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07/18/15 @ 1:07 pm EST
This is a Writer’s Commentary for Reanimator #4 by Keith Davidsen. Here he focuses on the first seven pages of the issue that wraps up the miniseries based on the work of H.P. Lovecraft and features the classic character Dr. Herbert West.  PAGE 1: SUSAN’S VOICE Whenever narration appears throughout the REANIMATOR series, it’s always from the point of view of Susan Greene, the young assistant working for Herbert West. It’s an intentional nod to the original source material, H.P. Lovecraft’s “Herbert West – Reanimator,” which is told from the point of view of an unnamed male assistant.Originally, I thought about having Herbert West be the narrator, to really get inside the head of this cold, calculating man… but part of the fun of this series, I think, comes from the fact that no one really knows what the Reanimator’s ends are until the third and fourth issues. If you get inside his head too early, you lose the big reveal that he’s been manipulating everything from Day One.PAGE 1: BONE DADDYSamedi, the Voodoo-practicing hitman who serves as Dice’s lieutenant, is based on Baron Samedi, the skull-faced Loa (spirit) of Haitian Vodou – or, more accurately, the popular perception of the traditional figure.What would eventually become the REANIMATOR series originally began as a brainstorming session at the Dynamite home office. The staff had wanted to get a weekly event series off the ground, and I’d recommended that we’d do a horror-themed crossover in the month of February, coinciding with Mardi Gras. The pitch involved one-shots dedicated to Vampirella, Reanimator, Evil Ernie, and Eva: Daughter of the Dragon, with each of them fighting a different New Orleans-based villain. The supernatural Baron Samedi was going to be one of the key villains, and as the project changed and became more focused as the REANIMATOR series, he changed from Loa himself to a fearsome individual assuming his namesake.Samedi appears for the first time in REANIMATOR #4 wearing the face (and body) paint that’s so closely tied to the traditional Baron Samedi look. He’d had a moment of inspiration in issue #3, when Samedi came across paint at Big Will’s convenience store. War paint is cool, y’know? PAGE 1: ELDRITCH KREWE VS. GRIS-GRIS BOYZ I’ve always loved stories where the protagonist is targeted by several different parties, and the climactic battle involves those various parties showing up in the same place and going to war. Intentionally or accidentally, when the protagonist pits his enemies against each other, it’s fun to watch.The Eldritch Krewe is a criminal organization whose name combines something very Lovecraftian with something very Louisianan. “Eldritch” is perhaps one of Lovecraft’s favorite words, referenced so frequently in his stories that it’s either irritating or charming, depending on your appreciation of his work. It simply means “spooky” or “weird”. Meanwhile, a “Krewe” is an organization dedicated to creating a parade, which ties back into my original Mardi Gras-themed crossover pitch.I wanted a drug war to feature in the REANIMATOR series, so I needed to create two sides that were visually and philosophically different. While the Eldrith Krewe was elitist and tied to the Cthulhu cult, the Gris-Gris Boyz were more street-level, with Haitain ties. “Gris-Gris” is a reference to the type of charms or amulets used in traditions of Vodou and African religion. I wanted this gang to feel more like those that currently operate in the United States, so giving it a name like “posse” or “familia” seemed right. I settled on “Boyz” despite how it made me think of very dated 1990s hip hop.    PAGES 2-4: KING OF THE ZOMBIES Herbert West’s original intent – as conceived of by H.P. Lovecraft – was never to create zombies. He wants to restore the dead to perfect life, to undo the very act of death. Let’s say you’re fine one day, but you die the next. In his perfect vision of the world, the Reanimator would then injects you with his solution, and by Day Four, you’d be fine again. Shambling corpses were the by-products of his failed experiments. In the original “Herbert West – Reanimator”, he eventually starts performing rather unnecessary experiments. As Lovecraft put it, “his once normal scientific zeal for prolonging life had subtly degenerated into a mere morbid and ghoulish curiosity and secret sense of charnel picturesqueness. His interest became a hellish and perverse addiction to the repellently and fiendishly abnormal; he gloated calmly over artificial monstrosities.”Because we’re making comics, I wanted Herbert West, the Man of Science (if not Reason), to have several moments as an unexpected Man of Action. With a shotgun in his hand, facing down the Krewe lackies who’d dared to enter his laboratory… it’s a very “hero” thing to do. However, while he did on occasion shoot people in this series, I did try more often than not to create alternatives to direct violence. He’s a puppet master, so it’s fitting that he “cuts the strings” on his zombie hordes, letting them drop on his enemies, rather than shooting the enemies himself.  