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09/02/16 @ 9:56 pm EST
A Writer’s Commentary: Elliott Serrano talks the Army of Darkness: Election Specialone-shot, now on sale from Dynamite. Cover by Elliot Fernandez and interiors by Diego Galindo. Page OneHey everyone! Elliott Serrano, former series writer for “Army of Darkness”, here with a writer’s commentary for the “Army of Darkness: Election Special.” I had a lot of fun writing it, when I wasn’t banging my head against a wall trying to balance a number of story elements in a comic book about a store clerk turned monster hunter running for president of the United States.For all you millennials, the title is a nod to the political thriller “The Manchurian Candidate.” The book has also been referred to as “Ash For President,” but we’d rather not confuse it with the current ad campaign Starz has going for the “Ash VS Evil Dead” television series. Some folks have asked me if we were inspired by the television show or anything that happened during the show to produce this story, and I’ll just come out and say…nope.The idea of having Ash get involved in the presidential race was proposed by Dynamite Entertainment editor Joe Rybandt as one of several scenarios where we could use the AoD title to comment on the current state of American politics. And after my experience with the “Ash Saves Obama” mini-series, Joe asked me if I’d take a crack at it. I’m glad that I did! So we start off with the image of our hero holding the Necronomicon and recounting some of his previous adventures, this way we get a sense of where this story takes place in Ash’s “timeline.” Page TwoThis image of the Necronomicon screaming came to me in the shower, which oddly enough is when a lot of story ideas tend to pop into my head. I wanted to start the story off with a powerful image, and I couldn’t think of another time when the book behaved in this manner. Notice the little details that artist Diego Galindo puts in Ash’s apartment? I made a note in the script that Ash’s “hovel” not look like the trailer that he lives in in the new series — we didn’t want to get into any problems with the licensors — but Galindo still managed to sneak an Easter egg or two in there. Page ThreeNow we’re off to meet the sidekick for this adventure. Of course when you’re dealing with demons and strange prophecies, you need to bring a psychic into the mix. Originally this character was going to be a man with a daughter who Ash would flirt with, but then I realized that I was just cluttering the story with too many characters and made the medium a woman. She’s named after author and friend Delilah S. Dawson who has written YA novels and even a Star Wars novella. I’d love to see her take a crack at Army of Darkness someday!It should also be noted that the script simply describes Delilah as “a looker.” Diego came up with her appearance all on his own. I wonder if she looks like anyone he knows? I’ll have to ask him if I ever see him. Page FourSo here’s where we set up the dynamic between Ash and Delilah. Of course Ash is the wise-ass who wants to impress the pretty girl. But I wanted Delilah to come across as someone who could hold her own with him. I had this whole backstory in my head about how Delilah grew up in a family of mediums, witches and warlocks, and that she had many adventures of her own before meeting Ash. She’s not going to be a “screaming mimi” in this story, as we’ll see later on. Page FiveIt’s important for Delilah to demonstrate that she is in fact a true psychic medium and not some fraud since her powers really play a vital part in the story. She establishes a link to the Necronomicon and can see everything the demon presence within the book is experiencing… Page Six…which is a threat that is unlike anything Ash has ever faced before (of course it is, this is a 48-page special!) and even has the demon realm frightened. Diego manages to sneak a couple more Easter eggs in this scene, including a cameo by a particular “Evil Dead” demon. By the way, the name of “The Great Darkness” is my tip of the cap to Paul Levitz’ “Great Darkness Saga” from DC Comics’ “Legion of Superheroes”, my favorite Legion story of all time. Page SevenAt this point, Ash is justified in being skeptical of anything the Necronomicon Ex Mortis says to him. It’s not as if the book has ever done him any favors. I even have Ash call back to a particular adventure he went on when I was writing the main series. But having Delilah share the vision is where we establish that this appears to be a credible threat and not something the Necronomicon is making up to send Ash into a trap. Page EightWe then introduce the political element of the story and the potential “agent” of the Great Darkness, who we learn is one of the candidates running for President of the United States. This makes things a bit more complicated considering the solution the Necronomicon has for dealing with the agent, which makes Ash really uncomfortable! Page NineThe “solution” also made the Dynamite Entertainment legal department uncomfortable as well since publishing a comic about a character out to kill a presidential candidate is problematic — to say the least — especially