|
11/06/13 @ 3:41 pm EST
In another peer to peer interview from Dynamite Entertainment, Nancy Collins chats with Devin Grayson and Gail Simone about taking on Red Sonja as part of the new Legends Of Red Sonja series being released during the characters 40th anniversary.
First Devin Grayson:
NANCY COLLINS: What inspired you to give your Red Sonja story in LEGENDS OF RED SONJA #1 a nautical spin?
DEVIN GRAYSON: I haven’t played with magic much in my comics writing, but it’s been factoring heavily into some prose work I’m doing now–a YA novel series about a young ghost hunter and her friends, one of whom is a mage. So the chance to work with an artist who could bring some of those themes to life was irresistible. Magic in Sonja’s world—as shown so beautifully in your story– is dark, powerful, raw and dangerous…essentially a force of nature in and of itself. So I wanted something that would echo that visually, a setup in my story that would lead to people being visibly out of control of their environment, such as fire at sea. And the moment I seized on that, a whole mood and tone and antagonist for the story fell into place.
Or maybe I just watched that Science Friday “Where’s the Octopus?” video on YouTube too many times.
NC: Did you have an interest/background in heroic fantasy prior to being brought on the Legends of Red Sonja project?
DG: Not in my reading or writing life, but I’m an avid RPGer, and when you’re gaming—whether online or in traditional pencil and dice campaigns—you’re going to end up submerged in heroic fantasy. Most relevant to this project was the online game Age of Conan. I never actually played it, but before the game officially launched, the role playing crowd took over one of the Beta message boards to use for Conan-themed round robin story-telling. I was very active there, playing an Aquilonian guard, so Sonja’s world felt like a place I’d already lived.
NC: You’ve worked in the video game industry in the past. How does writing for games compare to writing comics?
DG: There are a lot of similarities. Both start as blank pages but grow up to be primarily visual media, both have a commitment to inviting the audience to identify with the characters in as immediate a way as possible and both are shaped by external story limitations—continuity in the case of comics and game mechanics in the case of video games. Both are also unusually social experiences for a writer. Unless you’re working with a partner, writing is usually a pretty solitary exercise. Being alone with a story is one of my favorite parts of the writing experience. But with both comics and video game scripts, you’re just a cog in the wheel, working as part of a team and relying on those other team members to bring your vision to life. I love finishing a manuscript and eventually getting to hold an actual book in my hands, but it’s a whole different kind of thrill to finish a script and eventually get to see the characters acting out the dialog.
NC: Do you have anything on deck for 2014 that your fans should keep an eye out for?
DG: In addition to the YA novel series I briefly mentioned –which won’t make its debut in 2014–I’m currently working on a radio play, which will, and a few other projects it’s too early to talk about. I’m really enjoying being back in comics though and, who knows, there may even be some more work with Dynamite in my future.
And now over to Gail Simone:
NC: What inspired you to propose an All-Woman jam to celebrate the 40th anniversary of Red Sonja?
GAIL SIMONE: I have to give a lot of credit for this to Dynamite and to Nick Barrucci. They are just fantastically open to ideas, and consequently, you don’t feel like the doors are all shut and locked before you even try to open them.
I had what I thought was a fun idea, to have all the covers of my run on the ongoing RED SONJA title be drawn by women, all my favorites, and it’s just worked out amazingly well…they all turned out beautiful. And it made this nifty little side statement, as well, that some of the very best artists in the business are female, AND could draw this sword and sorcery stuff beautifully.
It was such a success, it made me think of how fun it would be to invite a bunch of my writing heroes to try the same thing, women who had provided inspiration to me with the quality of their work.
It turned out to be one of the most fun and rewarding things I’ve ever been a part of, we were all collaborating immediately. And we brought back people like Devin Grayson, Tamora Pierce and yourself, Nancy, to comics, who have been gone for too long. And we got Mercedes Lackey’s and Meljean Brook’s first comics stories, and a-list artist Nicola Scott’s first scripting credit…it just makes me happy. I am proud to be in this company, even if I cheated and put myself in!
