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08/04/14 @ 3:38 pm EST
“Writing Their First Interaction Was Incredibly Delicious” – Del Col And McCreery Talk Sherlock Holmes vs Harry Houdini Posted on August 4, 2014 by Dan Wickline An idea that I’m surprise if no one has ever done before. The great detective Sherlock Holmes meets the escape artist Harry Houdini. The new series from Dynamite is being written by Kill Shakespeare writers Anthony Del Col and Conor McCreery, and Byron Brewer sat down to talk to the pair of creators about the project. BYRON BREWER: First, Anthony, what did it feel like to have your work, Kill Shakespeare, nominated for a Harvey Award? Pretty cool. ANTHONY DEL COL: Pretty cool? Actually, pretty freakin’ cool! It was completely unexpected as this was the first series that Conor and I had ever done. The Harveys are voted on by fellow members of the industry so it made us feel that we had been accepted by the community. CONOR MCCREERY: Weirdly enough at that Harvey Awards dinner we sat beside Nick Barrucci. I remember thinking he was a very sarcastically funny guy and that he seemed to have a great head on his shoulders for the business and that it would be great to work with him one day.And they say dreams don’t come true. BB: Can you describe the process of how you and co-writer Conor McCreery work as a team?C: It’s a fluid thing – like for H&H Anthony took it on himself to bring all these amazing ideas to our first story meeting. I didn’t even open my notebook to mention any of the thoughts I had – his were that amazing! After that we worked together on “breaking” the story and figuring out what the five issues will be. Writing-wise what we usually do is one guy is “lead” writer on an issue and the other guy story-edits and does a pass at the end. A: And then if we have any disagreements we resort to Rock-Paper-Scissors to determine whose idea sees the light of day. We both competed in the first-annual World Rock-Paper-Scissors Championships a number of years ago so we’re both good. Okay, alright, we both throw the same moves so it ends up as a stalemate… C: Anthony’s being modest – he actually was a quarterfinalist and lost to the eventual World Champion. So, given THAT skill set I have an excellent incentive to compromise when I’m being stubborn – GRIN. BB: Have you ever written an adventure of the legendary detective Sherlock Holmes before?A: I’ve always thought that Holmes was an amazing character but never had the nerve or gumption to tackle writing an adventure with him before. I’m so glad that Dynamite has given us the opportunity – he’s a blast to write for! I feel like I’m getting smarter just by trying to get in his mind. C: See, and writing Holmes just makes me feel dumb… wait… that was all the “research” I did for Holmes’ character flaw. BB: How does our master sleuth become involved with the great performer Houdini?C: Well I’d like to say that Holmes is naturally drawn to other people who display excellence and that he seeks out Houdini as a way to test out another exceptional talent. I’d LIKE to say that, but the truth is, well, Holmes is in a bit of trouble when he first meets Harry. I can’t say anything more though. I don’t want to spoil the fun. A: Writing their first interaction was incredibly delicious. Here we have two accomplished, smart and arrogant men in the same room, trying to test the other person. It really felt like scripting a boxing match but instead of punches they’re throwing verbal jabs and witticisms. And everyone else in the room just stands back and watches these two titans go at it. BB: Can you tell us at what point in Houdini’s career this piece takes place? He was a very different man at different points during his career. A: Our story is set in 1900, which is when Houdini is starting to blow up internationally as the master of escape. It’s his first tour of London (the centre of Europe) and he’s hoping to really draw in huge crowds and become an international superstar. It’s interesting that most people think of him as American (and he pretty much believed it to be true) but he was actually born in Europe. C: We’ve also drawn heavily on a couple of other elements of Houdini’s life and sort of planted the seeds in this story. One is his love of film, and the other was his later-life obsession in “outing” spiritualists – who he felt were at best irresponsible, and at worst out and out crooks, for suggesting that there are powers beyond our understanding at work in the world.It’s that viewpoint that’s going to get HARRY in trouble in our story… BB: And the big-bad is … ?C: Oh you can’t expect we’ll tell you that! For shame, well-oiled Dynamite marketing machine! For shame! A: Conor’s right – trying to get us to reveal the big bad this early would be even harder than escaping from one of