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05/27/16 @ 11:21 pm EST
David F. Walker has brought one of the iconic characters of the seventies back to the spotlight with his first Shaft mini-series for Dynamite. He continues that work with the latest series, Shaft: Imitation of LIfe and we have his writer’s commentary for issue #4 that came out this week. The cover below was done by Matthew Clark and interiors byDietrich Smith.
Page 1
The first issue of Shaft: Imitation of Life started with a sequence from the original Shaft novel by Ernest Tidyman, and I wanted to make sure that this final issue of the story made some kind of passing reference to where it all started. Hence, the flashback in Panel 3. This actual scene never occurred in the book (or the movie), but I needed a way to explain how Shaft would have so much cash on hand, and it made sense (at least while I was writing it).It’s also important to note that in every issue of Shaft, his first person narration was an integral part of the story. But with this issue, it was very difficult for me. The first draft had no narration, and I struggled with what to have Shaft say, because it just felt like this issue didn’t need him blabbering on an on. But at the same time, the precedent had been set, and not have him narrate would be weird. Some of you may notice that there is less narration in this issue.
Page 2
The supporting character of Tito didn’t start out as important as he ended up being. In fact, in the original outline, he was only in the first two issues, but as the story grew and evolved, so did the character. I specifically asked Dietrich to draw a Volkswagen Beetle for this scene, because it seems like the least badass car Shaft could be driving. I find it funny, but I don’t know if anyone else will appreciate the humor.
Page 3
I loved working with Dietrich Smith on this series. He had an incredible way of bringing my scripts to like, but the thing I like best is the way he captured the little details that were very important. On this page, the single most important detail is that Tito is taking the gun from the bag. There is nothing else that the reader absolutely has to know, but they need to know this, and they need to know that Shaft doesn’t know. Dietrich made this one bit of information truly sing.
Page 4-5
In the original script, there was only dialog in the giant panel. After seeing Dietrich’s art, I felt that there were missed opportunities on this page, if I left the remaining panels silent. I struggled with what to have the characters say. I knew I wanted Tito talking to himself in Spanish. The problem was that the character is Puerto Rican, and I wanted to make sure that what I had him saying “sounded” right for someone from Puerto Rico, because not all Spanish-speaking languages say things the same way. I think (or hope) that I got it right. If it is wrong, I apologize. As for what Shaft says, I just wanted to play around with the idea that he knows this case was a bad move.
Page 6
This mini-series has an odd history. Originally, I had written a self-contained Shaft story that was supposed to be some kind of annual, but it never got published. When Dynamite asked for a second story-arc, I decided to use material from that other script, and combine it into a second story. Essentially, Shaft: Imitation of Life is a combination of a one-shot style story, that was repurposed and combined with a second story. What we are seeing here is one of the few scenes from that original one-shot that made it into this series completely unaltered. There’s actually a certain amount of symbolism on this page, mostly in the last panel, as it represents Shaft about to enter a very absurd world.
Page 7
To the best of my knowledge, this was not how porn movies were made in the 1970s. To be honest, I have tried to keep Shaft somewhat grounded in fact, and with this, my tenth issue of the character, I have ventured into a complete and total land of make believe. That’s part of why this series is called Imitation of Life.
Page 8
If you’ve been reading this story from the start, you know that Shaft was originally hired to find this kid, Mike Prosser. The case involving Mike, and the introduction of Tito, was all part of secondary story that came about when the one-shot story was expanded. The original one-shot story was nothing more than Shaft working as a film consultant. This particular scene was never in that story, because the character of Mike wasn’t in that story. I needed away to bring both of those cases together, and thanks to the sleazy world or porn…here it is.
Page 9
The character of Lou “Lollipop” Peraino is fictional. In real life, however, there was a mobster name Anthony “Big Tony” Peraino, who was a huge player in the porn industry. Big Tony was part of the Columbo crime family, and he financed the porn film Deep Throat, which changed the world of pornography. In the world of Shaft, Lollipop Peraino is the nephew of Big Tony, which is how he got into porn.
Page 10
I try to give my artists reference material for when they have to design key characters. I don’t expect them to make the characters look exactly like the reference, but it helps the artist to get an idea of what a character can look like. For Lollipop Peraino, I sent Dietrich photos of several actors, including John Saxon, Jack Palance, and Henry Silva. To me, Peraino looks like a cross between Palance and Silva.
Page 11
It’s hard to believe that originally, Tito was a throwaway character that only appeared in the first two issues. At some point, I grew attached to him, recognized that he had a lot of potential, and even came to understand that this story is as much about him as it is Shaft.
