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01/18/24 @ 12:06 pm EST
The Daughter of Drakulon has been through many stories in her life in comic books. We added them all up and were surprised to come to VAMPIRELLA #666 for the first issue of our next story! It's all heating up soon with Christopher Priest taking her on her newest epic, poetically returning to where he started in 2019 for the 50th anniversary while looking forward as we march toward #700! Preorders are due this weekend with your favorite Local Comic Shop, so make sure to lock yours in ASAP and subscribe to the series to not miss out!
PRIEST REWINDS THE CLOCK, CELEBRATES 666 ISSUES & CHARGES FORWARD IN THE MOST HISTORIC VAMPIRELLA STORY YET!  Priest, we must ask you of course what you think of the fun numbering here with Vampirella #666. You've been involved in a few big celebratory anniversary issues through your career, like Conan the Barbarian #200, the big #1,000 marks for Detective Comics and Marvel Comics, and we won't think too hard about how a #1,000,000 issue comes to be...I think it apropos to give the comic the same number as my age :-) I don’t know, I think the biz has changed a lot over time. A lot of us older fans really enjoyed the issue numbering and felt it important to keep our sets complete. A Number One was a huge deal, and milestone numbering was an event to be celebrated. I think all the reboots have diminished this aspect a great deal, with younger generations of fans now not as invested or not invested in quite the same way. You first took on the helm of the Vampirella franchise in 2019 for our big 50th anniversary. It all kicked off with an echo of origins fans had previously seen for the character, with her as the sole survivor of a tragic plane crash. We hear fans will be seeing that moment again here, maybe even more than once, with a big twist. What is going down this time? For Vampirella, we’d completed our 50th anniversary volume with our issue #25, and that allowed us to stretch and explore a bit over the stretch of the pandemic through Vampirella/Dracula: Unholy, its bookend Vampirella/Dracula: Rage and the way-too-much-fun Vampirella: Year One. But I knew that, presuming Dynamite didn’t ship me off to the Old Writers’ Home, what I would want to do most was get back to basics. Our 50th Anniversary run began with a fairly simple premise: a single girl trying to make it on her own in the big city. She just happens to be a vampire from outer space with a pushy, vengeful mother and a collection of supernatural enemies out to kill her. After the heaviness of Rage, wherein a vengeful Vampirella becomes consumed by darkness, I wanted to get back to where we started with the wonder, fun, and poignancy of those first issues and Vampirella restored to her whimsical goodness. We’ve done that... sorta.  There’s always a catch. I mean, that’s the fun of reading ANY story, any novel or magazine or comic. There’s the story you think you know and then there’s the unexpected curve that creates the thrill ride. And that’s where we are with issue #666” back home, back where we belong. Sorta. One of the working titles for this series and perhaps still for the story arc is "Beyond." Could you elaborate a bit on what that means for Vampirella?The “Beyond” arc title was intended to reflect the idea of a woman having all her wishes granted. The basic gist of my Vampirella series has always been, ostensibly, wish fulfillment. Casper The friendly Ghost wants what we all want--community. Friends, family, love, purpose. The only problem is Casper is, in fact, a dead baby, and people find that sort of thing scary. Vampirella’s quest for those very same things has always been complicated by the fact she is a vampire from outer space surrounded by and pursued by a wide ranging cast of characters that might be fright at home in the 60’s sitcom Bewitched. The suggestion is that Vampi might actually find the love and happiness she’s always sought if only these kooks would leave her alone, which of course they won’t do because they’re kooks and she’s a space vampire.  But, thought I, what if Vampirella could achieve those things, what if she could realize the fulfillment and happiness she sought? So what if we went all the way back to our beginning, strip away the tragedy, the heartbreak, the betrayals, even bring dead characters back to life? What if we did all of that... ...only to put Vampirella into a position where she has to un-do it all, lose everything, in order to save the world? We discover Vampirella’s new status quo has been engineered, and the mechanism which created her happiness is dooming the planet. As a writer, the main thing you try to do is put your protagonist into a headlock and then drag him or her into a dark alley toward a brick wall. Then figure out how the protagonist overcomes certain doom before the series ends. Here, in Vampirella Beyond, we’re doing that in spades. Turkish artist Ergün Gündüz is back as well, ready to tap back into the artistic vision he helped debut with you a few years ago, flipping it on its head a bit. While also