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06/12/15 @ 8:54 am EST
Writer’s commentary by David Avallone for Legenderry: Vampirella #5Legenderry: Vampirella was my first series as a comic book writer, and I have to thank Allison Baker, Chris Roberson, Bill Willingham and Joseph Rybandt for pushing me to do it, recommending me for it, and having the faith that I could pull it off. I hope they were satisfied with the results. And so here we find ourselves in the final issue. In Chapter Four I tried to set up all the elements for the climax, and now the curtain rises on my (hopefully) Grand Finale. What follows will have some MAJOR spoilers, including the really big twist I’ve been building up to: this is best read AFTER you’ve read Legenderry Vampirella Chapter Five.  Page 1: Mercy and Rudolf Rassendyll riding to the rescue of Vampirella, and arriving to see her handiwork. On the one hand I always want to stress that Vampirella doesn’t want anybody’s assistance. On the other… we could all use a little help from our friends.  Page 2 & 3: A beautiful two-page splash from David Thomas Cabrera. I take every chance I get to say nice things about DTC, because his work on this book has been extraordinary. He’s used every piece of photo reference I threw at him, and graciously accepted my occasional small tweaks on framing and layout. The title of this issue is HEARTS OF LIGHT AND DARKNESS: the reference to Jospeh Conrad (already present in the “Kurtz” character) is obvious. The reference to Roger Zelazny’s craziest novel is a little more obscure. The last page of the previous issue teased this issue’s title as THE VAMPIRE STRIKES BACK, but that was a joke.  Page 4: Vampirella has been previously established (long before I started writing her) as invulnerable. But… she’s made of matter, and a disintegrator (or “demolecularizer”, as my characters like to call them) is going to disintegrate matter. The glancing blow here isn’t quite enough to make her disappear in a puff of smoke, though. The sizzling glow where the beam hit is her body replacing cells at almost the same speed that the beam is burning them off. It’s worth mentioning here that in Chapter Three I tried to make it clear that I favor her original “Planet Draculon” sci-fi origin story, in all of its insane glory. No Biblical hoo-hah here.  Page 5: In my first drafts, I rarely gave the Clones any lines. When I see David’s art I am invariably moved to give them something to say. They’re pawns, and what’s really going on is always above their pay grade. Still, they see what’s happening and react like any confused pawn does when the important pieces start moving (and wiping them out.) Page 6, Panel 5: Doing a book set in a world populated by legends, you want to work with iconic characters. Bill Willingham, when he created the world of “Legenderry”, brought together a fantastic group of the Dynamite Comics characters and reimagined them in fun and interesting ways. When I was asked to spin-off a series with Vampirella, I was given a lot of freedom to add new characters to this setting. Working with turn-of-the-century public domain characters is not a new idea, and Alan Moore worked these fields rather thoroughly in his LEAGUE OF EXTRAORDINARY GENTLEMEN, so I had to take to my shelves to find characters I loved and wanted to write, given this opportunity. (I also took a moment to check with the irreplaceable Jess Nevins that Alan had not exploited any of these characters already in his books.) In this panel you see three at once: Kurtz, The Emperor Jones, and Rupert of Hentzau. In this “alternate universe” of Legenderry, I postulate that MY Kurtz – rather than dying – opens a trade route to the Jungle and becomes a very rich man, with some of the personality traits of a certain other famous billionaire whose initial is “K”. Likewise, the Emperor Jones survives his nightmarish flight from revolution, and finds refuge in the Council. The Devil-may-care Hentzau is much as he was at the end of The Prisoner of Zenda: out of a job, and pretty pissed off at Rudolph Rassendyll. I have loved writing these three guys, and hope I get a chance to use them again. Page 6, Panel 6: Valcallan returns, with an electro-rifle. We all know who the “mad old Sikh” is, right?  Page 8: I intended these panels to mirror each other, but left that out of the script. I thought the framing wouldn’t work. David Cabrera read my mind and did it anyway. Rassendyll is probably flashing back to his desperate assault on Zenda. His memory is hazy, though… because… (spoiler!) he’s not really Rassendyll. Page 9: The constable is named Sennett. Of course he is. Later, this man will go on to form the Keystone Kops, klearly. Page 10: I hate to send Mercy away from the big finale, but that’s how it worked out. She’s based on a pulp character from the late fifties, but I won’t say who… maybe next time.  Page 12: I love the “climbing the airship tow-rope” action beat. So did the producers of A VIEW TO A KILL. I think we’re BOTH ripping it off from a 1971 Michael York WWI movie called ZEPPELIN. And here’s a little more chatter from the Clones, for laughs. I think they’d definitely be talking about the death toll this one lady has racked up among their ranks. Page 14-15: Here we go. I’m genuinely curious if this worked… if people saw it coming. Naturally, Rupert figures it out before everyone else.  