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10/25/15 @ 4:33 am EST
Writer and event architect Gail Simone has done up a commentary for the final issue of the Swords of Sorrow series:
Before I get into the meat of this issue, I just wanted to give some thanks to artist Sergio Davila, who did such an amazing job on this impossible assignment. He had to draw Mars and Shanghai and Mexican pyramids and Dracula and tanks and dinosaurs and dozens of female heroines and he just killed on it. It was a joy, no matter what I asked for, he threw himself into it. This issue, basically has everything but the kitchen sink, it’s an artist’s nightmare and he did such a beautiful job. Artists like this are what you dream of. Thank you, Sergio!
PAGE ONE: Okay, this is probably a little embarrassing, but Jane Porter’s goodbye letter to her husband, Tarzan, might be my favorite bit of writing in the whole series. When I was a kid, I read whatever fantasy novels came my way, and I managed to find a series of E.R.B. stuff, including Tarzan and John Carter, but also obscure stuff like the Mucker. I was wild for it. And I loved the stories that featured Jane and Korak.So that’s the message, if you make yourself enough of a pest, eventually someone asks you to write your childhood favorites.A big, noisy story like this, it’s difficult to get quiet moments. The interplay between the bombast and Jane’s sincere love for her husband moves me, I feel that in my own life when I’m at cons, sometimes. The crowds can be ferocious, love keeps me tranquil.
PAGE TWO: Pantha is one of the characters I would love to have spotlighted more, she’s a very interesting concept. I made it up to her by making her a key figure at a couple key spots in this finale. There weren’t a lot of characters like her when she was created.
PAGE THREE: I wanted my first big crossover that I was steering to end in one of those huge battles. I don’t think people would have blinked if they had been dudes, but it was a bit off-putting for some for us to end with a war with these characters. I get that, but for me, it was something I think we really wanted to see…that kind of mash-up that had never been attempted before with these characters. I love having Jennifer Blood and Irene Adler fighting on the same page.
PAGE FOUR: I didn’t care much for Purgatori when I first read her stories, they didn’t really speak to me and she should have been right up my alley. But I grew to really like her, and was kind of sad she didn’t have a redemption moment.
PAGE SEVEN: Same with the other Chaos ladies, I wasn’t a big fan, but grew to really like them.
PAGE EIGHT: PANTHA vs. BAD KITTY! See, I know, I’m a child. But I like this stuff, I was waiting for this panel since I took on the project.
PAGE ELEVEN: Of all the relationships in the book, the one I wrote with the most friction was Sonja and Dejah. I figured Sonja would hate Dejah’s guts (she doesn’t like royals). But something about them kept making me write how they learned from each other. Dejah sounds downright Hyrkanian here.
PAGE TWELVE: Another thing I had in mind since the start–Sonja and Dejah riding Nazi motorcycles. Comics, it is a fun business, you guys.Also, fun twist here at the bottom of the page.
PAGE THIRTEEN: The Green Hornet and Kato, that’s another series I want to write someday. When I was a kid, I could never figure out why the sidekicks were so much cooler than the mentors. I loved Robin more than Batman, Tonto more than the Ranger, and Kato…well, Kato was just the coolest of them all. This isn’t the Bruce Lee version, it’s Kevin Smith’s, but she was still a load of fun.
PAGE SEVENTEEN: Look. I just love giant superfast Barsoomian dog lizards, all right?
PAGE EIGHTEEN: And Jungle Girl comes back with friends. I love this page. One of the tricky things in plotting this is that the characters are already badasses, they are already veterans. Having Jungle Girl as more inexperienced allowed her to be a P.O.V. character, which Marguerite Bennett helped flesh out in the RED SONJA VS. JUNGLE GIRL mini.
PAGE NINETEEN: Don’t mess with Vampirella.
PAGE TWENTY: About TIME! Bye, Prince! I have read a few people who thought that was my voice coming out of Vampirella’s mouth. Nope. I like blogs. It’s pure Vampi, she’s got little use for people like the Prince.
PAGE TWENTY-ONE: I always wanted it to end with a cocktail party. This is probably the most clear bit of wish fulfillment for me. Wouldn’t you love to have a table at THAT party? Kato, Vampi, Dejah, Sonja, Miss Fury, Irene Adler, Jane Porter…I’d never want to leave.
