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11/06/13 @ 3:41 pm EST
In another peer to peer interview from Dynamite Entertainment, Nancy Collins chats with Devin Grayson and Gail Simone about taking on Red Sonja as part of the new Legends Of Red Sonja series being released during the characters 40th anniversary.
First Devin Grayson:
NANCY COLLINS: What inspired you to give your Red Sonja story in LEGENDS OF RED SONJA #1 a nautical spin?
DEVIN GRAYSON: I haven’t played with magic much in my comics writing, but it’s been factoring heavily into some prose work I’m doing now–a YA novel series about a young ghost hunter and her friends, one of whom is a mage. So the chance to work with an artist who could bring some of those themes to life was irresistible. Magic in Sonja’s world—as shown so beautifully in your story– is dark, powerful, raw and dangerous…essentially a force of nature in and of itself. So I wanted something that would echo that visually, a setup in my story that would lead to people being visibly out of control of their environment, such as fire at sea. And the moment I seized on that, a whole mood and tone and antagonist for the story fell into place.
Or maybe I just watched that Science Friday “Where’s the Octopus?” video on YouTube too many times.
NC: Did you have an interest/background in heroic fantasy prior to being brought on the Legends of Red Sonja project?
DG: Not in my reading or writing life, but I’m an avid RPGer, and when you’re gaming—whether online or in traditional pencil and dice campaigns—you’re going to end up submerged in heroic fantasy. Most relevant to this project was the online game Age of Conan. I never actually played it, but before the game officially launched, the role playing crowd took over one of the Beta message boards to use for Conan-themed round robin story-telling. I was very active there, playing an Aquilonian guard, so Sonja’s world felt like a place I’d already lived.
NC: You’ve worked in the video game industry in the past. How does writing for games compare to writing comics?
DG: There are a lot of similarities. Both start as blank pages but grow up to be primarily visual media, both have a commitment to inviting the audience to identify with the characters in as immediate a way as possible and both are shaped by external story limitations—continuity in the case of comics and game mechanics in the case of video games. Both are also unusually social experiences for a writer. Unless you’re working with a partner, writing is usually a pretty solitary exercise. Being alone with a story is one of my favorite parts of the writing experience. But with both comics and video game scripts, you’re just a cog in the wheel, working as part of a team and relying on those other team members to bring your vision to life. I love finishing a manuscript and eventually getting to hold an actual book in my hands, but it’s a whole different kind of thrill to finish a script and eventually get to see the characters acting out the dialog.
NC: Do you have anything on deck for 2014 that your fans should keep an eye out for?
DG: In addition to the YA novel series I briefly mentioned –which won’t make its debut in 2014–I’m currently working on a radio play, which will, and a few other projects it’s too early to talk about. I’m really enjoying being back in comics though and, who knows, there may even be some more work with Dynamite in my future.
And now over to Gail Simone:
NC: What inspired you to propose an All-Woman jam to celebrate the 40th anniversary of Red Sonja?
GAIL SIMONE: I have to give a lot of credit for this to Dynamite and to Nick Barrucci. They are just fantastically open to ideas, and consequently, you don’t feel like the doors are all shut and locked before you even try to open them.
I had what I thought was a fun idea, to have all the covers of my run on the ongoing RED SONJA title be drawn by women, all my favorites, and it’s just worked out amazingly well…they all turned out beautiful. And it made this nifty little side statement, as well, that some of the very best artists in the business are female, AND could draw this sword and sorcery stuff beautifully.
It was such a success, it made me think of how fun it would be to invite a bunch of my writing heroes to try the same thing, women who had provided inspiration to me with the quality of their work.
It turned out to be one of the most fun and rewarding things I’ve ever been a part of, we were all collaborating immediately. And we brought back people like Devin Grayson, Tamora Pierce and yourself, Nancy, to comics, who have been gone for too long. And we got Mercedes Lackey’s and Meljean Brook’s first comics stories, and a-list artist Nicola Scott’s first scripting credit…it just makes me happy. I am proud to be in this company, even if I cheated and put myself in!
NC: Did you have an interest in heroic fantasy prior to landing the monthly RED SONJA gig?
GS: Oh, yeah, absolutely. I often see people who object to the blood or flesh in this genre, particularly in the Robert E. Howard-inspired stuff, but really, I like it. It feels very primal, very ill-mannered. It’s not like the Tolkien stuff that I also love, it’s sweatier and lustier. But you can tell very sophisticated stories with the genre, heartbreaking and heart-soaring stuff. I love it.