Page 12
This scene is wrong on so many levels, and I wrestled with keeping it. I knew it would offend some people. And then I thought, “Well…f*ck ‘em.” I always wanted to take this story someplace outrageous, sleazy, over-the-top, and exploitative. I wanted to evoke the balls-to-the-wall aesthetic of some of the more outrageous grindhouse films of the 1970s, and this is how I decided to do it. I love this page. I love this scene. Dietrich captured it all beautifully.
Page 13
Of all the things in this issue that I could be worried about, this is the page that concerns me the most. I worry that people will miss the fact that Shaft is reaching for his gun in the bag, and that is not there. Perhaps I should be concerned that we are implying that Shaft is about to anally assaulted with a sausage, but that doesn’t matter to me. I just want people to realize the gun is missing.
Page 14
I love how Dietrich brought the action to life on this page. As I pointed out, there is much less narration in this issue, and I knew that at some point Shaft would have to start telling his story again. The point of the narration has always been to give the reader insight into Shaft that works either in conjunction with what is on the page or, in some cases, beyond what is on the page.
Page 15
And here we are essentially where Issue #2 started. This scene is directly from the original one-shot that never got published.
Page 16
Here we see the two different cases of this story coming together, but also a bit more than just that. Once again, Shaft: Imitation of Life was originally supposed to be a self-contained one-shot. It was the story of Shaft working as a film consultant, and was meant to be absurd, over-the-top, and, quite possibly, a bit offensive. The second storyline, the one that came about when I was asked to write another series, was the missing persons case involving Mike Prosser. That story was about Shaft failing on the case, with someone else finding the person he was looking for. That story went through many changes—especially considering that Mike was originally a teenage girl, and the character of Tito didn’t exist. But things change and stories evolve, and in some cases, two stories come crashing together in more ways than one.
Page 17
I don’t do much lettering (because I’m not that good at it, and because I don’t have the time). But I love lettering Shaft, because it allows me to play with the dialog (and even the story) up until the very last moment. This page is pretty much as I wrote, except for the second panel. The dialog was slightly different, and when I saw the emotions on the characters’ face as Dietrich had drawn them, I saw a great opportunity to add just a bit more to the story.
Page 18
I absolutely love what Dietrich did with this page. In the original one-shot story, I never showed how Shaft and Rockman escaped. But when the story expanded, and Tito was brought in, I had to have some kind of action-packed ending. I also love the use of Volkswagen. Much of this story was in response to the announced Shaft film reboot, which was announced last year, and was reported to be comedic in nature. I don’t think Shaft should be done as a comedy. But if it is going to have comedic elements, it should be him killing a warehouse full of pornographers, then jumping out of a window, and landing on the hood of VW. That is comedic gold, my friends.
Page 19
This is what we call an “expository dump.” You’ve gotta wrap up a story some way. I just wanted to end on a note that held some kind of promise of more adventures with Tito. Honestly, I’d love to write a story just about him.
Page 20
Here we have not one, but two homages. The first is to the film Midnight Cowboy. The second is to Taxi Driver. In my own twisted mind, this entire story is a bizarre mash-up of Midnight Cowboy and Taxi Driver, starring John Shaft. No one else may see it, but I know that it is there.
Page 21
This page may or may not be some kind of thinly veiled commentary on the upcoming Shaft film, or it may be some kind of deeper commentary on how film portrays black masculinity, or it just may be the end of the story.
Page 22
I love this page. I really do. At the same time, I recognize that I used the character of Honee in a way that was lacking in originality or complexity, which is a sign of my shortcomings as a writer. If there is one thing about this story that I look back on with any regret, it’s the fact that I didn’t try harder to make Honee more than just a sex object. Unfortunately, sometimes you don’t see these things until after they are done, and then all you can do is work to grow as a writer, so that next time, you don’t do it again. That said, I really love this page.
