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05/09/16 @ 11:45 pm EST
A Writers’ Commentary: Ben Acker and Heath Corson talk Kings Quest #1, on sale now from Dynamite. Cover is by Marc Laming and Lara Margarida. Interiors by Dan McDaid and Omi Remalante. PAGE ONE:  BEN ACKER: Let me start by saying that I love this book. I love the story and I love the characters, but the thing I want to talk about here that I love above and beyond all that is I love collaboration. In this book, I get to work with three people with whom I’ve been dying to work for as long as I’ve known them. Page one, you got an artist named Bob Q, who at the time of this writing isn’t credited, but I hope he will be by the time you’re reading this. Bob Q has a unique style that is clean and cool and just dynamic. He’s doing flashbacks that set the scene along the way in this series and, in issue 3, you’ll see way more of him. I’ve always loved the personality of his art. I’m sure you’ll see more of him, but you’re on the ground floor with the great Bob Q, here!Dan McDaid is a genius. Every page, every panel, he knocks me out. We’ll get to him, as we’re talking about Page 1. But Dan is a guy I’ve known a little longer than Bob Q. I think we’ve come very close to working together a few times over the years, and when he was available and down to do this book, I couldn’t have been happer.Omi Remalante is not someone I’ve had to wait to work with. I’ve done a few books with Omi and he is consistently wonderful, as you’ll see. He kills it on colors and always has.Heath Corson has been a great friend of mine for years and years. We’ve never collaborated a lick and it was a little daunting, what with him being a powerhouse writer in his own right. Let me tell you that the process of collaborating with him was a joy. His sense of story and character and action and plotting – everything – he’s just great at the stuff of writing. I could go on and on. Heath is just as good at the stuff of collaboration. Egoless and inspiring. You don’t know how it’s going to be to do work with your friend, but you hope it’s just like this. And now I’ll let him tell about the book. Hit it Heath! HEATH CORSON: First of all, everything Ben just said and then some. We have had just a blast working together and the fact that ON TOP OF THAT we get to work with all these amazing artists, is just cream in our collective coffee. Now… To the book:Since the “Quest” aspect of King’s Quest is returning to space to get Dale Arden, who was left behind, we really needed to start out with a unique, grounded perspective on who Dale is and why she’s special. With that in mind, the most interesting POV was Jen’s. So we start with an intimate recollection between Jen and Dale. Which also serves to ease us into Jen’s VO that narrates this issue and throws us headfirst into the… PAGE TWO & THREE: DOUBLE PAGE SPREAD!  HEATH: Boom. Here’s our entire cast bracing for impact. I was particularly proud of Zarkov’s line here.BEN: When I read Zarkov’s line, I cheered. Good stuff, Heath!HEATH: Thanks buddy. Also, I love Phantom Jen’s design in the purple hoodie. Man, I want that hoodie. BEN: This is a good spread. You get all the characters and their POVs and relationships and roles in the group starting to come out. And this layout is all McDaid. PAGE FOUR: HEATH: Yeah, we hit the ground running… Or crashing as the case might be. But it let’s us dive right into playing with the character dynamics, which is my personal favorite part of writing ensemble stories like this. BEN: You nail it here, Heath. I love this dialogue, of which yours is the lion’s share. PAGE FIVE: HEATH: Here we see how great Flash’s reflexes are… And how itchy his zap gun trigger finger is. The man loves to vaporize space creatures. This monkey is no exception. BEN: I love that Lothar Phantom in panel 1. Make yourself at home, Phantom. This is the first time I noticed Zarkov’s flask. So good. And those monsters in the last panel. This commentary is just gonna be me chanting McDaid! McDaid! Over and over. Like I do in the emails I send him whenever I get new pages. I’d call, but he lives overseas. PAGE SIX & SEVEN: HEATH: Dan McDaid, folks. Drink that in. BEN: McDaid! McDaid! HEATH: I love these pages. These are the