in the current political climate. It was important to emphasize that Ash wasn’t all too keen on his mission, and that there could be some hidden agenda that he hadn’t discovered yet. Still, having Delilah along lends some credence to the threat and let’s face it, Ash isn’t all that bright, so he needs a smarter head around to point him in the right direction. Page TenNow we see the state of the presidential election in the AoD universe, where the candidates are very similar to the ones from our world but with some noted differences. For legal reasons we couldn’t use the actual presidential candidates, so I created amalgams and mixed up the traits a bit. Senator Brock Anders is the Democratic candidate, who in the script I described as a “college professor-looking type” to account for his appeal to younger voters. And also account for Ash’s eventual disdain for him. Page ElevenWe then switch over to the Valerie Sexton rally where I dropped some in-jokes that political wonks (like me) will enjoy. The original name of Senator Sexton went through a change because “Chilton” sounded it bit too much like a certain former Secretary of State and New York Senator. Yet another thing that legal got a little nervous over. Page TwelveNow, if I get hate mail over this book, I’m guessing it’ll be for this part of the story. Nobody likes it when you poke fun at third party candidates, but in the AoD universe, everyone is fair game! Introducing the 3rd party made perfect sense here, though, and opened up some interesting possibilities. Page ThirteenAs I was hashing out the plot, I wasn’t quite sure how Ash fit into the story as a potential “candidate”, or if at all. Going through plot ideas, at one point I thought that instead of being a candidate, Ash could be on the fringes of the campaign. He’d be like one of those conspiracy theorists who believes that 9/11 was an inside job, or that Obama was a secret Muslim who was born in Kenya. You know, a nutjob, but a nutjob we liked because we knew him.And again, I found that I was needlessly cluttering the story with overly clever plot points when the most straightforward solution worked best. I also realized that not having Ash in the midst of the race would be a disappointment to many of his fans. The book is often referred to as Ash for President, and I didn’t want readers to feel misled. (For example, I still get grief for not having Ash and President Obama actually meet in the “Ash Saves Obama” miniseries I wrote years ago.) So here we have Norman Treadwell of the “Patriot Party” using catchphrases and rhetoric that sounds oddly…familiar. Page FourteenAlso note that the Necronomicon is an active player in this whole scenario. That was another element of the story that just made it more interesting for me as a writer. And here is where Ash finds himself going from observer of this whole political process… Page Fifteen…to getting thrown into it, quite literally! Because you can’t have an AoD story without some Deadite mayhem, this seemed like a good time to cut the chatter and throw some action in to move things along. Again, Diego does a nice job of laying it out and going from comical to brutal, just like in the Evil Dead movies. Page SixteenAnd here is where people on social media are going to allege that I’m a right-wing gun nut, which I’m really not. You’ve gotta admit, though, the line works. This sequence is meant to show how the cult of personality often takes hold in the election process. It’s not who you are or what you can do that matters, but how people perceive you. Page SeventeenYet again, the Necronomicon gets involved, and this is where Ash’s role is solidified in the story. How do you get a store clerk to run for president? Same way you get the nation to talk about Joe the Plumber. Give him 15 minutes of fame and fan the flames a bit. I say that this is Shakespeare’s “Some are born great, some achieve greatness, and some have greatness thrust upon them” in play. Page Eighteen & NineteenThese pages take me back to my discussions with Joe Rybandt and how the story would play out. After some back-and-forth, I said “Ash runs for president and has the Necronomicon as his campaign manager.” Not that great a stretch when you consider that George W. Bush had Karl Rove as his campaign manager. Also, I wanted to refer to the National Association for the Right To Bear Arms as NARBA, but it sounded too much like NAMBLA and well…hate mail. Page TwentyAnd now the cable news networks – with their 24-hour news cycles desperate for new content – get involved. Global News Network and CONservative News will play a major part in this election, just like their “real world” counterparts do in ours. Shout out to Diego for the Bill O’Reilly-looking CON News pundit. That was a nice touch. Page Twenty-OneFor those who aren’t familiar, here’s the quote that Ash mangles in his stump speech: “It is a well-known fact that those people who must want to rule people are, ipso facto, those least suited to do it… anyone who is capable of getting themselves made President should on no account be allowed to do the job.” – Douglas AdamsHe did say he wasn’t very good with words, right? Page Twenty-TwoIf you