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08/30/16 @ 8:15 pm EST
A Writer’s Commentary: Corinna Bechko talks Miss Fury #5, the grand finale, on sale now from Dynamite. Cover by Tula Lotay and interiors by Jonathan Lau. Page 1:Since this is the fifth and final issue of this miniseries, I wanted to pull back a little and show that these events weren’t happening in a vacuum. I always wanted this story to be grounded in the time period, and that means WWII. So here’s a little reminder of this, as well as something that will be important to the plot later. Page 2:And now we are back in the action with our hero. Things aren’t going so well just now. Page 3:I absolutely loved working with Jonathan Lau. Every time I saw the art for this book I wanted to write my editor and thank him for pairing us up. This was a demanding script (being married to an artist and hearing his perspective gives me a pretty good sense of that) so all respect to Jonathan for making it so much more than what I envisioned. Page 4 & 5:Because this is the finale, there’s a lot of action, and a lot of Miss Fury really mixing it up. I didn’t want to shy away from that, so she gets hit pretty hard sometimes. I think if you take it upon yourself to fight crime (or, you know, interdimensional demons) you’re probably going to end up pretty bruised. Page 6 & 7:And it’s not like Marla can’t hit back. She can, and she does. And Jonathan makes it all feel really visceral, which is fantastic. Page 8:I like to change scenes on a page turn, when possible, and even though this issue is pretty jam-packed, it did happen here. I thought it was important to have a quiet, desperate moment in the middle of all that action. Without pauses action can become a wall that doesn’t admit much thinking, and I try to write in a way that invites participation on the part of the reader. Page 9:Now we’re back with the action. I personally find drowning and giant waves pretty scary, so sometimes that translates into what happens on the page. From the start I knew we’d end up on the sea – that was the whole point of the mystery about the ship building plans, of course – and that, to me, means a scary, angry ocean. Page 10:Jonathan did an absolutely beautiful job with this splash. All my inner ocean demons made manifest! Page 11:Finally, Marla asks the most important question. The cult members are still rapturous, but I love that Jonathan has rendered them so that you can tell that at least a couple are starting to have doubts even though they’re wearing masks. Page 12:I’m really happy with how this page turned out. The action is completely clear, and we get a sense of what Marla’s up against by seeing her against just a small part of the creature. To me, this illustrates the size and weight of what’s going on much better than if we had seen the whole thing with Marla tiny in frame. Page 13:The return of the cat! This is the scene I was leading up to the whole time. From the beginning I liked the notion that Marla was the cat… And yet, maybe she isn’t really. The only important thing is what she believes – and that is left just a little bit open so that the reader can make their own decisions. Page 14:Did Marla make this leap herself? Or did the cat do it? Either way, she’s a woman of action, so she’s going to act instead of worrying about it. To me, that attitude is what makes her a great action hero, and a big part of what made her so much fun to write. Page 15:She’s got to be careful now, so this is a silent page as she creeps back on board, newly emboldened. That last silhouetted panel is one of my favorites. Page 16 & 17:Of course, things can’t be too easy. She’s got one final fight on her hands, and she’s got to win. But even in her Miss Fury guise, she can’t forget that she’s also Marla, a woman with friends and a life outside of fighting evil. Page 18 & 19:Giant action! Everything is coming apart, and it’s a violent mess. The colors really help tell the story here, moving from the cool, spooky pallet we’ve been seeing to some really sharp, warm colors. Nicely done, Vinicius Andrade! Page 20 & 21:The aftermath. Marla won, with some help from her friends, but no one emerged unscathed. So there’s a lot of grief mixed into the victory here. And I should take a moment and point out what a great job Simon Bowland did with the lettering on this whole series. I’ve worked with Simon a lot lately, and he always brings something extra to the feel of a work. It’s easy for lettering to be sterile, or distracting, but here it all works with the mood and tone of the story. Page 22:The end… And a heroic pose from our hero! She’s battered, but not broken, a bit wiser, but no less ready to face whatever’s coming next. In case it wasn’t already clear, I have a great affection for Miss Fury, and I’m thrilled I had the chance to write this story for Dynamite! 
