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06/25/16 @ 4:44 am EST
Dynamite has sent us a new Writer 2 Writer interview, this time Frank Barbiere, writer of Dejah Thoris #5, talks with writer David Avallone about Twilight Zone: The Shadow #3, both in stores now. Cover is by Francesco Francavilla with interiors by Dave Acosta.  FRANK BARBIERE: It’s always interesting when two different worlds collide in a comic. What do you feel are a few of the most important concepts/themes of The Shadow and The Twilight Zone that you were hoping to infuse into this book?DAVID AVALLONE: The Twilight Zone and The Shadow have certain elements in common. I thought about that a lot when I was working on the book. Both are encountered by ordinary human beings at points of crisis in their lives, and judge them by how the react to their circumstances. Whereas The Twilight Zone is completely abstract, The Shadow is very present and personal… but both mete out a kind of justice. The big challenge here was that it’s the Shadow being “judged” inside the Twilight Zone. And how does a guy with his powers and his responsibilities and his mission take to being toyed with by a seemingly omnipotent power, and judged? In issue #4, I finally answer that question. Stay tuned. FB: You have a lot of fun with a surreal sequence in the book involving a writer becoming part of his work. What was your inspiration for this specific part of the story?DA: It is notoriously difficult to dramatize writing, as an action. Ultimately it’s a guy staring off into space, and then typing for a few minutes, and then staring off into space for a while. But what’s happening in his head while he’s staring off into space? That’s where the drama is. And because I have the trappings of sci-fi/fantasy/horror to play with, I can make the internal psychodrama real: the writer inhabits his own memories, fantasies and nightmares.On a beat-by-beat level, Art getting sucked into his typewriter was inspired to some degree by David Cronenberg’s Naked Lunch film. Lots of anthropomorphized typewriters in that one. Kent Allard on the blank page, menaced by shifting characters, lost… that was actually inspired by a Daffy Duck cartoon: “Duck Amuck”. And the giant typebars smashing down to spell the word “Justice” was inspired by Franz Kafka’s short story “In The Penal Colony”…. which, like our story here, is about degrees of punishment, mercy and justice.  FB: You open the book with some great captions. How do you feel about the caption works in tandem with the comic art page? Do you try to subvert the art with the text, or really treat it as a companion?DA: Thanks! I actually try to eschew captions as much as I can: sort of like using voice over or title cards in movies, it seems like a short cut to me, or an admission that I couldn’t get an idea across with dialogue or visuals. I like to do as little hand-holding of the audience as humanly possible, and let them “get it” without me coming out and explaining too much.There are plenty of genius comics writers – I’m thinking of Alan Moore, for example – who can write thick paragraphs of prose captions that add tremendously to the book. For me, comics are a visual medium, and in the stories I’ve written so far, I have wanted to stick to images and dialogue as much as possible.But. This is The Twilight Zone. And as a big fan of the original show, one of the highlights was always Rod Serling’s introductions and final summations. They were always beautiful and poetic and thoughtful. Since The Twilight Zone – as a franchise – is pretty much just an abstract idea, I felt like the one concrete connection I could make to the series was to open and close each issue with my best approximation of Serling’s style and “voice”. If I weren’t writing these, and just reading them like any other fan, I would want that. FB: Do you feel this is leaning towards a more Shadow story or a Twilight Zone story? Do you feel any predominant elements rising to the surface? DA: As above, the Twilight Zone is more of a format than a franchise: a person encounters an uncanny circumstance and their character is revealed in their reaction to it. If possible, with a twist ending. The attempt here was to make the Shadow that character, who encounters the uncanny. The trick is that he’s a pretty uncanny guy himself. Ultimately I asked myself, “What story would Rod Serling or Richard Matheson want to tell about the Shadow? What lesson can Kent Allard learn about himself, and does that change him or not?” I was concerned (and still am, somewhat) that the average Shadow reader is going to expect a little more gunplay and detective work than I provide here. I’ll say this: issues #1 and #4 are more Shadow than Twilight Zone and issues #2 and #3 are more Twilight Zone than Shadow. FB: What makes the comic medium a good fit for this story? Can you talk about how you approach deciding what to show on the page vs. text?DA: I think I answered the second question back in my answer to number three, because I am – ironically – long-winded on the subject of not-being-long-winded-in-comic-books. As to the first, I think you could tell variations of this story in other formats, but when I’m plotting out a comic book issue or miniseries I give a lot of thought to the pacing, and that’s where it gets tailored to the medium. This series in particular is designed to be episodic: The Shadow jumps into three different perspectives, with one issue devoted to each new perspective, ending in a cliffhanger revealing the next incoming change. Then in issue #4 we find out how that experience affected him.If it was a single half hour Twilight Zone episode, it would probably have forced me to pick one of the perspective changes and run with that. In a novel, I’d have had a lot more time to explore the individual perspectives. In comic books, I find page 22 or 20 comes pretty fast and I’m always trying to get as much story in there as possible. I hope that pays off for the reader.
