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06/17/16 @ 1:02 am EST
A Writer’s Commentary: David Avallone talks Twilight Zone: The Shadow #3, on sale now from Dynamite. Cover by Francesco Francavilla, interiors by Dave Acosta.  I knew this would be the hard one: nothing is less visual than watching a guy write a novel… but I wanted to see if I could meet that challenge. The cover.I’m relatively new to comics, and this was the first time I asked if I could suggest a cover idea. I would never want to intrude on the artistry of the great Francavilla, but the concept for this one popped into my head and I really wanted to see what Francesco would do with it. Giant hands and giant props feel like a classic pulp cover trope from the thirties, and I love the way it came out. Page one.Narration. One of my very favorite things about this book is the opportunity to write in Rod Serling’s “voice”. Like most geeks my age, I grew up hearing those Twilight Zone narrations again and again, and loving that vivid style. I hope I captured it here. Page two.Eagle-eyed Twilight Zone fans might recognize Art’s boss from a classic episode. Hint: he’s the actor who appeared in the most TZ episodes. Pages two and three.Dave Acosta is the best, as I will say to anyone, whether they ask me or not. In this sequence, the secretary bringing the martini is all him. I love touches like that: they bring the world to life.  Pages four and five.I knew “Art” would have to spend a lot of this issue talking to himself, so why not his “Shadow?” When I was developing this series, I was caught between two very different styles of storytelling. The Shadow has a lot of action and intrigue. Lots of gunplay and fistfights and cars racing down streets. On the other hand, there are a lot of Twilight Zone episodes mostly made up of two guys stuck in a room talking to one another. Serling (and Matheson and Beaumont) were able to make that kind of thing crackle with tension. I make no such claims for my own talent but I wanted to have some of that Twilight-Zone-claustrophobic-one-act-play feeling in this series as well. Page six.One of the touchstones for this issue was David Cronenberg’s hallucinatory film version of NAKED LUNCH. Like Cronenberg, I have always found manual typewriters to be kind of fascinating things… Page seven.…and maybe a little creepy. Pages eight.Another touchstone for this issue is Chuck Jones’ classic “Duck Amuck” cartoon. Daffy runs around on a blank sheet of paper and has some serious issues with his creator. Hopefully this sequence is a little more chilling than hilarious. I think the rest of the book beautifully demonstrates Dave Acosta’s ability to draw anything I throw at him. Page nine.My colorist, Omi Remalante, did a beautiful job creating a look here that could pass for a blank sheet of paper without just being a wash of white. Everyone rose to the challenge on this issue.  Page ten and eleven.Psychodrama! I’m a big fan of silent panels. I love Kent Allard watching his Id and Superego duke it out in front of him. Page twelve.I’ve been doling out my own take on the Shadow’s origins in this series, and here I go against a lot of the prevailing trope previous versions of the Shadow. It’s such a cliché these days to have your white hero go to Tibet and learn mystic arts. Yawn. I have it on a good authority (Walter Gibson) that the Shadow spent a lot of time among an incredibly obscure Guatemalan culture called the Xinca (or Xinka.) Why not learn the mystic arts from them? Far less is known about the Xinca than is known about Tibetan Buddhism. Page thirteen.The Xinca appear in four panels in this comic book. I don’t want to think about the hours I spent researching them to make sure these four panels had some kind of reality to them. Shout out to my Facebook friend Agathe Rigault whose education in pre-Columbian civilizations came to the rescue when I hit a wall. The illustrations here are based on the few photos I could find on the web of the Xinca. I like the poetic names of their gods, and I like that they laugh in Kent Allard’s face for his cornball pitch. Page fourteen.I wasn’t thinking about it when I wrote this page, but Kent Allard here reminds me a little bit of blissed-out Don Draper in the last episode of Mad Men. Page fifteen-eighteen.I was trying to think of a creepy action bit to end this sequence: something that would metaphorically dramatize the whole struggle. Since Kent is stuck on a piece of paper, the giant typewriter bars smacking down at him was a natural thought. As for the word they’re spelling out… and Kent getting tied down for the final blow… that came courtesy of Franz Kafka’s short story “In The Penal Colony”. It seemed apt to echo that here.  Page seventeen/eighteen.I didn’t want to do a story about the Shadow’s first novel without a cameo by Harry Vincent. Good old Harry. Page nineteen.The first draft is often the story you tell your significant other, when they make the mistake of asking “what are you doing?” Note that there’s a one new word on Art’s sheet of paper. Page twenty.And we’re back to the beginning, now. Dave found the propaganda poster in his research, and added the rat. And we end as we began, with my most sincere attempt to channel the voice of a true genius, a great and moral artist, now lost to us but forever remembered… in the Twilight Zone. 10/11/25 @ 11:50 am EST