pages as a writer you hope you get back when you pass the storytelling off to your artist by saying stuff like: “A bunch of hideous monsters jump out here. Everyone freaks.” Plus, I LOVE Valiant’s expression here and how chuffed he is to chop things in half. BEN: I love Zarkov’s Jack Bennyish take on what’s going on. And how many trunks does that elephant monster have? McDaid! McDaid! Gubba gubba gubba gubba! PAGE EIGHT:  HEATH: How cowboy cool is Mandrake here? Throwing doves at monsters without breaking a sweat. And doing it in formal-wear. Mandrake might be my favorite to write. Lothar, on the other hand, takes no chances and just opens fire. Which is the other side of the badass coin. BEN: These colors are amazing! Remalante! Remalante! Remalante! HEATH: Yes, yes! Let’s tip our collective tops hats to Omi Remalante, our genius colorist. More of him coming in hot. PAGE NINE: BEN: There’s a thing in commentary tracks where the commenters are just relating the experience of watching the movie or reading the book, not because we’re taken with what we’ve created, but because creation like this is a collaboration and we’re so enjoying the work of our collaborators. It makes for solid work, but sometimes a commentary that just feels like narrating what you’re seeing. Sorry, not sorry. HEATH: Hahaha. It’s true. You realize that in comics we’re all fans as well as creators.Uh-oh. Shambling, scream-y mound has a secret, you guys. Wait for it… PAGE TEN: HEATH: Yup. It’s JUNGLE JIM! I found his dialogue really fun but deceptively challenging to write. I think Ben had to confer with actual Brits to get some of the phrasing correct. Right, Ben? BEN: Credit to Humphrey Ker, a decidedly English name for a decidedly English person giving me the Englishisms. Also credit to the “How British Am I?” sketch by the brilliant comedy group Superego. Once Humphrey pitched “dashed,” all I could think of was Superego’s Matt Gourley voicing Jungle Jim. And I love the “Ming’s forces” turn in here, so I hope it was Heath that wrote it, or else I’m just patting myself on the back. You know it’s a good collaboration when you’re not sure who wrote what.HEATH: I always assume if it is funny or clever, it was Ben. You should too. PAGE ELEVEN: HEATH: Ming’s forces, on the other hand, were really fun to write with their terrible corporate-slash-military-slash-Kafkaesque circular reasoning. And, peep those awesome spaceships! McDaid bringing it. Hard. Again, can we also just call out the COLORS here by Remalante? The jungle, the creatures, the spaceships and our heroes. All fantastic vibrant colors reminiscent of the pulp origins of these heroes. Makes it all sing.  BEN: You’re not wrong, Heath. You’re right. And look: “Gordon’s alive!” Remember that line? We’re just fans of this stuff. PAGE TWELVE: HEATH: Yeah, this would scare ME if I was a Ming flunky. It’s also a nice reminder how crazy powerful Jim is. Beast mode, indeed. BEN: More of Humphrey’s help here. I love beast mode that sounds like Downton Abbey. PAGE THIRTEEN: HEATH: It was right around finding the line “Be merciless for Ming” that it really sunk in that I was writing Flash freakin’ Gordon and these HUGE iconic characters that I grew up with. So cool.BEN: And look at those guys. These designs – the monsters and the soldiers – they’re so killer. And they only exist for a few panels. That’s crazy! So fully realized. McDaid! McDaid! PAGE FOURTEEN: HEATH: This Mandrake page is my favorite of the issue. Ben and I talked a lot about playing with his sense of theatricality and performance. Between the astounding art and the dialogue I felt like we all really did justice to Mandrake on this page. PS: THIS is the McDaid page I desperately want in my office… You know, just in case he’s reading this.BEN: Ha! Next issue’s Mandrake page is my favorite of that issue and is the one I want in my office. I told McDaid already. And to the point of the theatricality of Mandrake, I really love that he’s an old school stage magician at his core. It sets him apart from your Doctor Strange and Doctor Fate. Mandrake is not a doctor. He’s a smoke and mirrors guy and look – the illusions he’s casting are smoke! PAGE FIFTEEN: HEATH: Flash is a helluva action hero. He’s a real “shoot first, ask questions