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10/15/16 @ 6:03 pm EST
A Writer’s Commentary: Scott Lobdell talks Army of Darkness/Xena: Forever … and a Day #1, on sale now from Dynamite. Cover by Reilly Brown and interiors by Elliot Fernandez.  PAGE ONEI figured it was important to start the story at Xena’s lowest point ever. Her final battle, a dying Gabrielle in her arms… in part because it is so dramatic, but also because she is about to summon Ash Williams for help.And let’s be honest – if you are going to summon Ash Williams for help, things have to be pretty darn rock bottom! (I kid, Ash! I kid because I love!)One of the fun things about coming so late to the Xena/Gabrielle party is there is no need for “nudge, nudge/wink,wink” allusions to their relationship. I get to call her “life partner”, unambiguously. PAGE TWO AND THREEYep. Things are bad.Now, honestly, I would have preferred to use this two-page spread to establish that this village Xena was protecting has been devastated by these advancing hordes of Deadites – but the artist went in a different direction.In this version, there is no indication of a village at all… and as a result there is no sense of place, a sense of a risk that is greater than a risk to, say, Xena and Gabrielle.Also, while the coloring is gorgeous (this is the first time I’m seeing it) I have to say it adds to the “problem of place.” Rather than a village under siege with Xena as its last defender, this scene makes it seem like the battle it taking place in the pits of Hell itself.  But that’s the thing about writing, I’ll be able to adjust later in the series to make things clearer. (Or, honestly, who knows – I may be forced to abandon the idea of an overwhelmed village entirely for this scene to make sense in the larger context of the series. That is one of the strengths of being fluid… you can go with the flow.) PAGE FOUR AND FIVEStill no context.Again, I’m reading this for the first time. In black and white, it was easier to imagine background colors that would have made this feel like, say, it was outside, at night… on Earth. Our minds might have filled in the idea that this was an actual place under siege. But there’s that red again.Hmm… will definitely have to adjust my thinking re: village moving forward.On panels three and four: To me this is the great joy of writing Xena. Sure, you have drama, you have gods and monsters and epic battles… but more importantly you have the character and comedy that exists between Xena and Gabrielle. I love these two – and more importantly I love them together. PAGE SIXAnd here all my frustration with the artist over a sense of place dissolves away – because he really sells the back room of the S-Mart. With this single panel, we learn so much about Ash at a glance:We see his “world” is clearly much different than Xena’s world. This feels like a place where any of us might have worked over the years – the worn down mirror, the graffiti, those damned Employee edicts posted everywhere. (“Wait! I gotta wash my hands?! Thank god that sign is there!”)I also love how happy Ash is here: he is master of his domain, employee of the year again. He doesn’t see the graffiti or the worn mirror – he’s only concerned with that smiling visage of male confidence beaming back at him!  PAGE SEVENWell, we get some shelves here for a sense of place – I am grateful for that!(One of the things that always bother me in a comic is when we see a SIGN or a COMPUTER MONITOR that should have something written or projected on it and there is nothing there. [“Look at those security cameras! They show all those people sneaking over the fence!” Um, no. They don’t. They’re blank screens. We can see they are blank!”] Like, if we were watching a television show or a movie and someone walked down an aisle and there was a big blank sign there we would scratch our heads and wonder who puts up signs with no writing or images on them? I’ll have to be more aware of this in future issues when I get the lettering pages back.)There is Amber making an appearance! My muse! Eagle-eyed readers will recognize her from her cameo in IDW’s Galaxy Quest comic! Uh oh – I hope I won’t get sued now!