05/16/26 @ 2:01 pm EST
Winter is coming to Gotham and Matt Reeves is heating up the internet with his social media posts. He started it off with a couple camera tests showing the Batmobile in the snow, letting us know that production had begun on the long-awaited sequel. Then he began letting fans know the cast for the upcoming The Batman Part II starting with a gif of Robert Pattinson as the caped crusader with the quote, “We meet again, my friend.” This led into a series of posts that welcomed back the Dark Knight’s to main allies, Andy Serkis as Alfred Pennyworth and Jeffrey Wright as Jim Gordon. Then we got the two sides of the city fighting for control represented by Jayme Lawson as newly elected Mayor Bella Real and Colin Farrell as crime boss Oz Cobb aka The Penguin. Then he welcomed back the true hero of the film, Gil Perez-Abraham as Officer Martinez. Martinez is the representation of how the GCPD views The Batman as he appears multiple times in the first film, each time becoming more comfortable with working with the vigilante. Reeves would return to posting the next day and introduce the new characters to the film, but through gifs from their previous projects and not officially naming characters. This would include three MCU veterans starting with Scarlett Johansson and Sebastian Stan. Then Game of Thrones patriarch Charles Dance, from A Good Day to Die Hard, Sebastian Koch and from Atlanta and the Eternals, Bryan Tyree Henry. Stan has been heavily linked to the role of Harvey Dent aka Two-Face with Dance likely playing his father Christopher. Johansson is believed to be playing Dent’s wife Gilda but that has never been confirmed and there had been no rumors at all about Koch and Henry, though Koch’s management posted a tweet about him helping rid Gotham of evil. Many on-line are speculating that Henry could be playing Detective Harvey Bullock. What is interesting are the names not mentioned in posts such as Con O’Neil as Chief Mackenzie Bock, Barry Keoghan as the Joker and Paul Dano as the Riddler. I wouldn’t assume that not being mentioned doesn’t mean they don’t show up in the film, just that the character may not have a lot of screen time. The assumption is that the film will focus on Dent working with Gordon and Batman to clean up Gotham, so there will be lots of room for other characters in this film. The film has started production and is on track to premiere in October of 2027.  ... 05/09/26 @ 3:03 pm EST
We are in the age of Matthew Lillard and everyone except Quentin Tarantino seems to be happy about it. The Scream and Scooby-Doo actor has been having a bit of a resurgence lately coming shortly after Tarantino made some disparaging comments about the actor with no provocation. Many in the industry stood up for Lillard and now the actor seems to be popping up everywhere including the latest Scream film, the second season of Cross and the second season of Daredevil: Born Again. The latest news reported by multiple sites has the actor joining the cast of Man of Tomorrow, the next DC Studios film written and directed by James Gunn. Gunn, who is good friends with Lillard and has worked with him previously on both Scooby-Doo movies, posted the below image of the pair together, commenting on the news reports as “pure speculation” and saying that they are just “casually hanging out”. Most took the posts to be sarcasm and assume that Lillard is now in the film as that is where Gunn is right now, filming the project. Fans on-line have begun even more speculation as to who Lillard could be playing including various heroes and characters with the most notable being Jim Gordon from Gotham and Plastic Man, a character that Gunn and Lillard once tried to pitch as a project to DC/Warner Bros. It’s my belief that he will be a more Superman centric character such as STAR Labs Professor Emil Hamilton or police detective Dan Turpin. But that also would be pure speculation.  05/09/26 @ 2:44 pm EST
Fans of Matt Reeves’ film The Batman got excited this week because of driving in the snow. The director posted images to his social media showing test footage of the Batmobile driving in winter conditions, which were the first signs that the long-awaited sequel had begun production. Though it has been postponed many times, it is set to be released in October of 2027 and will make the first time live-action Batman and Superman films will be released in the same year. The cold weather setting has long been assumed for the film based on the timeline created in both the first movie starting on Halloween and ending on Election Day and then The Penguin series on HBO Max which took place over a week or so immediately after the flooding of Gotham. The new film will pick up right after the award-winning series which places the time frame squarely in December. The plot for the film is still under wraps, but along with returning stars Robert Pattinson, Andy Serkis, Colin Farrell, Barry Keoghan and Jeffrey Wright, the project has reportedly added Scarlett Johannson, Sebastian Stan and Charles Dance. Stan is reported to be playing Gotham DA Harvey Dent aka Two-Face while Dance is said to be his father, Christopher. These castings have been reported by multiple reputable outlets but not confirmed by DC Studios or Reeves. With production having begun, the film is on track to keep its release date of October 2027.  05/02/26 @ 1:59 pm EST
James Gunn, co-head of DC Studios, has addressed the strange “partial reboot” of the DCEU and why he didn’t just start completely fresh. With the new DCU starting with the animated Creature Commandos series and the new Superman movie, certain elements from the previous regime carried over like Viola Davis as Amanda Waller and there were some questions about more recent projects like Gunn’s own The Suicide Squad and Blue Beetle. And Gunn’s first DC movie also had elements from previous films including Margot Robbie as Harley Qiunn. So why not just start over? Turns out a lot of it has to do with the John Cena lead Peacemaker series on HBO Max. According to a social media post by Gunn, “Peacemaker Season 2 deals were all in place when I became head of DC. It was either break everyone's contracts and pay out all that money and take away HBO Max's biggest show at the time or find a way to make it work. I chose the latter. Mostly tho because I love the character and the show and thought he/they could be an important part of the DCU.” Now, this has left quite a mess trying to figure out what is and isn’t cannon, and Gunn realizes this. He posted, “I've been thinking about this a lot in regards to The Suicide Squad & Blue Beetle and I've been meaning to rewatch both with an eye towards that knowing what I know now almost three years into the DCU (with a couple more years of scripts being actively filmed or created). Maybe after MoT Jenn & Steve & I can get together for a special couple podcasts to discuss. What do you guys think is potentially or definitely NOT canon from TSS & BB?” He is referring to Jennifer Holland, his wife and actress who plays Harcourt and Steve Agee who plays Economos. The three of them did the post-episode podcasts for Peacemaker season two. Doing The Suicide Squad film makes sense with its ties to Peacemaker, but the reason for the Blue Beetle is that there are talks of an animated Blue Beetle series based on the 2023 film with Xolo Maridueña continuing in the role of Jaime Reyes. The fact it’s included here confirms the animated series is still happening.  ...
