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01/13/22 @ 8:11 pm EST
This year marks the 60th anniversary of Spider-Man and Marvel Comics is proud to celebrate its most iconic hero with a new volume of AMAZING SPIDER-MAN brought to life by two acclaimed comic book talents! His “Shed” storyline is considered one of the best Spider-Man stories of all time, his bold work on NEW WARRIORS laid the groundwork for CIVIL WAR, and he’s currently making waves within the Spidey mythos in AMAZING SPIDER-MAN’s current “Beyond” era. Now hit writer Zeb Wells is ready to begin a new age at the helm of one of Marvel’s all-time great comic book series. Wells will be joined on AMAZING SPIDER-MAN by none other than the legend himself—JOHN ROMITA JR. The definitive AMAZING SPIDER-MAN artist made his grand return to Marvel Comics last year specifically for this run and is back to bring Spider-Man’s world to the page with his singular, unmatched finesse. Arriving in April, Wells and Romita Jr.’s run will house all the classic elements fans love about Peter Parker, surprising new takes on your favorite Spider-Man foes, and the answer to the question that will be on everyone’s mind: WHAT DID SPIDER-MAN DO? Peter’s on the outs with the FF. He’s on the outs with the Avengers. He’s even on the outs with Aunt May! After a terrible and mysterious incident, no one wants to see Spider-Man – except for Doctor Octopus. Ock’s on Spider-Man’s tail and the Master Planner has something truly terrible planned for when he gets his tentacles on Spidey. All that, and Tombstone makes a move that will remind readers why he’s one of Spider-Man’s most terrifying villains… “Spider-Man doesn’t turn sixty every year,” says Spider-Editor Nick Lowe, “and we are going BIG with this run cramming it with the biggest WTF moments Spidey has ever had. Zeb and JRJR will go down in history as one of the best creative teams ever!” Here's what John Romita Jr. had to say about his own personal history with the character and what excites him most about the upcoming run: “Ever since my father told my brother and me that Spider-Man/Peter Parker lived close to our home in Queens, NYC, we were hooked! We talked Spider Man on long drives to family get-togethers, and it was as if we had an extra family member! “As luck would have it, my brother Vic had the brains and went in another direction, while I had a little bit of art in me. As luck would also have it, I was able to watch the greatest Spider-Man artist, my father, John, work with the greatest Spider Man writer, Stan Lee, on the greatest character of all time. Fortunately, after joining the comic book universe, I was given a chance to work on this great character, the Amazing Spider-Man. I was terrified! How do I follow my father??? How do I follow any of the previous Spidey artists?? I had no idea, but I stuck it out and got lucky. The subsequent runs were much less terrifying, and became more and more fun. There was one particular run that was incredibly fun, but also incredibly important to me. The 9/11 issue may well be with me for as long as I live. One commonality with all the runs, was working with the brilliant writers and artists….. again, luck!! “To take being lucky to another level: Marvel has allowed me to get back to work on this amazing character, and work with another brilliant writer, Zeb Wells! The stories are stunning and I am reading the scripts with a grin and wonderment…..then wondering how the heck to do them justice!! “Well, fortunately, I have a close friend and brilliant artist to help me do that. Scott Hanna and I have worked on this character before and Scott is still a brilliant artist who will continue to be brilliant, lucky for me and anyone who looks at the art. Adding to Scott and myself is the third artist, the color artist, Marcio Menyz. It’s difficult to describe how wonderful his work is, so to save space and everyone’s patience, I’ll let it speak for itself! It’s stunning!! “The editorial team beginning with Nick Lowe, adding in Lindsay Cohick, and Kaeden McGahey, make the work process smoother. Judging by the scope of Zeb’s stories, I can use all the help I can get! “One commonality here, is how lucky I am to be back working on my ‘other’ brother, Spider-Man, and to be back with my professional ‘family,’ Marvel. Thanks folks, I’ll work hard to make you proud!” “I've waited my entire career to work with John Romita Jr.,” Wells says. “To team up with him on AMAZING SPIDER-MAN for the character's 60th anniversary is so exciting words can't describe it. We're gonna have a blast!” Join us for Spider-Man’s biggest year when AMAZING SPIDER-MAN #1 hits stands in April.  08/24/25 @ 1:40 pm EST