never” kind of guy. It was important to show that and McDaid really captures his physicality here. BEN: Yeah, usually we make it fun that he’s so gung ho. Like “maybe relax, Flash and ask a question or two before you charge in.” But here, when it’s clear, when it’s as black and white as Flash sees it anyway, you get to spend the bulk of a page having him say a cool thing and kick a bad guy off his rocket. PAGE SIXTEEN:  HEATH: I like this Jen/Lothar beat here. We talked a lot about their mentor/mentee dynamic and how it’s on Lothar to get Jen to step up. I like that Jen is out of her league and really sharply feels that deep into this adventure. But she IS supposed to be the Phantom and that’s a honest struggle for her to take on that mantle… Especially in the face of Lothar being as good a Phantom as there’s ever been. BEN: Yeah, there’s something really interesting to me about the nature of Lothar’s relationship with the mantle of the Phantom. I hope we remember to get into it in one of these issues. PAGE SEVENTEEN: HEATH: This page layout is just such wild fun. BEN: McDaid! McDaid! HEATH: You get this great heightened sense of flow and movement in Valiant. We see that the guy is an unstoppable freight train of violence. BEN: And also Simon Bowland, the letterer, is just as much the boss of how your eye takes in this page. Bowland is a real pro, consistently just great. Bowland! Bowland! HEATH: No kidding! Kudos to Bowland. Especially since in the first lettering pass, I’m pretty sure we accidently reversed all the dialogue from the bottom to the top. Which would have made everyone’s eyes cross. PAGE EIGHTEEN: HEATH: Jim realizing Valiant is still telling off the baddies makes me laugh a lot. That was a Ben joke that showed up in the second lettering pass. It took me by surprise when I read it and I totally laughed out loud. BEN: Thanks, Heath. You wrote Valiant’s pure joy here and I love it. I regret that we didn’t find a moment for Jungle Jim and Zarkov to share a drink. Maybe next issue!PAGE NINETEEN:BEN: I love how McDaid draws Barin. His little mustache! HEATH: Prince Barin. Finally! We’ve only been looking for him this entire issue. But he’s got pretty bad news… BEN: You bet he does. It’s been two years, not the two hours it felt like it took. This is one of the most important details of the book and Mandrake is about to explain it, and Flash gives him “Who cares why!” I love that. That’s so Flash. PAGE TWENTY: HEATH: HOLY CRAP! Dale is… Empress?! Does that mean she’s married to Ming? What the-?! I love this twist. And it only gets worse, you guys. Much MUCH worse. BEN: Stay tuned. 08/17/25 @ 12:13 pm EST
James Gunn, co-head of DC Studios and the creative force behind the 2025 box office hit Superman, has confirmed that a follow-up film is already in motion—and it’s coming fast. In a series of interviews, Gunn revealed that he’s completed an extensive treatment for the next installment, which he’s calling part of the “Superman Saga”. Gunn’s treatment isn’t your average outline. He described it as a 60-page document packed with dialogue and scene breakdowns. “My treatments are incredibly intense,” he told Collider. “They’re not regular treatments. And so, now I’m just turning that into a script. We’re planning out when we’re going to shoot that. It’s going to be much sooner rather than later”. While Gunn hasn’t confirmed whether the film is a direct sequel or a new chapter altogether, he emphasized that it continues the narrative established in Superman, which starred David Corenswet as the Man of Steel. The film grossed $589 million worldwide, making it the seventh highest-grossing film of 2025. Gunn also revealed that the events of Superman will tie directly into Peacemaker Season 2, which premieres this month. “Superman leads directly into Peacemaker,” he said. “Lots of guest stars coming up, lots of characters that are showing up that we’ve already met in Superman”. This interconnected storytelling is part of Gunn’s broader vision for the DC Universe, where each project maintains its own tone and style—ranging from horror ( Clayface) to cosmic adventure ( Lanterns). With the treatment complete and production scheduling underway, the next Superman film could begin shooting within the year. 