PAGE TWENTY-TWO: And that’s that…thank you for reading the series!We got wonderful support from readers, critics and retailers, and a project like this was probably unthinkable even fifteen years ago.
I really am grateful we got to do it, and so grateful to the writers (the She-Vengers!) and artists who worked so hard to make it happen.
And a huge thank you to everyone at Dynamite, they threw themselves into this idea with some real courage.
THANK ALL YOU GUYS!
Cover art by Tula Lotay, Emanuela Lupacchino
05/02/26 @ 1:59 pm EST
James Gunn, co-head of DC Studios, has addressed the strange “partial reboot” of the DCEU and why he didn’t just start completely fresh. With the new DCU starting with the animated Creature Commandos series and the new Superman movie, certain elements from the previous regime carried over like Viola Davis as Amanda Waller and there were some questions about more recent projects like Gunn’s own The Suicide Squad and Blue Beetle. And Gunn’s first DC movie also had elements from previous films including Margot Robbie as Harley Qiunn. So why not just start over? Turns out a lot of it has to do with the John Cena lead Peacemaker series on HBO Max. According to a social media post by Gunn, “Peacemaker Season 2 deals were all in place when I became head of DC. It was either break everyone's contracts and pay out all that money and take away HBO Max's biggest show at the time or find a way to make it work. I chose the latter. Mostly tho because I love the character and the show and thought he/they could be an important part of the DCU.” Now, this has left quite a mess trying to figure out what is and isn’t cannon, and Gunn realizes this. He posted, “I've been thinking about this a lot in regards to The Suicide Squad & Blue Beetle and I've been meaning to rewatch both with an eye towards that knowing what I know now almost three years into the DCU (with a couple more years of scripts being actively filmed or created). Maybe after MoT Jenn & Steve & I can get together for a special couple podcasts to discuss. What do you guys think is potentially or definitely NOT canon from TSS & BB?” He is referring to Jennifer Holland, his wife and actress who plays Harcourt and Steve Agee who plays Economos. The three of them did the post-episode podcasts for Peacemaker season two. Doing The Suicide Squad film makes sense with its ties to Peacemaker, but the reason for the Blue Beetle is that there are talks of an animated Blue Beetle series based on the 2023 film with Xolo Maridueña continuing in the role of Jaime Reyes. The fact it’s included here confirms the animated series is still happening.  ...
04/18/26 @ 12:44 pm EST
David Harbour is heading into the jungle. The actor has joined the cast of John Rambo, an upcoming origin-story film set before the events of First Blood. Harbour will portray Major (also known in earlier films as Colonel) Sam Trautman, the tough-minded commander and mentor figure long associated with the franchise. The film stars Noah Centineo as a younger John Rambo and is directed by Jalmari Helander ( Sisu) from a screenplay by Rory Haines and Sohrab Noshirvani. The project is expected to explore the experiences that forged Rambo into one of action cinema’s most enduring figures—years before he returned home to the confrontation that launched the original 1982 film. John Rambo is backed by Lionsgate and Millennium Media, with Templeton Media and AGBO also involved, and has reportedly wrapped production in Thailand. Additional cast members include Yao, Jason Tobin, Quincy Isaiah, Jefferson White, and Tayme Thapthimthong. Sylvester Stallone—who originated the role across five films—is attached as an executive producer, alongside Anthony and Joe Russo and other producers tied to the project.  04/18/26 @ 12:24 pm EST
Deadline is reporting that Game of Thrones actor Charles Dance will be joining the cast of the upcoming The Batman Part 2, which is set to start filming in the next few weeks. While this is unconfirmed by DC Studios, Dance is believed to be playing Charles Dent, the father of Harvey Dent aka Two-Face played by fellow newcome to the franchise, Sebastian Stan. There had been many reports over the last few months of other actors turning down the role of the elder Dent which is believed to have some parallels with the role Dance is best known for, Tywin Lannister. He joins a cast that also returns Robert Pattinson, Andy Serkis, Colin Farrell and that has added Scarlett Johansson in an undisclosed part. Prior to joining the Matt Reeves’ sequel, Dance appeared recently in Guillermo Del Toro’s Frankenstein and the Peacock series Day of the Jackal. 