Page 16: It could be argued that Black Mass saving Vampirella here is a deus ex machina moment… but I did my best to set it up. It’s not random. Black Mass has been there all along, and he saves her because he loves her. It’s a love story. I’m pretty sure in the solicits for the first issue I mentioned that. You just forgot, in all the violence and fun. Page 17: The moment in the previous issue, where Rassendyll is looking at himself quizzically in the mirror, should come to mind here. Black Mass lost himself for a bit. The disguise was too perfect, including susceptibility to knock-out drugs. Page 18: This is a good time to mention Dave Lanphear, letterer and Robby Bevard, colorist. Like a bad movie director, all I told Dave about anything in this series was “it would be nice if there was a cool lettering treatment” (when Kurtz is orating, or Black Mass is speaking). I didn’t give him a single useful idea other than “make it cool”, and he did. In this issue, it was Robby Bevard’s idea to have the sun slowly setting, and the sky turning colors, as the story progressed. A perfect idea, beautifully pulled off, that helps the story – indeed TELLS the story – magnificently. Robby’s work on the whole series has been stunning, and always in service of the narrative. Page 19: In issue one, the story began on the airship platform of Kurtz tower. It ends there, too. I like that sort of thing.  Page 20: Last issue, Kurtz said “Exterminate the brutes!” Here he gets to use his most famous catchphrase. Page 21: Vampirella hasn’t had a reason (or a chance) to extend her wings in this series… I thought it would be lovely to do it here, at the end. I always listen to music when I write, and soundtrack nerds might find it interesting that I listened to “Taarna Forever” from Elmer Bernstein’s score for Heavy Metal when I was writing this sequence. (No one else will care.) Page 22: Our story ends, for now, with a joke from Citizen Kane, a hopeful ending not unlike Here Comes Mr. Jordan and the final payoff of the running gag about Rudolf’s silly name. I hope you enjoyed the ride… For more on Legenderry: Vampirella #5, click here.
01/18/26 @ 2:23 pm EST
Fans are eager to see the upcoming Lanterns series on HBO and besides a still shot and a few seconds of footage, very little about the series is known at this point. We got our first comments about it from series star Kyle Chandler who will be playing one of the most well-known Green Lanterns, Hal Jordan. Chandler was being interviewed on the Today Show for his new film The RIP with Ben Affleck and Matt Damon. During the interview he was asked about Lanterns and said, “I’ve never had as much fun shooting something as I did that. The people from the top to the bottom. I can’t say enough about Chris Mundy, and the producers, the DC folks. It was an excellent experience. I expect the show to be as good as the experience I had. Aaron Pierre, who I worked with, he and I had a great time.” The series is slated to be released later this year and comes from Mundy, Damon Lindelof and Tom King. Joining Chandler and Pierre in the cast are Ulrich Thomsen as Sinestro, Nathan Fillion as Guy Gardner and then Kelly Macdonald, Garret Dillahunt, Jason Ritter, Poorna Jagannathan, and Paul Ben-Victor. There will be eight episodes and it is said to be mostly an Earth-based mystery set in the heartland of America with a True Detective vibe.  01/17/26 @ 12:41 pm EST
Netflix’s proposed acquisition of Warner Bros. has stirred plenty of speculation across Hollywood, but one message from the streamer’s leadership has been unusually clear: the theatrical experience isn’t going anywhere. In fact, if the sale closes, Netflix says it will strengthen Warner Bros.’ traditional theatrical model rather than shrink it. Ted Sarandos, Netflix’s co‑CEO, has repeatedly emphasized that Warner Bros. films will continue to enjoy a 45‑day exclusive theatrical window—a stance that directly counters fears that Netflix would rush major releases to streaming. Sarandos described Warner Bros.’ theatrical distribution as a “phenomenal” engine that generates billions in revenue, insisting Netflix has no intention of putting that at risk. This commitment marks a notable shift in tone for Netflix, which historically prioritized streaming-first strategies. But after reviewing Warner Bros.’ financials, Sarandos acknowledged that the economics of theatrical releases are stronger than Netflix had previously modeled. He framed the 45‑day window not as a compromise but as a competitive strategy: Netflix wants to “win opening weekend” and “win box office,” embracing the same metrics that drive traditional studios. Industry observers have taken notice. While some feared the acquisition would accelerate the decline of theatrical exclusivity, Netflix’s public stance suggests a more balanced future—one where streaming power and box office ambition coexist. For now, at least, moviegoers can expect Warner Bros. films to keep lighting up big screens for a full month and a half before landing on Netflix’s platform.  01/17/26 @ 12:20 pm EST
