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08/04/14 @ 8:44 pm EST
An idea that I’m surprise if no one has ever done before. The great detective Sherlock Holmes meets the escape artist Harry Houdini. The new series from Dynamite is being written by Kill Shakespeare writers Anthony Del Col and Conor McCreery, and Byron Brewer sat down to talk to the pair of creators about the project.  BYRON BREWER: First, Anthony, what did it feel like to have your work, Kill Shakespeare, nominated for a Harvey Award? Pretty cool.ANTHONY DEL COL: Pretty cool? Actually, pretty freakin’ cool! It was completely unexpected as this was the first series that Conor and I had ever done. The Harveys are voted on by fellow members of the industry so it made us feel that we had been accepted by the community. CONOR MCCREERY: Weirdly enough at that Harvey Awards dinner we sat beside Nick Barrucci. I remember thinking he was a very sarcastically funny guy and that he seemed to have a great head on his shoulders for the business and that it would be great to work with him one day.And they say dreams don’t come true. BB: Can you describe the process of how you and co-writer Conor McCreery work as a team?C: It’s a fluid thing – like for H&H Anthony took it on himself to bring all these amazing ideas to our first story meeting. I didn’t even open my notebook to mention any of the thoughts I had – his were that amazing! After that we worked together on “breaking” the story and figuring out what the five issues will be. Writing-wise what we usually do is one guy is “lead” writer on an issue and the other guy story-edits and does a pass at the end. A: And then if we have any disagreements we resort to Rock-Paper-Scissors to determine whose idea sees the light of day. We both competed in the first-annual World Rock-Paper-Scissors Championships a number of years ago so we’re both good. Okay, alright, we both throw the same moves so it ends up as a stalemate… C: Anthony’s being modest – he actually was a quarterfinalist and lost to the eventual World Champion. So, given THAT skill set I have an excellent incentive to compromise when I’m being stubborn – GRIN.  BB: Have you ever written an adventure of the legendary detective Sherlock Holmes before?A: I’ve always thought that Holmes was an amazing character but never had the nerve or gumption to tackle writing an adventure with him before. I’m so glad that Dynamite has given us the opportunity – he’s a blast to write for! I feel like I’m getting smarter just by trying to get in his mind. C: See, and writing Holmes just makes me feel dumb… wait… that was all the “research” I did for Holmes’ character flaw. BB: How does our master sleuth become involved with the great performer Houdini?C: Well I’d like to say that Holmes is naturally drawn to other people who display excellence and that he seeks out Houdini as a way to test out another exceptional talent. I’d LIKE to say that, but the truth is, well, Holmes is in a bit of trouble when he first meets Harry. I can’t say anything more though. I don’t want to spoil the fun. A: Writing their first interaction was incredibly delicious. Here we have two accomplished, smart and arrogant men in the same room, trying to test the other person. It really felt like scripting a boxing match but instead of punches they’re throwing verbal jabs and witticisms. And everyone else in the room just stands back and watches these two titans go at it.  BB: Can you tell us at what point in Houdini’s career this piece takes place? He was a very different man at different points during his career.A: Our story is set in 1900, which is when Houdini is starting to blow up internationally as the master of escape. It’s his first tour of London (the centre of Europe) and he’s hoping to really draw in huge crowds and become an international superstar. It’s interesting that most people think of him as American (and he pretty much believed it to be true) but he was actually born in Europe. C: We’ve also drawn heavily on a couple of other elements of Houdini’s life and sort of planted the seeds in this story. One is his love of film, and the other was his later-life obsession in “outing” spiritualists – who he felt were at best irresponsible, and at worst out and out crooks, for suggesting that there are powers beyond our understanding at work in the world.It’s that viewpoint that’s going to get HARRY in trouble in our story… BB: And the big-bad is … ?C: Oh you can’t expect we’ll tell you that! For shame, well-oiled Dynamite marketing machine! For shame! A: Conor’s right – trying to get us to reveal the big bad this early would be even harder than escaping from one of Houdini’s tricks. We really wanted to come up with a character that was smart as well as physically imposing, and we think we’ve come up with just the right fit… BB: Are you a student of magical history or a fan of the late performer?A: For myself, it’s only lately that