NC: Did you have an interest in heroic fantasy prior to landing the monthly RED SONJA gig?
GS: Oh, yeah, absolutely. I often see people who object to the blood or flesh in this genre, particularly in the Robert E. Howard-inspired stuff, but really, I like it. It feels very primal, very ill-mannered. It’s not like the Tolkien stuff that I also love, it’s sweatier and lustier. But you can tell very sophisticated stories with the genre, heartbreaking and heart-soaring stuff. I love it.
C: How does it feel being the first woman to write for Red Sonja in the 21st century?
GS: Is that actually true? I believe one of my other heroes, the great Jen Van Meter, did a Sonja one-shot just a couple years back.
But as ONE of the first, what can I say, it’s one of those joyful things that happen that could never be predicted. I always loved Sonja, now I get to do ferocious things with her.
NC: What up-coming comics and special appearances can your fans look forward to in 2014?
GS: A lot, and some things I can’t mention yet, but the hugely successful Kickstarter graphic novel I did with co-creator and artist Jim Calafiore, LEAVING MEGALOPOLIS, is finally out to backers, and I am thrilled about that. I’m writing the TOMB RAIDER comic for Dark Horse, which has all the good history and travel stuff I love so much. I’m writing BATGIRL and THE MOVEMENT for DC Comics, both very close to my heart.
And of course the LEGENDS OF RED SONJA anthology and the ongoing Sonja monthly title for Dynamite. There may be a few surprises, as well, it’s been a year of big changes for me.
As for appearances, yikes, my convention calendar is mostly filled up until 2015, but very few have been announced yet, so I have to keep mum about that.
Legends Of Red Sonja #1 goes on sale November 6th and features a cover by Jay Anacleto and interior art by Jack Jadson, Noah Salonga and Carla “Speed” McNeil.
Nancy A. Collins is the author of numerous novels, short stories, and comic books, including DC Comics’ Swamp Thing. A recipient of the Horror Writers Association’s Bram Stoker Award, The British Fantasy Society’s Icarus Award, as well as a nominee for the International Horror Guild, John W. Campbell, James Tiptree, Eisner & World Fantasy Awards, her works include Sunglasses After Dark, Lynch: A Gothik Western, and Knuckles And Tales. Legends of Red Sonja #1 marks her return to comics, and her newest novel is Magic And Loss, the 3rd book in the Golgotham series, scheduled to be released November 5th.
<!--[if !supportLineBreakNewLine]-->
<!--[endif]-->
06/14/25 @ 12:24 pm EST
Amazon Prime Video’s hit action-thriller Reacher is officially returning for a fourth season, and fans are eager to see what’s next for Jack Reacher. Based on Lee Child’s bestselling novel series, the show has captivated audiences with its intense storytelling and gripping action sequences. Season 4 will adapt Gone Tomorrow, the 13th book in Lee Child’s Jack Reacher series. The story follows Reacher as he gets caught in a deadly conspiracy after a chance encounter with a stranger on a train. While the novel is set in New York City, early reports suggest the show’s adaptation may shift the setting to Philadelphia. Alan Ritchson returns as Jack Reacher, leading a cast that includes several new faces: Sydelle Noel as Philadelphia PD detective Tamara Green, Jay Baruchel as small-town policeman Jacob Merrick, Kevin Weisman as journalist Russell Plum, Marc Blucas as U.S. Congressman John Samson, Kathleen Robertson as Elsbeth Samson, Kevin Corrigan as Detective Docherty, Anggun as Amisha Hoth and Agnez Mo as Lila Hoth. Filming for Season 4 is set to begin in mid-2025, with a projected release in early to mid-2026.  06/14/25 @ 12:14 pm EST
Fans of Minecraft can soon enjoy its blockbuster film adaptation from the comfort of their homes. Warner Bros. Discovery has announced that A Minecraft Movie will begin streaming on Max on June 20 and will also air on HBO on June 21 at 8:00 PM EST. Directed by Jared Hess and starring Jack Black and Jason Momoa, A Minecraft Movie has been a massive hit, grossing over $951 million worldwide. The film follows a group of misfits who find themselves transported into the cubic world of Minecraft, where they must navigate its challenges and uncover its secrets. With its impressive box office performance, discussions about a sequel are already underway. Director Hess has hinted at exciting possibilities for expanding the Minecraft universe in future films.  06/14/25 @ 11:54 am EST