can’t tell, Sexton and Anders’ campaign rhetoric is inspired by almost a year of listening to Clinton and Sanders going back and forth, and how the media has been disseminating their messages to the public. If you ask me, television and social media have played a greater role in this presidential election than in any before. Especially when you consider that the most controversial candidate of the 2016 election got almost all of his exposure for free via the television news networks. We all agree that Trump is a deadite, yes? Page Twenty-ThreeHere’s is where we get to the “deal with the devil” part of the story. And it’s inspired by a scene from “The West Wing” when Josiah Bartlett admits to a group of farmers that he screwed them on a tax bill. His matter-of-fact speaking is what gets Josh to work for him. Well, Ash is no Josiah Bartlett, but he is a decent guy, so he believes in the inherent good of people. On the other hand, the Necronomicon only knows people for the bad that they can be. And he’s telling Ash that if he wants people to listen to him, he needs to appeal to that darker side of human nature. So when Ash starts off mimicking the rhetoric he’s heard and seeing that it’s not getting him anywhere… Page Twenty-Four…he decides to go with the Necronomicon’s advice and lies to the group of veterans. It’s a lie of omission, yes, and in his own head he can rationalize it to himself because while he may not be a veteran of a human war, he has been fighting against the armies of darkness for decades. So using his own amputation as evidence that he is a fellow veteran is rather deceitful, but has it’s own logic.From here on out Ash is using the Necronomicon’s brand of “truth”, which is mostly lies mixed with a bit of truth. He’s finally become a politician. Twenty-FiveBack to the 24-hour news cycle and suddenly our man Ash is very popular! The “I shot a guy” line was inspired by Donald Trump saying that he could shoot a guy in the street and still see his poll numbers rise. Which they did. When I wrote this page I thought that I was going a bit too “out there” as far as the stuff Ash could get away with saying. Since then Trump has shown that I was too reserved.And at this point readers should realize that Ash in the Donald Trump of the AoD universe. Page Twenty-SixAs this chapter draws to a close, and we see how the Necronomicon’s influence has affected the campaign, Ash has his “Howard Dean moment.” If you don’t know what I’m talking about, Google “Howard Dean Yeah” and you’ll see what I’m talking about. It’s hilarious. Page Twenty-SevenOkay, maybe it seems a bit far-fetched that a third party candidate would get on the debate stage on the eve of a hotly-contested election, but we are talking about a comic where a store clerk fights demons and zombies, right? Page Twenty-EightIt tickles me that the debate takes place in Atlanta Georgia. This sets up a very subtle jab at “The Walking Dead” to come in a few pages. Page Twenty-NineThe jacket that Ash wears was a creation of Diego Galindo and cover artist Elliot Fernandez. The backstory being that Patriot Party headquarters sent him the jacket to wear during the debate, and that Ash initially resisted but then relented. Well, as I’m writing this I realize that I’m getting bogged down in details again and slowing down the story. So I included the line where Delilah says “get your jacket” and the reader can just assume that Ash has horrible fashion sense. Which he does. The words that Ash writes on his hand are actually Sumerian and is an incantation of truth and revelation. Page Thirty – Thirty-TwoGonna make a confession here: as I was writing these pages, I still hadn’t really decided who was going to be revealed as the “agent of the Great Darkness.” I had scenarios planned out for whether it was Sexton (whose name should have been a dead giveaway) or Anders. And each scenario had their strengths and drawbacks.Also, I made myself laugh when I write the “Professor Santa Claus” line. I may be the only person in the world who thinks it was funny, but that’ enough for me. Page Thirty-Three & Thirty-FourOh yeah…if you #StandWithHer you just might be writing some hate mail about this, but remember, it’s just a comic book! I also expect some MRAs to high five each other over this.Guys?Don’t…. Page Thirty-Five…because I went ahead and made them both demons anyway! This would lead into the very subtle jab that I take at The Walking Dead on the next page. Which is if you put Ash in Atlanta, facing a bunch of zombies… Page Thirty-Six…he just needs one page to kill them all! Thirty-SevenRemember how I said I don’t think I got crazy enough with the story? I still hold to that, even with this ending. Because with the stuff that Donald Trump has been saying, Ash seems downright reasonable. Thirty-EightAnd so we close with our hero in the White House and asking the same question that so many have been asking during this election season. (Delilah echoing the end of “Ash Saves Obama” because I just love that line.) And we discover that the Necronomicon has been playing us all along? Thanks for coming along for the ride everyone! I hope you enjoyed it as much as I did! DON’T FORGET TO VOTE!