C: How does it feel being the first woman to write for Red Sonja in the 21st century?
GS: Is that actually true? I believe one of my other heroes, the great Jen Van Meter, did a Sonja one-shot just a couple years back.
But as ONE of the first, what can I say, it’s one of those joyful things that happen that could never be predicted. I always loved Sonja, now I get to do ferocious things with her.
NC: What up-coming comics and special appearances can your fans look forward to in 2014?
GS: A lot, and some things I can’t mention yet, but the hugely successful Kickstarter graphic novel I did with co-creator and artist Jim Calafiore, LEAVING MEGALOPOLIS, is finally out to backers, and I am thrilled about that. I’m writing the TOMB RAIDER comic for Dark Horse, which has all the good history and travel stuff I love so much. I’m writing BATGIRL and THE MOVEMENT for DC Comics, both very close to my heart.
And of course the LEGENDS OF RED SONJA anthology and the ongoing Sonja monthly title for Dynamite. There may be a few surprises, as well, it’s been a year of big changes for me.
As for appearances, yikes, my convention calendar is mostly filled up until 2015, but very few have been announced yet, so I have to keep mum about that.
Legends Of Red Sonja #1 goes on sale November 6th and features a cover by Jay Anacleto and interior art by Jack Jadson, Noah Salonga and Carla “Speed” McNeil.
Nancy A. Collins is the author of numerous novels, short stories, and comic books, including DC Comics’ Swamp Thing. A recipient of the Horror Writers Association’s Bram Stoker Award, The British Fantasy Society’s Icarus Award, as well as a nominee for the International Horror Guild, John W. Campbell, James Tiptree, Eisner & World Fantasy Awards, her works include Sunglasses After Dark, Lynch: A Gothik Western, and Knuckles And Tales. Legends of Red Sonja #1 marks her return to comics, and her newest novel is Magic And Loss, the 3rd book in the Golgotham series, scheduled to be released November 5th.
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12/06/25 @ 2:03 pm EST
Scarlett Johansson is said to be in negotiations to join the cast of the highly anticipated sequel, The Batman Part 2. While Warner Bros. has not officially revealed which character Johansson would portray, speculation is rife across social media and film forums. Many fans are hoping she will take on the role of a major antagonist or perhaps bring a new dimension to an existing character from the Batman lore. Johansson’s acclaimed work in action and drama—especially her iconic run as Black Widow in the Marvel Cinematic Universe—positions her as a compelling choice for a complex role in Gotham’s shadowy streets. The Batman Part 2 is currently in pre-production, with filming scheduled to commence in May of next year. The film is targeted for a theatrical release in 2026, although official dates may be subject to change. Director Matt Reeves returns to helm the sequel, ensuring continuity in the vision and tone that made the first installment a critical and box office success. Johansson’s addition is expected to boost the already stellar lineup led by Robert Pattinson as Bruce Wayne/Batman. Within hours of the announcement, social media platforms lit up with enthusiastic posts and trending hashtags. Speculation is running rampant with guesses of her role ranging from villains like Poison Ivy and Harley Quinn to love interests like Silver St. Cloud and Vickie Vale. One of the more popular suggestions is that Johansson could be playing Andrea Beaumont, a love interest and antagonist from the hit animated film Mask of the Phantasm. The casting has not been confirmed and neither the studio nor Reeves has commented since the story broke. 
