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10/15/16 @ 6:03 pm EST
A Writer’s Commentary: Scott Lobdell talks Army of Darkness/Xena: Forever … and a Day #1, on sale now from Dynamite. Cover by Reilly Brown and interiors by Elliot Fernandez.  PAGE ONEI figured it was important to start the story at Xena’s lowest point ever. Her final battle, a dying Gabrielle in her arms… in part because it is so dramatic, but also because she is about to summon Ash Williams for help.And let’s be honest – if you are going to summon Ash Williams for help, things have to be pretty darn rock bottom! (I kid, Ash! I kid because I love!)One of the fun things about coming so late to the Xena/Gabrielle party is there is no need for “nudge, nudge/wink,wink” allusions to their relationship. I get to call her “life partner”, unambiguously. PAGE TWO AND THREEYep. Things are bad.Now, honestly, I would have preferred to use this two-page spread to establish that this village Xena was protecting has been devastated by these advancing hordes of Deadites – but the artist went in a different direction.In this version, there is no indication of a village at all… and as a result there is no sense of place, a sense of a risk that is greater than a risk to, say, Xena and Gabrielle.Also, while the coloring is gorgeous (this is the first time I’m seeing it) I have to say it adds to the “problem of place.” Rather than a village under siege with Xena as its last defender, this scene makes it seem like the battle it taking place in the pits of Hell itself.  But that’s the thing about writing, I’ll be able to adjust later in the series to make things clearer. (Or, honestly, who knows – I may be forced to abandon the idea of an overwhelmed village entirely for this scene to make sense in the larger context of the series. That is one of the strengths of being fluid… you can go with the flow.) PAGE FOUR AND FIVEStill no context.Again, I’m reading this for the first time. In black and white, it was easier to imagine background colors that would have made this feel like, say, it was outside, at night… on Earth. Our minds might have filled in the idea that this was an actual place under siege. But there’s that red again.Hmm… will definitely have to adjust my thinking re: village moving forward.On panels three and four: To me this is the great joy of writing Xena. Sure, you have drama, you have gods and monsters and epic battles… but more importantly you have the character and comedy that exists between Xena and Gabrielle. I love these two – and more importantly I love them together. PAGE SIXAnd here all my frustration with the artist over a sense of place dissolves away – because he really sells the back room of the S-Mart. With this single panel, we learn so much about Ash at a glance:We see his “world” is clearly much different than Xena’s world. This feels like a place where any of us might have worked over the years – the worn down mirror, the graffiti, those damned Employee edicts posted everywhere. (“Wait! I gotta wash my hands?! Thank god that sign is there!”)I also love how happy Ash is here: he is master of his domain, employee of the year again. He doesn’t see the graffiti or the worn mirror – he’s only concerned with that smiling visage of male confidence beaming back at him!  PAGE SEVENWell, we get some shelves here for a sense of place – I am grateful for that!(One of the things that always bother me in a comic is when we see a SIGN or a COMPUTER MONITOR that should have something written or projected on it and there is nothing there. [“Look at those security cameras! They show all those people sneaking over the fence!” Um, no. They don’t. They’re blank screens. We can see they are blank!”] Like, if we were watching a television show or a movie and someone walked down an aisle and there was a big blank sign there we would scratch our heads and wonder who puts up signs with no writing or images on them? I’ll have to be more aware of this in future issues when I get the lettering pages back.)There is Amber making an appearance! My muse! Eagle-eyed readers will recognize her from her cameo in IDW’s Galaxy Quest comic! Uh oh – I hope I won’t get sued now!(In my defense, that Amber was making out with Tim Allen! This Amber is about to make out with Bruce Campbell. So, really, it has to be two different Ambers who just share the same name! Lawsuit avoided!)There’s that red background again – which (to me) feels too much like the red from the previous scene. If I saw this coloring before now I probably would have asked for an adjustment here. PAGE EIGHTLove this page. Everything about it. Elliot Fernandez really knocked it out of the park here – and the coloring is gorgeous!While I probably could have gotten away without any reference to “enchanted summoning through time and space” because it is right there in the art… I didn’t mind punching it a little with dialogue because of what Ash reveals about himself in the dialogue.I love the fact that he’s pretty damned nonchalant about it – it has happened so many times already that he’s able to contrast the severity of this summoning against other times.It is that “Okay. This happened” attitude of Ash’s that I love. He takes the most outrageous things that happen to him in stride, but then gets so annoyed by some of the little things as we’ll see in an a bit.  