04/18/26 @ 12:44 pm EST
David Harbour is heading into the jungle. The actor has joined the cast of John Rambo, an upcoming origin-story film set before the events of First Blood. Harbour will portray Major (also known in earlier films as Colonel) Sam Trautman, the tough-minded commander and mentor figure long associated with the franchise. The film stars Noah Centineo as a younger John Rambo and is directed by Jalmari Helander ( Sisu) from a screenplay by Rory Haines and Sohrab Noshirvani. The project is expected to explore the experiences that forged Rambo into one of action cinema’s most enduring figures—years before he returned home to the confrontation that launched the original 1982 film. John Rambo is backed by Lionsgate and Millennium Media, with Templeton Media and AGBO also involved, and has reportedly wrapped production in Thailand. Additional cast members include Yao, Jason Tobin, Quincy Isaiah, Jefferson White, and Tayme Thapthimthong. Sylvester Stallone—who originated the role across five films—is attached as an executive producer, alongside Anthony and Joe Russo and other producers tied to the project.
04/18/26 @ 12:24 pm EST
Deadline is reporting that Game of Thrones actor Charles Dance will be joining the cast of the upcoming The Batman Part 2, which is set to start filming in the next few weeks. While this is unconfirmed by DC Studios, Dance is believed to be playing Charles Dent, the father of Harvey Dent aka Two-Face played by fellow newcome to the franchise, Sebastian Stan. There had been many reports over the last few months of other actors turning down the role of the elder Dent which is believed to have some parallels with the role Dance is best known for, Tywin Lannister. He joins a cast that also returns Robert Pattinson, Andy Serkis, Colin Farrell and that has added Scarlett Johansson in an undisclosed part. Prior to joining the Matt Reeves’ sequel, Dance appeared recently in Guillermo Del Toro’s Frankenstein and the Peacock series Day of the Jackal.
04/11/26 @ 11:27 am EST
FX is doubling down on one of television’s most unlikely success stories. The Emmy‑winning docuseries Welcome to Wrexham has been officially renewed for three additional seasons, ensuring the show will run through at least Season 8. The announcement comes just weeks ahead of the series’ Season 5 premiere on May 14, 2026. The series chronicles the ownership journey of Ryan Reynolds and Rob McElhenney—often credited onscreen as Rob Mac—after their 2020 takeover of Welsh football club Wrexham AFC. What began as a celebrity‑owned sports experiment has evolved into one of FX’s most successful and beloved nonfiction franchises, following the club’s extraordinary rise through the English football pyramid. FX Entertainment president Nick Grad called the renewal “nearly unheard of,” praising the creative team and the global connection audiences have formed with the club and its community. Reynolds and McElhenney echoed that sentiment in a joint statement, crediting the documentary crew and Wrexham’s rapid on‑field success for making such a long‑term commitment possible. Season 5 will continue to track Wrexham’s pursuit of promotion to the Premier League following three consecutive promotions, a feat never before achieved in English Football League history. With cameras set to keep rolling for years to come, FX has made it clear that Wrexham’s story—both on and off the pitch—is far from finished.
