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01/18/24 @ 12:06 pm EST
The Daughter of Drakulon has been through many stories in her life in comic books. We added them all up and were surprised to come to VAMPIRELLA #666 for the first issue of our next story! It's all heating up soon with Christopher Priest taking her on her newest epic, poetically returning to where he started in 2019 for the 50th anniversary while looking forward as we march toward #700! Preorders are due this weekend with your favorite Local Comic Shop, so make sure to lock yours in ASAP and subscribe to the series to not miss out!
PRIEST REWINDS THE CLOCK, CELEBRATES 666 ISSUES & CHARGES FORWARD IN THE MOST HISTORIC VAMPIRELLA STORY YET!  Priest, we must ask you of course what you think of the fun numbering here with Vampirella #666. You've been involved in a few big celebratory anniversary issues through your career, like Conan the Barbarian #200, the big #1,000 marks for Detective Comics and Marvel Comics, and we won't think too hard about how a #1,000,000 issue comes to be...I think it apropos to give the comic the same number as my age :-) I don’t know, I think the biz has changed a lot over time. A lot of us older fans really enjoyed the issue numbering and felt it important to keep our sets complete. A Number One was a huge deal, and milestone numbering was an event to be celebrated. I think all the reboots have diminished this aspect a great deal, with younger generations of fans now not as invested or not invested in quite the same way. You first took on the helm of the Vampirella franchise in 2019 for our big 50th anniversary. It all kicked off with an echo of origins fans had previously seen for the character, with her as the sole survivor of a tragic plane crash. We hear fans will be seeing that moment again here, maybe even more than once, with a big twist. What is going down this time? For Vampirella, we’d completed our 50th anniversary volume with our issue #25, and that allowed us to stretch and explore a bit over the stretch of the pandemic through Vampirella/Dracula: Unholy, its bookend Vampirella/Dracula: Rage and the way-too-much-fun Vampirella: Year One. But I knew that, presuming Dynamite didn’t ship me off to the Old Writers’ Home, what I would want to do most was get back to basics. Our 50th Anniversary run began with a fairly simple premise: a single girl trying to make it on her own in the big city. She just happens to be a vampire from outer space with a pushy, vengeful mother and a collection of supernatural enemies out to kill her. After the heaviness of Rage, wherein a vengeful Vampirella becomes consumed by darkness, I wanted to get back to where we started with the wonder, fun, and poignancy of those first issues and Vampirella restored to her whimsical goodness. We’ve done that... sorta.  There’s always a catch. I mean, that’s the fun of reading ANY story, any novel or magazine or comic. There’s the story you think you know and then there’s the unexpected curve that creates the thrill ride. And that’s where we are with issue #666” back home, back where we belong. Sorta. One of the working titles for this series and perhaps still for the story arc is "Beyond." Could you elaborate a bit on what that means for Vampirella?The “Beyond” arc title was intended to reflect the idea of a woman having all her wishes granted. The basic gist of my Vampirella series has always been, ostensibly, wish fulfillment. Casper The friendly Ghost wants what we all want--community. Friends, family, love, purpose. The only problem is Casper is, in fact, a dead baby, and people find that sort of thing scary. Vampirella’s quest for those very same things has always been complicated by the fact she is a vampire from outer space surrounded by and pursued by a wide ranging cast of characters that might be fright at home in the 60’s sitcom Bewitched. The suggestion is that Vampi might actually find the love and happiness she’s always sought if only these kooks would leave her alone, which of course they won’t do because they’re kooks and she’s a space vampire.  But, thought I, what if Vampirella could achieve those things, what if she could realize the fulfillment and happiness she sought? So what if we went all the way back to our beginning, strip away the tragedy, the heartbreak, the betrayals, even bring dead characters back to life? What if we did all of that... ...only to put Vampirella into a position where she has to un-do it all, lose everything, in order to save the world? We discover Vampirella’s new status quo has been engineered, and the mechanism which created her happiness is dooming the planet. As a writer, the main thing you try to do is put your protagonist into a headlock and then drag him or her into a dark alley toward a brick wall. Then figure out how the protagonist overcomes certain doom before the series ends. Here, in Vampirella Beyond, we’re doing that in spades. Turkish artist Ergün Gündüz is back as well, ready to tap back into the artistic vision he helped debut with you a few years ago, flipping it on its head a bit. While also tying together everything that has been seen to date from our Free Comic Book Day #0 all the way to Vampirella/Dracula: Rage #6. How important was it to bring him back in for this particular story? Oh, it’s vital. I wouldn’t do this idea without Ergün because Vampirella Beyond is a deconstruction of the world Ergün created. Ergün’s characters play key roles in the story and the look and unique feel of Ergün’s world is what drives this arc. We will be revisiting specific landmark scenes in the early issues that Ergün must now match perfectly (and he has!) in a kind of Groundhog’s Day round-robin. As part of the celebration of hitting this nontraditional #666 milestone, we're including a little extra for fans at no extra cost. The issue will feature a wordless short story you did with Alan Davis in 1999, originally published in Vampirella #19, within the series fans often call the "New Monthly." What do you possibly recall about that collaboration and story?How terrified I was of them. Of Vampirella and of Alan Davis. I had the pleasure of hanging out with Mr. Davis in Memphis recently, where I expressed (again) my appreciation for his having taken on that assignment. Yes, I’m just as big a fanboy as the next comic geek, and working with Mr. Davis on that assignment -- which requires precise storytelling on his part since the story was to be “silent” -- is one of the high points of my career.