PAGE NINESee? He doesn’t like being poinked!Time and space travel? Piece of cake.But do not poink him — a man has to have his limits! PAGE TEN AND ELEVENThe character work on this two-page spread is pretty awesome.(This is the same village that we saw was obliterated in the first scene – so that we got a sense here that we are only days away from the devastation about to befall these people, but… Okay, okay! I’ll let it go!)A man can only take so much poinking! PAGE TWELVE AND THIRTEENAnd here it is! The moment we’ve been waiting for: Xena and Ash on the same page, in the same place and time!I love how he is so excited to see her… even as she has no idea who the hell he is! (Ah, the fun of time travel stories!)I love how she easily dispatches him. (Yes, he’s one resourceful guy – but he’s not a warrior woman, and he hasn’t been fighting his entire life like Xena. He might be able to get a punch in here or there, sure, but he’s not about to defeat Xena. C’mon!)That said, I also love that Xena is content to hold him at bay with her sword and not run him through. She’s the best!  PAGE FOURTEEN AND FIFTEENAgain, Elliot really shines here on this two-page splash.The fury, the surprise, the determination… the fight to the draw that can leave the fans of both characters convinced their favorite would have won if the battle might go on a moment longer! PAGE SIXTEENWho else but Gabrielle can get the two of them to focus with a single word?!I love that seeing her in a state is enough to focus both Ash and Xena in a heartbeat – nothing is more important to either one of them in this moment.I also love being able to write the last panel on this page, where we see that Gabrielle is the voice of reason between these two. (Let’s face it – both Ash and Xena can get a little immature when defending their own honor. I think it is part of their charms.) PAGE SEVENTEEN AND EIGHTEENI’ll confess something here! If I could write an entire mini-series about these three sitting around a campfire, I would!But who would read it besides me?  PAGE NINETEEN AND TWENTYThe sign-painters arrived while Ash was trapped in the past!I’m a little confused by Ash’s expression on the last panel of page nineteen. It feels like the tie gag is a reference to his previous attempt at love-making having been interrupted. (If I had noticed this expression earlier, I probably would have adjusted the dialogue to reflect his expression a little more.) Maybe that’s only distracting to me. That was fun! Did you like it?! 10/18/25 @ 2:06 pm EST
Though we have yet to see season two of the Percy Jackson series, season three is adding Kate McKinnon, known for her energetic performances and comedic brilliance on “Saturday Night Live,” as the goddess Aphrodite. McKinnon brings her unique charm and wit to the role, promising an exciting new take on the goddess of love and beauty. Aphrodite is one of the most famous figures from Greek mythology. She is the goddess of love, beauty, desire, and passion. Ancient Greeks believed Aphrodite had the power to inspire love and attraction in gods and mortals alike. According to myth, she was born from the sea foam and emerged fully grown, captivating all who saw her. Aphrodite’s stories often involve her relationships with gods like Ares and mortal heroes, and she played a key role in the legendary events leading up to the Trojan War, most notably by awarding the golden apple to Paris. With Kate McKinnon stepping into the role, viewers can expect a fresh, humorous, and dynamic portrayal of Aphrodite. Besides her time on SNL, McKinnon has been in various movies including the 2016 reboot of Ghostbusters and the 2023 mega-hit Barbie.  10/18/25 @ 1:49 pm EST
In an interesting turn of events, someone posted an image of the wrap gift for the upcoming Lanterns series, showing a baseball hat with the Green Lantern symbol and in the center of that symbol, a series of concentric circles. That person then commented that the modified logo could be indicating an involvement of The Centre, the main antagonist in Darwyn Cooke’s celebrated DC: The New Frontier series. That post was then removed by Warner Bros… In completely unrelated coincidence, have you read The New Frontier? Let me tell you about The Centre, a metaphysical, almost Lovecraftian presence, embodying existential dread and posing a challenge unlike any other faced by the world’s greatest superheroes. The Centre made its debut in "DC: The New Frontier" (2004), a miniseries that bridges the gap between the Golden Age and Silver Age of superheroes. In this alternate history, The Centre is portrayed as an ancient, primordial being that predates humanity itself. It is described as the very source of life on Earth, a sentient landmass that witnessed the rise and fall of prehistoric creatures and eventually grew to despise humanity, whom it perceives as a threat to the planet’s balance. The Centre is not a conventional villain. It is a massive, floating island with psychic and reality-altering abilities. Its consciousness spans across its entire form, making it nearly impossible to attack or reason with in any traditional sense. The Centre’s powers include: <!