Houdini’s tricks. We really wanted to come up with a character that was smart as well as physically imposing, and we think we’ve come up with just the right fit… BB: Are you a student of magical history or a fan of the late performer?A: For myself, it’s only lately that I’ve started to become really intrigued by magic. I had the fortune to meet magician Jon Armstrong (who actually created a comic series, Smoke & Mirrors, with IDW) and see a couple of his shows and left each one shaking my head at how he did it. What’s interesting is that when we went last month I could already guess at some of their techniques because of research for Holmes vs. Houdini. C: Do we count liking Gob from Arrested Development as being a “student of magical history?” Then yes. Yes, I am. BB: What would you say about the art of Carlos Furuzono?A: Well, I was disappointed at first that my original pitch of doing the entire series in my poorly-drawn stick figures wasn’t approved… But seriously, Joe, Nick and the team at Dynamite did a great job finding and recruiting Carlos to work on this series. The early pages that I’ve seen are amazing and I think he’s a real talent ready to make it to the next level. C: I was also disappointed about the stick figures…For more on Sherlock Holmes vs Harry Houdini #1, click here. 12/06/25 @ 2:03 pm EST
Scarlett Johansson is said to be in negotiations to join the cast of the highly anticipated sequel, The Batman Part 2. While Warner Bros. has not officially revealed which character Johansson would portray, speculation is rife across social media and film forums. Many fans are hoping she will take on the role of a major antagonist or perhaps bring a new dimension to an existing character from the Batman lore. Johansson’s acclaimed work in action and drama—especially her iconic run as Black Widow in the Marvel Cinematic Universe—positions her as a compelling choice for a complex role in Gotham’s shadowy streets. The Batman Part 2 is currently in pre-production, with filming scheduled to commence in May of next year. The film is targeted for a theatrical release in 2026, although official dates may be subject to change. Director Matt Reeves returns to helm the sequel, ensuring continuity in the vision and tone that made the first installment a critical and box office success. Johansson’s addition is expected to boost the already stellar lineup led by Robert Pattinson as Bruce Wayne/Batman. Within hours of the announcement, social media platforms lit up with enthusiastic posts and trending hashtags. Speculation is running rampant with guesses of her role ranging from villains like Poison Ivy and Harley Quinn to love interests like Silver St. Cloud and Vickie Vale. One of the more popular suggestions is that Johansson could be playing Andrea Beaumont, a love interest and antagonist from the hit animated film Mask of the Phantasm. The casting has not been confirmed and neither the studio nor Reeves has commented since the story broke. 
12/06/25 @ 1:50 pm EST
In a dramatic shift for the entertainment industry, Netflix has announced its acquisition of Warner Bros, one of Hollywood's most iconic studios. This unprecedented deal marks a pivotal moment in the ongoing evolution of media and streaming services. Netflix, already a leader in streaming content, has been searching for ways to expand its library and production capabilities. Warner Bros, with its vast catalog of beloved films and television franchises—including the Harry Potter, DC, and Looney Tunes properties—represents a treasure trove of content and creative resources. The acquisition signals Netflix's commitment to not only dominating streaming but also to strengthening its influence in theatrical releases and television programming. Though Netflix has been against theatrical releases in the past, in a recent statement they said they planned to continue them for Warner Bros films just with a shorter release window. By purchasing Warner Bros, Netflix gains access to a library of classic and highly profitable intellectual properties. This move allows Netflix to offer exclusive streaming rights to blockbuster franchises, while also leveraging Warner Bros’ production infrastructure. The deal also positions Netflix to compete more directly with other major studios and streaming platforms, such as Disney and Amazon. Industry analysts predict that this acquisition will accelerate the consolidation trend within the entertainment sector. Other studios and streaming services may seek mergers or partnerships to remain competitive. Audiences can likely expect a surge in new content, including reboots, spin-offs, and original productions drawing from Warner Bros' legacy. For Netflix subscribers, the platform could soon become the go-to destination for both new releases and classic favorites. While some industry veterans express concern about further consolidation of media power, others see this as an opportunity for innovation and greater investment in high-quality storytelling. Only time will tell how this landmark deal reshapes Hollywood and the global entertainment landscape.  ... 11/29/25 @ 11:47 am EST