08/17/25 @ 12:00 pm EST
Terence Stamp, the magnetic British actor whose piercing gaze and commanding presence defined a generation of cinema, has died at the age of 87. His family confirmed he passed away peacefully on Sunday morning, August 17, leaving behind a legacy that spans more than six decades of film, television, and voice work. Stamp made an unforgettable debut in 1962’s Billy Budd, earning an Academy Award nomination for his portrayal of the angelic sailor. He quickly became a fixture of the 1960s cinematic revolution, starring in The Collector (1965), Far From the Madding Crowd (1967), and Teorema (1968). But it was his turn as General Zod in Superman (1978) and Superman II (1980) that etched him into pop culture history. With the chilling command “Kneel before Zod,” Stamp became one of cinema’s most memorable supervillains. Stamp’s career was marked by fearless genre-hopping. He played Chancellor Valorum in Star Wars: Episode I – The Phantom Menace, voiced characters in Halo 3 and Elder Scrolls IV: Oblivion, and portrayed the elegant drag queen Bernadette in The Adventures of Priscilla, Queen of the Desert, earning a BAFTA nomination. Later roles included appearances in Wall Street, The Limey, Big Eyes, Miss Peregrine’s Home for Peculiar Children, and Last Night in Soho. He even voiced Jor-El in the TV series Smallville, a poetic twist on his earlier villainous role in the Superman franchise. Born in London’s East End in 1938, Stamp grew up during the WWII bombings and found solace in cinema from an early age. He studied at the Webber Douglas Academy of Dramatic Art and became close friends with fellow actors Michael Caine and Peter O’Toole. Offscreen, he was known for his romantic entanglements with Julie Christie and Jean Shrimpton, and for his spiritual journey through India following heartbreak. He also authored several books, blending memoir with philosophical musings. In a statement, Stamp’s family said: “He leaves behind an extraordinary body of work, both as an actor and as a writer that will continue to touch and inspire people for years to come. We ask for privacy at this sad time.”  ...
08/16/25 @ 3:03 pm EST
Marvel fans are in a frenzy after Ryan Reynolds posted a mysterious image to Instagram that may hint at Deadpool’s involvement in the upcoming Avengers: Doomsday. The post featured a white Avengers logo defaced with a red graffiti-style anarchy symbol—eerily reminiscent of Deadpool’s chaotic aesthetic. Reynolds offered no caption, just a side-eye emoji, leaving fans to decode the meaning for themselves. What’s Fueling the Speculation? The graffiti-tagged Avengers logo was previously seen in Deadpool & Wolverine as a flag in a dystopian alternate universe. Reynolds’ new version, however, is red and stylized differently—reportedly created by a fan and reposted by Reynolds himself. The post dropped just as filming for Avengers: Doomsday ramps up in London, and Marvel has teased that more cast announcements are coming. Reynolds was notably absent from the initial cast list, which already includes legacy X-Men actors like Patrick Stewart, Ian McKellen, and Kelsey Grammer. Trade outlets are split. The Hollywood Reporter claims Deadpool will appear in Doomsday, though not as a full-fledged Avenger. Meanwhile, Deadline reports that Reynolds hasn’t been seen on set and isn’t scheduled to appear. Marvel Studios President Kevin Feige has confirmed that discussions with Reynolds are ongoing. “There absolutely have been discussions. We're in touch with Ryan a lot. So the answer is yes,” Feige said when asked about Deadpool’s future in the MCU. Given the multiverse-heavy plot of Avengers: Doomsday, a cameo or surprise appearance by Deadpool seems plausible—even if he’s not part of the main lineup. Reynolds himself has said he prefers Deadpool to be a supporting character, which aligns with the idea of a brief but memorable role. Avengers: Doomsday is set to hit theaters on December 18, 2026, with the Russo Brothers returning to direct.  08/16/25 @ 2:53 pm EST