04/18/26 @ 12:44 pm EST
David Harbour is heading into the jungle. The actor has joined the cast of John Rambo, an upcoming origin-story film set before the events of First Blood. Harbour will portray Major (also known in earlier films as Colonel) Sam Trautman, the tough-minded commander and mentor figure long associated with the franchise. The film stars Noah Centineo as a younger John Rambo and is directed by Jalmari Helander ( Sisu) from a screenplay by Rory Haines and Sohrab Noshirvani. The project is expected to explore the experiences that forged Rambo into one of action cinema’s most enduring figures—years before he returned home to the confrontation that launched the original 1982 film. John Rambo is backed by Lionsgate and Millennium Media, with Templeton Media and AGBO also involved, and has reportedly wrapped production in Thailand. Additional cast members include Yao, Jason Tobin, Quincy Isaiah, Jefferson White, and Tayme Thapthimthong. Sylvester Stallone—who originated the role across five films—is attached as an executive producer, alongside Anthony and Joe Russo and other producers tied to the project.
04/18/26 @ 12:24 pm EST
Deadline is reporting that Game of Thrones actor Charles Dance will be joining the cast of the upcoming The Batman Part 2, which is set to start filming in the next few weeks. While this is unconfirmed by DC Studios, Dance is believed to be playing Charles Dent, the father of Harvey Dent aka Two-Face played by fellow newcome to the franchise, Sebastian Stan. There had been many reports over the last few months of other actors turning down the role of the elder Dent which is believed to have some parallels with the role Dance is best known for, Tywin Lannister. He joins a cast that also returns Robert Pattinson, Andy Serkis, Colin Farrell and that has added Scarlett Johansson in an undisclosed part. Prior to joining the Matt Reeves’ sequel, Dance appeared recently in Guillermo Del Toro’s Frankenstein and the Peacock series Day of the Jackal.
04/11/26 @ 11:27 am EST
FX is doubling down on one of television’s most unlikely success stories. The Emmy‑winning docuseries Welcome to Wrexham has been officially renewed for three additional seasons, ensuring the show will run through at least Season 8. The announcement comes just weeks ahead of the series’ Season 5 premiere on May 14, 2026. The series chronicles the ownership journey of Ryan Reynolds and Rob McElhenney—often credited onscreen as Rob Mac—after their 2020 takeover of Welsh football club Wrexham AFC. What began as a celebrity‑owned sports experiment has evolved into one of FX’s most successful and beloved nonfiction franchises, following the club’s extraordinary rise through the English football pyramid. FX Entertainment president Nick Grad called the renewal “nearly unheard of,” praising the creative team and the global connection audiences have formed with the club and its community. Reynolds and McElhenney echoed that sentiment in a joint statement, crediting the documentary crew and Wrexham’s rapid on‑field success for making such a long‑term commitment possible. Season 5 will continue to track Wrexham’s pursuit of promotion to the Premier League following three consecutive promotions, a feat never before achieved in English Football League history. With cameras set to keep rolling for years to come, FX has made it clear that Wrexham’s story—both on and off the pitch—is far from finished.
04/11/26 @ 11:17 am EST
As anticipation builds for DC Studios’ upcoming Superman sequel Man of Tomorrow, speculation around its final unannounced role has gone into overdrive. Over the past several days, a wave of casting rumors surged online—only to be decisively debunked by director and DC Studios co‑chair James Gunn himself. The most prominent rumor centered on the alien queen Maxima, a character from DC Comics long speculated to appear in the film. An initial report from Deadline claimed that Ella Purnell, Marisa Abela, and Adria Arjona had screen‑tested for the role. Gunn fired back on Threads, calling the report “shoddy & incorrect” and stating that he had never even met two of the actresses named. He emphasized that had anyone from the outlet checked with the production, the story would have been immediately denied. Gunn further clarified that his statement was not an indirect confirmation that Maxima is in Man of Tomorrow at all. When pressed by fans, he said he was “absolutely not confirming” the character’s inclusion, while adding that the film has only one remaining role left to cast, with all major roles already announced. Shortly after Gunn posted, the Hollywood Reporter came out with its own list of finalists for the role that included Arjona, the one actress in the first report that Gunn has worked with previously, along with Eva De Dominici, Sydney Chandler, and Grace Van Patten. Another rumor floating around is that Maxima is just a cover character and that they are really casting the DCU’s new Wonder Woman. While the character’s stories are very different, the physicality of both women are similar enough and it would be a good cover if DC Studios wanted to keep the introduction of a major character quiet. Which ever it is, a decision will need to be made soon as Man of Tomorrow is slated to begin filming sometime this month down in Atlanta and is slated to be released July 9th, 2027.  ...