--[if !supportLists]-->· <!--[endif]-->Telepathy: The Centre can communicate with and manipulate the minds of others, sending visions, inducing madness, or telepathically broadcasting its intentions. <!--[if !supportLists]-->· <!--[endif]-->Physical Invulnerability: Its immense size and composition make it resistant to most forms of attack, even those from the world’s strongest superheroes. <!--[if !supportLists]-->· <!--[endif]-->Creation of Monsters: The Centre spawns various mutated and monstrous creatures to defend itself and attack humanity. <!--[if !supportLists]-->· <!--[endif]-->Levitation and Flight: It can float above the Earth, moving with intention and purpose. In "DC: The New Frontier," The Centre’s appearance catalyzes the unification of the DC universe’s heroes, including Superman, Batman, Wonder Woman, Green Lantern, and The Flash. Realizing that The Centre’s power is too great for any single hero to face alone, they join forces, combining their unique abilities and intellects in a coordinated assault. This is basically the precursor for the Justice League and would be an interesting story to loosely adapt if you were, say, building a new cohesive universe.  ... 10/11/25 @ 11:50 am EST
Rian Johnson, the acclaimed writer-director behind the “Knives Out” franchise, has made headlines with his latest entry, “Wake Up Dead Man: A Knives Out Mystery.” Johnson has openly described this third film as the closest the series has come to emulating the classic structure of an Agatha Christie novel—a deliberate shift from the subversive approaches of “Knives Out” and “Glass Onion.” At the Deadline Contenders London event, Johnson explained that “Wake Up Dead Man” adopts a “more traditional murder mystery structure,” echoing the formula Christie perfected. In his words: “This is how most Agatha Christie books work, where in the first act you meet all the suspects, you meet the protagonist, who’s not the detective. Then the murder happens, and the detective shows up.” This marks a departure from the previous films, which played with audience expectations—solving the murder early in “Knives Out,” and presenting a deceptively simple case in “Glass Onion.” In “Wake Up Dead Man,” Daniel Craig’s Benoit Blanc returns to tackle a darker, more gothic mystery, set in a remote stone church and featuring religious intrigue. The film’s protagonist, played by Josh O’Connor, is a priest who becomes Blanc’s sidekick, further grounding the story in classic whodunnit territory. Johnson also cited inspiration from Edgar Allan Poe, aiming for a “grounded, gothic tone” that predates Christie’s work. With the release of “Wake Up Dead Man,” Johnson completes his two-film deal with Netflix. So, what’s next? Johnson has confirmed that he will be taking a break from the “Knives Out” series to focus on an original project. “I’m writing right now, [but] it’s not one of these [Knives Out] films. It’s just something completely different, an original thing. I actually feel very energized after making this one [Wake Up Dead Man], but this is three in a row. It’s probably healthy to see other people.” He hasn’t revealed details about this new project or whether it will be with Netflix, but he’s made it clear that he wants to explore a different genre. Johnson’s creative philosophy is to “empty the well and then start from scratch,” ensuring each new film is a fresh challenge. Despite the break, Johnson remains enthusiastic about returning to the world of Benoit Blanc. He’s stated that as long as Daniel Craig is interested and audiences are engaged, he’d be happy to keep making “Knives Out” mysteries for life. Producer Ram Bergman echoed this, saying future installments are possible, but for now, the focus is on Johnson’s original script.  ... 10/11/25 @ 11:37 am EST