Matthew McConaughey is stepping into the shoes of one of literature’s most iconic detectives—Mike Hammer. The Oscar-winning actor is set to star in a new film adaptation of Mickey Spillane’s hard-boiled detective series. Hammer is a tough-as-nails private investigator with a penchant for justice—often delivered with his fists. McConaughey’s previous work in True Detective showcased his talent for playing gritty, introspective roles, making his transition into classic noir feel like a natural evolution. Mike Hammer first appeared in Spillane’s 1947 novel I, the Jury, quickly becoming one of the most recognizable figures in detective fiction. His brutal, no-nonsense approach to crime-solving set him apart from other private eyes of the era. Over the years, Hammer has been portrayed by various actors, including Darren McGavin, Armand Assante and Stacy Keach. The film is being developed by Skydance, with Nic Pizzolatto—creator of True Detective—penning the screenplay. Pizzolatto’s knack for weaving psychological tension and moral ambiguity into his stories promises a fresh yet faithful take on Hammer’s legacy. The production team includes industry heavyweights such as David Ellison, Dana Goldberg, and Don Granger, alongside Max Allan Collins, a key figure in the Mike Hammer literary canon. 
06/08/25 @ 12:47 pm EST
Marvel Comics has taken a surprising turn with its latest storyline in Marvel Knights: The World to Come, introducing a new Black Panther who is—unexpectedly—white. This revelation has sparked intense debate among fans, as the character of Black Panther has long been synonymous with Wakanda’s rich African heritage. The new Black Panther, named Ketema, is introduced in a six-issue limited series written by Christopher Priest and illustrated by Joe Quesada. The story begins with the death of T’Challa, the longtime ruler of Wakanda, setting the stage for a battle over his legacy. Ketema, who claims to be T’Challa’s son, challenges him for the throne and ultimately defeats him. However, the shocking twist comes when Ketema removes his mask—revealing that he is white. The revelation of Ketema’s identity has left many readers questioning how a white character could be the biological son of T’Challa. One theory suggests that Ketema may not actually be the son of Monica Lynne, T’Challa’s former love interest, but rather Nicole Adams, another past romantic connection of the Wakandan king. Some speculate that genetic engineering, cloning, or alternate realities could play a role in this unexpected lineage. Christopher Priest, the writer behind the series, has remained tight-lipped about the deeper implications of Ketema’s introduction, stating that the story is more about how Wakanda arrived at this point rather than the immediate controversy surrounding the new Black Panther.  06/08/25 @ 12:37 pm EST
In a surprising turn of events, Amazon Prime Video has decided to cancel Étoile after just one season, despite its initial two-season order. The ballet drama, created by Amy Sherman-Palladino and Daniel Palladino, followed the lives of dancers and artistic staff from two prestigious ballet companies in New York and Paris. The series was envisioned as a love letter to the art of ballet, but its journey was cut short due to a combination of performance metrics and production costs. The show was filmed on location in New York and Paris, featuring elaborate choreography and a cast of top-tier ballet dancers. Despite its artistic ambition and an 85% rating on Rotten Tomatoes, Étoile struggled to gain traction with audiences. The decision to cancel Étoile was largely driven by its performance versus cost. While the series had a dedicated fan base, it failed to chart on Nielsen’s weekly Top 10 for Originals and quickly dropped from Prime Video’s own rankings. The show's expensive production—filming in historic locations and creating an original ballet company—made it a costly endeavor.  06/08/25 @ 12:20 pm EST
There’s a lot of buzz for the new Netflix series Dept. Q, based on the Danish-noir novel series by Jussi Adler-Olsen. With an 83% critics’ score and a 94% audience score on Rotten Tomatoes, the question of a second season is already being asked by fans and even the cast. Star Matthew Goode, previously known for Downton Abbey and The Watchmen, talked with Deadline about being the only English person in an almost all Scottish cast and if he would be interested in returning to the character of DCI Carl Morck. “This is such a wonderful company of actors. Even though I was the only English one, and they could have easily hated me, obviously with that lovely Scottish-English situation, it wasn’t