When Marvel Studios tapped Terry Matalas to helm Vision Quest, the upcoming Disney+ series centered on the synthezoid Avenger, it wasn’t just a smart hire—it was a signal. A signal that Marvel is ready to embrace deeper storytelling, character introspection, and genre-bending ambition. Matalas, best known for revitalizing Star Trek: Picard with its critically acclaimed third season, brings a unique blend of emotional intelligence, sci-fi pedigree, and serialized storytelling expertise that makes him the ideal architect for Vision’s next chapter. Vision’s arc has always been about identity. Created by Ultron, powered by the Mind Stone, and shaped by love and loss, Vision is a being caught between machine and man. After WandaVision, the original Vision was gone, and the “White Vision”—a blank-slate version with restored memories but no emotional context—was left to wander in search of purpose. This existential journey echoes the themes Matalas explored in Picard, where legacy, memory, and humanity were central. In fact, Matalas has openly stated that Vision’s arc in Vision Quest will mirror Spock’s journey in Star Trek IV: The Voyage Home, where the Vulcan grapples with his own resurrection and fragmented identity. It’s a bold, cerebral approach that fits Vision perfectly. Before Picard, Matalas created and ran 12 Monkeys, a time-travel series praised for its intricate plotting and emotional depth. He’s a showrunner who understands how to balance high-concept science fiction with grounded character drama. That’s exactly what Vision needs—a story that can explore artificial intelligence, memory, and morality without losing sight of the heart. Marvel Studios president Kevin Feige reportedly sought Matalas out after watching Picard Season 3, calling it “incredible” and wanting to find the person responsible. That kind of endorsement speaks volumes, especially in an era where Marvel is scaling back its Disney+ output to focus on quality over quantity. Matalas isn’t just continuing Vision’s story—he’s expanding it. Vision Quest will introduce new characters like Paladin (played by Picard alum Todd Stashwick) and a reimagined F.R.I.D.A.Y. AI (played by Orla Brady). James Spader returns as Ultron, promising a “unique” role that could redefine the character’s legacy. These additions suggest a layered narrative that blends Marvel lore with fresh sci-fi ideas. And Matalas is bringing his Star Trek crew with him. The production team is reportedly full of Trek veterans, creating a shorthand that allows for ambitious storytelling and thematic depth. It’s a fusion of Marvel’s superhero ethos with the philosophical weight of classic science fiction. Marvel’s early Disney+ shows often felt like extended films. But with Vision Quest, Marvel is embracing a more traditional TV model—complete with a dedicated showrunner, longer development cycles, and serialized arcs. Matalas thrives in this format. His ability to weave long-term character development with episodic intrigue makes him the perfect fit for a series that needs to rebuild Vision from the ground up. Set to premiere in 2026, Vision Quest marks Marvel’s first new live-action series pickup in nearly two years. It’s part of Phase Six of the MCU and represents a shift toward more thoughtful, character-driven storytelling. With Matalas at the helm, Vision’s journey promises to be more than just a superhero tale—it’s a philosophical odyssey through memory, identity, and what it means to be alive. In a universe filled with gods, monsters, and multiverses, Terry Matalas is the rare showrunner who can make us care about a synthetic soul searching for meaning. And that’s exactly what Vision—and Marvel—needs right now.  ... 08/24/25 @ 1:24 pm EST