04/05/26 @ 4:17 pm EST
Marvel fans may finally be getting the reunion they’ve been waiting for. Mike Colter and Finn Jones were recently spotted on the New York set of Daredevil: Born Again season 3, sparking widespread excitement that The Defenders are officially back. Photos from the production show Colter and Jones alongside Krysten Ritter, who reprises her role as Jessica Jones, strongly suggesting that Luke Cage and Iron Fist are once again entering Marvel’s street-level corner. While Marvel Studios has not formally announced their return, the presence of all three actors together during filming points to a deliberate reunion rather than a coincidence. The sighting is significant because Colter and Jones last portrayed their characters during Marvel’s Netflix era, where they joined Charlie Cox’s Daredevil and Ritter’s Jessica Jones in the 2017 crossover miniseries The Defenders. With Daredevil: Born Again already reestablishing that continuity on Disney+, season 3 now appears poised to fully reassemble the team for the first time in nearly a decade. Although plot details remain under wraps, the set photos alone have reignited fan enthusiasm for Marvel’s grounded, Hell’s Kitchen–based heroes. If the reunion is confirmed on screen, Daredevil: Born Again season 3 could mark a major turning point—bringing The Defenders back together and firmly reintegrating Marvel’s Netflix characters into the broader MCU.
03/28/26 @ 1:40 pm EST
Games Workshop has officially unveiled Warhammer 40,000: 11th Edition, confirming that the next evolution of its flagship tabletop wargame will launch in June 2026. The announcement was made during the AdeptiCon 2026 preview event, where a cinematic trailer, a new starter box, and early details about rules changes were revealed. The narrative focus of 11th Edition returns players to Armageddon, one of the most iconic war zones in Warhammer 40K lore. The new storyline centers on a massive conflict between the Imperium of Man and invading Ork forces, with the Blood Angels Space Marines positioned as the headline Imperial faction opposing an Ork Waaagh!. A major lore highlight is the confirmed return of Commissar Sebastian Yarrick, a long‑standing fan‑favorite character closely associated with Armageddon’s wars. His reappearance anchors the edition firmly in classic Warhammer history while advancing the ongoing narrative following recent campaign books. The launch of 11th Edition will be accompanied by a new boxed starter set titled Warhammer 40,000: Armageddon. The set includes newly revealed Space Marine and Ork miniatures, with early previews showing updated Intercessors that blend modern Primaris design with visual callbacks to older armor marks. While the full contents of the box have not yet been detailed, Games Workshop confirmed that additional starter products at different price points will follow, continuing the company’s recent approach to onboarding new players. Unlike the dramatic overhaul that accompanied 10th Edition, early information indicates that 11th Edition is designed as an iterative update rather than a full system reset. Existing 10th Edition Codex and Supplement books will remain valid at launch, meaning players will not need to immediately replace their current army rules. Confirmed design goals include streamlined core mechanics, reduced rules stacking, and a closer alignment between narrative and matched play. Games Workshop has emphasized faster gameplay, clearer interactions, and improved balance without discarding the foundations introduced in the previous edition. Although the June 2026 release window has been confirmed, many specifics—such as the full ruleset, complete model lineup, and codex roadmap—remain under wraps. Games Workshop has stated that deeper rules previews and additional reveals will be shared in the months leading up to launch.  ...
