: comicbook.com
There is a major movie franchise out there that is not going by its original name and it’s thanks to the star. When screenwriter Derek Kolstad finished what would become is most popular film, he was inspired by revenge-thrillers with one-word titles like Payback and Shooter. He dubbed his film, Scorn. The problem came when the star of the film went out and talked about it, he always referred to it by the lead character’s name rather than the title. After a while, the studio realized that their star, Keanu Reeves, had done millions of dollars worth of brand recognition for the name John Wick… they decided to go with it and renamed the film. Why Reeves did this is unknown, but Kolstad has since admitted that John Wick is a better franchise name, saying, “I can’t imagine it being Scorn now.” Was this an intentional thing on Reeves’ part or just a happy coincidence? We may never know.John Wick 
11/01/25 @ 2:38 pm EST
Source: Deadline
If you check the major Hollywood sites like Deadline and Variety, they’ll tell you that October 2025 has been the lowest box office take in almost 30 years. It sits currently at $440 million with a few days left to add. In 1998 the box office did $455 million, which this month should just creep past. By comparison October 2018 did $832 million with just three films: Venom, A Star is Born and Halloween, taking in $481 million. But last year, October only took in $478 million showing the decreasing trend. Adding to the decline is the fact that no major releases were scheduled for this weekend because of the Halloween holiday. And what was put into theaters the whole month really didn’t get people’s attention. Tron: Ares was the highest profile film and that hasn’t even broken $70 million in its four weeks in theaters.   When you look at numbers like that, it’s hard not to think about what might have been. There was a big budget film slated for release this month, a film that got delayed and delayed and hasn’t even started filming. A film that finally has a finished script and is set to release in October of 2027… that of course is Matt Reeves’ The Batman Part 2. One of the most anticipated films currently in production, the sequel to the 2022 hit, bolstered also by the fan favorite HBO series The Penguin, would easily match and likely succeed the success of the first film. The Batman opened on March 4, 2022 and ended that month with $338 million domestically.  It was originally scheduled to be released October 3rd, looking at that release date, this year there really wasn’t any big film put in its place. The film would’ve done better than the first and that amount would’ve driven 2025 towards the top of the list, maybe even surpassing 2018. Ah, what could’ve been.Batman  ...
10/26/25 @ 12:25 pm EST
Source: The Direct
DC Studios has potentially taken a significant step by filing for a trademark for a film titled "Salvation Run." A move that isn’t too surprising since the Salvation planet and the idea of using it as a prison for meta humans was introduced in the season finale of Peacemaker season 2. But the filing does indicate just how big this idea could be for the DCU. "Salvation Run" is a storyline from DC Comics that originally ran in the late 2000s. The story centers on the mass exile of some of DC's most notorious villains to a hostile alien world, forcing them to band together for survival. It was a concept originally pitched to DC by Game of Thrones writer George R.R. Martin. The trademark filing by DC Studios suggests that the company is considering developing "Salvation Run" into a feature film. While trademark filings do not guarantee that a film will be produced, they often indicate serious intent or early-stage development. The filing protects the title and concept, ensuring that DC Studios retains exclusive rights as plans evolve. Should "Salvation Run" move forward, it could introduce a fresh dynamic to DC's film slate. Instead of focusing on heroes, this story would shine a spotlight on villains, possibly expanding character development and offering audiences new perspectives on well-known antagonists. It also opens opportunities for ensemble casting, complex storytelling, and connections to other DC properties.Salvation Run 
10/26/25 @ 11:56 am EST
Source: The Direct
For many MCU fans, there has been concerns about when or even if Jeremy Renner would be returning to the role of Clint Barton aka the Avenger Hawkeye. Renner first portrayed the archer in 2011’s Thor and returned in 2012’s The Avengers. He has been popping up as the character in various films and even his own Disney+ series that had been rumored to be getting a second season. And then came New Year’s Day 2023 and a horrific snowplow accident where the actor sustained over 30 broken bones, including a shattered leg, broken ribs, a collapsed lung, and a punctured lung. Renner has made a miraculous recovery and has returned to working on projects like Mayor of Kingstown and Wake Up Dead Man… but his future in the MCU is still unclear. Earlier this year Renner gave fans a disappointing update when he revealed that Marvel had talked to him about returning for season two but only offered him half of what he made for season one, which he turned down. None of this was looking good, even with two Avengers movies on the horizon. Shift to now where Renner is out doing various interviews and talking about the character again. He spoke of how Clint Barton has repeatedly tried to retire but keeps coming back and how he believes that it will continue that way until the character is killed off. He also said of the Hawkeye series specifically, "We got to where we’re trying to do the second season. And I think I’ll get strong enough to be able to do it. And we’ll work it out. It’s gonna be great." He was also asked by another Avenger actor, Brie Larson, if he would be returning for Avengers: Doomsday, to which he said “no” and then turned it back on her asking, “Are you?” The whole thing was done very playfully. And even if he doesn’t return for Doomsday, there’s always Secret Wars a year later.Hawkeye  ...
10/25/25 @ 12:37 pm EST
Source: Deadline
The highly anticipated Marvel series, Fantastic Four: First Steps, is set to make its debut on Disney+. Fans of Marvel’s first family have been eagerly awaiting the arrival of this new adaptation, which promises to bring fresh storytelling and exciting action to the beloved characters of Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm. The film, which was directed by WandaVision’s Matt Shakman, will be available for streaming starting November 5th. The Fantastic Four have long been favorites among comic book readers, and with Marvel Studios now handling the property after the luke-warm reception of the first two Fox films and the universally hated reboot. First Steps is not a retelling of the origin story but rather moves on to the team having been well established after four years and dealing with their greatest threat, the world-devourer Galactus. The new cast includes Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn as the quartet of heroes along with Ralph Ineson, Julia Garner, Paul Walter Hauser, Sarah Niles, Mark Gatis and Natasha Lyonne. The film did moderately well in theaters, taking in a worldwide box office total of $521M and an 86% critic’s score on Rotten Tomatoes.  Fantastic Four 

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