PAGE 5: CTHULHU REX Croceus Rex, the drug-addicted elitist who runs the Eldritch Krewe, appears in all his mutated glory on this page. “Croceus” means “yellow” or “gold”, and “Rex” is Latin for “king”. While Lovecraft had been a fan of Robert W. Chambers’ “The King in Yellow” and referenced it throughout the Cthulhu mythos, I wish I could say that this Lovecraft fact informed the naming of this villain, but the name came from a completely different line of thought. The traditional colors of Mardi Gras are purple, gold, and green – which represent justice, power, and faith. Croceus Rex cares nothing for justice, and while he is a devotee of Cthulhu, his faith is really more about positioning himself for the acquisition of power than anything else.Over the course of the series, Croceus Rex has increasingly used Herbert West’s Eunique drug, which the Reanimator warned would have negative side effects. Overindulgence had made Rex “psychically hypersensitive”, a phrase coined by Lovecraft in his classic tale, “The Call of Cthulhu”, and therefore the villain was susceptible to the dream-like influence of the Elder God. In issue #3, Rex then acquired and injected a sample of West’s blood… and ever since, his body had mutated into more and more of an abomination. It’s important to note that the upper and lower halves of his metamorphic body have very different physical attributes. His torso, arms, and head are covered in writhing tentacles, while his legs are tumorous. There’s a very distinct reason for that, revealed a little later in the issue. PAGE 6: THE AGONY FONT It’s a subtle change, but when Croceus Rex says, “This… is… agony”, there’s a font switch for that last word. Throughout the remainder of the issue, all of his dialogue reflects the new font, a visual cue to the character’s continuing physical changes. He’s still transforming into something inhuman, inside and out. PAGE 7: SUSAN GREENE, REANIMATOR Susan Greene wears a practically identical outfit to Herbert West in this issue, assuming his trademark lab coat and satchel. As revealed in the third issue, everything that has happened in this series has been carefully orchestrated by the Reanimator to groom Susan into his perfect assistant. She’s his experiment. It’s important that here, in the final issue, we can see that his experiment has been largely successful, and that visually she’s become much more like him.Susan still needs to cross certain moral boundaries, however. When she confronts Dice, the gangster who murdered her fiancé, she says, “I came out here to see you dead.” That’s a pretty clear indication that she’s willing to cast ethics aside. However, she’s driven by a need for justice or revenge, where West could kill coldly as a means to an end (which, in his case, is to further his scientific pursuits, as anyone who dies here becomes a body to perform experiments on). Still, forsaking the moral path is a slippery slope… one which West hopes to exploit. 07/18/26 @ 2:25 pm EST
There’s a running joke on the internet about how many movies are about trying to get Matt Damon home. The answer is four and Hollywood has spent over an estimated $600 million on this premise but they’ve made good money doing it. The real question is why are so many people interested in seeing him try to get home? In 1998 he was the titular Ryan in Saving Private Ryan and while it only opened for $30 million, it made $482 million worldwide over its theatrical run. In 2014 audiences flocked to Interstellar with a $47 million domestic opening and $764 million worldwide run. And just a year later he was stranded again in The Martian and the film opened for $54 million and made $630 million in theaters. This weekend Christopher Nolan is rolling out his epic adaptation of The Odyssey and in the lead role of a Greek soldier trying to get home to his wife he decided to work again with Damon… and other stars like Robert Pattinson, Anne Hathaway, Zendaya and Tom Holland to name a few. And the new film is looking to open at almost what all three films opened for combined. The film is expected to open for $120 million domestically making it the highest opener of 2026, but it’s doing just as well internationally and is expected to have a worldwide opening of $257 million, surpassing Nolan’s previous best with The Dark Knight Rises. Looks like Odysseus is going to beat Batman… maybe Nolan and Damon should team up one more time in a movie about Batman trying to get back to the Batcave. I mean, it's obvious people would go see it.  07/11/26 @ 2:32 pm EST