tying together everything that has been seen to date from our Free Comic Book Day #0 all the way to Vampirella/Dracula: Rage #6. How important was it to bring him back in for this particular story? Oh, it’s vital. I wouldn’t do this idea without Ergün because Vampirella Beyond is a deconstruction of the world Ergün created. Ergün’s characters play key roles in the story and the look and unique feel of Ergün’s world is what drives this arc. We will be revisiting specific landmark scenes in the early issues that Ergün must now match perfectly (and he has!) in a kind of Groundhog’s Day round-robin. As part of the celebration of hitting this nontraditional #666 milestone, we're including a little extra for fans at no extra cost. The issue will feature a wordless short story you did with Alan Davis in 1999, originally published in Vampirella #19, within the series fans often call the "New Monthly." What do you possibly recall about that collaboration and story?How terrified I was of them. Of Vampirella and of Alan Davis. I had the pleasure of hanging out with Mr. Davis in Memphis recently, where I expressed (again) my appreciation for his having taken on that assignment. Yes, I’m just as big a fanboy as the next comic geek, and working with Mr. Davis on that assignment -- which requires precise storytelling on his part since the story was to be “silent” -- is one of the high points of my career.
Vampirella's Next Epic Begins Here! We Celebrated 50 Years in 2019 - Now Join Us For #666 & Road to #700!   
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A: LUCIO PARRILLO - DEC230232
B: FELIPE MASSAFERA - DEC230233
C: CARLA COHEN - DEC230234 
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D: COSPLAY (RACHEL HOLLON) - DEC230235
I 10 COPY INC: ERGÜN GÜNDÜZ - DEC23024001/10/26 @ 11:52 am EST
Takashi Yamazaki’s follow-up to the 2023 Godzilla Minus One is set to hit North American theaters on November 6th, 2026, three days after its premier in Japan. The Academy Award winning film took in $11.4 million in the US on its opening weekend and $57 million total during its domestic box office run. Godzilla Minus Zero is the second film in the franchise from Gkids since taking Toho acquired the company in 2024. David Jesteadt, president of Gkids, said in a statement: “Gkids is proud to bring Godzilla Minus Zero to North American audiences, following the incredible global reception of Godzilla Minus One. This next chapter is sure to become another defining moment for the most colossal monster ever to dominate the screen. It is only fitting that this bold, new Godzilla event be experienced in its fullest theatrical glory, and we’re honored that Toho has entrusted us to carry this legacy forward.” 
01/10/26 @ 11:38 am EST
As we get closer to the start of production on Matt Reeves’ The Batman Part 2, the cast starts to take shape with the second MCU veteran being added to the cast. We heard of Scarlet Johansson’s casting earlier in December and now multiple sources are saying Sebastian Stan has come on board as well, with the Hollywood Reporter’s Heat Vision report claiming that the actor who plays Bucky Barnes will now take on the role of District Attorney Harvey Dent aka Two-Face. This lines up with the rumors that Johansson would be playing Gilda Dent and that the story may be following the Long Halloween, a popular comic arch by Jeph Loeb and Tim Sale. While the story does focus on the Dents, many of the other characters in the story have already appeared in The Batman and The Penguin and have already been eliminated. Plus, the setting of the sequel is said to be set around a week after The Penguin series ended, just before Christmas. How ever the characters are used, if Stan is in the film, it then puts the fate of his MCU character in question as The Batman Part 2 will be filming around the same time as Avengers: Secret Wars. While the casting of both Stan and Johansson have not been made official, neither have they been denied by Reeves, James Gunn or DC Studios.  01/03/26 @ 1:19 pm EST
Deadline is reporting that Mike Flanagan is working on a new adaptation of Stephen King’s The Dark Tower series. Flanagan said his plan is to adapt the beloved franchise into a five-season series that would then be capped off by two stand-alone movies. The acclaimed horror director recently told Empire Magazine, “We’ve got a lot of scripts done for it. It’s the first priority.” He also made it clear that he doesn’t want the 2017 Idris Elba/ Matthew McConaughey film to be the final word on the property. That adaptation has a 16% critic rating on Rotten Tomatoes. Though Flanagan and Intrepid Pictures have a deal with Amazon, the rights to the Dark Tower were specifically carved out of their arrangement and could end up with another studio, but Amazon is also a possibility. Flanagan is known for his work on films like Gerald’s Game, Doctor Sleep and the Life of Chuck as well as series like The Fall of the House of Ushers, The Midnight Club and Midnight Mass. He also came up with the initial story and script for the upcoming Clayface movie that was so strong that James Gunn and Peter Safran has to greenlight a body horror film starring a B-level Batman villain as the third film released in their new DCU.  01/03/26 @ 12:45 pm EST