(In my defense, that Amber was making out with Tim Allen! This Amber is about to make out with Bruce Campbell. So, really, it has to be two different Ambers who just share the same name! Lawsuit avoided!)There’s that red background again – which (to me) feels too much like the red from the previous scene. If I saw this coloring before now I probably would have asked for an adjustment here. PAGE EIGHTLove this page. Everything about it. Elliot Fernandez really knocked it out of the park here – and the coloring is gorgeous!While I probably could have gotten away without any reference to “enchanted summoning through time and space” because it is right there in the art… I didn’t mind punching it a little with dialogue because of what Ash reveals about himself in the dialogue.I love the fact that he’s pretty damned nonchalant about it – it has happened so many times already that he’s able to contrast the severity of this summoning against other times.It is that “Okay. This happened” attitude of Ash’s that I love. He takes the most outrageous things that happen to him in stride, but then gets so annoyed by some of the little things as we’ll see in an a bit.  PAGE NINESee? He doesn’t like being poinked!Time and space travel? Piece of cake.But do not poink him — a man has to have his limits! PAGE TEN AND ELEVENThe character work on this two-page spread is pretty awesome.(This is the same village that we saw was obliterated in the first scene – so that we got a sense here that we are only days away from the devastation about to befall these people, but… Okay, okay! I’ll let it go!)A man can only take so much poinking! PAGE TWELVE AND THIRTEENAnd here it is! The moment we’ve been waiting for: Xena and Ash on the same page, in the same place and time!I love how he is so excited to see her… even as she has no idea who the hell he is! (Ah, the fun of time travel stories!)I love how she easily dispatches him. (Yes, he’s one resourceful guy – but he’s not a warrior woman, and he hasn’t been fighting his entire life like Xena. He might be able to get a punch in here or there, sure, but he’s not about to defeat Xena. C’mon!)That said, I also love that Xena is content to hold him at bay with her sword and not run him through. She’s the best!  PAGE FOURTEEN AND FIFTEENAgain, Elliot really shines here on this two-page splash.The fury, the surprise, the determination… the fight to the draw that can leave the fans of both characters convinced their favorite would have won if the battle might go on a moment longer! PAGE SIXTEENWho else but Gabrielle can get the two of them to focus with a single word?!I love that seeing her in a state is enough to focus both Ash and Xena in a heartbeat – nothing is more important to either one of them in this moment.I also love being able to write the last panel on this page, where we see that Gabrielle is the voice of reason between these two. (Let’s face it – both Ash and Xena can get a little immature when defending their own honor. I think it is part of their charms.) PAGE SEVENTEEN AND EIGHTEENI’ll confess something here! If I could write an entire mini-series about these three sitting around a campfire, I would!But who would read it besides me?  PAGE NINETEEN AND TWENTYThe sign-painters arrived while Ash was trapped in the past!I’m a little confused by Ash’s expression on the last panel of page nineteen. It feels like the tie gag is a reference to his previous attempt at love-making having been interrupted. (If I had noticed this expression earlier, I probably would have adjusted the dialogue to reflect his expression a little more.) Maybe that’s only distracting to me. That was fun! Did you like it?! 12/20/25 @ 12:26 pm EST
James Gunn took to social media this morning to welcome Lars Eidinger to the DCU and Man of Tomorrow in the role of Brainiac. Eidinger, while not a household name, is best known for his roles in Clouds of Sils Maria and Personal Shopper but also appeared in the recent Netflix film Jay Kelly. Gunn talked about a worldwide search for the iconic Superman villain led to Eidinger rising to the top. He will join David Corenswet, Nicholas Hoult and Rachel Brosnahan as the film is expected to begin shooting in the spring of 2026 for a release in July of 2027. There have been multiple attempts to use Brainiac in a Superman film, but each attempt has fallen to the wayside, and his only live-action appearance so far was in the short-lived SciFi series Krypton where he was played by Blake Ritson. 