Marvel Studios’ Thunderbolts—the gritty, antihero ensemble film that redefined the MCU’s tone—will officially begin streaming on Disney+ on Wednesday, August 27, 2025. After its theatrical debut in May and a digital release in July, fans can now revisit the explosive team-up from the comfort of their homes. Directed by Jake Schreier and written by Eric Pearson and Joanna Calo, Thunderbolts follows a ragtag group of morally complex characters pulled from previous MCU entries: Yelena Belova ( Florence Pugh), Bucky Barnes ( Sebastian Stan), Red Guardian ( David Harbour), Ghost ( Hannah John-Kamen), Taskmaster ( Olga Kurylenko) and John Walker ( Wyatt Russell). These disillusioned antiheroes are recruited by Valentina Allegra de Fontaine ( Julia Louis-Dreyfus) for a covert mission—only to discover they’ve been ensnared in a deadly trap. The film explores themes of redemption, trauma, and reluctant camaraderie as the team confronts their pasts and battles for a shot at heroism. Despite underwhelming box office numbers ($382 million worldwide on a $180 million budget), Thunderbolts was a critical success, earning an impressive 88% on Rotten Tomatoes. Critics praised its emotional depth, dark humor, and fresh take on the superhero genre. Starting August 27, Thunderbolts will be available to stream on Disney+ at 12 a.m. PT / 3 a.m. ET.  08/13/25 @ 2:16 pm EST
In a blockbuster move that reshapes the future of one of cinema’s most iconic spy franchises, NBCUniversal has officially acquired all rights—excluding publishing—to Robert Ludlum’s Jason Bourne and Treadstone book series in perpetuity. The deal, finalized after a fiercely competitive bidding war, ensures the Bourne universe will remain under the Universal umbrella, opening the door for new films, television projects, and cross-platform storytelling. Earlier this year, the Ludlum estate reclaimed the rights and initiated an auction led by WME. The process attracted seven major offers, including bids from streaming giants and rival studios. Ultimately, Universal matched the top proposal with what insiders describe as a “very large deal,” securing the franchise’s future at its longtime home. Since its cinematic debut in 2002 with The Bourne Identity, the franchise has redefined the spy genre with its gritty realism and kinetic action. Matt Damon’s portrayal of the amnesiac operative Jason Bourne, coupled with direction from Doug Liman and Paul Greengrass, set a new standard for espionage thrillers. The series has spawned five films, grossing over $1.64 billion globally, and includes a spinoff ( The Bourne Legacy starring Jeremy Renner), a short-lived TV series ( Treadstone), and even a theme park attraction ( The Bourne Stuntacular) at Universal Studios Orlando. With the rights secured, Universal is already laying groundwork for future installments. Producer Frank Marshall, who has been with the franchise since its inception, will continue to oversee development alongside Captivate Entertainment’s Jeffrey Weiner and Ben Smith. A new film is reportedly in development with director Edward Berger ( All Quiet on the Western Front) and a script by Joe Barton. While not yet greenlit, speculation is swirling about Matt Damon’s potential return to the role that made him a global star. NBCUniversal plans to leverage the Bourne IP across its vast media ecosystem, including film, television, streaming, and interactive experiences. “We’re energized to continue expanding the Bourne universe into the future with exciting new stories for global audiences,” said Peter Cramer, President of Universal Pictures. Jeffrey Weiner, executor of Ludlum’s estate, echoed the sentiment: “We are thrilled that the Bourne franchise will remain at Universal. We look forward to working with the Universal team to expand the Bourne franchise across Universal’s varied platforms”.  ... 08/10/25 @ 2:42 pm EST
After nearly two decades away from the visor, James Marsden is officially returning as Scott Summers—aka Cyclops—in Marvel Studios’ Avengers: Doomsday, and he’s calling the experience “a nice little homecoming” to the role that first put him on the map. In a candid interview with Vanity Fair, Marsden reflected on the long journey back to the X-Men leader, joking, “I’m getting a little long in the tooth to put on the superhero costume.” He added, “I’ve spent 20 years listening to people say, ‘When are you coming back?’ I’m dead. Well, maybe not”. Cyclops was famously killed off in X-Men: The Last Stand (2006), but Marvel’s multiverse antics—especially after Deadpool & Wolverine and Doctor Strange in the Multiverse of Madness—have paved the way for legacy characters to return. Marsden’s Cyclops is expected to play a key role in the battle against Doctor Doom, portrayed by Robert Downey Jr., in the Russo Brothers-directed crossover epic. Marsden won’t be alone. Avengers: Doomsday is stacking its cast with X-Men veterans, including: Patrick Stewart (Professor X), Ian McKellen (Magneto), Rebecca Romijn (Mystique), Kelsey Grammer (Beast), Alan Cumming (Nightcrawler) and Channing Tatum (Gambit). Marsden first donned the ruby-quartz visor in X-Men (2000), followed by X2 (2003) and The Last Stand (2006). He briefly returned in Days of Future Past (2014), but Doomsday marks his first full-fledged return to the role in over a decade. “It was the first real event project I was ever a part of,” Marsden said. “And a very beloved character, this icon from the comics. So to step back into that role was pretty special”. Avengers: Doomsday is set to hit theaters on December 18, 2026, as part of Marvel’s Phase Six.  08/10/25 @ 2:14 pm EST
This weekend at the Star Trek Las Vegas convention, VisionQuest showrunner Terry Matalas dropped major news about the upcoming Marvel miniseries, confirming the casting of two Star Trek: Picard alumni— Todd Stashwick and Orla Brady—in pivotal roles for the 2026 Disney+ series. Stashwick, known for his role as Captain Liam Shaw in Picard, will portray Paladin, a morally ambiguous mercenary from Marvel Comics. First introduced in Daredevil #150 (1978), Paladin is a skilled operative whose allegiance often hinges on the highest bidder. In VisionQuest, he’s described as an assassin tracking down White Vision— Paul Bettany’s reawakened android who gained sentience at the end of WandaVision. Matalas confirmed that Paladin will be a central antagonist, bringing a grounded, tactical threat to the otherwise AI-heavy narrative. Brady, who played Laris and Tallinn in Picard, will take over the role of F.R.I.D.A.Y., Tony Stark’s AI assistant previously voiced by Kerry Condon in the MCU films. Unlike her purely digital predecessor, Brady’s version of F.R.I.D.A.Y. is rumored to appear in humanoid form—possibly as a Life Model Decoy or holographic avatar. This recasting marks a shift in how Marvel is portraying its artificial intelligences, with several—including Emily Hampshire’s E.D.I.T.H. and T’Nia Miller’s Jocasta—expected to have physical embodiments. Matalas emphasized Brady’s emotional range and intelligence as key reasons for her casting, calling the collaboration with Marvel “wonderfully collaborative”. Paul Bettany returns as Vision, navigating a post-Wanda existence with fragmented memories and existential questions. Matalas likened Vision’s arc to Spock’s journey in Star Trek IV, suggesting a cerebral and emotional quest for identity. James Spader is also confirmed to reprise his role as Ultron, with Matalas teasing a “unique” use of the character—possibly involving a human avatar or holographic projection. The series will also feature Faran Tahir reprising Raza from Iron Man and Ruaridh Mollica in a mystery role, speculated to be Tommy Maximoff. Filming wrapped in July 2025, and VisionQuest is slated to premiere on Disney+ in 2026.  ... 08/09/25 @ 12:56 pm EST
Disney Junior is expanding its superhero lineup with a fresh animated series aimed at younger audiences: Marvel's Avengers: Mightiest Friends. The show promises to deliver bite-sized action, heartwarming friendships, and age-appropriate heroics featuring beloved characters from the Marvel Universe. The series reimagines Earth’s Mightiest Heroes in a format tailored for preschoolers, blending Marvel’s iconic action with Disney Jr’s signature warmth and accessibility. The series will feature kid-friendly versions of fan-favorite characters like: Captain America – the brave leader with a shield and a heart of gold, Iron Man – the tech-savvy genius with a flair for invention, Black Panther – the noble protector of Wakanda, Ms. Marvel – the energetic shapeshifter with a passion for helping others, Hulk – the gentle giant learning to manage his strength and Spider-Man – the friendly neighborhood hero with sticky situations. Each episode will center around teamwork, empathy, and