I’ve started to become really intrigued by magic. I had the fortune to meet magician Jon Armstrong (who actually created a comic series, Smoke & Mirrors, with IDW) and see a couple of his shows and left each one shaking my head at how he did it. What’s interesting is that when we went last month I could already guess at some of their techniques because of research for Holmes vs. Houdini. C: Do we count liking Gob from Arrested Development as being a “student of magical history?” Then yes. Yes, I am. BB: What would you say about the art of Carlos Furuzono?A: Well, I was disappointed at first that my original pitch of doing the entire series in my poorly-drawn stick figures wasn’t approved… But seriously, Joe, Nick and the team at Dynamite did a great job finding and recruiting Carlos to work on this series. The early pages that I’ve seen are amazing and I think he’s a real talent ready to make it to the next level. C: I was also disappointed about the stick figures… 07/05/25 @ 1:54 pm EST
In a twist worthy of a Hollywood script, Ryan Coogler’s breakout horror film Sinners—a 2025 box office juggernaut—owes part of its haunting aesthetic to a Marvel movie that never made it to set. The film’s eerie, period-perfect costumes were originally designed for Marvel Studios’ long-delayed Blade reboot, which remains in production limbo. According to Sinners producer Sev Ohanian, the film’s costume designer, Oscar-winner Ruth E. Carter ( Black Panther), had been working on Blade when the project was shelved indefinitely. That version of Blade, starring Mahershala Ali, was once envisioned as a 1920s-set vampire thriller—eerily similar in tone and era to Sinners. When Sinners was greenlit on a tight schedule, Carter had a warehouse full of unused, period-appropriate costumes. Marvel, in a rare behind-the-scenes collaboration, allowed Coogler’s team to purchase the wardrobe “at price”. While the main cast including Michael B. Jordan, Hailee Steinfeld, and others wore custom-designed costumes tailored specifically for their characters, many of the extras in Sinners were dressed in the repurposed Blade costumes, giving the film a rich, textured authenticity without the usual prep time. First announced in 2019, Marvel’s Blade reboot has faced repeated delays due to creative changes, director exits, and industry strikes. The film was removed from Disney’s release calendar in 2024 and remains without a confirmed production date. Despite the setbacks, Mahershala Ali has expressed continued interest in the role, recently telling reporters, “Call Marvel. I’m ready”.  07/05/25 @ 1:29 pm EST
Nearly 50 years after One Flew Over the Cuckoo’s Nest became a cinematic landmark, a new television spinoff is in the works—this time told through the eyes of the character who saw everything but said very little: Chief Bromden. Producer Paul Zaentz, nephew of the original film’s producer Saul Zaentz, revealed on the CK Café podcast that he has signed an agreement with the widow of author Ken Kesey to develop a TV series based on the 1962 novel. The first season will be told entirely from the perspective of Chief Bromden, the towering half-Native American patient who pretended to be deaf and mute in the original story. Zaentz explained that the series will begin within the psychiatric hospital, as in the original, but will then follow Chief’s journey after his dramatic escape—territory the original film never explored. While Milos Forman’s 1975 film adaptation won five Academy Awards, including Best Picture and Best Actor for Jack Nicholson, it famously diverged from Kesey’s novel by shifting the narrative focus from Chief Bromden to Randle McMurphy. Kesey was openly critical of this change. The upcoming series aims to restore the novel’s original point of view and delve deeper into the Chief’s inner world. Chief Bromden’s character—played by Will Sampson in the film—was a symbol of silent resistance and eventual emancipation. The new series promises to explore his backstory, his psychological trauma, and his life beyond the institution. It’s a chance to reframe the narrative around Indigenous identity, mental health, and the long shadow of institutionalization.  07/05/25 @ 1:20 pm EST