Now that we’re in 2026, we need to keep an ear out for casting news for the two big DC Studios films shooting this year, Man of Tomorrow and The Batman Part 2. The Superman follow-up is the one going first and we already got the casting announcement for the main villain, Brainiac with the addition of German actor Lars Eidinger to the cast. There have been rumors that there was a female role being cast for a potential hero that many have assumed was going to be this universe’s Wonder Woman, and while that has not been confirmed, John Rocha of the Hot Mic podcast says his sources confirm that James Gunn is looking to cast the Amazon warrior for the film. That would make sense with the idea that DC is pushing Wonder Woman for a new film with Supergirl scribe Ann Nogueira said to be working on the script. This still falls into the rumor category, but Gunn has not debunked the story as of yet. With the film expected to begin production in the spring, more casting news is expected in the next few weeks/months, and we know that if the “scoopers” have it right, DC likes to get the news out their themselves as they did with Eidinger. So I wouldn’t trust any of the rumored castings as of now.  12/20/25 @ 12:26 pm EST
James Gunn took to social media this morning to welcome Lars Eidinger to the DCU and Man of Tomorrow in the role of Brainiac. Eidinger, while not a household name, is best known for his roles in Clouds of Sils Maria and Personal Shopper but also appeared in the recent Netflix film Jay Kelly. Gunn talked about a worldwide search for the iconic Superman villain led to Eidinger rising to the top. He will join David Corenswet, Nicholas Hoult and Rachel Brosnahan as the film is expected to begin shooting in the spring of 2026 for a release in July of 2027. There have been multiple attempts to use Brainiac in a Superman film, but each attempt has fallen to the wayside, and his only live-action appearance so far was in the short-lived SciFi series Krypton where he was played by Blake Ritson. 
12/20/25 @ 11:25 am EST
After having begun production in August of this year, director Destin Daniel Cretton revealed that Spider-Man: Brand New Day has wrapped filming as of Friday. The film, which is set to premiere July 31st, 2026, features the return of Tom Holland as Peter Parker and is the first in the MCU franchise to not be directed by Jon Watts. Cretton wrote on Instagram, “I’m so deeply grateful for the people who walked with me through the biggest, most rewarding film I’ve ever been a part of. To our amazing cast, for breathing so much life into these beloved characters and moving us every day. To our unbelievable crew, who worked tirelessly with unmatched creativity and craftsmanship, who made me laugh so hard my stomach never stopped hurting. I love you all so much and can’t wait for the world to see your stunning work on the big screen. And of course, to @tomholland2013, for your kind, generous leadership on and off screen, for your relentless work ethic, your fearless performances, and for your friendship. That’s a wrap on Spider-Man: Brand New Day!” This is Cretton’s second MCU film after having helmed Shang Chi and the Legend of the Ten Rings. He has also produced the Wonder Man series set to debut on Disney+ next month.  12/06/25 @ 2:03 pm EST
Scarlett Johansson is said to be in negotiations to join the cast of the highly anticipated sequel, The Batman Part 2. While Warner Bros. has not officially revealed which character Johansson would portray, speculation is rife across social media and film forums. Many fans are hoping she will take on the role of a major antagonist or perhaps bring a new dimension to an existing character from the Batman lore. Johansson’s acclaimed work in action and drama—especially her iconic run as Black Widow in the Marvel Cinematic Universe—positions her as a compelling choice for a complex role in Gotham’s shadowy streets. The Batman Part 2 is currently in pre-production, with filming scheduled to commence in May of next year. The film is targeted for a theatrical release in 2026, although official dates may be subject to change. Director Matt Reeves returns to helm the sequel, ensuring continuity in the vision and tone that made the first installment a critical and box office success. Johansson’s addition is expected to boost the already stellar lineup led by Robert Pattinson as Bruce Wayne/Batman. Within hours of the announcement, social media platforms lit up with enthusiastic posts and trending hashtags. Speculation is running rampant with guesses of her role ranging from villains like Poison Ivy and Harley Quinn to love interests like Silver St. Cloud and Vickie Vale. One of the more popular suggestions is that Johansson could be playing Andrea Beaumont, a love interest and antagonist from the hit animated film Mask of the Phantasm. The casting has not been confirmed and neither the studio nor Reeves has commented since the story broke. 