12/06/25 @ 1:50 pm EST
In a dramatic shift for the entertainment industry, Netflix has announced its acquisition of Warner Bros, one of Hollywood's most iconic studios. This unprecedented deal marks a pivotal moment in the ongoing evolution of media and streaming services. Netflix, already a leader in streaming content, has been searching for ways to expand its library and production capabilities. Warner Bros, with its vast catalog of beloved films and television franchises—including the Harry Potter, DC, and Looney Tunes properties—represents a treasure trove of content and creative resources. The acquisition signals Netflix's commitment to not only dominating streaming but also to strengthening its influence in theatrical releases and television programming. Though Netflix has been against theatrical releases in the past, in a recent statement they said they planned to continue them for Warner Bros films just with a shorter release window. By purchasing Warner Bros, Netflix gains access to a library of classic and highly profitable intellectual properties. This move allows Netflix to offer exclusive streaming rights to blockbuster franchises, while also leveraging Warner Bros’ production infrastructure. The deal also positions Netflix to compete more directly with other major studios and streaming platforms, such as Disney and Amazon. Industry analysts predict that this acquisition will accelerate the consolidation trend within the entertainment sector. Other studios and streaming services may seek mergers or partnerships to remain competitive. Audiences can likely expect a surge in new content, including reboots, spin-offs, and original productions drawing from Warner Bros' legacy. For Netflix subscribers, the platform could soon become the go-to destination for both new releases and classic favorites. While some industry veterans express concern about further consolidation of media power, others see this as an opportunity for innovation and greater investment in high-quality storytelling. Only time will tell how this landmark deal reshapes Hollywood and the global entertainment landscape.  ... 11/29/25 @ 11:47 am EST
If you’re of a certain age, then you realize that Peter Hammond was not the first live-action Spider-Man to appear on television screens. That honor goes to Jim Hensen puppeteer Danny Seagren who was a regular on both Sesame Street and The Electric Company. Seagren was both a puppeteer and puppet maker and was the right hand of Ernie along with putting on the Big Bird suit on several occasions including an appearance on the Ed Sullivan Show. He was also the web slinger on the show that started the careers of Rita Moreno and Morgan Freeman as both shows fell under the Children’s Television Workshop. He went on to create puppets for other series like Curiosity Shop, Captain Kangaroo and Who’s Afraid of Opera. “Danny will be greatly missed by his family, friends and those throughout the community he loved living in,” his family said in his obituary. Seagren died on November 10th at the age of 81.  11/29/25 @ 11:31 am EST
Director Shawn Levy has officially hired renowned composer Thomas Newman to craft the score for his upcoming Star Wars: Starfighter film. The collaboration marks a significant moment for the celebrated sci-fi franchise, as Newman steps into a universe long defined by the iconic music of John Williams. His distinguished career includes memorable scores for films such as The Shawshank Redemption, Finding Nemo, and 1917, brings a fresh perspective to the Star Wars saga. Over the years, Newman has earned an impressive 15 Oscar nominations, a testament to his exceptional talent and enduring impact on the film industry. Levy, celebrated for his work on blockbusters like Free Guy and Deadpool and Wolverine, and the hit series Stranger Things, expressed enthusiasm for the partnership. He highlighted Newman's ability to blend sweeping orchestral moments with subtle, character-driven motifs—a style well-suited to the expansive and adventurous spirit of Star Wars. While plot details remain under wraps, Levy and Newman’s collaboration promises a thrilling and emotionally resonant cinematic experience.  11/16/25 @ 12:48 pm EST
While most of the focus over at Marvel Studios is currently on the pair of upcoming Avengers films, Ryan Coogler is ready to return to Wakanda for a third Black Panther film. We’d heard of the possibility of the film originally from Denzel Washington who, while speaking of his potential retirement, mentioned the film as one of his future projects and then when Nate Moore left Marvel last year, he said he would be back producing the third Black Panther film. Now, Coogler himself said while on stage talking about his film Sinners, that Black Panther 3 would be his next movie. The series kicked off with Chadwick Boseman as T’Challa, king of the African Nation of Wakanda and while he reprised the role in Avengers: Infinity War and Endgame, he sadly passed away shortly after. The sequel dealt with the characters death and passed the mantle on to his sister Shuri played by Letitia Wright who is expected to reprise the role in the upcoming Avenger films, but with talks of a potential soft reboot of the MCU, it’s unclear who will be wearing the mask for the third film.  11/16/25 @ 12:31 pm EST