Julian McMahon, the charismatic Australian actor known for his iconic roles in Nip/Tuck, Charmed, and the Fantastic Four films, has passed away at the age of 56 following a private battle with cancer. His wife, Kelly McMahon, confirmed that he died peacefully on July 2, 2025, in Clearwater, Florida. Born in Sydney on July 27, 1968, McMahon was the son of former Australian Prime Minister William McMahon. He began his career as a model before transitioning to acting in Australian soaps like The Power, The Passion and Home and Away. His move to Hollywood led to breakout roles in Profiler and Charmed, where he played the complex and seductive demon Cole Turner. But it was his portrayal of Dr. Christian Troy in FX’s Nip/Tuck that cemented his status as a television icon. The role earned him a Golden Globe nomination and showcased his ability to balance charm, darkness, and vulnerability. He later brought gravitas to the role of Victor Von Doom in the Fantastic Four films, becoming one of Marvel’s earliest cinematic villains. McMahon’s career spanned decades and genres. He starred in FBI: Most Wanted as Jess LaCroix, appeared in Hulu’s Runaways, and most recently played the Australian Prime Minister in Netflix’s The Residence—a poignant nod to his real-life heritage. McMahon is survived by his wife Kelly and his daughter Madison, whom he shared with ex-wife Brooke Burns. In her statement, Kelly described him as a man who “loved life… and whose deepest wish was to bring joy into as many lives as possible”.  07/01/25 @ 3:12 pm EST
Jim Shooter was a towering figure in the comic book industry—both literally and professionally. He began his career at just 14 years old, writing for DC Comics, where he made a splash with stories for the Legion of Super-Heroes. His early creations included characters like Karate Kid, Ferro Lad, and Princess Projectra, as well as the villain group Fatal Five. Here’s a snapshot of his legacy: <!--[if !supportLists]-->· <!--[endif]--> DC Comics: Started as a teenage writer, contributing to Adventure Comics and Action Comics. <!--[if !supportLists]-->· <!--[endif]--> Marvel Comics: Rose to become Editor-in-Chief from 1978 to 1987. Under his leadership: <!--[if !supportLists]-->o <!--[endif]-->Oversaw iconic runs like Uncanny X-Men by Claremont & Byrne, Daredevil by Frank Miller, and Thor by Walt Simonson. <!--[if !supportLists]-->o <!--[endif]-->Introduced creator royalties and launched the Epic imprint for creator-owned work. <!--[if !supportLists]-->o <!--[endif]-->Created the first major crossover event: Secret Wars. <!--[if !supportLists]-->· <!--[endif]--> Valiant Comics: Co-founded the publisher in the early '90s, bringing characters like Solar: Man of the Atom and Harbinger to life. <!--[if !supportLists]-->· <!--[endif]-->Also founded Defiant Comics and Broadway Comics, though both were short-lived. Shooter was known for his strict editorial style, which helped Marvel stay on schedule but also led to clashes with many creators. Despite the friction, his tenure is credited with revitalizing Marvel during a critical period. Jim Shooter passed away on June 30, 2025, at the age of 73. His influence on comics—both in storytelling and industry practices—remains profound. 
07/01/25 @ 2:50 pm EST
In the ever-watchful world of fandom sleuthing, even a simple Instagram follow can ignite a firestorm of speculation. That’s exactly what happened when filmmaker and DC Studios co-head James Gunn followed actress Adria Arjona on Instagram—a move that fans quickly interpreted as a hint she might be cast as the next Wonder Woman. But Gunn was quick to clarify: “ I followed Adria on Instagram, but everybody came out, ‘He just followed her, that means she’s Wonder Woman!’” he said in a recent interview with Extra. “ She’d be a great Wonder Woman, by the way. But she was in a movie that I made seven years ago. We’ve been friends and have known each other since that time. I followed her then, I didn’t just follow her.” The film Gunn referred to is The Belko Experiment (2016), which he produced and in which Arjona appeared. Their professional relationship and friendship date back to that project, making the social media follow less of a casting clue and more of a long-standing connection. Still, Gunn’s comment that Arjona “ would be a great Wonder Woman” has only fueled fan enthusiasm. With a new Wonder Woman film currently in development and the DC Universe undergoing a major reboot, speculation remains high—even if Gunn insists fans shouldn’t read too much into his Instagram activity.  06/28/25 @ 2:09 pm EST
In a move that blends personal branding with practical necessity, It’s Always Sunny in Philadelphia star and co-creator Rob McElhenney has officially filed to change his name to Rob Mac. The decision, confirmed by McElhenney himself, marks a significant shift for the actor, writer, and entrepreneur whose surname has long been a source of confusion—and comedy. McElhenney, whose last name has famously stumped fans and media alike (despite Ryan Reynolds’ musical pronunciation tutorial), cited global business expansion as the primary reason. As his company, More Better Industries, continues to invest internationally—including ventures in Colombia and Mexico—he found that “McElhenney” was often mispronounced or misunderstood. “As our business and our storytelling is expanding into other regions of the world and other languages in which my name is even harder to pronounce, I’m just going by Rob Mac,” he told Variety. Interestingly, the name “Mac” isn’t just a simplification—it’s also a nod to his iconic Always Sunny character, known simply as Mac. It’s a full-circle moment that blends his personal identity with his pop culture persona. The name change is already being reflected in FX press materials for both It’s Always Sunny and Welcome to Wrexham, the Emmy-winning docuseries chronicling McElhenney and Reynolds’ ownership of Wrexham AFC.  06/28/25 @ 1:59 pm EST