06/14/25 @ 12:24 pm EST
Amazon Prime Video’s hit action-thriller Reacher is officially returning for a fourth season, and fans are eager to see what’s next for Jack Reacher. Based on Lee Child’s bestselling novel series, the show has captivated audiences with its intense storytelling and gripping action sequences. Season 4 will adapt Gone Tomorrow, the 13th book in Lee Child’s Jack Reacher series. The story follows Reacher as he gets caught in a deadly conspiracy after a chance encounter with a stranger on a train. While the novel is set in New York City, early reports suggest the show’s adaptation may shift the setting to Philadelphia. Alan Ritchson returns as Jack Reacher, leading a cast that includes several new faces: Sydelle Noel as Philadelphia PD detective Tamara Green, Jay Baruchel as small-town policeman Jacob Merrick, Kevin Weisman as journalist Russell Plum, Marc Blucas as U.S. Congressman John Samson, Kathleen Robertson as Elsbeth Samson, Kevin Corrigan as Detective Docherty, Anggun as Amisha Hoth and Agnez Mo as Lila Hoth. Filming for Season 4 is set to begin in mid-2025, with a projected release in early to mid-2026.  06/14/25 @ 12:14 pm EST
Fans of Minecraft can soon enjoy its blockbuster film adaptation from the comfort of their homes. Warner Bros. Discovery has announced that A Minecraft Movie will begin streaming on Max on June 20 and will also air on HBO on June 21 at 8:00 PM EST. Directed by Jared Hess and starring Jack Black and Jason Momoa, A Minecraft Movie has been a massive hit, grossing over $951 million worldwide. The film follows a group of misfits who find themselves transported into the cubic world of Minecraft, where they must navigate its challenges and uncover its secrets. With its impressive box office performance, discussions about a sequel are already underway. Director Hess has hinted at exciting possibilities for expanding the Minecraft universe in future films.  06/14/25 @ 11:54 am EST
Matthew McConaughey is stepping into the shoes of one of literature’s most iconic detectives—Mike Hammer. The Oscar-winning actor is set to star in a new film adaptation of Mickey Spillane’s hard-boiled detective series. Hammer is a tough-as-nails private investigator with a penchant for justice—often delivered with his fists. McConaughey’s previous work in True Detective showcased his talent for playing gritty, introspective roles, making his transition into classic noir feel like a natural evolution. Mike Hammer first appeared in Spillane’s 1947 novel I, the Jury, quickly becoming one of the most recognizable figures in detective fiction. His brutal, no-nonsense approach to crime-solving set him apart from other private eyes of the era. Over the years, Hammer has been portrayed by various actors, including Darren McGavin, Armand Assante and Stacy Keach. The film is being developed by Skydance, with Nic Pizzolatto—creator of True Detective—penning the screenplay. Pizzolatto’s knack for weaving psychological tension and moral ambiguity into his stories promises a fresh yet faithful take on Hammer’s legacy. The production team includes industry heavyweights such as David Ellison, Dana Goldberg, and Don Granger, alongside Max Allan Collins, a key figure in the Mike Hammer literary canon. 