Peacemaker Season 2 has officially kicked off with a bang—and a surprise. Among the new faces in James Gunn’s irreverent DC series is David Denman, best known for his role as Roy in The Office. But this time, Denman isn’t playing a hot-headed warehouse worker—he’s suiting up as a superhero. And not just any hero: Denman plays Captain Triumph, a name that might ring a bell only for the most die-hard comic book historians. Captain Triumph first appeared in Crack Comics #27 back in 1943, created by Alfred Andriola. The original character was a pair of twin brothers—Michael and Lance Gallant—who shared a mystical bond. After Michael’s death, his spirit merged with Lance, granting him powers like flight, invisibility, and near invulnerability. The character was later absorbed into DC Comics but remained largely obscure, popping up occasionally in titles like Animal Man, Titans, and Harley Quinn. In Peacemaker Season 2, Gunn reimagines Captain Triumph entirely. Denman plays Keith Smith, Peacemaker’s long-lost brother, who was tragically killed in Season 1 due to their abusive father’s twisted games. But in the Season 2 premiere, “The Ties That Grind,” Peacemaker stumbles into an alternate reality where Keith is alive—and a superhero. Denman’s Keith is part of a crime-fighting trio with Peacemaker and their father Auggie, forming the “Top Trio” in this alternate dimension. Unlike the original Captain Triumph, Gunn’s version doesn’t involve ghostly twins or mystical birthmarks. Denman confirmed in an interview that Gunn opted for a fresh take: “I actually went to James and was like, ‘Is there any of that?’ and he goes, ‘No. This is a whole new character’”. This twist adds a poignant layer to the show’s emotional core. Peacemaker, haunted by guilt over Keith’s death, now faces a world where his brother thrives—and where their family is functional. It’s a dreamscape that forces Chris Smith to confront what he’s lost and what he might still become. Denman’s performance as Keith/Captain Triumph is already being praised for its emotional resonance. The character’s presence could reshape Peacemaker’s arc, offering a glimpse into the life he might have had—and perhaps a path toward healing.  ...
08/23/25 @ 12:54 pm EST
Paramount has made a dramatic pivot in its handling of the Dexter franchise, leaving fans both stunned and intrigued. After initially greenlighting two new series— Dexter: Original Sin and Dexter: Resurrection—the studio has reversed course, canceling the prequel while doubling down on the sequel. Originally announced as a deep-dive into Dexter Morgan’s formative years, Dexter: Original Sin premiered in December 2024 and wrapped its 10-episode run in February 2025. The series starred Patrick Gibson as a teenage Dexter, with Christian Slater portraying his father Harry Morgan, the architect of Dexter’s infamous code. Michael C. Hall lent his voice as narrator, tying the prequel to the original series. Despite a season 2 renewal announced in April, Paramount quietly pulled the plug on Original Sin, citing a lack of scheduled production and shifting priorities following its merger with Skydance. In contrast, Dexter: Resurrection—the sequel series starring Michael C. Hall—has become a breakout hit. Picking up after the events of Dexter: New Blood, the show sees Dexter surviving his apparent death and relocating to New York, where he reconnects with his son Harrison and crosses paths with a billionaire serial killer enthusiast played by Peter Dinklage. The series has earned rave reviews, boasting a 94% Rotten Tomatoes score and drawing 4.4 million viewers in its first week. Paramount is now opening a writers’ room for a potential second season, signaling strong confidence in the show’s future—even though an official renewal hasn’t yet been announced. The decision reflects a broader strategic shift at Paramount Television Studios, now under the leadership of Matt Thunell. Following the Skydance merger, the studio is prioritizing established hits and recognizable IP, with Dexter: Resurrection leading the charge.  08/23/25 @ 12:48 pm EST
In a recent interview, Margot Robbie revealed that Birds of Prey almost featured a very different villain: Oswald Cobblepot, aka the Penguin. The actress, who famously portrayed Harley Quinn in the 2020 film, shared that the original script by Christina Hodson had Penguin as the main antagonist—until Matt Reeves stepped in with his own plans for the character. While promoting her upcoming fantasy romance A Big Bold Beautiful Journey alongside Colin Farrell—who plays the Penguin in The Batman and its HBO spinoff—Robbie casually dropped the bombshell during their joint interview with Entertainment Weekly. “The first draft that Christina [Hodson] wrote of Birds of Prey, the villain was the Penguin,” Robbie said, prompting a visibly shocked reaction from Farrell. According to Robbie, Hodson’s version of the Penguin was “amazing,” and the