ABC has officially pulled the plug on Doctor Odyssey, the high-concept medical drama from prolific creator Ryan Murphy, after just one season. The show, which followed a team of doctors navigating emergencies aboard a luxury cruise ship, will not return for a second voyage. Premiering in fall 2024, Doctor Odyssey starred Joshua Jackson as Dr. Max Bankman, alongside Phillipa Soo, Sean Teale, and Don Johnson. The series blended medical drama with high-seas spectacle, drawing comparisons to The Love Boat with a modern, campy twist. Its trailer broke records with 77.8 million views in 48 hours, and the premiere drew 13.6 million cross-platform viewers. Despite the flashy debut and a loyal cult following, the show struggled to maintain momentum. Ratings dipped over the season, and its linear performance lagged behind other ABC dramas. While ABC has yet to issue a formal cancellation statement, the cast contracts are expiring on Monday with no sign of renewal and the sets are being dismantled. And while the ship has sailed on ABC, Ryan Murphy retains creative control and could potentially revive the series elsewhere, such as Hulu, where it performed well on streaming platforms.  06/27/25 @ 2:45 pm EST
Is The Batman Part II script finally done? It appears so. Writer/Director Matt Reeves just posted to social media a blurry picture of himself and co-writer Mattson Tomlin that shows the title page for a script with the logo from The Batman and appears to have the title "The Batman: Part II". Co-head of DC Studios James Gunn said recently that he was expecting to get the script soon but denied that the deadline had already passed. If the script is complete and ready to move forward, it is still in plenty of time to make the current release date of October 2027. This should be good news to fans of the director and franchise and also to actor Robert Pattinson who had commented recently that he was worrying he was going to age out of the role if it took too much longer.  06/26/25 @ 3:35 pm EST
Prime Video’s hit action-thriller Reacher is shaking things up for its fourth season, and one of the most notable changes is the addition of Christopher Rodriguez-Marquette to the cast. The Barry actor steps into the role of Jacob Merrick, a small-town policeman, in a recasting that follows the departure of Jay Baruchel due to personal reasons. Rodriguez-Marquette’s casting came together at lightning speed—he was reportedly selected the same day the role breakdown was released and flown to set within days. His character, Merrick, is said to play a significant role in the upcoming season, which adapts Lee Child’s 13th Jack Reacher novel, Gone Tomorrow. The story kicks off with a tense encounter on a train that spirals into a deadly conspiracy involving powerful enemies. Season 4 also welcomes a host of new faces, including Sydelle Noel, Agnez Mo, Anggun, Kevin Corrigan, Kevin Weisman, Marc Blucas, and Kathleen Robertson. Alan Ritchson returns as the titular Jack Reacher, with Maria Sten reprising her role as Frances Neagley. Rodriguez-Marquette brings a diverse résumé to the series, with recent appearances in Barry, Mozart in the Jungle, and indie films like Grind and Fear, Inc..  06/26/25 @ 3:28 pm EST
In a move that’s sending ripples through both Hollywood and Her Majesty’s Secret Service, acclaimed filmmaker Denis Villeneuve has officially been named the director of the next James Bond movie. This marks the first 007 installment under Amazon MGM Studios’ creative leadership, following their acquisition of the franchise’s rights in 2022. Villeneuve, the visionary behind Dune, Arrival, and Blade Runner 2049, brings a reputation for cerebral storytelling and breathtaking visuals. His appointment signals a bold new chapter for the Bond saga—one that may blend the franchise’s signature espionage thrills with a deeper, more atmospheric tone. “Some of my earliest movie-going memories are connected to 007,” Villeneuve said in a statement. “I grew up watching James Bond films with my father, ever since Dr. No with Sean Connery. I’m a die-hard Bond fan. To me, he’s sacred territory. I intend to honor the tradition and open the path for many new missions to come”. The film will be produced by Amy Pascal and David Heyman, with Villeneuve also serving as executive producer alongside Tanya Lapointe. While no release date has been announced, production is expected to begin after Villeneuve completes work on Dune: Part Three, slated for release in late 2026. As for who will don the tuxedo next, speculation continues to swirl. Aaron Taylor-Johnson remains a frontrunner, but no official casting has been confirmed.  |