The pandemic affected most everyone in one way or another, but for actor Kyle Chandler it left him in a unique state of mind. The Friday Night Lights actor wouldn’t call it a depression or anxiety or even an agoraphobic reaction but rather a “strange haze in the air” that “kind of shook me up” and left him in ruminations. What got him out of it is his upcoming role as former test pilot and intergalactic space cop Hal Jordan in the upcoming HBO series Lanterns. Chandler talks about taking on the DC Franchise as "The old man upstairs said, 'Hey, I'm gonna give you a gift.' He threw me a bone, and I chewed that thing all the way through. Before I went out, I decided I'm gonna have fun. Damn the torpedoes." The veteran actor is paired with rising star Aaron Pierre as John Stewart in a prestige crime thriller likened to the hit HBO series True Detective. While the series has a cosmic origin, the approach to this first season at least is much more grounded as Jordan comes to investigate a murder in a small, midwestern town and brings along the new recruit forced upon him by his bosses, the Guardians. Stewart is the first recruit selected by the Guardians where all the other Green Lanterns were selected by the rings after the previous owner dies. Jordan doesn’t respond well to his new partner and that animosity carries over into their investigation. The series will take place in two timelines set ten years apart with the investigation starting in 2016 and then we see what is happening now. The series premieres on August 16th and while a second season has not been green lit yet, writer Christopher Cantwell ( Halt and Catch Fire) has been hired to work on scripts for season two… so DC Studios and HBO must like what they’ve seen.  ... 07/04/26 @ 3:22 pm EST
Long before Lin Manuel Miranda took the Founding Fathers to Broadway with the Tony Award Winning Hamilton, the likes of Thomas Jefferson, John Adams and Benjamin Franklin sang about the birth of the United States of America and the musical led to an amazing musical called 1776. With this being the 250th anniversary of the signing of the Declaration of Independence, now would be a good time to watch this classic film that’s available on streaming services like Hulu and Tubi. The film adapts the celebrated musical by Peter Stone with an all-star cast that includes William Daniels ( Boy Meets World), Ken Howard ( The White Shadow), Howard de Silva ( The Great Gatsby) and Blythe Danner ( Meet the Parents). The film focuses on the days leading up to the Continental Congress debating and eventually declaring independence and gives us look at the chaos that existed leading up to the birth of the nation. While dealing with a serious topic, the film is laced with humorous moments and unforgettable songs while showing just how difficult it really was to get the thirteen colonies to agree and how different parts of the country had different priorities. Not too unlike the way the country is now. 1776 is entertaining and sneakily educational and I watch if every July 4th… which I’m doing as I type this article.  07/04/26 @ 3:00 pm EST
With Supergirl underperforming at the box office there is a rush to point fingers… as often happens when it comes to big studios like DC, Marvel and Star Wars. Will there be similar handwringing with the latest Minions film coming in about $17 million below it’s expected opening… probably not. But The Hollywood Reporter has exclusive details about what happened with the Milly Alcock project that seems to pit director Craig Gillespie against James Gunn and the studio. The criticism of the film varies with complaints about the editing, the musical choices, the depth of character for the villain to the changes from the source material. The new report focuses on a few of those and talks about the test screenings happening back in March of this year. Gillespie was given free reign on his film until test audiences had their say and the best the film was able to do was score in the 60s. This led to the studio getting involved and creating their own cut of the film. Gunn brought in Guardians of the Galaxy editor Fred Raskin to re-edit and Jeremy Slater of Godzilla X Kong to work with screenwriter Anna Nogueira on a few new scenes. Then Gillespie’s original cut, edited by Tatiana S. Riegel from Cruella, and the new cut were both shown to audiences to see which would faire better. Neither film stood out too much with the studio version scoring about two points more than Gillespie’s. While the director’s cut came in about 11 minutes longer and scored higher on the villain and the music, two things complained about in reviews, the overall score favored the studio cut and it was chosen to be the theatrical release. Though reports don’t say what the specific scores were, it does say the highest score reached among all the testing was only 70 out of 100. While this may sound like a behind-the-scenes struggle and signs of studio interference, things like this happen all the time in Hollywood with the goal of putting out the best film possible and had the film had a higher opening, this probably wouldn’t be news at all. An on-line movement is now building to have the “director’s cut” released even though a handful of people claim to have been in the audience for the Gillespie cut and claims that the film isn’t that different than what was released to theaters. Perhaps the deleted scenes will be included on the Blu-ray release.  ... 06/27/26 @ 4:07 pm EST