The DCU is expanding with the casting of one of the universe’s biggest bads… Darkseid. While this seems to go against something co-studio head James Gunn has said previously about staying away from the cosmic threat, but this casting isn’t for Man of Tomorrow, but rather the upcoming Mister. Miracle animated series and you can’t really tell the story of Scott Free with mentioning his adopted daddy. Writer Tom King was on the Word Balloon podcast when he talked about the series that he is showrunning and said that they had cast Darkseid and Orion along with Mr. Miracle and Big Barda. If you’re not familiar with these characters, they are all part of the Fourth World Saga created by comic legend Jack Kirby during his short stint with DC Comics. It tells the story of two warring factions, the New Gods and the planet Apokolips and a deal that was made in an attempt for peace. The leaders of the factions, High Father and Darkseid, would exchange children… this sent Scott Free to be raised on the oppressive planet while Orion was sent to the peaceful New Genesis. Scott would become and escape artist, finding a way off of Apokolips with the female warrior, Barda, and eventually come to Earth. Exactly what part of that history the series will focus on is unclear, but we do know that Darkseid and the others will be involved. Gunn also confirmed on social media that the series will be cannon to the DCU that includes the recent Superman movie, the Peacemaker series and the animated Creature Commandos. This means that whoever is voicing these characters in the series would also play them in live action in the future and King has said that the Mister Miracle series will have big ramifications on the DCU as a whole. No word on when the series will debut, but with the casting already made, we can expect an announcement in the near future.  ... 01/10/26 @ 11:52 am EST
Takashi Yamazaki’s follow-up to the 2023 Godzilla Minus One is set to hit North American theaters on November 6th, 2026, three days after its premier in Japan. The Academy Award winning film took in $11.4 million in the US on its opening weekend and $57 million total during its domestic box office run. Godzilla Minus Zero is the second film in the franchise from Gkids since taking Toho acquired the company in 2024. David Jesteadt, president of Gkids, said in a statement: “Gkids is proud to bring Godzilla Minus Zero to North American audiences, following the incredible global reception of Godzilla Minus One. This next chapter is sure to become another defining moment for the most colossal monster ever to dominate the screen. It is only fitting that this bold, new Godzilla event be experienced in its fullest theatrical glory, and we’re honored that Toho has entrusted us to carry this legacy forward.” 
01/10/26 @ 11:38 am EST
As we get closer to the start of production on Matt Reeves’ The Batman Part 2, the cast starts to take shape with the second MCU veteran being added to the cast. We heard of Scarlet Johansson’s casting earlier in December and now multiple sources are saying Sebastian Stan has come on board as well, with the Hollywood Reporter’s Heat Vision report claiming that the actor who plays Bucky Barnes will now take on the role of District Attorney Harvey Dent aka Two-Face. This lines up with the rumors that Johansson would be playing Gilda Dent and that the story may be following the Long Halloween, a popular comic arch by Jeph Loeb and Tim Sale. While the story does focus on the Dents, many of the other characters in the story have already appeared in The Batman and The Penguin and have already been eliminated. Plus, the setting of the sequel is said to be set around a week after The Penguin series ended, just before Christmas. How ever the characters are used, if Stan is in the film, it then puts the fate of his MCU character in question as The Batman Part 2 will be filming around the same time as Avengers: Secret Wars. While the casting of both Stan and Johansson have not been made official, neither have they been denied by Reeves, James Gunn or DC Studios.  01/03/26 @ 1:19 pm EST
Deadline is reporting that Mike Flanagan is working on a new adaptation of Stephen King’s The Dark Tower series. Flanagan said his plan is to adapt the beloved franchise into a five-season series that would then be capped off by two stand-alone movies. The acclaimed horror director recently told Empire Magazine, “We’ve got a lot of scripts done for it. It’s the first priority.” He also made it clear that he doesn’t want the 2017 Idris Elba/ Matthew McConaughey film to be the final word on the property. That adaptation has a 16% critic rating on Rotten Tomatoes. Though Flanagan and Intrepid Pictures have a deal with Amazon, the rights to the Dark Tower were specifically carved out of their arrangement and could end up with another studio, but Amazon is also a possibility. Flanagan is known for his work on films like Gerald’s Game, Doctor Sleep and the Life of Chuck as well as series like The Fall of the House of Ushers, The Midnight Club and Midnight Mass. He also came up with the initial story and script for the upcoming Clayface movie that was so strong that James Gunn and Peter Safran has to greenlight a body horror film starring a B-level Batman villain as the third film released in their new DCU.  01/03/26 @ 12:45 pm EST