Rian Johnson, the acclaimed writer-director behind the “Knives Out” franchise, has made headlines with his latest entry, “Wake Up Dead Man: A Knives Out Mystery.” Johnson has openly described this third film as the closest the series has come to emulating the classic structure of an Agatha Christie novel—a deliberate shift from the subversive approaches of “Knives Out” and “Glass Onion.” At the Deadline Contenders London event, Johnson explained that “Wake Up Dead Man” adopts a “more traditional murder mystery structure,” echoing the formula Christie perfected. In his words: “This is how most Agatha Christie books work, where in the first act you meet all the suspects, you meet the protagonist, who’s not the detective. Then the murder happens, and the detective shows up.” This marks a departure from the previous films, which played with audience expectations—solving the murder early in “Knives Out,” and presenting a deceptively simple case in “Glass Onion.” In “Wake Up Dead Man,” Daniel Craig’s Benoit Blanc returns to tackle a darker, more gothic mystery, set in a remote stone church and featuring religious intrigue. The film’s protagonist, played by Josh O’Connor, is a priest who becomes Blanc’s sidekick, further grounding the story in classic whodunnit territory. Johnson also cited inspiration from Edgar Allan Poe, aiming for a “grounded, gothic tone” that predates Christie’s work. With the release of “Wake Up Dead Man,” Johnson completes his two-film deal with Netflix. So, what’s next? Johnson has confirmed that he will be taking a break from the “Knives Out” series to focus on an original project. “I’m writing right now, [but] it’s not one of these [Knives Out] films. It’s just something completely different, an original thing. I actually feel very energized after making this one [Wake Up Dead Man], but this is three in a row. It’s probably healthy to see other people.” He hasn’t revealed details about this new project or whether it will be with Netflix, but he’s made it clear that he wants to explore a different genre. Johnson’s creative philosophy is to “empty the well and then start from scratch,” ensuring each new film is a fresh challenge. Despite the break, Johnson remains enthusiastic about returning to the world of Benoit Blanc. He’s stated that as long as Daniel Craig is interested and audiences are engaged, he’d be happy to keep making “Knives Out” mysteries for life. Producer Ram Bergman echoed this, saying future installments are possible, but for now, the focus is on Johnson’s original script.  ... 10/11/25 @ 11:37 am EST
The Season 2 finale of Peacemaker has left fans with mixed feelings and a lot of speculation for the future. Known for its irreverent humor, brutal action, and surprising depth, the closing episode focused more on wrapping up emotional drama but also planted significant seeds for the future of the DC Universe (DCU). This was done through the introduction of Checkmate and Salvation, signaling the long-term direction for the first phase of the new universe. Checkmate, for those unfamiliar with DC Comics lore, is a covert intelligence agency known for operating in the shadows, often handling threats that are too dangerous or politically sensitive for public superhero teams. They first appeared in Action Comics #598, created by Paul Kupperberg and Steve Erwin. While in the comics, the organization is created by Amanda Waller, in the HBO Max series, it is founded by Amanda’s daughter, Leota Adebayo and the rest of the 11th Street Kids using the drug money that Vigilante had been saving. Their arrival marks a significant turning point, suggesting that future seasons—and perhaps other DCU projects—will explore the complex world of espionage, betrayal, and secret wars within the superhero community. Salvation in the comics is a prison planet where Waller and Rick Flag started sending metahumans too powerful to be held in regular prisons. This was introduced in the Salvation Run comic series, originally pitched by George R.R. Martin, written by Bill Willingham and Lilah Sturges and drawn by a variety of artists including Sean Chen and Joe Bennet. This lead into the Final Crisis event which had Darkseid coming to Earth. In the series, Salvation is an alternate reality discovered through the Quantum Unfolding Chamber that appears to be Earth-like and ideal for Flag and Lex Luthor’s plan for a place to send Metahumans. The season ends with Chris Smith aka Peacemaker, forced into Salvation by Argus and left to fend for himself. These introductions show that James Gunn overall plan for Gods & Monsters, the first phase of the DCU, is going to loosely adapt Salvation Run and may lead us to a version of Final Crisis. Even though there is a cliffhanger ending, Gunn has said that there are no immediate plans for a third season of Peacemaker, but he’s promised that these characters will be seen again soon, and the existence of Salvation will playout over all of the DCU including the upcoming Lanterns series and the 2027 film Man of Tomorrow. Reaction to the finale has been mixed with some fans disappointed with the lack of action nor any big cameo that many had speculated. Other fans though appreciated the emotional catharsis achieved by the characters and the new direction which included a few members of Argus, specifically Sasha Bordeaux, Langston Feury and Judo Master, becoming members of Checkmate along with the 11th Street Kids. Where and how we’ll see this story continue has yet to be announced.  ... 10/05/25 @ 11:50 am EST