03/28/26 @ 1:16 pm EST
While attending a comics convention this weekend, Tom King offered fans a substantive update on the long‑anticipated Mister Miracle animated series, confirming that the project has moved into a significant new phase of development. King, who serves as both lead writer and showrunner on the series, revealed that the pilot episode has now been completed. According to his comments at the event, the show is no longer in early conceptual stages but is actively progressing, with King currently involved in editing the series and writing later episodes. One of the biggest takeaways from the panel was confirmation that a voice cast has already been hired. While no names were announced, King teased that fans would be extremely excited once the cast is officially revealed, suggesting that announcements are likely forthcoming. The Mister Miracle animated series is based on the acclaimed 12‑issue comic run written by King and illustrated by Mitch Gerads. During the panel, King reiterated that the show is aiming to closely reflect Gerads’ distinctive visual style, an approach that has been a priority throughout development. This commitment aligns with previous statements that the production is pushing the boundaries of animation to faithfully translate the look and tone of the original comics. King also confirmed that the series is set within the DC Universe and that he is writing all eight episodes himself. His dual role as writer and showrunner positions the project as a deeply personal adaptation of his Eisner Award–winning work, rather than a loose reinterpretation. Although no release date was announced during the convention, King’s update makes it clear that Mister Miracle is firmly in active development rather than stalled or uncertain. The completed pilot and hired voice cast mark major milestones, signaling that the project is steadily moving forward.  ...
03/21/26 @ 1:51 pm EST
With HBO and DC Studios’ upcoming series Lanterns positioning itself as a grounded, detective‑style drama, fans are paying close attention to how the show will deploy one of the Green Lantern mythos’ most iconic figures: Sinestro. Officially confirmed to appear in the series and portrayed by Ulrich Thomsen, Sinestro’s inclusion signals that Lanterns is not just telling a crime story—it is laying the foundation for the moral and ideological conflicts at the heart of the Green Lantern universe. According to DC Studios’ official character description, Sinestro is a former Green Lantern who turned rogue after abusing his power. He is described as “ruthless yet undeniably charming,” with a manipulative obsession centered on his former mentee, Hal Jordan. Jordan is being played by Kyle Chandler. This immediately suggests that Sinestro’s role in Lanterns will be personal rather than purely antagonistic. Rather than functioning as a straightforward villain to be defeated, Sinestro is more likely to appear as a philosophical counterpoint to Hal Jordan. In the comics, Sinestro believes order must be enforced through fear, not willpower or trust. Translating that worldview into a grounded HBO drama fits perfectly with the show’s True Detective-inspired tone, where moral certainty is often elusive. Lanterns centers on Hal Jordan and John Stewart (Aaron Pierre) as intergalactic law officers investigating a murder in the American heartland. While the crime is Earth‑based, the implications are cosmic, and Sinestro’s presence may loom over the investigation rather than dominate it outright. Given Sinestro’s history as Hal Jordan’s mentor, one plausible role is that of a symbolic embodiment of Hal’s past failures. Sinestro may serve as a reminder of what happens when a Green Lantern decides the rules no longer work—or that he alone should decide how justice is delivered. This framing would reinforce Hal’s status as a seasoned Lantern nearing the end of his career, forced to confront the ideological consequences of the Corps’ authority. Production reports confirm that Sinestro is a recurring character, not necessarily the central antagonist of every episode. That opens the door for a more subtle narrative function: Sinestro as a background manipulator. Rather than openly opposing the Lanterns, Sinestro could be: Feeding Hal Jordan information to test his judgment, quietly steering events tied to the murder investigation or Serving as a warning figure for John Stewart, illustrating what a Lantern can become when certainty replaces empathy. This approach aligns with comments from Ulrich Thomsen, who hinted on social media that his time as Sinestro may not be finished, suggesting long‑term narrative relevance beyond a single season. While Lanterns is firmly Earth‑based, it exists within DC Studios’ broader DC Universe (DCU). Sinestro’s introduction here may function less as a payoff and more as setup. In DC canon, Sinestro is to the Green Lanterns what Lex Luthor is to Superman—a recurring ideological nemesis rather than a one‑time foe. By grounding Sinestro early as a calculating, persuasive presence rather than a spectacle‑driven villain, Lanterns could be positioning him as: A future architect of larger DCU conflicts, a connective figure between cosmic and Earth‑level stories or as a moral antagonist whose philosophy spreads rather than attacks. Nothing beyond Lanterns has been officially confirmed, but Sinestro’s stature in DC lore makes his appearance here feel intentional rather than incidental. Based on what is known, Sinestro’s role in Lanterns is unlikely to hinge on spectacle. Instead, he appears poised to challenge the core identity of the Green Lantern Corps—and of Hal Jordan himself. Whether he appears as a mentor‑turned‑enemy, a manipulative observer, or a philosophical provocateur, Sinestro represents the question at the heart of the series: Is justice about enforcing order—or believing people can choose to do better? In a show built around investigation, doubt, and moral consequence, Sinestro may not be the loudest presence—but he could be the most dangerous one.  ...