04/11/26 @ 11:17 am EST
As anticipation builds for DC Studios’ upcoming Superman sequel Man of Tomorrow, speculation around its final unannounced role has gone into overdrive. Over the past several days, a wave of casting rumors surged online—only to be decisively debunked by director and DC Studios co‑chair James Gunn himself. The most prominent rumor centered on the alien queen Maxima, a character from DC Comics long speculated to appear in the film. An initial report from Deadline claimed that Ella Purnell, Marisa Abela, and Adria Arjona had screen‑tested for the role. Gunn fired back on Threads, calling the report “shoddy & incorrect” and stating that he had never even met two of the actresses named. He emphasized that had anyone from the outlet checked with the production, the story would have been immediately denied. Gunn further clarified that his statement was not an indirect confirmation that Maxima is in Man of Tomorrow at all. When pressed by fans, he said he was “absolutely not confirming” the character’s inclusion, while adding that the film has only one remaining role left to cast, with all major roles already announced. Shortly after Gunn posted, the Hollywood Reporter came out with its own list of finalists for the role that included Arjona, the one actress in the first report that Gunn has worked with previously, along with Eva De Dominici, Sydney Chandler, and Grace Van Patten. Another rumor floating around is that Maxima is just a cover character and that they are really casting the DCU’s new Wonder Woman. While the character’s stories are very different, the physicality of both women are similar enough and it would be a good cover if DC Studios wanted to keep the introduction of a major character quiet. Which ever it is, a decision will need to be made soon as Man of Tomorrow is slated to begin filming sometime this month down in Atlanta and is slated to be released July 9th, 2027.  ...
04/05/26 @ 4:17 pm EST
Marvel fans may finally be getting the reunion they’ve been waiting for. Mike Colter and Finn Jones were recently spotted on the New York set of Daredevil: Born Again season 3, sparking widespread excitement that The Defenders are officially back. Photos from the production show Colter and Jones alongside Krysten Ritter, who reprises her role as Jessica Jones, strongly suggesting that Luke Cage and Iron Fist are once again entering Marvel’s street-level corner. While Marvel Studios has not formally announced their return, the presence of all three actors together during filming points to a deliberate reunion rather than a coincidence. The sighting is significant because Colter and Jones last portrayed their characters during Marvel’s Netflix era, where they joined Charlie Cox’s Daredevil and Ritter’s Jessica Jones in the 2017 crossover miniseries The Defenders. With Daredevil: Born Again already reestablishing that continuity on Disney+, season 3 now appears poised to fully reassemble the team for the first time in nearly a decade. Although plot details remain under wraps, the set photos alone have reignited fan enthusiasm for Marvel’s grounded, Hell’s Kitchen–based heroes. If the reunion is confirmed on screen, Daredevil: Born Again season 3 could mark a major turning point—bringing The Defenders back together and firmly reintegrating Marvel’s Netflix characters into the broader MCU.
03/28/26 @ 1:40 pm EST
Games Workshop has officially unveiled Warhammer 40,000: 11th Edition, confirming that the next evolution of its flagship tabletop wargame will launch in June 2026. The announcement was made during the AdeptiCon 2026 preview event, where a cinematic trailer, a new starter box, and early details about rules changes were revealed. The narrative focus of 11th Edition returns players to Armageddon, one of the most iconic war zones in Warhammer 40K lore. The new storyline centers on a massive conflict between the Imperium of Man and invading Ork forces, with the Blood Angels Space Marines positioned as the headline Imperial faction opposing an Ork Waaagh!. A major lore highlight is the confirmed return of Commissar Sebastian Yarrick, a long‑standing fan‑favorite character closely associated with Armageddon’s wars. His reappearance anchors the edition firmly in classic Warhammer history while advancing the ongoing narrative following recent campaign books. The launch of 11th Edition will be accompanied by a new boxed starter set titled Warhammer 40,000: Armageddon. The set includes newly revealed Space Marine and Ork miniatures, with early previews showing updated Intercessors that blend modern Primaris design with visual callbacks to older armor marks. While the full contents of the box have not yet been detailed, Games Workshop confirmed that additional starter products at different price points will follow, continuing the company’s recent approach to onboarding new players. Unlike the dramatic overhaul that accompanied 10th Edition, early information indicates that 11th Edition is designed as an iterative update rather than a full system reset. Existing 10th Edition Codex and Supplement books will remain valid at launch, meaning players will not need to immediately replace their current army rules. Confirmed design goals include streamlined core mechanics, reduced rules stacking, and a closer alignment between narrative and matched play. Games Workshop has emphasized faster gameplay, clearer interactions, and improved balance without discarding the foundations introduced in the previous edition. Although the June 2026 release window has been confirmed, many specifics—such as the full ruleset, complete model lineup, and codex roadmap—remain under wraps. Games Workshop has stated that deeper rules previews and additional reveals will be shared in the months leading up to launch.  ...