DC Studios and Warner Bros. Animation used this week’s Annecy International Animation Film Festival to signal a broader push into animation, unveiling three new series built around some of DC’s most recognizable characters. The slate includes Absolute Batman, Joker: Laugh Riot, and Krypto, each aimed at a different corner of the superhero audience. The boldest announcement may be Joker: Laugh Riot, described as DC Studios’ first anime series. Produced with Sola Entertainment and directed by Yasuhiro Aoki, the show imagines a Gotham where Batman has been murdered and the Joker hunts for the killer who robbed him of his greatest obsession. That premise turns the usual Batman-Joker dynamic inside out, pushing the Clown Prince of Crime into uneasy detective territory. Absolute Batman adapts the recent comic by Scott Snyder and Nick Dragotta, reimagining Bruce Wayne as a working-class hero rather than a billionaire crimefighter. Snyder is expected to serve as executive producer and showrunner, while Dragotta will produce. The series’ “no manor, no money” approach positions Batman as a more grounded figure facing wealth, power, and corruption from the outside. Rounding out the lineup is Krypto, a children’s animated series centered on Superman’s loyal super-dog. Developed by C.H. Greenblatt, the project gives DC a lighter, family-friendly entry alongside the darker Batman and Joker titles. Together, the announcements show DC Studios treating animation not as a side lane but as a flexible creative engine. From anime to kid-focused comedy to a radical Batman reinvention, the Annecy slate suggests DC is betting that familiar icons can still feel new when placed in unexpected formats and tones.  06/20/26 @ 2:31 pm EST
How well is Supergirl going to do in theaters? It’s really hard to say, especially if you are reading on-line takes. Since the tickets were made available for presale, the opening projections have moved all over the place with initial thoughts being between $40 - $50 million, then after a few really positive days it jumped to $60 - $75 and has bounced higher and lower to where now they’re saying $50 - $60. The film is set to open against a popular Toy Story 5 that will be on its second week and likely to stay at the top of the box office if it has an average second week drop. Bottom line the expert seem to be having a hard time locking in on this one. What about critics’ thoughts? The film was screened for reviewers and while originally embargoed until next week, the studio lifted the embargo for reactions a week early and now you can see what they thought. Not their full reviews, but their short initial reactions and if you look online most sites are claiming they’re “mixed”… unless you go into the comments and read them yourself. Even sites like Deadline are saying that yet of the reactions they list, the positives outnumber the negatives three or four to one. There is consistent praise for Milly Alcock, Jason Momoa, the action and the heart of the film. The villain is often called bland and the pacing gets called out, but to call it mixed is a stretch. The problem is that like everything in life, film coverage has become political. Sites use negative headlines to get attention and with DC Studios particularly you have a split fan base between what is happening now and those that prefer the previous films… which means that narrative gets created to further their own cause. The truth is, Supergirl will struggle a bit with a film like Toy Story 5 going against it, the character is not popular on her own and is a derivative of a bigger character and in a lot of ways, the previous incarnations, while entertaining, did nothing to make the character stand on her own. Regardless of how it does, there will be a narrative claiming success and another claiming failure. The only way to judge the truth is to see the movie yourself and decide… but that’s really how we judge all movies isn’t it? ... 06/13/26 @ 2:25 pm EST
We’re just weeks away from the release of the first Supergirl movie in over 40 years and with ticket presales well underway, experts are making their projects on opening weekend. After the initial sales started happening, most sites were predicting anywhere from $45 to $55 million domestically, but after a few days of higher-than-expected numbers, some sites have adjusted up to as high as $60 to $77 million. This would put the Milly Alcock lead film right in line with the last few Marvel Studios films (except Deadpool and Wolverine). While there has been some debate, Deadline claims the film’s budget is $175 million and the breakeven point would be around $315 million. Other sites claim it’s as high as $425 million globally to call it a success. Only DC Studios and its co-heads James Gunn and Peter Safran know what would make this film a success for them, but with trying to rebuild a franchise that had been pretty much run into the ground with underperforming films