12/06/25 @ 1:50 pm EST
In a dramatic shift for the entertainment industry, Netflix has announced its acquisition of Warner Bros, one of Hollywood's most iconic studios. This unprecedented deal marks a pivotal moment in the ongoing evolution of media and streaming services. Netflix, already a leader in streaming content, has been searching for ways to expand its library and production capabilities. Warner Bros, with its vast catalog of beloved films and television franchises—including the Harry Potter, DC, and Looney Tunes properties—represents a treasure trove of content and creative resources. The acquisition signals Netflix's commitment to not only dominating streaming but also to strengthening its influence in theatrical releases and television programming. Though Netflix has been against theatrical releases in the past, in a recent statement they said they planned to continue them for Warner Bros films just with a shorter release window. By purchasing Warner Bros, Netflix gains access to a library of classic and highly profitable intellectual properties. This move allows Netflix to offer exclusive streaming rights to blockbuster franchises, while also leveraging Warner Bros’ production infrastructure. The deal also positions Netflix to compete more directly with other major studios and streaming platforms, such as Disney and Amazon. Industry analysts predict that this acquisition will accelerate the consolidation trend within the entertainment sector. Other studios and streaming services may seek mergers or partnerships to remain competitive. Audiences can likely expect a surge in new content, including reboots, spin-offs, and original productions drawing from Warner Bros' legacy. For Netflix subscribers, the platform could soon become the go-to destination for both new releases and classic favorites. While some industry veterans express concern about further consolidation of media power, others see this as an opportunity for innovation and greater investment in high-quality storytelling. Only time will tell how this landmark deal reshapes Hollywood and the global entertainment landscape.  ... 11/29/25 @ 11:47 am EST
If you’re of a certain age, then you realize that Peter Hammond was not the first live-action Spider-Man to appear on television screens. That honor goes to Jim Hensen puppeteer Danny Seagren who was a regular on both Sesame Street and The Electric Company. Seagren was both a puppeteer and puppet maker and was the right hand of Ernie along with putting on the Big Bird suit on several occasions including an appearance on the Ed Sullivan Show. He was also the web slinger on the show that started the careers of Rita Moreno and Morgan Freeman as both shows fell under the Children’s Television Workshop. He went on to create puppets for other series like Curiosity Shop, Captain Kangaroo and Who’s Afraid of Opera. “Danny will be greatly missed by his family, friends and those throughout the community he loved living in,” his family said in his obituary. Seagren died on November 10th at the age of 81.  11/29/25 @ 11:31 am EST
Director Shawn Levy has officially hired renowned composer Thomas Newman to craft the score for his upcoming Star Wars: Starfighter film. The collaboration marks a significant moment for the celebrated sci-fi franchise, as Newman steps into a universe long defined by the iconic music of John Williams. His distinguished career includes memorable scores for films such as The Shawshank Redemption, Finding Nemo, and 1917, brings a fresh perspective to the Star Wars saga. Over the years, Newman has earned an impressive 15 Oscar nominations, a testament to his exceptional talent and enduring impact on the film industry. Levy, celebrated for his work on blockbusters like Free Guy and Deadpool and Wolverine, and the hit series Stranger Things, expressed enthusiasm for the partnership. He highlighted Newman's ability to blend sweeping orchestral moments with subtle, character-driven motifs—a style well-suited to the expansive and adventurous spirit of Star Wars. While plot details remain under wraps, Levy and Newman’s collaboration promises a thrilling and emotionally resonant cinematic experience.  |