Vampirella's Next Epic Begins Here! We Celebrated 50 Years in 2019 - Now Join Us For #666 & Road to #700!   
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I 10 COPY INC: ERGÜN GÜNDÜZ - DEC23024002/07/26 @ 11:45 am EST
Don’t expect to see Vincent D’Onofrio show up in Spider-Man: Brand New Day. It seems the rights to the character still precludes him from appearing in a film unless Sony wants him to. Which, yes, Brand New Day is a Sony/Marvel production… but while visiting the Bingworthy podcast, the Kingpin actor responded to the question about the current mayor of the MCU NYC showing up by saying, “No. I think I’ll just wait until they have the rights to my character and they put me in one of those movies, and then I’ll figure it all out.” This makes sense that Marvel can’t just have the character show up in any random film, like The Thunderbolts, without Sony saying okay, but he is available for television appearances. Why Sony has chosen to not let the character show up in a Sony film though seems a little odd, unless the actor is using the rights issue as a cover to keep from telling us that Wilson Fisk will not be the mayor after the events of the upcoming Daredevil: Born Again season two, which is scheduled to release in March and complete well before Brand New Day hits theaters.  01/31/26 @ 2:22 pm EST
In 1989 writer/artist John Byrne was working on the West Coast Avengers title for Marvel and decided to have some fun. Since there was both an east and west coast version of the team, he decided to make a third one, in the middle of the country, and keeping with the body of water theme to the names… we got the Great Lakes Avengers. The team was made up of five founding members: Mr. Immortal, Flat Man, Big Bertha, Dinah Soar and Doorman and while the team has probably had more cease-and-desist lawsuits filed against them than real battles, they have been around for years now and have popped up a lot. The interesting thing though is that two of these members have now made appearances in the MCU. And not just blink-and-you-missed-it moments. Both Mr. Immortal and Doorman have had at least half, if not a full episode of a series dedicated to them. In She-Hulk: Attorney at Law, David Pasquesi plays Craig Hollis aka Mr. Immortal who has his immortal ability and uses it to get out a marriages, which he has a lot of. When pressured by his own attorneys, he leapt out of a high-rise window and plummeted to the street below, slamming into the roof of a car, only to pop right back up and walk away. It doesn’t end well for him though as he is forced to pay off all of his exes. Then we get to meet DeMarr Davis aka the Doorman in the new Wonder Man series. Byron Bowers plays the man with the ability to use his body as a door in and out of the dark dimension. While he is a mutant in the comics, in the MCU he gets his abilities by touching toxic waste from Roxxon, similar to how Cloak & Dagger got their powers. DeMarr becomes a cautionary tale about chasing fortune and fame in Hollywood that may have cost the life of beloved actor Josh Gad. It also made the industry enact a law banning superpowered people from working in show business. This is a major plot point in the series. With two of the five characters both located in Southern California, could we end up getting the rest of the team at some point and them relocating for a fresh start? Sounds like the perfect idea for one of those Marvel Spotlight one-hour specials.  ... 01/18/26 @ 2:23 pm EST
Fans are eager to see the upcoming Lanterns series on HBO and besides a still shot and a few seconds of footage, very little about the series is known at this point. We got our first comments about it from series star Kyle Chandler who will be playing one of the most well-known Green Lanterns, Hal Jordan. Chandler was being interviewed on the Today Show for his new film The RIP with Ben Affleck and Matt Damon. During the interview he was asked about Lanterns and said, “I’ve never had as much fun shooting something as I did that. The people from the top to the bottom. I can’t say enough about Chris Mundy, and the producers, the DC folks. It was an excellent experience. I expect the show to be as good as the experience I had. Aaron Pierre, who I worked with, he and I had a great time.” The series is slated to be released later this year and comes from Mundy, Damon Lindelof and Tom King. Joining Chandler and Pierre in the cast are Ulrich Thomsen as Sinestro, Nathan Fillion as Guy Gardner and then Kelly Macdonald, Garret Dillahunt, Jason Ritter, Poorna Jagannathan, and Paul Ben-Victor. There will be eight episodes and it is said to be mostly an Earth-based mystery set in the heartland of America with a True Detective vibe.  01/17/26 @ 12:41 pm EST