06/08/25 @ 12:47 pm EST
Marvel Comics has taken a surprising turn with its latest storyline in Marvel Knights: The World to Come, introducing a new Black Panther who is—unexpectedly—white. This revelation has sparked intense debate among fans, as the character of Black Panther has long been synonymous with Wakanda’s rich African heritage. The new Black Panther, named Ketema, is introduced in a six-issue limited series written by Christopher Priest and illustrated by Joe Quesada. The story begins with the death of T’Challa, the longtime ruler of Wakanda, setting the stage for a battle over his legacy. Ketema, who claims to be T’Challa’s son, challenges him for the throne and ultimately defeats him. However, the shocking twist comes when Ketema removes his mask—revealing that he is white. The revelation of Ketema’s identity has left many readers questioning how a white character could be the biological son of T’Challa. One theory suggests that Ketema may not actually be the son of Monica Lynne, T’Challa’s former love interest, but rather Nicole Adams, another past romantic connection of the Wakandan king. Some speculate that genetic engineering, cloning, or alternate realities could play a role in this unexpected lineage. Christopher Priest, the writer behind the series, has remained tight-lipped about the deeper implications of Ketema’s introduction, stating that the story is more about how Wakanda arrived at this point rather than the immediate controversy surrounding the new Black Panther.  06/08/25 @ 12:37 pm EST
In a surprising turn of events, Amazon Prime Video has decided to cancel Étoile after just one season, despite its initial two-season order. The ballet drama, created by Amy Sherman-Palladino and Daniel Palladino, followed the lives of dancers and artistic staff from two prestigious ballet companies in New York and Paris. The series was envisioned as a love letter to the art of ballet, but its journey was cut short due to a combination of performance metrics and production costs. The show was filmed on location in New York and Paris, featuring elaborate choreography and a cast of top-tier ballet dancers. Despite its artistic ambition and an 85% rating on Rotten Tomatoes, Étoile struggled to gain traction with audiences. The decision to cancel Étoile was largely driven by its performance versus cost. While the series had a dedicated fan base, it failed to chart on Nielsen’s weekly Top 10 for Originals and quickly dropped from Prime Video’s own rankings. The show's expensive production—filming in historic locations and creating an original ballet company—made it a costly endeavor.  06/08/25 @ 12:20 pm EST
There’s a lot of buzz for the new Netflix series Dept. Q, based on the Danish-noir novel series by Jussi Adler-Olsen. With an 83% critics’ score and a 94% audience score on Rotten Tomatoes, the question of a second season is already being asked by fans and even the cast. Star Matthew Goode, previously known for Downton Abbey and The Watchmen, talked with Deadline about being the only English person in an almost all Scottish cast and if he would be interested in returning to the character of DCI Carl Morck. “This is such a wonderful company of actors. Even though I was the only English one, and they could have easily hated me, obviously with that lovely Scottish-English situation, it wasn’t the case. And such great personalities, such great talent. And obviously I’m central to the story, so I get to work with everyone. I’d wanted to work with Shirley Henderson—‘ Shenderson’—for years. And Kelly Mcdonald, and then this fairly relatively new actress, Leah Byrne, who is a revelation in this show. It’s very difficult to be talking about some of the things that she has to talk about and make them hilarious. It’s quite a staggering… Well, it’s writing and talent, where they meet, I suppose. I love them all. That’s why we’re desperate to do a second season.” When asked about how many seasons he would be willing to do, Goode said: “I don’t know. There’s 10 books now. It is quite a modern phenomenon, really, as an actor, that you would get to sit in something for time. And now I think I’m at the right age that I’d like to have a character that I can come back to that has great, exciting, dark, hopefully funny stuff happening within the story, but also, how’s this man going to change? Is he going to change? What will be something that will change him? Even if it’s by minutia, there will be certain changes. Even if it’s just my hair color or the girth of my beard.” The beard may be the only downside to the character as Goode explained, “My wife didn’t come near me for six months because she hates beards. Absolutely hates them.” Dept. Q season one is available now on Netflix.  ... 06/07/25 @ 1:07 pm EST
The Merc with a Mouth is making his way into virtual reality, and this time, he’s voiced by none other than Neil Patrick Harris. Marvel’s Deadpool VR, developed by Twisted Pixel Games and Oculus Studios, is set to launch exclusively on Meta Quest 3 and 3S in late 2025. The game promises an original storyline packed with Deadpool’s signature humor, fourth-wall-breaking antics, and over-the-top action. Unlike previous Deadpool games, this VR experience throws players directly into Wade Wilson’s chaotic world. The story kicks off when Deadpool is pulled through a portal into Mojoworld, a twisted media-centric universe ruled by the villain Mojo. After signing a shady contract (without reading the fine print, of course), Deadpool embarks on a multiverse-hopping quest for riches, battling classic Marvel villains along the way. Players will step into Deadpool’s shoes—literally—using dual pistols, katanas, kunai, and parkour-style movement to navigate the game’s action-packed environments. The combat system is designed to reflect Deadpool’s unpredictable personality, allowing for absurd and exaggerated attacks. Expect to punch enemies while holding grenades, throw severed limbs as weapons, and even shove heads into propellers. While Ryan Reynolds has become synonymous with the character, Neil Patrick Harris is bringing his own spin to the wisecracking antihero. Harris, known for his voice work in Spider-Man: Shattered Dimensions, delivers a portrayal that is said to capture Deadpool’s manic energy, self-awareness, and comedic timing, making the VR experience even more immersive. Marvel’s Deadpool VR is slated for release in late 2025, exclusively on Meta Quest 3 and 3S.  06/07/25 @ 12:59 pm EST
Dakota Johnson is setting the record straight on the disappointing box office performance of Madame Web. The Fifty Shades star, who played Cassandra Webb in Sony’s Marvel spinoff, has opened up about why the film failed to connect with audiences—and she’s placing the blame on studio interference. In a recent interview with the Los Angeles Times, Johnson explained that Madame Web started as one thing but ultimately became something else due to executive meddling. "It wasn’t my fault," she stated. "There’s this thing that happens now where a lot of creative decisions are made by committee. Or made by people who don’t have a creative bone in their body. And it’s really hard to make art that way". She noted that Madame Web underwent drastic changes after she signed on, leaving her "just sort of along for the ride". Released in early 2024, Madame Web was expected to be a fresh addition to Sony’s Marvel universe. However, the film grossed only $100 million worldwide against a rumored budget of $80–100 million, making it a financial disappointment. It also received overwhelmingly negative reviews, earning a 11% Rotten Tomatoes score and sweeping the Razzie Awards, including Worst Picture and Worst Actress for Johnson. Despite the backlash, Johnson remains unfazed. "Bigger-budget movies fail all the time," she said, adding that she doesn’t regret taking on the role but probably won’t return to the superhero genre anytime soon. 