problem-solving, with the Avengers tackling challenges that resonate with young viewers—like sharing, cooperation, and standing up for what's right. Storylines will be episodic, with self-contained adventures that emphasize emotional intelligence and moral lessons. Whether it’s rescuing a lost pet or helping a friend overcome fear, the Avengers will model positive behavior while still delivering superhero thrills. The series is slated to premiere in 2026, joining Disney Jr’s growing roster of educational and entertaining content. It follows in the footsteps of Spidey and His Amazing Friends, which proved that Marvel heroes can thrive in the preschool space without losing their heroic edge.  08/09/25 @ 12:39 pm EST
New rumors have been swirling about The Batman Part II and James Gunn had taken to social media to set things straight. The upcoming Matt Reeves film along with the newly launched DCU have both been popular targets of “scoopers” and so far most of their insider information has turned out to be false. A chorus of reports that the second Robert Pattinson led Batman film had been cancelled or given to a different writer/director blood social media and even Gunn posting that none of them were true didn’t stop them. The only thing that finally killed that narrative was a post by Reeves showing the completed script. And even then scoopers claimed that the film would be delayed again… which is not true so far as the film has begun pre-production and is scheduled to start shooting in early 2026, plenty of time for an October 2027 release. This hasn’t deterred the insiders from more attention grabbing posts, now claiming that Robin will appear in the upcoming sequel and the DCU Batman will make his debut in Clayface. These rumors make no sense at all as Gunn has said that the DCU Batman will debut in The Brave and the Bold film where they will introduce Damian Wayne as Robin. It’s hard to believe that they would let Reeves introduce Robin right before the main universe is going to do the same. Well, Gunn has hit social media again about the Robin rumors and said, “Guys please stop believing this nonsense. I think six of us have read the script. No one knows anything about The Batman 2.” Remember that these insiders make money off of views and are never held accountable for completely wrong information. There’s a difference between speculation on what the film might include and presenting yourself as someone in the know and make statements that have no truth to them.  ... 08/02/25 @ 12:43 pm EST
After two seasons of undercover antics and family drama, Netflix has officially pulled the plug on FUBAR, the action-comedy series starring Arnold Schwarzenegger and Monica Barbaro. The cancellation, confirmed on August 1, 2025, comes just weeks after the show’s second season premiered to lukewarm reception. FUBAR debuted in May 2023 with strong numbers, thanks in part to Schwarzenegger’s global star power and the novelty of his first leading role in a television series. The show’s premise—a CIA operative discovering his daughter is also an agent—offered a mix of espionage, humor, and family tension. Season 1 racked up over 11 million views during its premiere weekend. But Season 2, released more than two years later in June 2025, failed to recapture that momentum. It peaked at just 3.3 million views in its first full week and quickly dropped out of Netflix’s Top 10. The 73% decline in viewing minutes between seasons was a major factor in the streamer’s decision to cancel. The series featured: Arnold Schwarzenegger as Luke Brunner, a veteran CIA agent, Monica Barbaro as Emma Brunner, his daughter and fellow operative, Carrie-Anne Moss joined in Season 2 as Greta Nelso, a former East German spy with ties to Luke. Supporting cast included Milan Carter, Fortune Feimster, Jay Baruchel, and Travis Van Winkle. Despite the star-studded lineup, critics and fans noted that Season 2 lacked the charm and pacing of its predecessor. Some viewers described the follow-up as “uninspired” and “ridiculously flanderized”. The cancellation leaves several plot threads unresolved: Tina’s mysterious loyalties and ties to the “Grey Division”, The fate of Emma and Aldon’s relationship and the fallout from CIA exposure and Luke’s retirement plans.  |