the case. And such great personalities, such great talent. And obviously I’m central to the story, so I get to work with everyone. I’d wanted to work with Shirley Henderson—‘ Shenderson’—for years. And Kelly Mcdonald, and then this fairly relatively new actress, Leah Byrne, who is a revelation in this show. It’s very difficult to be talking about some of the things that she has to talk about and make them hilarious. It’s quite a staggering… Well, it’s writing and talent, where they meet, I suppose. I love them all. That’s why we’re desperate to do a second season.” When asked about how many seasons he would be willing to do, Goode said: “I don’t know. There’s 10 books now. It is quite a modern phenomenon, really, as an actor, that you would get to sit in something for time. And now I think I’m at the right age that I’d like to have a character that I can come back to that has great, exciting, dark, hopefully funny stuff happening within the story, but also, how’s this man going to change? Is he going to change? What will be something that will change him? Even if it’s by minutia, there will be certain changes. Even if it’s just my hair color or the girth of my beard.” The beard may be the only downside to the character as Goode explained, “My wife didn’t come near me for six months because she hates beards. Absolutely hates them.” Dept. Q season one is available now on Netflix.  ... 06/07/25 @ 1:07 pm EST
The Merc with a Mouth is making his way into virtual reality, and this time, he’s voiced by none other than Neil Patrick Harris. Marvel’s Deadpool VR, developed by Twisted Pixel Games and Oculus Studios, is set to launch exclusively on Meta Quest 3 and 3S in late 2025. The game promises an original storyline packed with Deadpool’s signature humor, fourth-wall-breaking antics, and over-the-top action. Unlike previous Deadpool games, this VR experience throws players directly into Wade Wilson’s chaotic world. The story kicks off when Deadpool is pulled through a portal into Mojoworld, a twisted media-centric universe ruled by the villain Mojo. After signing a shady contract (without reading the fine print, of course), Deadpool embarks on a multiverse-hopping quest for riches, battling classic Marvel villains along the way. Players will step into Deadpool’s shoes—literally—using dual pistols, katanas, kunai, and parkour-style movement to navigate the game’s action-packed environments. The combat system is designed to reflect Deadpool’s unpredictable personality, allowing for absurd and exaggerated attacks. Expect to punch enemies while holding grenades, throw severed limbs as weapons, and even shove heads into propellers. While Ryan Reynolds has become synonymous with the character, Neil Patrick Harris is bringing his own spin to the wisecracking antihero. Harris, known for his voice work in Spider-Man: Shattered Dimensions, delivers a portrayal that is said to capture Deadpool’s manic energy, self-awareness, and comedic timing, making the VR experience even more immersive. Marvel’s Deadpool VR is slated for release in late 2025, exclusively on Meta Quest 3 and 3S.  06/07/25 @ 12:59 pm EST
Dakota Johnson is setting the record straight on the disappointing box office performance of Madame Web. The Fifty Shades star, who played Cassandra Webb in Sony’s Marvel spinoff, has opened up about why the film failed to connect with audiences—and she’s placing the blame on studio interference. In a recent interview with the Los Angeles Times, Johnson explained that Madame Web started as one thing but ultimately became something else due to executive meddling. "It wasn’t my fault," she stated. "There’s this thing that happens now where a lot of creative decisions are made by committee. Or made by people who don’t have a creative bone in their body. And it’s really hard to make art that way". She noted that Madame Web underwent drastic changes after she signed on, leaving her "just sort of along for the ride". Released in early 2024, Madame Web was expected to be a fresh addition to Sony’s Marvel universe. However, the film grossed only $100 million worldwide against a rumored budget of $80–100 million, making it a financial disappointment. It also received overwhelmingly negative reviews, earning a 11% Rotten Tomatoes score and sweeping the Razzie Awards, including Worst Picture and Worst Actress for Johnson. Despite the backlash, Johnson remains unfazed. "Bigger-budget movies fail all the time," she said, adding that she doesn’t regret taking on the role but probably won’t return to the superhero genre anytime soon. 