03/28/26 @ 1:16 pm EST
While attending a comics convention this weekend, Tom King offered fans a substantive update on the long‑anticipated Mister Miracle animated series, confirming that the project has moved into a significant new phase of development. King, who serves as both lead writer and showrunner on the series, revealed that the pilot episode has now been completed. According to his comments at the event, the show is no longer in early conceptual stages but is actively progressing, with King currently involved in editing the series and writing later episodes. One of the biggest takeaways from the panel was confirmation that a voice cast has already been hired. While no names were announced, King teased that fans would be extremely excited once the cast is officially revealed, suggesting that announcements are likely forthcoming. The Mister Miracle animated series is based on the acclaimed 12‑issue comic run written by King and illustrated by Mitch Gerads. During the panel, King reiterated that the show is aiming to closely reflect Gerads’ distinctive visual style, an approach that has been a priority throughout development. This commitment aligns with previous statements that the production is pushing the boundaries of animation to faithfully translate the look and tone of the original comics. King also confirmed that the series is set within the DC Universe and that he is writing all eight episodes himself. His dual role as writer and showrunner positions the project as a deeply personal adaptation of his Eisner Award–winning work, rather than a loose reinterpretation. Although no release date was announced during the convention, King’s update makes it clear that Mister Miracle is firmly in active development rather than stalled or uncertain. The completed pilot and hired voice cast mark major milestones, signaling that the project is steadily moving forward.  ...
03/21/26 @ 1:51 pm EST
With HBO and DC Studios’ upcoming series Lanterns positioning itself as a grounded, detective‑style drama, fans are paying close attention to how the show will deploy one of the Green Lantern mythos’ most iconic figures: Sinestro. Officially confirmed to appear in the series and portrayed by Ulrich Thomsen, Sinestro’s inclusion signals that Lanterns is not just telling a crime story—it is laying the foundation for the moral and ideological conflicts at the heart of the Green Lantern universe. According to DC Studios’ official character description, Sinestro is a former Green Lantern who turned rogue after abusing his power. He is described as “ruthless yet undeniably charming,” with a manipulative obsession centered on his former mentee, Hal Jordan. Jordan is being played by Kyle Chandler. This immediately suggests that Sinestro’s role in Lanterns will be personal rather than purely antagonistic. Rather than functioning as a straightforward villain to be defeated, Sinestro is more likely to appear as a philosophical counterpoint to Hal Jordan. In the comics, Sinestro believes order must be enforced through fear, not willpower or trust. Translating that worldview into a grounded HBO drama fits perfectly with the show’s True Detective-inspired tone, where moral certainty is often elusive. Lanterns centers on Hal Jordan and John Stewart (Aaron Pierre) as intergalactic law officers investigating a murder in the American heartland. While the crime is Earth‑based, the implications are cosmic, and Sinestro’s presence may loom over the investigation rather than dominate it outright. Given Sinestro’s history as Hal Jordan’s mentor, one plausible role is that of a symbolic embodiment of Hal’s past failures. Sinestro may serve as a reminder of what happens when a Green Lantern decides the rules no longer work—or that he alone should decide how justice is delivered. This framing would reinforce Hal’s status as a seasoned Lantern nearing the end of his career, forced to confront the ideological consequences of the Corps’ authority. Production reports confirm that Sinestro is a recurring character, not necessarily the central antagonist of every episode. That opens the door for a more subtle narrative function: Sinestro as a background manipulator. Rather than openly opposing the Lanterns, Sinestro could be: Feeding Hal Jordan information to test his judgment, quietly steering events tied to the murder investigation or Serving as a warning figure for John Stewart, illustrating what a Lantern can become when certainty replaces empathy. This approach aligns with comments from Ulrich Thomsen, who hinted on social media that his time as Sinestro may not be finished, suggesting long‑term narrative relevance beyond a single season. While Lanterns is firmly Earth‑based, it exists within DC Studios’ broader DC Universe (DCU). Sinestro’s introduction here may function less as a payoff and more as setup. In DC canon, Sinestro is to the Green Lanterns what Lex Luthor is to Superman—a recurring ideological nemesis rather than a one‑time foe. By grounding Sinestro early as a calculating, persuasive presence rather than a spectacle‑driven villain, Lanterns could be positioning him as: A future architect of larger DCU conflicts, a connective figure between cosmic and Earth‑level stories or as a moral antagonist whose philosophy spreads rather than attacks. Nothing beyond Lanterns has been officially confirmed, but Sinestro’s stature in DC lore makes his appearance here feel intentional rather than incidental. Based on what is known, Sinestro’s role in Lanterns is unlikely to hinge on spectacle. Instead, he appears poised to challenge the core identity of the Green Lantern Corps—and of Hal Jordan himself. Whether he appears as a mentor‑turned‑enemy, a manipulative observer, or a philosophical provocateur, Sinestro represents the question at the heart of the series: Is justice about enforcing order—or believing people can choose to do better? In a show built around investigation, doubt, and moral consequence, Sinestro may not be the loudest presence—but he could be the most dangerous one.  ...