12/20/25 @ 11:25 am EST
After having begun production in August of this year, director Destin Daniel Cretton revealed that Spider-Man: Brand New Day has wrapped filming as of Friday. The film, which is set to premiere July 31st, 2026, features the return of Tom Holland as Peter Parker and is the first in the MCU franchise to not be directed by Jon Watts. Cretton wrote on Instagram, “I’m so deeply grateful for the people who walked with me through the biggest, most rewarding film I’ve ever been a part of. To our amazing cast, for breathing so much life into these beloved characters and moving us every day. To our unbelievable crew, who worked tirelessly with unmatched creativity and craftsmanship, who made me laugh so hard my stomach never stopped hurting. I love you all so much and can’t wait for the world to see your stunning work on the big screen. And of course, to @tomholland2013, for your kind, generous leadership on and off screen, for your relentless work ethic, your fearless performances, and for your friendship. That’s a wrap on Spider-Man: Brand New Day!” This is Cretton’s second MCU film after having helmed Shang Chi and the Legend of the Ten Rings. He has also produced the Wonder Man series set to debut on Disney+ next month.  12/06/25 @ 2:03 pm EST
Scarlett Johansson is said to be in negotiations to join the cast of the highly anticipated sequel, The Batman Part 2. While Warner Bros. has not officially revealed which character Johansson would portray, speculation is rife across social media and film forums. Many fans are hoping she will take on the role of a major antagonist or perhaps bring a new dimension to an existing character from the Batman lore. Johansson’s acclaimed work in action and drama—especially her iconic run as Black Widow in the Marvel Cinematic Universe—positions her as a compelling choice for a complex role in Gotham’s shadowy streets. The Batman Part 2 is currently in pre-production, with filming scheduled to commence in May of next year. The film is targeted for a theatrical release in 2026, although official dates may be subject to change. Director Matt Reeves returns to helm the sequel, ensuring continuity in the vision and tone that made the first installment a critical and box office success. Johansson’s addition is expected to boost the already stellar lineup led by Robert Pattinson as Bruce Wayne/Batman. Within hours of the announcement, social media platforms lit up with enthusiastic posts and trending hashtags. Speculation is running rampant with guesses of her role ranging from villains like Poison Ivy and Harley Quinn to love interests like Silver St. Cloud and Vickie Vale. One of the more popular suggestions is that Johansson could be playing Andrea Beaumont, a love interest and antagonist from the hit animated film Mask of the Phantasm. The casting has not been confirmed and neither the studio nor Reeves has commented since the story broke. 
12/06/25 @ 1:50 pm EST
In a dramatic shift for the entertainment industry, Netflix has announced its acquisition of Warner Bros, one of Hollywood's most iconic studios. This unprecedented deal marks a pivotal moment in the ongoing evolution of media and streaming services. Netflix, already a leader in streaming content, has been searching for ways to expand its library and production capabilities. Warner Bros, with its vast catalog of beloved films and television franchises—including the Harry Potter, DC, and Looney Tunes properties—represents a treasure trove of content and creative resources. The acquisition signals Netflix's commitment to not only dominating streaming but also to strengthening its influence in theatrical releases and television programming. Though Netflix has been against theatrical releases in the past, in a recent statement they said they planned to continue them for Warner Bros films just with a shorter release window. By purchasing Warner Bros, Netflix gains access to a library of classic and highly profitable intellectual properties. This move allows Netflix to offer exclusive streaming rights to blockbuster franchises, while also leveraging Warner Bros’ production infrastructure. The deal also positions Netflix to compete more directly with other major studios and streaming platforms, such as Disney and Amazon. Industry analysts predict that this acquisition will accelerate the consolidation trend within the entertainment sector. Other studios and streaming services may seek mergers or partnerships to remain competitive. Audiences can likely expect a surge in new content, including reboots, spin-offs, and original productions drawing from Warner Bros' legacy. For Netflix subscribers, the platform could soon become the go-to destination for both new releases and classic favorites. While some industry veterans express concern about further consolidation of media power, others see this as an opportunity for innovation and greater investment in high-quality storytelling. Only time will tell how this landmark deal reshapes Hollywood and the global entertainment landscape.  ... 11/29/25 @ 11:47 am EST
If you’re of a certain age, then you realize that Peter Hammond was not the first live-action Spider-Man to appear on television screens. That honor goes to Jim Hensen puppeteer Danny Seagren who was a regular on both Sesame Street and The Electric Company. Seagren was both a puppeteer and puppet maker and was the right hand of Ernie along with putting on the Big Bird suit on several occasions including an appearance on the Ed Sullivan Show. He was also the web slinger on the show that started the careers of Rita Moreno and Morgan Freeman as both shows fell under the Children’s Television Workshop. He went on to create puppets for other series like Curiosity Shop, Captain Kangaroo and Who’s Afraid of Opera. “Danny will be greatly missed by his family, friends and those throughout the community he loved living in,” his family said in his obituary. Seagren died on November 10th at the age of 81.  11/29/25 @ 11:31 am EST