If you’re of a certain age, then you realize that Peter Hammond was not the first live-action Spider-Man to appear on television screens. That honor goes to Jim Hensen puppeteer Danny Seagren who was a regular on both Sesame Street and The Electric Company. Seagren was both a puppeteer and puppet maker and was the right hand of Ernie along with putting on the Big Bird suit on several occasions including an appearance on the Ed Sullivan Show. He was also the web slinger on the show that started the careers of Rita Moreno and Morgan Freeman as both shows fell under the Children’s Television Workshop. He went on to create puppets for other series like Curiosity Shop, Captain Kangaroo and Who’s Afraid of Opera. “Danny will be greatly missed by his family, friends and those throughout the community he loved living in,” his family said in his obituary. Seagren died on November 10th at the age of 81.  11/29/25 @ 11:31 am EST
Director Shawn Levy has officially hired renowned composer Thomas Newman to craft the score for his upcoming Star Wars: Starfighter film. The collaboration marks a significant moment for the celebrated sci-fi franchise, as Newman steps into a universe long defined by the iconic music of John Williams. His distinguished career includes memorable scores for films such as The Shawshank Redemption, Finding Nemo, and 1917, brings a fresh perspective to the Star Wars saga. Over the years, Newman has earned an impressive 15 Oscar nominations, a testament to his exceptional talent and enduring impact on the film industry. Levy, celebrated for his work on blockbusters like Free Guy and Deadpool and Wolverine, and the hit series Stranger Things, expressed enthusiasm for the partnership. He highlighted Newman's ability to blend sweeping orchestral moments with subtle, character-driven motifs—a style well-suited to the expansive and adventurous spirit of Star Wars. While plot details remain under wraps, Levy and Newman’s collaboration promises a thrilling and emotionally resonant cinematic experience.  11/16/25 @ 12:48 pm EST
While most of the focus over at Marvel Studios is currently on the pair of upcoming Avengers films, Ryan Coogler is ready to return to Wakanda for a third Black Panther film. We’d heard of the possibility of the film originally from Denzel Washington who, while speaking of his potential retirement, mentioned the film as one of his future projects and then when Nate Moore left Marvel last year, he said he would be back producing the third Black Panther film. Now, Coogler himself said while on stage talking about his film Sinners, that Black Panther 3 would be his next movie. The series kicked off with Chadwick Boseman as T’Challa, king of the African Nation of Wakanda and while he reprised the role in Avengers: Infinity War and Endgame, he sadly passed away shortly after. The sequel dealt with the characters death and passed the mantle on to his sister Shuri played by Letitia Wright who is expected to reprise the role in the upcoming Avenger films, but with talks of a potential soft reboot of the MCU, it’s unclear who will be wearing the mask for the third film.  11/16/25 @ 12:31 pm EST
The most recent news on the DCU has to do with Jimmy Olsen. Variety is reporting that Skyler Gisondo will reprise his role from Superman in a true-crime docuseries style show that focuses on villains in the universe starting with the Flash rogue, Gorilla Grodd. Tony Yacenda and Dan Perrault are set to write and showrun with James Gunn and Peter Safran joining them as executive producers. The show is planned for HBO Max and will be a mockumentary style similar to Yacenda and Perrault’s previous series like American Vandal and Players. In the original report, Variety claimed the series would be called DC Crime, something Gunn took to social media to debunk, saying there had never been any project in production called DC Crime, he then added that his saying that doesn’t mean that the rest of the report is false. This sounds like a pretty good confirmation to me.  11/15/25 @ 12:49 pm EST
A new Star Trek film is in the works and Paramount is tapping the team of Jonathan Goldstein and John Frances Daley to write, produce and direct. This news comes shortly after David Ellison, founder of Skydance who recently purchased the studio, told investors that the next Star Trek film would not be a sequel to the Chris Pine/ Zachary Quinto lead series of films. While this hasn’t been 100% confirmed, word is that the new film will be focused on new characters and not directly tied to any previous film or television series. Goldstein and Daley have a good track record when it comes to revitalizing franchises having written Spider-Man: Homecoming for Marvel Studios and wrote and directed Dungeons & Dragons: Honor Among Thieves which was very well received by fans and critics.  11/15/25 @ 12:32 pm EST