06/07/25 @ 12:47 pm EST
The Star Wars universe is expanding once again, and this time, it’s bringing in a fresh face to the galaxy far, far away. Acclaimed actress Mia Goth, known for her standout performances in Pearl, X, and MaXXXine, has officially joined the cast of Star Wars: Starfighter, the upcoming film directed by Shawn Levy. Goth will take on the role of the movie’s primary villain, facing off against Ryan Gosling’s lead character. Announced at Star Wars Celebration in Tokyo earlier this year, Star Wars: Starfighter is set five years after the events of Star Wars: Episode IX – The Rise of Skywalker. Unlike previous entries, this film will not be connected to the Skywalker Saga, instead introducing a brand-new adventure with original characters. Director Levy, best known for Deadpool & Wolverine, has been developing the project since 2022 alongside screenwriter Jonathan Tropper. The film promises to explore uncharted territory in the Star Wars timeline, offering fans a fresh perspective on the galaxy’s post-Skywalker era. While details about Goth’s character remain scarce, reports indicate that she will play one of the antagonists pursuing Gosling’s character and his young nephew. The role was initially offered to Oscar winner Mikey Madison, who reportedly passed on the opportunity due to salary negotiations. Goth’s casting marks another major milestone in her career, as she continues to take on high-profile roles. In addition to Star Wars: Starfighter, she is set to appear in Guillermo del Toro’s upcoming Frankenstein adaptation alongside Oscar Isaac and Jacob Elordi. Filming for Star Wars: Starfighter is expected to begin later this year, with a theatrical release scheduled for May 28, 2027.  06/04/25 @ 2:56 pm EST
Scrooge McDuck is starring in all-new adventures from Marvel Comics! Following last year’s acclaimed Uncle Scrooge & the Infinity Dime one-shot, the first-ever Uncle Scrooge Marvel comic, the legendary adventurer is back to take things to the level with a solo four issue limited series this August—UNCLE SCROOGE: EARTH’S MIGHTIEST DUCK! Uncle Scrooge & the Infinity Dime scribe and superstar Marvel writer Jason Aaron returns to craft another fantastic Uncle Scrooge saga that expertly blends the wonderful world of Uncle Scrooge with epic Marvel Comics super hero storytelling. Aaron will be joined by an extravagance of all-star artists including Giuseppe Camuncoli, Mahmud Asrar, and Ciro Cangialosi. UNCLE SCROOGE: EARTH’S MIGHTIEST DUCK kicks off in August and today, fans can behold the covers for the first two issues. The covers see how some of industry’s biggest talents—from Gabriele Dell’Otto to Mark Brooks—bring this beloved comic book icon to life Marvel style! In UNCLE SCROOGE: EARTH’S MIGHTIEST DUCK, the planet has been conquered by alien invaders known as the Connoisseurs, nefarious hoarders of the rarest antiquities from throughout the cosmos. As they tear the Earth apart, pillaging its fabled treasures, only the world’s greatest adventurer can possibly stop them. But Scrooge McDuck is facing a battle unlike any he’s ever fought, trapped inside his own mind, fighting to preserve his most precious memories. “Scrooge McDuck is one of the greatest heroes in the history of comics, bar none,” Aaron said. “It was a thrill to get to write him in the pages of Uncle Scrooge & the Infinity Dime, as we took him on a journey across the multiverse. With this new series, I knew we'd have to go bigger, not just by incorporating more Marvel artists into the mix, but by sending Scrooge on the most epic story of his career, as he fights to save the one thing more precious to him than gold or any exotic treasure: his own memories of a life of adventure.” Check out the covers for the first two issues of UNCLE SCROOGE: EARTH’S MIGHTIEST DUCK and preorder the series at your local comic shop today!        
... |