06/07/25 @ 12:47 pm EST
The Star Wars universe is expanding once again, and this time, it’s bringing in a fresh face to the galaxy far, far away. Acclaimed actress Mia Goth, known for her standout performances in Pearl, X, and MaXXXine, has officially joined the cast of Star Wars: Starfighter, the upcoming film directed by Shawn Levy. Goth will take on the role of the movie’s primary villain, facing off against Ryan Gosling’s lead character. Announced at Star Wars Celebration in Tokyo earlier this year, Star Wars: Starfighter is set five years after the events of Star Wars: Episode IX – The Rise of Skywalker. Unlike previous entries, this film will not be connected to the Skywalker Saga, instead introducing a brand-new adventure with original characters. Director Levy, best known for Deadpool & Wolverine, has been developing the project since 2022 alongside screenwriter Jonathan Tropper. The film promises to explore uncharted territory in the Star Wars timeline, offering fans a fresh perspective on the galaxy’s post-Skywalker era. While details about Goth’s character remain scarce, reports indicate that she will play one of the antagonists pursuing Gosling’s character and his young nephew. The role was initially offered to Oscar winner Mikey Madison, who reportedly passed on the opportunity due to salary negotiations. Goth’s casting marks another major milestone in her career, as she continues to take on high-profile roles. In addition to Star Wars: Starfighter, she is set to appear in Guillermo del Toro’s upcoming Frankenstein adaptation alongside Oscar Isaac and Jacob Elordi. Filming for Star Wars: Starfighter is expected to begin later this year, with a theatrical release scheduled for May 28, 2027.  06/04/25 @ 2:56 pm EST
Scrooge McDuck is starring in all-new adventures from Marvel Comics! Following last year’s acclaimed Uncle Scrooge & the Infinity Dime one-shot, the first-ever Uncle Scrooge Marvel comic, the legendary adventurer is back to take things to the level with a solo four issue limited series this August—UNCLE SCROOGE: EARTH’S MIGHTIEST DUCK! Uncle Scrooge & the Infinity Dime scribe and superstar Marvel writer Jason Aaron returns to craft another fantastic Uncle Scrooge saga that expertly blends the wonderful world of Uncle Scrooge with epic Marvel Comics super hero storytelling. Aaron will be joined by an extravagance of all-star artists including Giuseppe Camuncoli, Mahmud Asrar, and Ciro Cangialosi. UNCLE SCROOGE: EARTH’S MIGHTIEST DUCK kicks off in August and today, fans can behold the covers for the first two issues. The covers see how some of industry’s biggest talents—from Gabriele Dell’Otto to Mark Brooks—bring this beloved comic book icon to life Marvel style! In UNCLE SCROOGE: EARTH’S MIGHTIEST DUCK, the planet has been conquered by alien invaders known as the Connoisseurs, nefarious hoarders of the rarest antiquities from throughout the cosmos. As they tear the Earth apart, pillaging its fabled treasures, only the world’s greatest adventurer can possibly stop them. But Scrooge McDuck is facing a battle unlike any he’s ever fought, trapped inside his own mind, fighting to preserve his most precious memories. “Scrooge McDuck is one of the greatest heroes in the history of comics, bar none,” Aaron said. “It was a thrill to get to write him in the pages of Uncle Scrooge & the Infinity Dime, as we took him on a journey across the multiverse. With this new series, I knew we'd have to go bigger, not just by incorporating more Marvel artists into the mix, but by sending Scrooge on the most epic story of his career, as he fights to save the one thing more precious to him than gold or any exotic treasure: his own memories of a life of adventure.” Check out the covers for the first two issues of UNCLE SCROOGE: EARTH’S MIGHTIEST DUCK and preorder the series at your local comic shop today!        
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