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Nancy A Collins Talks Altered States Vampirella on Bleeding Cool

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  • Nancy A Collins Talks Altered States Vampirella on Bleeding Cool

    Dynamite is firing up their new line of alternate reality series called Altered States and they are kicking things off with Vampirella, The Shadow, Doc Savage and Red Sonja. Writer of the on-going Vampirella series Nancy A Collins is taking on the variant tale of the iconic female vampire and Byron Brewer talked to her about it.


    AlteredVampiCovATanBYRON BREWER: So, Nancy, Dynamite is establishing Altered States as a vehicle like What If? and Elseworlds. What kinds of freedoms does this give writers not usually found when handling a work for hire property such as Vampirella?


    NANCY A. COLLINS: Well, you can completely re-work the concept of the character without worrying about its effect on the series’ continuity. It’s more like a ‘dream’ than reality—whatever might happen, or how crazy you get, you know you don’t have to worry about the clean-up on Aisle 5 once it’s over.


    BB: No one knows Vampirella like you these days. How does your AS version differ from the real deal, and what is similar?


    NAC: I took the original idea for the character—vampire from outer space—and completely flipped it around. Instead of being Vampirella from Drakulon, she is Lt. Ella Normandy, sole survivor of an Earth space ship that crash lands on Drakulon. I also have her meeting Drakulonian versions of Adam Van Helsing and his father.


    BB: Instead of horror, your usual genre, you get to do Vampi as science fiction. How did you cope with that?


    NAC: To be fair, I’m doing Vampi as ‘science fiction’ of the same quality as her original appearance, which means it’s more planetary romances ala Edgar Rice Burroughs and Otis Adelbert Kline. I just flipped things around, so that she is a stranded spacewoman on a planet of vampires, while keeping some elements the same—such as the fact she’s physically stronger, has the power of flight, and, by Drakulon’s definition, is considered a monstrous outsider even though she is possibly their greatest defender. This story is for all the fans who have told me ‘I miss her being from outer space’. Well, here you go.


    BB: Tell us about Planet Drakulon.


    NAC: I had to make a lot of it up from whole cloth, as there’s not that much about Drakulon as a planet or society. It’s depicted as being a desert planet ala Barsoom or Arrakis from Dune, where not only does it rain blood, but the rivers and oceans are composed of it as well. The Drakulonians used to be far more technologically advanced than Earth, and are recovering from a great war that not only wiped out a lot of their tech—especially their weaponry— but their population as well. The Drakulonians are in constant battle with a mutant race called the Drakkar for control of “The River of Life”, which feeds their largest city. Ella Normandy promptly walks right into that war—armed with technology and weapons far more advanced than the Drakulonians now have (Ella comes from the year 2069, by the way)— and has to decide whether to pick a side or let them kill each other.


    BB: Was it fun doing this with artist Francesco Manna?


    NAC: Yes. He did a great job. I sent him quite a bit of reference material, such as old pulp magazine covers for Captain Future and stuff involving Adam Strange from DC’s old Mystery in Space series.


    For more on Altered States: Vampirella, click here.


  • #2
    Originally posted by DynamiteKevin View Post

    Dynamite is firing up their new line of alternate reality series called Altered States and they are kicking things off with Vampirella, The Shadow, Doc Savage and Red Sonja. Writer of the on-going Vampirella series Nancy A Collins is taking on the variant tale of the iconic female vampire and Byron Brewer talked to her about it.


    AlteredVampiCovATanBYRON BREWER: So, Nancy, Dynamite is establishing Altered States as a vehicle like What If? and Elseworlds. What kinds of freedoms does this give writers not usually found when handling a work for hire property such as Vampirella?


    NANCY A. COLLINS: Well, you can completely re-work the concept of the character without worrying about its effect on the series’ continuity. It’s more like a ‘dream’ than reality—whatever might happen, or how crazy you get, you know you don’t have to worry about the clean-up on Aisle 5 once it’s over.


    BB: No one knows Vampirella like you these days. How does your AS version differ from the real deal, and what is similar?


    NAC: I took the original idea for the character—vampire from outer space—and completely flipped it around. Instead of being Vampirella from Drakulon, she is Lt. Ella Normandy, sole survivor of an Earth space ship that crash lands on Drakulon. I also have her meeting Drakulonian versions of Adam Van Helsing and his father.


    BB: Instead of horror, your usual genre, you get to do Vampi as science fiction. How did you cope with that?


    NAC: To be fair, I’m doing Vampi as ‘science fiction’ of the same quality as her original appearance, which means it’s more planetary romances ala Edgar Rice Burroughs and Otis Adelbert Kline. I just flipped things around, so that she is a stranded spacewoman on a planet of vampires, while keeping some elements the same—such as the fact she’s physically stronger, has the power of flight, and, by Drakulon’s definition, is considered a monstrous outsider even though she is possibly their greatest defender. This story is for all the fans who have told me ‘I miss her being from outer space’. Well, here you go.


    BB: Tell us about Planet Drakulon.


    NAC: I had to make a lot of it up from whole cloth, as there’s not that much about Drakulon as a planet or society. It’s depicted as being a desert planet ala Barsoom or Arrakis from Dune, where not only does it rain blood, but the rivers and oceans are composed of it as well. The Drakulonians used to be far more technologically advanced than Earth, and are recovering from a great war that not only wiped out a lot of their tech—especially their weaponry— but their population as well. The Drakulonians are in constant battle with a mutant race called the Drakkar for control of “The River of Life”, which feeds their largest city. Ella Normandy promptly walks right into that war—armed with technology and weapons far more advanced than the Drakulonians now have (Ella comes from the year 2069, by the way)— and has to decide whether to pick a side or let them kill each other.


    BB: Was it fun doing this with artist Francesco Manna?


    NAC: Yes. He did a great job. I sent him quite a bit of reference material, such as old pulp magazine covers for Captain Future and stuff involving Adam Strange from DC’s old Mystery in Space series.


    For more on Altered States: Vampirella, click here.


    I managed to obtain my copy and enjoyed reading it.

    I found the homages to the very first issue of Warren's Vampirella imaginative and entertaining. The fact that Drakulonians drink blood and bleed water makes for a very neat twist (and again referencing to Vampi's first story where the astronauts' blood is to her water.)

    All in all, nicely done.

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