One of the more controversial things in this summer’s Superman film was the appearance of Kara Zor-El aka Supegirl played by House of the Dragon’s Milly Alcock. The character has been on screen before, first played by Helen Slater and then Melissa Benoist and in both interpretations the character came across in a lot of ways as a female version of her cousin, Kal-El. This didn’t make sense to writer Ana Nogueira who DC Studios asked to take a swing at writing a new feature for. Nogueira, a former actor turned writer, told Variety, “She watched Krypton completely be destroyed. I was always like, ‘I can’t get my head around the version of the character that is so sunny.’” And then she came across Tom King’s Woman of Tomorrow series with a rougher, grittier, edgier and funnier Supergirl. “When I read it, I was like, ‘There she is,’” Nogueira says. Fueled by this different take on the character, Nogueira crafted a script that not only won over DC Studios co-heads James Gunn and Peter Safran, but earned her two more assignments, Wonder Woman and Teen Titans. Supergirl, directed by Craig Gillespie, will hit theaters in June of 2026.  10/05/25 @ 11:20 am EST
While appearing at the Hamptons International Film Festival to promote her new film Eternity, Elizabeth Olsen was asked about a possible return to the MCU. “It is something that I love, and it’s something I always want to return to. I think the thing that’s been so special about the last five years is I’ve gotten to do so much with the character that I never thought I would. There are still character through lines that have happened in the comics that I’d love to do that I think fans also want to. I mean, these movies aren’t for critics, these movies are for fans.” Olsen first appeared as Wanda Maximoff in a brief cameo at the end of Captain America: The Winter Soldier in 2014 and reprised the roles in Avengers: Age of Ultron (2015), Captain America: Civil War (2016), Avengers: Infinity War (2018), Avengers: End Game (2019) and Doctor Strange in the Multiverse of Madness (2022) as well as lead a spinoff Disney+ series, WandaVision in 2021. And while her character has died, that doesn’t necessarily mean the end when it comes to comic=book-based movies. And while she’s not been announced for any new Scarlet Witch projects, she remains very positive towards the whole thing. “It’s really fruitful, and the stories have only gotten better for me, my character. I really enjoyed it. Some people have ongoing television series that they get to return to. Very few, I feel like, get to be a part of franchises that, I know we might culturally get a little bit exhausted by, but there is something about them that becomes very familial. There’s nothing else really like it, and I don’t know that I’ll have [that] again unless it’s for an ongoing show. I do like that kind of consistency. It feels good. I mean, job security feels nice — I think we can all agree on that.”  ... 10/04/25 @ 9:53 am EST
If you're a fan of Peacemaker, you may have recognized the familiar face of Keith Smith as David Denman, a seasoned actor whose career spans television, film, and even stage performances. Denman is perhaps best known for his role as Roy Anderson on the beloved NBC sitcom The Office. He played Pam Beesly’s fiancé during the first few seasons, making frequent appearances and creating memorable moments in the show's iconic Scranton branch setting. Where I first saw him was as Brian Murphy, one of the football players in the sports comedy The Replacements, starring alongside Keanu Reeves and Gene Hackman. His portrayal of the tough yet endearing deaf tight end made him a standout in this memorable ensemble cast. He also starred alongside John Krasinski in 13 Hours: The Secret Soldiers of Benghazi, portraying a member of the security team. Denman worked with James Gunn previously in the horror film Brightburn, playing the adoptive father to the film’s central character. Denman’s television career includes appearances in shows like Parenthood, Outcast, and Mare of Easttown. His ability to slip into a variety of characters has made him a familiar face to audiences across genres, from comedy and drama to horror and action. In addition to his main roles, Denman has also shown up in guest spots on popular series such as Grey’s Anatomy, True Detective, and The X-Files. His versatility and range have made him a reliable presence in Hollywood for over two decades. So, if you’re watching Peacemaker and wondering where you’ve seen David Denman before, chances are it’s been in one of these standout projects. His extensive resume ensures that he’s a familiar face to fans of both television and film.  10/04/25 @ 9:36 am EST
After several seasons of quirky humor and heartwarming family moments, Fox has officially canceled the animated series The Great North. The series premiered on Fox as part of the network’s Sunday night animation lineup, joining the ranks of beloved shows like Bob’s Burgers and The Simpsons. Created by Wendy Molyneux, Lizzie Molyneux-Logelin, and Minty Lewis, the show focused on the Tobin family living in the wilds of Alaska. Its cast featured the voices of Nick Offerman, Jenny Slate, Will Forte, and Dulcé Sloan, who brought the unique and eccentric characters to life. Fox did not cite a specific reason for the cancellation. Despite positive critical reception and a loyal audience, The Great North struggled to achieve the same mainstream popularity as some of its animated peers. This likely contributed to the network’s decision to end the series.  09/28/25 @ 8:53 am EST