04/11/26 @ 11:27 am EST
FX is doubling down on one of television’s most unlikely success stories. The Emmy‑winning docuseries Welcome to Wrexham has been officially renewed for three additional seasons, ensuring the show will run through at least Season 8. The announcement comes just weeks ahead of the series’ Season 5 premiere on May 14, 2026. The series chronicles the ownership journey of Ryan Reynolds and Rob McElhenney—often credited onscreen as Rob Mac—after their 2020 takeover of Welsh football club Wrexham AFC. What began as a celebrity‑owned sports experiment has evolved into one of FX’s most successful and beloved nonfiction franchises, following the club’s extraordinary rise through the English football pyramid. FX Entertainment president Nick Grad called the renewal “nearly unheard of,” praising the creative team and the global connection audiences have formed with the club and its community. Reynolds and McElhenney echoed that sentiment in a joint statement, crediting the documentary crew and Wrexham’s rapid on‑field success for making such a long‑term commitment possible. Season 5 will continue to track Wrexham’s pursuit of promotion to the Premier League following three consecutive promotions, a feat never before achieved in English Football League history. With cameras set to keep rolling for years to come, FX has made it clear that Wrexham’s story—both on and off the pitch—is far from finished.  04/11/26 @ 11:17 am EST
As anticipation builds for DC Studios’ upcoming Superman sequel Man of Tomorrow, speculation around its final unannounced role has gone into overdrive. Over the past several days, a wave of casting rumors surged online—only to be decisively debunked by director and DC Studios co‑chair James Gunn himself. The most prominent rumor centered on the alien queen Maxima, a character from DC Comics long speculated to appear in the film. An initial report from Deadline claimed that Ella Purnell, Marisa Abela, and Adria Arjona had screen‑tested for the role. Gunn fired back on Threads, calling the report “shoddy & incorrect” and stating that he had never even met two of the actresses named. He emphasized that had anyone from the outlet checked with the production, the story would have been immediately denied. Gunn further clarified that his statement was not an indirect confirmation that Maxima is in Man of Tomorrow at all. When pressed by fans, he said he was “absolutely not confirming” the character’s inclusion, while adding that the film has only one remaining role left to cast, with all major roles already announced. Shortly after Gunn posted, the Hollywood Reporter came out with its own list of finalists for the role that included Arjona, the one actress in the first report that Gunn has worked with previously, along with Eva De Dominici, Sydney Chandler, and Grace Van Patten. Another rumor floating around is that Maxima is just a cover character and that they are really casting the DCU’s new Wonder Woman. While the character’s stories are very different, the physicality of both women are similar enough and it would be a good cover if DC Studios wanted to keep the introduction of a major character quiet. Which ever it is, a decision will need to be made soon as Man of Tomorrow is slated to begin filming sometime this month down in Atlanta and is slated to be released July 9th, 2027.  ... 04/05/26 @ 4:17 pm EST
Marvel fans may finally be getting the reunion they’ve been waiting for. Mike Colter and Finn Jones were recently spotted on the New York set of Daredevil: Born Again season 3, sparking widespread excitement that The Defenders are officially back. Photos from the production show Colter and Jones alongside Krysten Ritter, who reprises her role as Jessica Jones, strongly suggesting that Luke Cage and Iron Fist are once again entering Marvel’s street-level corner. While Marvel Studios has not formally announced their return, the presence of all three actors together during filming points to a deliberate reunion rather than a coincidence. The sighting is significant because Colter and Jones last portrayed their characters during Marvel’s Netflix era, where they joined Charlie Cox’s Daredevil and Ritter’s Jessica Jones in the 2017 crossover miniseries The Defenders. With Daredevil: Born Again already reestablishing that continuity on Disney+, season 3 now appears poised to fully reassemble the team for the first time in nearly a decade. Although plot details remain under wraps, the set photos alone have reignited fan enthusiasm for Marvel’s grounded, Hell’s Kitchen–based heroes. If the reunion is confirmed on screen, Daredevil: Born Again season 3 could mark a major turning point—bringing The Defenders back together and firmly reintegrating Marvel’s Netflix characters into the broader MCU.  03/28/26 @ 1:40 pm EST