The Season 2 finale of Peacemaker has left fans with mixed feelings and a lot of speculation for the future. Known for its irreverent humor, brutal action, and surprising depth, the closing episode focused more on wrapping up emotional drama but also planted significant seeds for the future of the DC Universe (DCU). This was done through the introduction of Checkmate and Salvation, signaling the long-term direction for the first phase of the new universe. Checkmate, for those unfamiliar with DC Comics lore, is a covert intelligence agency known for operating in the shadows, often handling threats that are too dangerous or politically sensitive for public superhero teams. They first appeared in Action Comics #598, created by Paul Kupperberg and Steve Erwin. While in the comics, the organization is created by Amanda Waller, in the HBO Max series, it is founded by Amanda’s daughter, Leota Adebayo and the rest of the 11th Street Kids using the drug money that Vigilante had been saving. Their arrival marks a significant turning point, suggesting that future seasons—and perhaps other DCU projects—will explore the complex world of espionage, betrayal, and secret wars within the superhero community. Salvation in the comics is a prison planet where Waller and Rick Flag started sending metahumans too powerful to be held in regular prisons. This was introduced in the Salvation Run comic series, originally pitched by George R.R. Martin, written by Bill Willingham and Lilah Sturges and drawn by a variety of artists including Sean Chen and Joe Bennet. This lead into the Final Crisis event which had Darkseid coming to Earth. In the series, Salvation is an alternate reality discovered through the Quantum Unfolding Chamber that appears to be Earth-like and ideal for Flag and Lex Luthor’s plan for a place to send Metahumans. The season ends with Chris Smith aka Peacemaker, forced into Salvation by Argus and left to fend for himself. These introductions show that James Gunn overall plan for Gods & Monsters, the first phase of the DCU, is going to loosely adapt Salvation Run and may lead us to a version of Final Crisis. Even though there is a cliffhanger ending, Gunn has said that there are no immediate plans for a third season of Peacemaker, but he’s promised that these characters will be seen again soon, and the existence of Salvation will playout over all of the DCU including the upcoming Lanterns series and the 2027 film Man of Tomorrow. Reaction to the finale has been mixed with some fans disappointed with the lack of action nor any big cameo that many had speculated. Other fans though appreciated the emotional catharsis achieved by the characters and the new direction which included a few members of Argus, specifically Sasha Bordeaux, Langston Feury and Judo Master, becoming members of Checkmate along with the 11th Street Kids. Where and how we’ll see this story continue has yet to be announced.  ... 10/05/25 @ 11:50 am EST
One of the more controversial things in this summer’s Superman film was the appearance of Kara Zor-El aka Supegirl played by House of the Dragon’s Milly Alcock. The character has been on screen before, first played by Helen Slater and then Melissa Benoist and in both interpretations the character came across in a lot of ways as a female version of her cousin, Kal-El. This didn’t make sense to writer Ana Nogueira who DC Studios asked to take a swing at writing a new feature for. Nogueira, a former actor turned writer, told Variety, “She watched Krypton completely be destroyed. I was always like, ‘I can’t get my head around the version of the character that is so sunny.’” And then she came across Tom King’s Woman of Tomorrow series with a rougher, grittier, edgier and funnier Supergirl. “When I read it, I was like, ‘There she is,’” Nogueira says. Fueled by this different take on the character, Nogueira crafted a script that not only won over DC Studios co-heads James Gunn and Peter Safran, but earned her two more assignments, Wonder Woman and Teen Titans. Supergirl, directed by Craig Gillespie, will hit theaters in June of 2026.  10/05/25 @ 11:20 am EST
While appearing at the Hamptons International Film Festival to promote her new film Eternity, Elizabeth Olsen was asked about a possible return to the MCU. “It is something that I love, and it’s something I always want to return to. I think the thing that’s been so special about the last five years is I’ve gotten to do so much with the character that I never thought I would. There are still character through lines that have happened in the comics that I’d love to do that I think fans also want to. I mean, these movies aren’t for critics, these movies are for fans.” Olsen first appeared as Wanda Maximoff in a brief cameo at the end of Captain America: The Winter Soldier in 2014 and reprised the roles in Avengers: Age of Ultron (2015), Captain America: Civil War (2016), Avengers: Infinity War (2018), Avengers: End Game (2019) and Doctor Strange in the Multiverse of Madness (2022) as well as lead a spinoff Disney+ series, WandaVision in 2021. And while her character has died, that doesn’t necessarily mean the end when it comes to comic=book-based movies. And while she’s not been announced for any new Scarlet Witch projects, she remains very positive towards the whole thing. “It’s really fruitful, and the stories have only gotten better for me, my character. I really enjoyed it. Some people have ongoing television series that they get to return to. Very few, I feel like, get to be a part of franchises that, I know we might culturally get a little bit exhausted by, but there is something about them that becomes very familial. There’s nothing else really like it, and I don’t know that I’ll have [that] again unless it’s for an ongoing show. I do like that kind of consistency. It feels good. I mean, job security feels nice — I think we can all agree on that.”  ... 10/04/25 @ 9:53 am EST