04/18/26 @ 12:44 pm EST
David Harbour is heading into the jungle. The actor has joined the cast of John Rambo, an upcoming origin-story film set before the events of First Blood. Harbour will portray Major (also known in earlier films as Colonel) Sam Trautman, the tough-minded commander and mentor figure long associated with the franchise. The film stars Noah Centineo as a younger John Rambo and is directed by Jalmari Helander ( Sisu) from a screenplay by Rory Haines and Sohrab Noshirvani. The project is expected to explore the experiences that forged Rambo into one of action cinema’s most enduring figures—years before he returned home to the confrontation that launched the original 1982 film. John Rambo is backed by Lionsgate and Millennium Media, with Templeton Media and AGBO also involved, and has reportedly wrapped production in Thailand. Additional cast members include Yao, Jason Tobin, Quincy Isaiah, Jefferson White, and Tayme Thapthimthong. Sylvester Stallone—who originated the role across five films—is attached as an executive producer, alongside Anthony and Joe Russo and other producers tied to the project.  04/18/26 @ 12:24 pm EST
Deadline is reporting that Game of Thrones actor Charles Dance will be joining the cast of the upcoming The Batman Part 2, which is set to start filming in the next few weeks. While this is unconfirmed by DC Studios, Dance is believed to be playing Charles Dent, the father of Harvey Dent aka Two-Face played by fellow newcome to the franchise, Sebastian Stan. There had been many reports over the last few months of other actors turning down the role of the elder Dent which is believed to have some parallels with the role Dance is best known for, Tywin Lannister. He joins a cast that also returns Robert Pattinson, Andy Serkis, Colin Farrell and that has added Scarlett Johansson in an undisclosed part. Prior to joining the Matt Reeves’ sequel, Dance appeared recently in Guillermo Del Toro’s Frankenstein and the Peacock series Day of the Jackal. 
04/11/26 @ 11:27 am EST
FX is doubling down on one of television’s most unlikely success stories. The Emmy‑winning docuseries Welcome to Wrexham has been officially renewed for three additional seasons, ensuring the show will run through at least Season 8. The announcement comes just weeks ahead of the series’ Season 5 premiere on May 14, 2026. The series chronicles the ownership journey of Ryan Reynolds and Rob McElhenney—often credited onscreen as Rob Mac—after their 2020 takeover of Welsh football club Wrexham AFC. What began as a celebrity‑owned sports experiment has evolved into one of FX’s most successful and beloved nonfiction franchises, following the club’s extraordinary rise through the English football pyramid. FX Entertainment president Nick Grad called the renewal “nearly unheard of,” praising the creative team and the global connection audiences have formed with the club and its community. Reynolds and McElhenney echoed that sentiment in a joint statement, crediting the documentary crew and Wrexham’s rapid on‑field success for making such a long‑term commitment possible. Season 5 will continue to track Wrexham’s pursuit of promotion to the Premier League following three consecutive promotions, a feat never before achieved in English Football League history. With cameras set to keep rolling for years to come, FX has made it clear that Wrexham’s story—both on and off the pitch—is far from finished.  04/11/26 @ 11:17 am EST
As anticipation builds for DC Studios’ upcoming Superman sequel Man of Tomorrow, speculation around its final unannounced role has gone into overdrive. Over the past several days, a wave of casting rumors surged online—only to be decisively debunked by director and DC Studios co‑chair James Gunn himself. The most prominent rumor centered on the alien queen Maxima, a character from DC Comics long speculated to appear in the film. An initial report from Deadline claimed that Ella Purnell, Marisa Abela, and Adria Arjona had screen‑tested for the role. Gunn fired back on Threads, calling the report “shoddy & incorrect” and stating that he had never even met two of the actresses named. He emphasized that had anyone from the outlet checked with the production, the story would have been immediately denied. Gunn further clarified that his statement was not an indirect confirmation that Maxima is in Man of Tomorrow at all. When pressed by fans, he said he was “absolutely not confirming” the character’s inclusion, while adding that the film has only one remaining role left to cast, with all major roles already announced. Shortly after Gunn posted, the Hollywood Reporter came out