03/21/26 @ 1:35 pm EST
The entertainment world is mourning the loss of Nicholas Brendon, the actor best known for his role as Xander Harris on the beloved television series Buffy the Vampire Slayer. Brendon passed away at the age of 54, his family confirmed, stating that he died in his sleep of natural causes. News of his passing has prompted an outpouring of tributes from colleagues, friends, and fans who grew up with his work and were touched by his honesty and humanity. Born in Los Angeles in 1971, Brendon rose to international fame in 1997 when he was cast as Xander Harris, the witty, loyal, and often self‑deprecating heart of Buffy the Vampire Slayer. Appearing in all seven seasons of the series from 1997 to 2003, Brendon helped shape one of television’s most enduring ensemble casts. Xander, the lone member of the group without supernatural powers, became a relatable stand‑in for audiences—grounded, flawed, brave, and deeply human. Following Buffy, Brendon continued to work steadily in television and film. His credits included recurring roles on Criminal Minds and Private Practice, as well as appearances in Kitchen Confidential, Faking It, and cult films such as Psycho Beach Party and Coherence. While none matched the cultural impact of Buffy, his performances were often praised for their sincerity and emotional openness. In later years, Brendon spoke candidly about his personal struggles. He was open about living with addiction, mental health challenges, and serious medical conditions, including a congenital heart defect and complications from spinal injuries that required multiple surgeries. His willingness to discuss these issues publicly resonated with many fans, who saw in him not just a television star, but a person navigating real and painful challenges while continuing to create. Despite these difficulties, Brendon remained creatively driven. According to his family, he found renewed passion in painting and visual art in recent years, sharing his work with friends and supporters. In their statement announcing his death, they remembered him as “passionate, sensitive, and endlessly driven to create,” and asked for privacy as they grieve and celebrate his life.  ...
03/14/26 @ 2:53 pm EST
Multiple sites, including Deadline and Variety, are reporting that one of the stars of the upcoming HBO series Lanterns will be making taking his character to the big screen. Aaron Pierre, who plays new Green Lantern John Stewart, is now set to appear in the upcoming James Gunn film Man of Tomorrow. Though not officially a Superman sequel, MoT stars David Corenswet and Nicholas Hoult reprising their roles as Superman and Lex Luthor along with other returning cast members Rachel Brosnahan, Skyler Gisondo and Sara Sampaio. This film will also introduce another popular DC Comic’s villain, Brainiac, played by German actor Lars Eidinger. Pierre joins DC’s cosmic police force along with Kyle Chandler as Hal Jordan as they team up to investigate a murder in Nebraska. The tone of the Lanterns series is much darker and grounded, in the style of a True Detective season, but this move drives home that the series is connected to Gunn’s growing DC Universe that also includes Peacemaker and the animated Creature Commandos. The interesting thing to note is that while Pierre’s Stewart will appear, there is no word on whether Nathan Fillion’s Guy Gardner, the Green Lantern introduced in Superman, will return. Fillion is also set to appear in Lanterns, having told reporters he has sworn more in his appearance in the upcoming series than in all of his previous roles combined. This may not bode well for the ring-wielding hero or his bowl cut. Lanterns is set to debut in August on HBO Max and Man of Tomorrow is scheduled for July 2027.
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