If you're a fan of Peacemaker, you may have recognized the familiar face of Keith Smith as David Denman, a seasoned actor whose career spans television, film, and even stage performances. Denman is perhaps best known for his role as Roy Anderson on the beloved NBC sitcom The Office. He played Pam Beesly’s fiancé during the first few seasons, making frequent appearances and creating memorable moments in the show's iconic Scranton branch setting. Where I first saw him was as Brian Murphy, one of the football players in the sports comedy The Replacements, starring alongside Keanu Reeves and Gene Hackman. His portrayal of the tough yet endearing deaf tight end made him a standout in this memorable ensemble cast. He also starred alongside John Krasinski in 13 Hours: The Secret Soldiers of Benghazi, portraying a member of the security team. Denman worked with James Gunn previously in the horror film Brightburn, playing the adoptive father to the film’s central character. Denman’s television career includes appearances in shows like Parenthood, Outcast, and Mare of Easttown. His ability to slip into a variety of characters has made him a familiar face to audiences across genres, from comedy and drama to horror and action. In addition to his main roles, Denman has also shown up in guest spots on popular series such as Grey’s Anatomy, True Detective, and The X-Files. His versatility and range have made him a reliable presence in Hollywood for over two decades. So, if you’re watching Peacemaker and wondering where you’ve seen David Denman before, chances are it’s been in one of these standout projects. His extensive resume ensures that he’s a familiar face to fans of both television and film.  10/04/25 @ 9:36 am EST
After several seasons of quirky humor and heartwarming family moments, Fox has officially canceled the animated series The Great North. The series premiered on Fox as part of the network’s Sunday night animation lineup, joining the ranks of beloved shows like Bob’s Burgers and The Simpsons. Created by Wendy Molyneux, Lizzie Molyneux-Logelin, and Minty Lewis, the show focused on the Tobin family living in the wilds of Alaska. Its cast featured the voices of Nick Offerman, Jenny Slate, Will Forte, and Dulcé Sloan, who brought the unique and eccentric characters to life. Fox did not cite a specific reason for the cancellation. Despite positive critical reception and a loyal audience, The Great North struggled to achieve the same mainstream popularity as some of its animated peers. This likely contributed to the network’s decision to end the series.  09/28/25 @ 8:53 am EST
If you are enjoying season 2 of Peacemaker and are wondering if there is going to be a season 3… well, sort of. According to writer/director James Gunn, the eight and final episode of the season will set up what’s next, “Some of these characters will continue, but also, it’s not exactly Peacemaker 3. I’m not ruling it out. You’ll see (episode) 8 and maybe you’ll find out a little bit more.” There is speculation that this might be tied into the planned Amanda Waller series with Viola Davis, which has been progressing slowly since the initial Gunn/ Peter Safran announcement. One interesting thing, it seems this week’s scene between Lex Luthor ( Nicholas Hoult) and Rick Flag Sr. ( Frank Grillo) had been in the works even before the Earth X plot for the season had been settled on. “When I pitched to DCU what the basic stories were throughout the TV shows and movies, this was a part of that.” The Belle Reve scene and the Justice Gang auditions were filmed on consecutive Saturdays during the filming of the Superman movie. There is also one more Superman character crossover to come in episode 8.  09/28/25 @ 8:37 am EST
Tom Holland is on the mend after an incident on the set of Spider-Man: Brand New Day which left the actor with a concussion and a week off as production halted. Holland was well enough to attend a recent gala for his parents’ nonprofit The Brothers Trust alongside his fiancée and co-star Zendaya. He posted to Instagram, “What a night! Another huge success. The Brothers Trust means more to me than I could possibly say and I have to say a huge thank you to my Mum and her wonderful friends for putting on another incredible night. Raising money for fantastic causes and having fun doing it! I’m sorry I had to leave early but I’m feeling better and on the mend. A huge thanks to my Dad for taking over after I left. The show got considerably funnier.” Holland received the mild concussion during a stunt gone wrong and was taken to the hospital immediately but not admitted. The film is being shot in Scotland and even with the delay should still be able to make it’s July 31st, 2026 release date. 
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