Director Shawn Levy has officially hired renowned composer Thomas Newman to craft the score for his upcoming Star Wars: Starfighter film. The collaboration marks a significant moment for the celebrated sci-fi franchise, as Newman steps into a universe long defined by the iconic music of John Williams. His distinguished career includes memorable scores for films such as The Shawshank Redemption, Finding Nemo, and 1917, brings a fresh perspective to the Star Wars saga. Over the years, Newman has earned an impressive 15 Oscar nominations, a testament to his exceptional talent and enduring impact on the film industry. Levy, celebrated for his work on blockbusters like Free Guy and Deadpool and Wolverine, and the hit series Stranger Things, expressed enthusiasm for the partnership. He highlighted Newman's ability to blend sweeping orchestral moments with subtle, character-driven motifs—a style well-suited to the expansive and adventurous spirit of Star Wars. While plot details remain under wraps, Levy and Newman’s collaboration promises a thrilling and emotionally resonant cinematic experience.  11/16/25 @ 12:48 pm EST
While most of the focus over at Marvel Studios is currently on the pair of upcoming Avengers films, Ryan Coogler is ready to return to Wakanda for a third Black Panther film. We’d heard of the possibility of the film originally from Denzel Washington who, while speaking of his potential retirement, mentioned the film as one of his future projects and then when Nate Moore left Marvel last year, he said he would be back producing the third Black Panther film. Now, Coogler himself said while on stage talking about his film Sinners, that Black Panther 3 would be his next movie. The series kicked off with Chadwick Boseman as T’Challa, king of the African Nation of Wakanda and while he reprised the role in Avengers: Infinity War and Endgame, he sadly passed away shortly after. The sequel dealt with the characters death and passed the mantle on to his sister Shuri played by Letitia Wright who is expected to reprise the role in the upcoming Avenger films, but with talks of a potential soft reboot of the MCU, it’s unclear who will be wearing the mask for the third film.  11/16/25 @ 12:31 pm EST
The most recent news on the DCU has to do with Jimmy Olsen. Variety is reporting that Skyler Gisondo will reprise his role from Superman in a true-crime docuseries style show that focuses on villains in the universe starting with the Flash rogue, Gorilla Grodd. Tony Yacenda and Dan Perrault are set to write and showrun with James Gunn and Peter Safran joining them as executive producers. The show is planned for HBO Max and will be a mockumentary style similar to Yacenda and Perrault’s previous series like American Vandal and Players. In the original report, Variety claimed the series would be called DC Crime, something Gunn took to social media to debunk, saying there had never been any project in production called DC Crime, he then added that his saying that doesn’t mean that the rest of the report is false. This sounds like a pretty good confirmation to me.  11/15/25 @ 12:49 pm EST
A new Star Trek film is in the works and Paramount is tapping the team of Jonathan Goldstein and John Frances Daley to write, produce and direct. This news comes shortly after David Ellison, founder of Skydance who recently purchased the studio, told investors that the next Star Trek film would not be a sequel to the Chris Pine/ Zachary Quinto lead series of films. While this hasn’t been 100% confirmed, word is that the new film will be focused on new characters and not directly tied to any previous film or television series. Goldstein and Daley have a good track record when it comes to revitalizing franchises having written Spider-Man: Homecoming for Marvel Studios and wrote and directed Dungeons & Dragons: Honor Among Thieves which was very well received by fans and critics.  11/15/25 @ 12:32 pm EST
With The Fantastic Four: First Steps having moved to Disney+, the Pedro Pascal and Vanessa Kirby lead team is now first in fans minds. But one person still thinks about the First Family of Marvel presented a decade ago and what went wrong. Miles Teller, who played Reed Richards in Josh Trank’s 2015 version of the property, still thinks about the project and how he believes the problems all came down to one person. Teller was on Sirius XM’s Radio Andy show said, “You saw the movie, right? Your eyes were working during that time? I think it’s unfortunate because so many people worked so hard on that movie. And, honestly, maybe there was one really important person who kind of f***ed it all up.” While Teller didn’t say who that was, he was referring to the person who made the final cut on the film, which was not director Trank. Teller said that he wanted a superhero film on his resume to help show him as a serious leading man, but after seeing the final cut recalled, “I remember talking to one of the studio heads, and I was like, ‘I think we’re in trouble.'” The 2015 version made $167 million worldwide compared to this year’s version which made $521 million. He stopped short of calling for a director’s cut of the film.  |