with its own list of finalists for the role that included Arjona, the one actress in the first report that Gunn has worked with previously, along with Eva De Dominici, Sydney Chandler, and Grace Van Patten. Another rumor floating around is that Maxima is just a cover character and that they are really casting the DCU’s new Wonder Woman. While the character’s stories are very different, the physicality of both women are similar enough and it would be a good cover if DC Studios wanted to keep the introduction of a major character quiet. Which ever it is, a decision will need to be made soon as Man of Tomorrow is slated to begin filming sometime this month down in Atlanta and is slated to be released July 9th, 2027.  ... 04/05/26 @ 4:17 pm EST
Marvel fans may finally be getting the reunion they’ve been waiting for. Mike Colter and Finn Jones were recently spotted on the New York set of Daredevil: Born Again season 3, sparking widespread excitement that The Defenders are officially back. Photos from the production show Colter and Jones alongside Krysten Ritter, who reprises her role as Jessica Jones, strongly suggesting that Luke Cage and Iron Fist are once again entering Marvel’s street-level corner. While Marvel Studios has not formally announced their return, the presence of all three actors together during filming points to a deliberate reunion rather than a coincidence. The sighting is significant because Colter and Jones last portrayed their characters during Marvel’s Netflix era, where they joined Charlie Cox’s Daredevil and Ritter’s Jessica Jones in the 2017 crossover miniseries The Defenders. With Daredevil: Born Again already reestablishing that continuity on Disney+, season 3 now appears poised to fully reassemble the team for the first time in nearly a decade. Although plot details remain under wraps, the set photos alone have reignited fan enthusiasm for Marvel’s grounded, Hell’s Kitchen–based heroes. If the reunion is confirmed on screen, Daredevil: Born Again season 3 could mark a major turning point—bringing The Defenders back together and firmly reintegrating Marvel’s Netflix characters into the broader MCU.  03/28/26 @ 1:40 pm EST
Games Workshop has officially unveiled Warhammer 40,000: 11th Edition, confirming that the next evolution of its flagship tabletop wargame will launch in June 2026. The announcement was made during the AdeptiCon 2026 preview event, where a cinematic trailer, a new starter box, and early details about rules changes were revealed. The narrative focus of 11th Edition returns players to Armageddon, one of the most iconic war zones in Warhammer 40K lore. The new storyline centers on a massive conflict between the Imperium of Man and invading Ork forces, with the Blood Angels Space Marines positioned as the headline Imperial faction opposing an Ork Waaagh!. A major lore highlight is the confirmed return of Commissar Sebastian Yarrick, a long‑standing fan‑favorite character closely associated with Armageddon’s wars. His reappearance anchors the edition firmly in classic Warhammer history while advancing the ongoing narrative following recent campaign books. The launch of 11th Edition will be accompanied by a new boxed starter set titled Warhammer 40,000: Armageddon. The set includes newly revealed Space Marine and Ork miniatures, with early previews showing updated Intercessors that blend modern Primaris design with visual callbacks to older armor marks. While the full contents of the box have not yet been detailed, Games Workshop confirmed that additional starter products at different price points will follow, continuing the company’s recent approach to onboarding new players. Unlike the dramatic overhaul that accompanied 10th Edition, early information indicates that 11th Edition is designed as an iterative update rather than a full system reset. Existing 10th Edition Codex and Supplement books will remain valid at launch, meaning players will not need to immediately replace their current army rules. Confirmed design goals include streamlined core mechanics, reduced rules stacking, and a closer alignment between narrative and matched play. Games Workshop has emphasized faster gameplay, clearer interactions, and improved balance without discarding the foundations introduced in the previous edition. Although the June 2026 release window has been confirmed, many specifics—such as the full ruleset, complete model lineup, and codex roadmap—remain under wraps. Games Workshop has stated that deeper rules previews and additional reveals will be shared in the months leading up to launch.  ... |
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