character was set to stalk Harley Quinn and her newly formed team throughout Gotham. Robbie even teased that she still has a copy of the original draft on her computer and offered to share it with Farrell. The reason for the switch? Matt Reeves, director of The Batman, had already earmarked the Penguin for his own gritty crime saga. “Matt Reeves said, ‘Don’t use the Penguin. I’m going to use him in my thing,’” Robbie explained. To avoid overlap between DC’s cinematic universes, the Birds of Prey team pivoted to Roman Sionis, aka Black Mask, played by Ewan McGregor. This change gave the film a darker, more flamboyant crime-lord vibe, while preserving Penguin for Reeves’ noir vision.  08/23/25 @ 12:20 pm EST
James Gunn, the architect of the DC Universe, has once again stirred fan speculation—this time by teasing a “really, really, really big cameo” in the final episodes of Peacemaker Season 2. As the series continues to bridge the tonal gap between irreverent comedy and emotional depth, Gunn’s cryptic comments have fans buzzing about who might show up—and what it could mean for the future of the DCU. Season 2 of Peacemaker marks a clear shift from its DCEU roots into Gunn and Peter Safran’s newly minted DCU. The show now follows the events of Superman (2025), and features updated references to the Justice Gang instead of the Justice League. This recontextualization sets the stage for deeper integration with the broader DCU, and Gunn has confirmed that characters from Superman—including Guy Gardner’s Green Lantern, Hawkgirl, and Maxwell Lord—already appear in the season. In an interview with Entertainment Weekly, Gunn hinted at a major surprise waiting near the end of the season: “There might even be one really, really, really big cameo near the end of the show.” While he didn’t name names, the emphasis on scale and significance suggests this won’t be a throwaway gag or minor character. Given the DCU’s interconnected design, many fans suspect the cameo could be David Corenswet’s Superman himself, reinforcing Peacemaker’s relevance in the franchise’s future. This could also be an opportunity for Gunn to bring one of the Creature Commandos into live action such as David Harbour’s Frankenstein or Alay Tudyk’s Dr. Phosphorus. Gunn also mentioned the Quantum Unfolding Chamber (QUC), a piece of tech introduced in Season 1 and expanded upon in Superman. The QUC is central to Season 2’s plot, potentially opening doors—literally and figuratively—for cross-dimensional or multiversal appearances. This could allow for unexpected character returns or even alternate versions of familiar heroes. Whether it’s Superman, another Justice Gang member, or a surprise villain, Gunn’s promise of a “really big” moment suggests that Peacemaker Season 2 will end not with a whimper, but with a bang.  ... 08/17/25 @ 12:13 pm EST
James Gunn, co-head of DC Studios and the creative force behind the 2025 box office hit Superman, has confirmed that a follow-up film is already in motion—and it’s coming fast. In a series of interviews, Gunn revealed that he’s completed an extensive treatment for the next installment, which he’s calling part of the “Superman Saga”. Gunn’s treatment isn’t your average outline. He described it as a 60-page document packed with dialogue and scene breakdowns. “My treatments are incredibly intense,” he told Collider. “They’re not regular treatments. And so, now I’m just turning that into a script. We’re planning out when we’re going to shoot that. It’s going to be much sooner rather than later”. While Gunn hasn’t confirmed whether the film is a direct sequel or a new chapter altogether, he emphasized that it continues the narrative established in Superman, which starred David Corenswet as the Man of Steel. The film grossed $589 million worldwide, making it the seventh highest-grossing film of 2025. Gunn also revealed that the events of Superman will tie directly into Peacemaker Season 2, which premieres this month. “Superman leads directly into Peacemaker,” he said. “Lots of guest stars coming up, lots of characters that are showing up that we’ve already met in Superman”. This interconnected storytelling is part of Gunn’s broader vision for the DC Universe, where each project maintains its own tone and style—ranging from horror ( Clayface) to cosmic adventure ( Lanterns). With the treatment complete and production scheduling underway, the next Superman film could begin shooting within the year. 