like The Flash, Aquaman 2 and Shazam 2, having a film that makes most of its money back and is a critical and audience success could be more valuable. Coming off the success of last year’s Superman film, DC is hoping that Craig Gillespie’s vision will continue to excite fans and keep building the new DCU to higher and higher heights. The success of this film and this universe may be driven more on word-of-mouth than box office numbers and the studio appear to be confident enough in the film that they have already had media screenings over two weeks before the film’s release. Yes, there is still an embargo so they can have those reviews come out closer to when the film is in theaters, but you can probably tell the way the project is being covered whether or not it was well received.  ... 06/13/26 @ 2:01 pm EST
A new rumor is shaking up what fans are expecting from The Batman Part 2. On the same day that writer/director Matt Reeves posted that filming had begun, insider Jeff Schnieder posted about how everything we knew about Sebastian Stan’s role in the project was wrong. Sites had been reporting that Stan would be playing Harvey Dent/Two-Face and while that had never been confirmed by Reeves or DC Studios, people took comments from Stan as confirmation such as how he would be playing, “multiple roles” as a hint at him playing the split-personality of the Batman villain. But the new report claims that Stan is not Dent but rather the serial killer Victor Zsasz and actor Bryan Tyree Henry would be playing Dent. Other insiders have some out since and claim to have collaborating information. Zsasz is an interesting character, a killer who notches a mark on his skin for every kill. He’s been portrayed in live action a couple of times including on Gotham and in the Birds of Prey movie but has never been the main focus of a story. This would match up to Reeves saying that the film would be exploring a story never done in film before. It doesn’t really match up to Stan’s comment about “multiple roles” or reports that he was already working with make-up to figure out the look. Reeves is not confined by what is in the comics so he could make major changes to characters, even to the point of making Zsasz a divergent personality of Harvey Dent that manifested prior to the acid attack causing Two-Face to emerge. It’s also possible that Schneider’s information is slightly off and instead of playing the serial killer, Stan could be playing Charles Victor Szasz who is also known as Victor Sage or The Question. How’s that for a twist? The bottom line here is that Schnieder is hearing this from an insider, and it has not been confirmed by any official source and I wouldn’t put it past film studios to start leaking false information to protect a movie that is just starting to film. I think this one stays in the, “take with a grain of salt” category and we wait to find out more.  ... 06/06/26 @ 2:40 pm EST
DC Studios and their co-head James Gunn have talked about a lot of potential series and films with some of them being mentioned and then sort of forgotten about. One of those seemed to be Paradise Lost, a Wonder Woman prequel series showing life on Themyscira before the birth of Diana. Though after its initial mention, the project hadn’t been talked about in a while and someone asked Gunn its fate. Gunn insisted the project was still in the works and now we are seeing some possible confirmation. Back in 2024, two names were attached as writers on the series Kira Snyder and Janet Lin and now, according to the WGA website, both are set to work on Paradise Lost for 2027-2028. Snyder is known for writing and producing on The Handmaid’s Tale and The 100 while Lin has credits on Bridgerton, Cursed, and Bones. There has been talks recently about trying to fast track a new Wonder Woman film and while there is no confirmation, rumors persist that the character may debut in Man of Tomorrow, so seeing Paradise Lost finally moving forward would make a lot of sense.  05/30/26 @ 2:41 pm EST
Sony’s new Spider-Noir series has out done the MCU when it comes to fans. According to Forbes, the new Nicholas Cage lead series with him playing a 1930s variant of Spider-Man has garnered the highest audience score of all Marvel related television projects on Rotten Tomatoes. In the new series, Cage plays detective Ben Reilly who used to be the web-swinging hero called The Spider but hung up his mask after the death of his fiancée. Audience have really taken to the series that is available in both color and B&W, giving it a 93% (a point higher than when Forbes did their article) and even scored well with the critics at 92%. While the critic score is impressive, other Marvel projects have done better such as X-Men ’97 with a 99% score and Ms. Marvel with a 98% among critics. But on the audience side, 93% is tops beating out shows like Agents of SHIELD, Daredevil (Netflix) and WandaVision. While there has been no word on a second season, it would be hard for Amazon and Sony to ignore results like this.  |