03/21/26 @ 1:35 pm EST
The entertainment world is mourning the loss of Nicholas Brendon, the actor best known for his role as Xander Harris on the beloved television series Buffy the Vampire Slayer. Brendon passed away at the age of 54, his family confirmed, stating that he died in his sleep of natural causes. News of his passing has prompted an outpouring of tributes from colleagues, friends, and fans who grew up with his work and were touched by his honesty and humanity. Born in Los Angeles in 1971, Brendon rose to international fame in 1997 when he was cast as Xander Harris, the witty, loyal, and often self‑deprecating heart of Buffy the Vampire Slayer. Appearing in all seven seasons of the series from 1997 to 2003, Brendon helped shape one of television’s most enduring ensemble casts. Xander, the lone member of the group without supernatural powers, became a relatable stand‑in for audiences—grounded, flawed, brave, and deeply human. Following Buffy, Brendon continued to work steadily in television and film. His credits included recurring roles on Criminal Minds and Private Practice, as well as appearances in Kitchen Confidential, Faking It, and cult films such as Psycho Beach Party and Coherence. While none matched the cultural impact of Buffy, his performances were often praised for their sincerity and emotional openness. In later years, Brendon spoke candidly about his personal struggles. He was open about living with addiction, mental health challenges, and serious medical conditions, including a congenital heart defect and complications from spinal injuries that required multiple surgeries. His willingness to discuss these issues publicly resonated with many fans, who saw in him not just a television star, but a person navigating real and painful challenges while continuing to create. Despite these difficulties, Brendon remained creatively driven. According to his family, he found renewed passion in painting and visual art in recent years, sharing his work with friends and supporters. In their statement announcing his death, they remembered him as “passionate, sensitive, and endlessly driven to create,” and asked for privacy as they grieve and celebrate his life.  ...
03/14/26 @ 2:53 pm EST
Multiple sites, including Deadline and Variety, are reporting that one of the stars of the upcoming HBO series Lanterns will be making taking his character to the big screen. Aaron Pierre, who plays new Green Lantern John Stewart, is now set to appear in the upcoming James Gunn film Man of Tomorrow. Though not officially a Superman sequel, MoT stars David Corenswet and Nicholas Hoult reprising their roles as Superman and Lex Luthor along with other returning cast members Rachel Brosnahan, Skyler Gisondo and Sara Sampaio. This film will also introduce another popular DC Comic’s villain, Brainiac, played by German actor Lars Eidinger. Pierre joins DC’s cosmic police force along with Kyle Chandler as Hal Jordan as they team up to investigate a murder in Nebraska. The tone of the Lanterns series is much darker and grounded, in the style of a True Detective season, but this move drives home that the series is connected to Gunn’s growing DC Universe that also includes Peacemaker and the animated Creature Commandos. The interesting thing to note is that while Pierre’s Stewart will appear, there is no word on whether Nathan Fillion’s Guy Gardner, the Green Lantern introduced in Superman, will return. Fillion is also set to appear in Lanterns, having told reporters he has sworn more in his appearance in the upcoming series than in all of his previous roles combined. This may not bode well for the ring-wielding hero or his bowl cut. Lanterns is set to debut in August on HBO Max and Man of Tomorrow is scheduled for July 2027.
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