Now that we’re in 2026, we need to keep an ear out for casting news for the two big DC Studios films shooting this year, Man of Tomorrow and The Batman Part 2. The Superman follow-up is the one going first and we already got the casting announcement for the main villain, Brainiac with the addition of German actor Lars Eidinger to the cast. There have been rumors that there was a female role being cast for a potential hero that many have assumed was going to be this universe’s Wonder Woman, and while that has not been confirmed, John Rocha of the Hot Mic podcast says his sources confirm that James Gunn is looking to cast the Amazon warrior for the film. That would make sense with the idea that DC is pushing Wonder Woman for a new film with Supergirl scribe Ann Nogueira said to be working on the script. This still falls into the rumor category, but Gunn has not debunked the story as of yet. With the film expected to begin production in the spring, more casting news is expected in the next few weeks/months, and we know that if the “scoopers” have it right, DC likes to get the news out their themselves as they did with Eidinger. So I wouldn’t trust any of the rumored castings as of now.  12/20/25 @ 12:26 pm EST
James Gunn took to social media this morning to welcome Lars Eidinger to the DCU and Man of Tomorrow in the role of Brainiac. Eidinger, while not a household name, is best known for his roles in Clouds of Sils Maria and Personal Shopper but also appeared in the recent Netflix film Jay Kelly. Gunn talked about a worldwide search for the iconic Superman villain led to Eidinger rising to the top. He will join David Corenswet, Nicholas Hoult and Rachel Brosnahan as the film is expected to begin shooting in the spring of 2026 for a release in July of 2027. There have been multiple attempts to use Brainiac in a Superman film, but each attempt has fallen to the wayside, and his only live-action appearance so far was in the short-lived SciFi series Krypton where he was played by Blake Ritson. 
12/20/25 @ 11:25 am EST
After having begun production in August of this year, director Destin Daniel Cretton revealed that Spider-Man: Brand New Day has wrapped filming as of Friday. The film, which is set to premiere July 31st, 2026, features the return of Tom Holland as Peter Parker and is the first in the MCU franchise to not be directed by Jon Watts. Cretton wrote on Instagram, “I’m so deeply grateful for the people who walked with me through the biggest, most rewarding film I’ve ever been a part of. To our amazing cast, for breathing so much life into these beloved characters and moving us every day. To our unbelievable crew, who worked tirelessly with unmatched creativity and craftsmanship, who made me laugh so hard my stomach never stopped hurting. I love you all so much and can’t wait for the world to see your stunning work on the big screen. And of course, to @tomholland2013, for your kind, generous leadership on and off screen, for your relentless work ethic, your fearless performances, and for your friendship. That’s a wrap on Spider-Man: Brand New Day!” This is Cretton’s second MCU film after having helmed Shang Chi and the Legend of the Ten Rings. He has also produced the Wonder Man series set to debut on Disney+ next month.  12/06/25 @ 2:03 pm EST
Scarlett Johansson is said to be in negotiations to join the cast of the highly anticipated sequel, The Batman Part 2. While Warner Bros. has not officially revealed which character Johansson would portray, speculation is rife across social media and film forums. Many fans are hoping she will take on the role of a major antagonist or perhaps bring a new dimension to an existing character from the Batman lore. Johansson’s acclaimed work in action and drama—especially her iconic run as Black Widow in the Marvel Cinematic Universe—positions her as a compelling choice for a complex role in Gotham’s shadowy streets. The Batman Part 2 is currently in pre-production, with filming scheduled to commence in May of next year. The film is targeted for a theatrical release in 2026, although official dates may be subject to change. Director Matt Reeves returns to helm the sequel, ensuring continuity in the vision and tone that made the first installment a critical and box office success. Johansson’s addition is expected to boost the already stellar lineup led by Robert Pattinson as Bruce Wayne/Batman. Within hours of the announcement, social media platforms lit up with enthusiastic posts and trending hashtags. Speculation is running rampant with guesses of her role ranging from villains like Poison Ivy and Harley Quinn to love interests like Silver St. Cloud and Vickie Vale. One of the more popular suggestions is that Johansson could be playing Andrea Beaumont, a love interest and antagonist from the hit animated film Mask of the Phantasm. The casting has not been confirmed and neither the studio nor Reeves has commented since the story broke. 
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