Games Workshop has officially unveiled Warhammer 40,000: 11th Edition, confirming that the next evolution of its flagship tabletop wargame will launch in June 2026. The announcement was made during the AdeptiCon 2026 preview event, where a cinematic trailer, a new starter box, and early details about rules changes were revealed. The narrative focus of 11th Edition returns players to Armageddon, one of the most iconic war zones in Warhammer 40K lore. The new storyline centers on a massive conflict between the Imperium of Man and invading Ork forces, with the Blood Angels Space Marines positioned as the headline Imperial faction opposing an Ork Waaagh!. A major lore highlight is the confirmed return of Commissar Sebastian Yarrick, a long‑standing fan‑favorite character closely associated with Armageddon’s wars. His reappearance anchors the edition firmly in classic Warhammer history while advancing the ongoing narrative following recent campaign books. The launch of 11th Edition will be accompanied by a new boxed starter set titled Warhammer 40,000: Armageddon. The set includes newly revealed Space Marine and Ork miniatures, with early previews showing updated Intercessors that blend modern Primaris design with visual callbacks to older armor marks. While the full contents of the box have not yet been detailed, Games Workshop confirmed that additional starter products at different price points will follow, continuing the company’s recent approach to onboarding new players. Unlike the dramatic overhaul that accompanied 10th Edition, early information indicates that 11th Edition is designed as an iterative update rather than a full system reset. Existing 10th Edition Codex and Supplement books will remain valid at launch, meaning players will not need to immediately replace their current army rules. Confirmed design goals include streamlined core mechanics, reduced rules stacking, and a closer alignment between narrative and matched play. Games Workshop has emphasized faster gameplay, clearer interactions, and improved balance without discarding the foundations introduced in the previous edition. Although the June 2026 release window has been confirmed, many specifics—such as the full ruleset, complete model lineup, and codex roadmap—remain under wraps. Games Workshop has stated that deeper rules previews and additional reveals will be shared in the months leading up to launch.  ... 03/28/26 @ 1:16 pm EST
While attending a comics convention this weekend, Tom King offered fans a substantive update on the long‑anticipated Mister Miracle animated series, confirming that the project has moved into a significant new phase of development. King, who serves as both lead writer and showrunner on the series, revealed that the pilot episode has now been completed. According to his comments at the event, the show is no longer in early conceptual stages but is actively progressing, with King currently involved in editing the series and writing later episodes. One of the biggest takeaways from the panel was confirmation that a voice cast has already been hired. While no names were announced, King teased that fans would be extremely excited once the cast is officially revealed, suggesting that announcements are likely forthcoming. The Mister Miracle animated series is based on the acclaimed 12‑issue comic run written by King and illustrated by Mitch Gerads. During the panel, King reiterated that the show is aiming to closely reflect Gerads’ distinctive visual style, an approach that has been a priority throughout development. This commitment aligns with previous statements that the production is pushing the boundaries of animation to faithfully translate the look and tone of the original comics. King also confirmed that the series is set within the DC Universe and that he is writing all eight episodes himself. His dual role as writer and showrunner positions the project as a deeply personal adaptation of his Eisner Award–winning work, rather than a loose reinterpretation. Although no release date was announced during the convention, King’s update makes it clear that Mister Miracle is firmly in active development rather than stalled or uncertain. The completed pilot and hired voice cast mark major milestones, signaling that the project is steadily moving forward.  ... 03/21/26 @ 1:51 pm EST
With HBO and DC Studios’ upcoming series Lanterns positioning itself as a grounded, detective‑style drama, fans are paying close attention to how the show will deploy one of the Green Lantern mythos’ most iconic figures: Sinestro. Officially confirmed to appear in the series and portrayed by Ulrich Thomsen, Sinestro’s inclusion signals that Lanterns is not just telling a crime story—it is laying the foundation for the moral and ideological conflicts at the heart of the Green Lantern universe. According to DC Studios’ official character description, Sinestro is a former Green Lantern who turned rogue after abusing his power. He is described as “ruthless yet undeniably charming,” with a manipulative obsession centered on his former mentee, Hal Jordan. Jordan is being played by Kyle Chandler. This immediately suggests that Sinestro’s role in Lanterns will be personal rather than purely antagonistic. Rather than functioning as a straightforward villain to be defeated, Sinestro is more likely to appear as a philosophical counterpoint to Hal Jordan. In the comics, Sinestro believes order must be enforced through fear, not willpower or trust. Translating that worldview into a grounded HBO drama fits