The most recent news on the DCU has to do with Jimmy Olsen. Variety is reporting that Skyler Gisondo will reprise his role from Superman in a true-crime docuseries style show that focuses on villains in the universe starting with the Flash rogue, Gorilla Grodd. Tony Yacenda and Dan Perrault are set to write and showrun with James Gunn and Peter Safran joining them as executive producers. The show is planned for HBO Max and will be a mockumentary style similar to Yacenda and Perrault’s previous series like American Vandal and Players. In the original report, Variety claimed the series would be called DC Crime, something Gunn took to social media to debunk, saying there had never been any project in production called DC Crime, he then added that his saying that doesn’t mean that the rest of the report is false. This sounds like a pretty good confirmation to me.  11/15/25 @ 12:49 pm EST
A new Star Trek film is in the works and Paramount is tapping the team of Jonathan Goldstein and John Frances Daley to write, produce and direct. This news comes shortly after David Ellison, founder of Skydance who recently purchased the studio, told investors that the next Star Trek film would not be a sequel to the Chris Pine/ Zachary Quinto lead series of films. While this hasn’t been 100% confirmed, word is that the new film will be focused on new characters and not directly tied to any previous film or television series. Goldstein and Daley have a good track record when it comes to revitalizing franchises having written Spider-Man: Homecoming for Marvel Studios and wrote and directed Dungeons & Dragons: Honor Among Thieves which was very well received by fans and critics.  11/15/25 @ 12:32 pm EST
With The Fantastic Four: First Steps having moved to Disney+, the Pedro Pascal and Vanessa Kirby lead team is now first in fans minds. But one person still thinks about the First Family of Marvel presented a decade ago and what went wrong. Miles Teller, who played Reed Richards in Josh Trank’s 2015 version of the property, still thinks about the project and how he believes the problems all came down to one person. Teller was on Sirius XM’s Radio Andy show said, “You saw the movie, right? Your eyes were working during that time? I think it’s unfortunate because so many people worked so hard on that movie. And, honestly, maybe there was one really important person who kind of f***ed it all up.” While Teller didn’t say who that was, he was referring to the person who made the final cut on the film, which was not director Trank. Teller said that he wanted a superhero film on his resume to help show him as a serious leading man, but after seeing the final cut recalled, “I remember talking to one of the studio heads, and I was like, ‘I think we’re in trouble.'” The 2015 version made $167 million worldwide compared to this year’s version which made $521 million. He stopped short of calling for a director’s cut of the film.  11/09/25 @ 2:03 pm EST
The Creeper is a unique character from DC Comics, first introduced in "Showcase #73" in 1968. Created by Steve Ditko, The Creeper’s real name is Jack Ryder, a former television talk show host and investigative journalist in Gotham City. After being attacked during an undercover operation at a costume party, Ryder is injected with a serum by Dr. Yatz and gains superhuman abilities, including enhanced strength, agility, rapid healing, and a pain tolerance bordering on the supernatural. The serum, combined with a bizarre costume, transforms him into The Creeper, a vigilante known for his wild laughter, erratic behavior, and flamboyant appearance—a shock of green hair, yellow skin, and a red mane-like cape. The Creeper remains largely untouched by mainstream media, providing an opportunity to introduce audiences to a fresh face and break away from more established archetypes. His blend of horror, humor, and psychological complexity could create a film that stands out from traditional superhero fare. The Creeper’s unsettling persona and visual style lend themselves well to a film that could blend genres—horror, black comedy, and superhero action. His maniacal laugh and unpredictable methods could inject dark humor and psychological thrills, appealing to fans of films like "Joker" and "Deadpool" while carving out a distinctive identity in the DCU. Jack Ryder’s journey from cynical journalist to bizarre vigilante offers rich storytelling potential. Exploring themes of identity, sanity, and the nature of heroism, a Creeper film could delve into Ryder’s internal struggles and the impact of his dual life, making for a character-driven narrative that resonates with audiences seeking depth and complexity. And with being set in Gotham City, The Creeper’s adventures naturally intersect with the city’s gritty underworld, providing opportunities for noir-style detective storytelling. His background in journalism and investigation can be leveraged to create suspenseful plots involving corruption, criminal conspiracies, and moral ambiguity—making him an ideal protagonist for a film that explores the darker aspects of the DC Universe. The Creeper stands as one of DC Comics’ most unconventional and intriguing characters. His untapped potential, distinctive personality, and ability to straddle multiple genres make him a perfect candidate to lead a film in the new DCU.  ... 11/09/25 @ 1:37 pm EST
Predator: Badlands is doing very well, thanks for asking. The latest film in the long-running franchise set a few high franchise marks including domestic opening with $40M, best worldwide opening with $80M and best Cinemascore with an A-. The film also sits a the top of this week’s box office beating out the 2nd place film, Regretting You, by $32.9M… though that film is in its 3rd week. Other new films opening this week, Sarah’s Oil and Nuremberg, opened in 4th and 5th with just over $4M each. Badlands is the third Predator project for director Dan Trachtenberg, the first Prey showed how he could handle the franchise but then he wanted to follow it up with an animated film, Killer of Killers and then for the first time Badlands make the Predator the protagonist. 
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