With The Fantastic Four: First Steps having moved to Disney+, the Pedro Pascal and Vanessa Kirby lead team is now first in fans minds. But one person still thinks about the First Family of Marvel presented a decade ago and what went wrong. Miles Teller, who played Reed Richards in Josh Trank’s 2015 version of the property, still thinks about the project and how he believes the problems all came down to one person. Teller was on Sirius XM’s Radio Andy show said, “You saw the movie, right? Your eyes were working during that time? I think it’s unfortunate because so many people worked so hard on that movie. And, honestly, maybe there was one really important person who kind of f***ed it all up.” While Teller didn’t say who that was, he was referring to the person who made the final cut on the film, which was not director Trank. Teller said that he wanted a superhero film on his resume to help show him as a serious leading man, but after seeing the final cut recalled, “I remember talking to one of the studio heads, and I was like, ‘I think we’re in trouble.'” The 2015 version made $167 million worldwide compared to this year’s version which made $521 million. He stopped short of calling for a director’s cut of the film.  11/09/25 @ 2:03 pm EST
The Creeper is a unique character from DC Comics, first introduced in "Showcase #73" in 1968. Created by Steve Ditko, The Creeper’s real name is Jack Ryder, a former television talk show host and investigative journalist in Gotham City. After being attacked during an undercover operation at a costume party, Ryder is injected with a serum by Dr. Yatz and gains superhuman abilities, including enhanced strength, agility, rapid healing, and a pain tolerance bordering on the supernatural. The serum, combined with a bizarre costume, transforms him into The Creeper, a vigilante known for his wild laughter, erratic behavior, and flamboyant appearance—a shock of green hair, yellow skin, and a red mane-like cape. The Creeper remains largely untouched by mainstream media, providing an opportunity to introduce audiences to a fresh face and break away from more established archetypes. His blend of horror, humor, and psychological complexity could create a film that stands out from traditional superhero fare. The Creeper’s unsettling persona and visual style lend themselves well to a film that could blend genres—horror, black comedy, and superhero action. His maniacal laugh and unpredictable methods could inject dark humor and psychological thrills, appealing to fans of films like "Joker" and "Deadpool" while carving out a distinctive identity in the DCU. Jack Ryder’s journey from cynical journalist to bizarre vigilante offers rich storytelling potential. Exploring themes of identity, sanity, and the nature of heroism, a Creeper film could delve into Ryder’s internal struggles and the impact of his dual life, making for a character-driven narrative that resonates with audiences seeking depth and complexity. And with being set in Gotham City, The Creeper’s adventures naturally intersect with the city’s gritty underworld, providing opportunities for noir-style detective storytelling. His background in journalism and investigation can be leveraged to create suspenseful plots involving corruption, criminal conspiracies, and moral ambiguity—making him an ideal protagonist for a film that explores the darker aspects of the DC Universe. The Creeper stands as one of DC Comics’ most unconventional and intriguing characters. His untapped potential, distinctive personality, and ability to straddle multiple genres make him a perfect candidate to lead a film in the new DCU.  ... 11/09/25 @ 1:37 pm EST
Predator: Badlands is doing very well, thanks for asking. The latest film in the long-running franchise set a few high franchise marks including domestic opening with $40M, best worldwide opening with $80M and best Cinemascore with an A-. The film also sits a the top of this week’s box office beating out the 2nd place film, Regretting You, by $32.9M… though that film is in its 3rd week. Other new films opening this week, Sarah’s Oil and Nuremberg, opened in 4th and 5th with just over $4M each. Badlands is the third Predator project for director Dan Trachtenberg, the first Prey showed how he could handle the franchise but then he wanted to follow it up with an animated film, Killer of Killers and then for the first time Badlands make the Predator the protagonist. 
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