08/17/25 @ 12:00 pm EST
Terence Stamp, the magnetic British actor whose piercing gaze and commanding presence defined a generation of cinema, has died at the age of 87. His family confirmed he passed away peacefully on Sunday morning, August 17, leaving behind a legacy that spans more than six decades of film, television, and voice work. Stamp made an unforgettable debut in 1962’s Billy Budd, earning an Academy Award nomination for his portrayal of the angelic sailor. He quickly became a fixture of the 1960s cinematic revolution, starring in The Collector (1965), Far From the Madding Crowd (1967), and Teorema (1968). But it was his turn as General Zod in Superman (1978) and Superman II (1980) that etched him into pop culture history. With the chilling command “Kneel before Zod,” Stamp became one of cinema’s most memorable supervillains. Stamp’s career was marked by fearless genre-hopping. He played Chancellor Valorum in Star Wars: Episode I – The Phantom Menace, voiced characters in Halo 3 and Elder Scrolls IV: Oblivion, and portrayed the elegant drag queen Bernadette in The Adventures of Priscilla, Queen of the Desert, earning a BAFTA nomination. Later roles included appearances in Wall Street, The Limey, Big Eyes, Miss Peregrine’s Home for Peculiar Children, and Last Night in Soho. He even voiced Jor-El in the TV series Smallville, a poetic twist on his earlier villainous role in the Superman franchise. Born in London’s East End in 1938, Stamp grew up during the WWII bombings and found solace in cinema from an early age. He studied at the Webber Douglas Academy of Dramatic Art and became close friends with fellow actors Michael Caine and Peter O’Toole. Offscreen, he was known for his romantic entanglements with Julie Christie and Jean Shrimpton, and for his spiritual journey through India following heartbreak. He also authored several books, blending memoir with philosophical musings. In a statement, Stamp’s family said: “He leaves behind an extraordinary body of work, both as an actor and as a writer that will continue to touch and inspire people for years to come. We ask for privacy at this sad time.”  ...
08/16/25 @ 3:03 pm EST
Marvel fans are in a frenzy after Ryan Reynolds posted a mysterious image to Instagram that may hint at Deadpool’s involvement in the upcoming Avengers: Doomsday. The post featured a white Avengers logo defaced with a red graffiti-style anarchy symbol—eerily reminiscent of Deadpool’s chaotic aesthetic. Reynolds offered no caption, just a side-eye emoji, leaving fans to decode the meaning for themselves. What’s Fueling the Speculation? The graffiti-tagged Avengers logo was previously seen in Deadpool & Wolverine as a flag in a dystopian alternate universe. Reynolds’ new version, however, is red and stylized differently—reportedly created by a fan and reposted by Reynolds himself. The post dropped just as filming for Avengers: Doomsday ramps up in London, and Marvel has teased that more cast announcements are coming. Reynolds was notably absent from the initial cast list, which already includes legacy X-Men actors like Patrick Stewart, Ian McKellen, and Kelsey Grammer. Trade outlets are split. The Hollywood Reporter claims Deadpool will appear in Doomsday, though not as a full-fledged Avenger. Meanwhile, Deadline reports that Reynolds hasn’t been seen on set and isn’t scheduled to appear. Marvel Studios President Kevin Feige has confirmed that discussions with Reynolds are ongoing. “There absolutely have been discussions. We're in touch with Ryan a lot. So the answer is yes,” Feige said when asked about Deadpool’s future in the MCU. Given the multiverse-heavy plot of Avengers: Doomsday, a cameo or surprise appearance by Deadpool seems plausible—even if he’s not part of the main lineup. Reynolds himself has said he prefers Deadpool to be a supporting character, which aligns with the idea of a brief but memorable role. Avengers: Doomsday is set to hit theaters on December 18, 2026, with the Russo Brothers returning to direct.  08/16/25 @ 2:53 pm EST