perfectly with the show’s True Detective-inspired tone, where moral certainty is often elusive. Lanterns centers on Hal Jordan and John Stewart (Aaron Pierre) as intergalactic law officers investigating a murder in the American heartland. While the crime is Earth‑based, the implications are cosmic, and Sinestro’s presence may loom over the investigation rather than dominate it outright. Given Sinestro’s history as Hal Jordan’s mentor, one plausible role is that of a symbolic embodiment of Hal’s past failures. Sinestro may serve as a reminder of what happens when a Green Lantern decides the rules no longer work—or that he alone should decide how justice is delivered. This framing would reinforce Hal’s status as a seasoned Lantern nearing the end of his career, forced to confront the ideological consequences of the Corps’ authority. Production reports confirm that Sinestro is a recurring character, not necessarily the central antagonist of every episode. That opens the door for a more subtle narrative function: Sinestro as a background manipulator. Rather than openly opposing the Lanterns, Sinestro could be: Feeding Hal Jordan information to test his judgment, quietly steering events tied to the murder investigation or Serving as a warning figure for John Stewart, illustrating what a Lantern can become when certainty replaces empathy. This approach aligns with comments from Ulrich Thomsen, who hinted on social media that his time as Sinestro may not be finished, suggesting long‑term narrative relevance beyond a single season. While Lanterns is firmly Earth‑based, it exists within DC Studios’ broader DC Universe (DCU). Sinestro’s introduction here may function less as a payoff and more as setup. In DC canon, Sinestro is to the Green Lanterns what Lex Luthor is to Superman—a recurring ideological nemesis rather than a one‑time foe. By grounding Sinestro early as a calculating, persuasive presence rather than a spectacle‑driven villain, Lanterns could be positioning him as: A future architect of larger DCU conflicts, a connective figure between cosmic and Earth‑level stories or as a moral antagonist whose philosophy spreads rather than attacks. Nothing beyond Lanterns has been officially confirmed, but Sinestro’s stature in DC lore makes his appearance here feel intentional rather than incidental. Based on what is known, Sinestro’s role in Lanterns is unlikely to hinge on spectacle. Instead, he appears poised to challenge the core identity of the Green Lantern Corps—and of Hal Jordan himself. Whether he appears as a mentor‑turned‑enemy, a manipulative observer, or a philosophical provocateur, Sinestro represents the question at the heart of the series: Is justice about enforcing order—or believing people can choose to do better? In a show built around investigation, doubt, and moral consequence, Sinestro may not be the loudest presence—but he could be the most dangerous one.  ... 03/21/26 @ 1:35 pm EST
The entertainment world is mourning the loss of Nicholas Brendon, the actor best known for his role as Xander Harris on the beloved television series Buffy the Vampire Slayer. Brendon passed away at the age of 54, his family confirmed, stating that he died in his sleep of natural causes. News of his passing has prompted an outpouring of tributes from colleagues, friends, and fans who grew up with his work and were touched by his honesty and humanity. Born in Los Angeles in 1971, Brendon rose to international fame in 1997 when he was cast as Xander Harris, the witty, loyal, and often self‑deprecating heart of Buffy the Vampire Slayer. Appearing in all seven seasons of the series from 1997 to 2003, Brendon helped shape one of television’s most enduring ensemble casts. Xander, the lone member of the group without supernatural powers, became a relatable stand‑in for audiences—grounded, flawed, brave, and deeply human. Following Buffy, Brendon continued to work steadily in television and film. His credits included recurring roles on Criminal Minds and Private Practice, as well as appearances in Kitchen Confidential, Faking It, and cult films such as Psycho Beach Party and Coherence. While none matched the cultural impact of Buffy, his performances were often praised for their sincerity and emotional openness. In later years, Brendon spoke candidly about his personal struggles. He was open about living with addiction, mental health challenges, and serious medical conditions, including a congenital heart defect and complications from spinal injuries that required multiple surgeries. His willingness to discuss these issues publicly resonated with many fans, who saw in him not just a television star, but a person navigating real and painful challenges while continuing to create. Despite these difficulties, Brendon remained creatively driven. According to his family, he found renewed passion in painting and visual art in recent years, sharing his work with friends and supporters. In their statement announcing his death, they remembered him as “passionate, sensitive, and endlessly driven to create,” and asked for privacy as they grieve and celebrate his life.  ... |
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