Netflix’s proposed acquisition of Warner Bros. has stirred plenty of speculation across Hollywood, but one message from the streamer’s leadership has been unusually clear: the theatrical experience isn’t going anywhere. In fact, if the sale closes, Netflix says it will strengthen Warner Bros.’ traditional theatrical model rather than shrink it. Ted Sarandos, Netflix’s co‑CEO, has repeatedly emphasized that Warner Bros. films will continue to enjoy a 45‑day exclusive theatrical window—a stance that directly counters fears that Netflix would rush major releases to streaming. Sarandos described Warner Bros.’ theatrical distribution as a “phenomenal” engine that generates billions in revenue, insisting Netflix has no intention of putting that at risk. This commitment marks a notable shift in tone for Netflix, which historically prioritized streaming-first strategies. But after reviewing Warner Bros.’ financials, Sarandos acknowledged that the economics of theatrical releases are stronger than Netflix had previously modeled. He framed the 45‑day window not as a compromise but as a competitive strategy: Netflix wants to “win opening weekend” and “win box office,” embracing the same metrics that drive traditional studios. Industry observers have taken notice. While some feared the acquisition would accelerate the decline of theatrical exclusivity, Netflix’s public stance suggests a more balanced future—one where streaming power and box office ambition coexist. For now, at least, moviegoers can expect Warner Bros. films to keep lighting up big screens for a full month and a half before landing on Netflix’s platform.  01/17/26 @ 12:20 pm EST
The DCU is expanding with the casting of one of the universe’s biggest bads… Darkseid. While this seems to go against something co-studio head James Gunn has said previously about staying away from the cosmic threat, but this casting isn’t for Man of Tomorrow, but rather the upcoming Mister. Miracle animated series and you can’t really tell the story of Scott Free with mentioning his adopted daddy. Writer Tom King was on the Word Balloon podcast when he talked about the series that he is showrunning and said that they had cast Darkseid and Orion along with Mr. Miracle and Big Barda. If you’re not familiar with these characters, they are all part of the Fourth World Saga created by comic legend Jack Kirby during his short stint with DC Comics. It tells the story of two warring factions, the New Gods and the planet Apokolips and a deal that was made in an attempt for peace. The leaders of the factions, High Father and Darkseid, would exchange children… this sent Scott Free to be raised on the oppressive planet while Orion was sent to the peaceful New Genesis. Scott would become and escape artist, finding a way off of Apokolips with the female warrior, Barda, and eventually come to Earth. Exactly what part of that history the series will focus on is unclear, but we do know that Darkseid and the others will be involved. Gunn also confirmed on social media that the series will be cannon to the DCU that includes the recent Superman movie, the Peacemaker series and the animated Creature Commandos. This means that whoever is voicing these characters in the series would also play them in live action in the future and King has said that the Mister Miracle series will have big ramifications on the DCU as a whole. No word on when the series will debut, but with the casting already made, we can expect an announcement in the near future.  ... 01/10/26 @ 11:52 am EST
Takashi Yamazaki’s follow-up to the 2023 Godzilla Minus One is set to hit North American theaters on November 6th, 2026, three days after its premier in Japan. The Academy Award winning film took in $11.4 million in the US on its opening weekend and $57 million total during its domestic box office run. Godzilla Minus Zero is the second film in the franchise from Gkids since taking Toho acquired the company in 2024. David Jesteadt, president of Gkids, said in a statement: “Gkids is proud to bring Godzilla Minus Zero to North American audiences, following the incredible global reception of Godzilla Minus One. This next chapter is sure to become another defining moment for the most colossal monster ever to dominate the screen. It is only fitting that this bold, new Godzilla event be experienced in its fullest theatrical glory, and we’re honored that Toho has entrusted us to carry this legacy forward.” 