If you are enjoying season 2 of Peacemaker and are wondering if there is going to be a season 3… well, sort of. According to writer/director James Gunn, the eight and final episode of the season will set up what’s next, “Some of these characters will continue, but also, it’s not exactly Peacemaker 3. I’m not ruling it out. You’ll see (episode) 8 and maybe you’ll find out a little bit more.” There is speculation that this might be tied into the planned Amanda Waller series with Viola Davis, which has been progressing slowly since the initial Gunn/ Peter Safran announcement. One interesting thing, it seems this week’s scene between Lex Luthor ( Nicholas Hoult) and Rick Flag Sr. ( Frank Grillo) had been in the works even before the Earth X plot for the season had been settled on. “When I pitched to DCU what the basic stories were throughout the TV shows and movies, this was a part of that.” The Belle Reve scene and the Justice Gang auditions were filmed on consecutive Saturdays during the filming of the Superman movie. There is also one more Superman character crossover to come in episode 8.  09/28/25 @ 8:37 am EST
Tom Holland is on the mend after an incident on the set of Spider-Man: Brand New Day which left the actor with a concussion and a week off as production halted. Holland was well enough to attend a recent gala for his parents’ nonprofit The Brothers Trust alongside his fiancée and co-star Zendaya. He posted to Instagram, “What a night! Another huge success. The Brothers Trust means more to me than I could possibly say and I have to say a huge thank you to my Mum and her wonderful friends for putting on another incredible night. Raising money for fantastic causes and having fun doing it! I’m sorry I had to leave early but I’m feeling better and on the mend. A huge thanks to my Dad for taking over after I left. The show got considerably funnier.” Holland received the mild concussion during a stunt gone wrong and was taken to the hospital immediately but not admitted. The film is being shot in Scotland and even with the delay should still be able to make it’s July 31st, 2026 release date. 
09/27/25 @ 1:01 pm EST
Earlier this year we learned that plans for a second season of Hawkeye were derailed when Jeremy Renner received an offer for only half of what he made on season one. The actor commented that perhaps Disney thought he was only half the actor he was after getting run over by a snowplow in 2023. But he made it clear that this wasn’t Marvel or even the higher ups at Disney but rather the accountants. He, of course, refused the offer, but he didn’t close the door to the idea. Renner, who continues to recover from the accident, was at Florida Supercon and was asked if he would still want to reprise the role in a second season. “It was great to dive more into the character a bit, in a world that’s more grounded. To me, it was a lot more fun to do and more to explore for the character, which is nice. I always wanted to do more of that stuff, and there’s the incident that happened, and I have to get my body in shape to be able to sling arrows again and dive around and do all that stuff, but I’ll get there. I’m doing good.” The actor remains hopeful for a second season, “I’ll always dance with Marvel. I’ll always dance with them for sure when appropriate, when it’s rocking, I’m happy to do season two of Hawkeye. I love that character. I think there’s so much for us to do.” Renner continues his series Mayor of Easttown as well as will be appearing in the upcming third Knives Out film, Wake Up Dead Man!.  09/27/25 @ 12:24 pm EST
Warner Bros made Superman available digitally after just 73 days, far earlier than normal for a tent pole film and when asked why, co-head of DC Studios James Gunn said that he wanted to make sure that fans could see the film before Peacemaker season 2 was released. Turns out that it also lined up that it would be released on HBO Max the weekend prior to the sixth episode which turned out to be very important to both the story and the future of the DCU. In a scene that is said to help set up Gunn’s next film, Man of Tomorrow, Nicholas Holt reprised his role as Lex Luthor showing us not only the ramifications of his actions in Superman, but we see Rick Flag Sr. ( Frank Grillo) give the character an opportunity that will likely lead to the believed team up between Lex and Superman in the summer of 2027. Gunn spoke about the scene on Peacemaker: The Official Podcast, “This was one of the first scenes we shot. I think we shot it in the middle of Superman, while we were shooting the pentagon sequences in Superman. It was cool, it was weird because tonally, it instantly felt different from Superman, which is so big and brash. And this show is so grounded and gritty. And then also hearing Nick curse. But I felt like even Nick’s performance was different. It felt a little darker, it was a little different.” In the scene, Flag travels to Belle Reve prison to see Lex to get his help tracking the dimensional portal currently in the hands of Peacemaker ( John Cena). Gunn explained, “We have a really important moment, for not only Peacemaker, but the entire DCU, in that Rick Flag, the head of ARGUS, strikes a deal basically with Lex Luthor. In exchange for Lex Luthor finding where Peacemaker’s portal might be, he is going to move him from a prison with metahumans to a prison with no metahumans.” The importance of this deal will undoubtedly play out in Man of Tomorrow, a film that Gunn has said isn’t a true sequel to Superman, but a film that will focus on both Superman and Lex.  ... |