Marvel Studios’ Thunderbolts—the gritty, antihero ensemble film that redefined the MCU’s tone—will officially begin streaming on Disney+ on Wednesday, August 27, 2025. After its theatrical debut in May and a digital release in July, fans can now revisit the explosive team-up from the comfort of their homes. Directed by Jake Schreier and written by Eric Pearson and Joanna Calo, Thunderbolts follows a ragtag group of morally complex characters pulled from previous MCU entries: Yelena Belova ( Florence Pugh), Bucky Barnes ( Sebastian Stan), Red Guardian ( David Harbour), Ghost ( Hannah John-Kamen), Taskmaster ( Olga Kurylenko) and John Walker ( Wyatt Russell). These disillusioned antiheroes are recruited by Valentina Allegra de Fontaine ( Julia Louis-Dreyfus) for a covert mission—only to discover they’ve been ensnared in a deadly trap. The film explores themes of redemption, trauma, and reluctant camaraderie as the team confronts their pasts and battles for a shot at heroism. Despite underwhelming box office numbers ($382 million worldwide on a $180 million budget), Thunderbolts was a critical success, earning an impressive 88% on Rotten Tomatoes. Critics praised its emotional depth, dark humor, and fresh take on the superhero genre. Starting August 27, Thunderbolts will be available to stream on Disney+ at 12 a.m. PT / 3 a.m. ET.  08/13/25 @ 2:16 pm EST
In a blockbuster move that reshapes the future of one of cinema’s most iconic spy franchises, NBCUniversal has officially acquired all rights—excluding publishing—to Robert Ludlum’s Jason Bourne and Treadstone book series in perpetuity. The deal, finalized after a fiercely competitive bidding war, ensures the Bourne universe will remain under the Universal umbrella, opening the door for new films, television projects, and cross-platform storytelling. Earlier this year, the Ludlum estate reclaimed the rights and initiated an auction led by WME. The process attracted seven major offers, including bids from streaming giants and rival studios. Ultimately, Universal matched the top proposal with what insiders describe as a “very large deal,” securing the franchise’s future at its longtime home. Since its cinematic debut in 2002 with The Bourne Identity, the franchise has redefined the spy genre with its gritty realism and kinetic action. Matt Damon’s portrayal of the amnesiac operative Jason Bourne, coupled with direction from Doug Liman and Paul Greengrass, set a new standard for espionage thrillers. The series has spawned five films, grossing over $1.64 billion globally, and includes a spinoff ( The Bourne Legacy starring Jeremy Renner), a short-lived TV series ( Treadstone), and even a theme park attraction ( The Bourne Stuntacular) at Universal Studios Orlando. With the rights secured, Universal is already laying groundwork for future installments. Producer Frank Marshall, who has been with the franchise since its inception, will continue to oversee development alongside Captivate Entertainment’s Jeffrey Weiner and Ben Smith. A new film is reportedly in development with director Edward Berger ( All Quiet on the Western Front) and a script by Joe Barton. While not yet greenlit, speculation is swirling about Matt Damon’s potential return to the role that made him a global star. NBCUniversal plans to leverage the Bourne IP across its vast media ecosystem, including film, television, streaming, and interactive experiences. “We’re energized to continue expanding the Bourne universe into the future with exciting new stories for global audiences,” said Peter Cramer, President of Universal Pictures. Jeffrey Weiner, executor of Ludlum’s estate, echoed the sentiment: “We are thrilled that the Bourne franchise will remain at Universal. We look forward to working with the Universal team to expand the Bourne franchise across Universal’s varied platforms”.  ... |