01/10/26 @ 11:38 am EST
As we get closer to the start of production on Matt Reeves’ The Batman Part 2, the cast starts to take shape with the second MCU veteran being added to the cast. We heard of Scarlet Johansson’s casting earlier in December and now multiple sources are saying Sebastian Stan has come on board as well, with the Hollywood Reporter’s Heat Vision report claiming that the actor who plays Bucky Barnes will now take on the role of District Attorney Harvey Dent aka Two-Face. This lines up with the rumors that Johansson would be playing Gilda Dent and that the story may be following the Long Halloween, a popular comic arch by Jeph Loeb and Tim Sale. While the story does focus on the Dents, many of the other characters in the story have already appeared in The Batman and The Penguin and have already been eliminated. Plus, the setting of the sequel is said to be set around a week after The Penguin series ended, just before Christmas. How ever the characters are used, if Stan is in the film, it then puts the fate of his MCU character in question as The Batman Part 2 will be filming around the same time as Avengers: Secret Wars. While the casting of both Stan and Johansson have not been made official, neither have they been denied by Reeves, James Gunn or DC Studios.  01/03/26 @ 1:19 pm EST
Deadline is reporting that Mike Flanagan is working on a new adaptation of Stephen King’s The Dark Tower series. Flanagan said his plan is to adapt the beloved franchise into a five-season series that would then be capped off by two stand-alone movies. The acclaimed horror director recently told Empire Magazine, “We’ve got a lot of scripts done for it. It’s the first priority.” He also made it clear that he doesn’t want the 2017 Idris Elba/ Matthew McConaughey film to be the final word on the property. That adaptation has a 16% critic rating on Rotten Tomatoes. Though Flanagan and Intrepid Pictures have a deal with Amazon, the rights to the Dark Tower were specifically carved out of their arrangement and could end up with another studio, but Amazon is also a possibility. Flanagan is known for his work on films like Gerald’s Game, Doctor Sleep and the Life of Chuck as well as series like The Fall of the House of Ushers, The Midnight Club and Midnight Mass. He also came up with the initial story and script for the upcoming Clayface movie that was so strong that James Gunn and Peter Safran has to greenlight a body horror film starring a B-level Batman villain as the third film released in their new DCU.  01/03/26 @ 12:45 pm EST
Now that we’re in 2026, we need to keep an ear out for casting news for the two big DC Studios films shooting this year, Man of Tomorrow and The Batman Part 2. The Superman follow-up is the one going first and we already got the casting announcement for the main villain, Brainiac with the addition of German actor Lars Eidinger to the cast. There have been rumors that there was a female role being cast for a potential hero that many have assumed was going to be this universe’s Wonder Woman, and while that has not been confirmed, John Rocha of the Hot Mic podcast says his sources confirm that James Gunn is looking to cast the Amazon warrior for the film. That would make sense with the idea that DC is pushing Wonder Woman for a new film with Supergirl scribe Ann Nogueira said to be working on the script. This still falls into the rumor category, but Gunn has not debunked the story as of yet. With the film expected to begin production in the spring, more casting news is expected in the next few weeks/months, and we know that if the “scoopers” have it right, DC likes to get the news out their themselves as they did with Eidinger. So I wouldn’t trust any of the rumored castings as of now.  12/20/25 @ 12:26 pm EST
James Gunn took to social media this morning to welcome Lars Eidinger to the DCU and Man of Tomorrow in the role of Brainiac. Eidinger, while not a household name, is best known for his roles in Clouds of Sils Maria and Personal Shopper but also appeared in the recent Netflix film Jay Kelly. Gunn talked about a worldwide search for the iconic Superman villain led to Eidinger rising to the top. He will join David Corenswet, Nicholas Hoult and Rachel Brosnahan as the film is expected to begin shooting in the spring of 2026 for a release in July of 2027. There have been multiple attempts to use Brainiac in a Superman film, but each attempt has fallen to the wayside, and his only live-action appearance so far was in the short-lived SciFi series Krypton where he was played by Blake Ritson. 
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