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11/06/13 @ 3:41 pm EST
In another peer to peer interview from Dynamite Entertainment, Nancy Collins chats with Devin Grayson and Gail Simone about taking on Red Sonja as part of the new Legends Of Red Sonja series being released during the characters 40th anniversary.
First Devin Grayson:
NANCY COLLINS: What inspired you to give your Red Sonja story in LEGENDS OF RED SONJA #1 a nautical spin?
DEVIN GRAYSON: I haven’t played with magic much in my comics writing, but it’s been factoring heavily into some prose work I’m doing now–a YA novel series about a young ghost hunter and her friends, one of whom is a mage. So the chance to work with an artist who could bring some of those themes to life was irresistible. Magic in Sonja’s world—as shown so beautifully in your story– is dark, powerful, raw and dangerous…essentially a force of nature in and of itself. So I wanted something that would echo that visually, a setup in my story that would lead to people being visibly out of control of their environment, such as fire at sea. And the moment I seized on that, a whole mood and tone and antagonist for the story fell into place.
Or maybe I just watched that Science Friday “Where’s the Octopus?” video on YouTube too many times.
NC: Did you have an interest/background in heroic fantasy prior to being brought on the Legends of Red Sonja project?
DG: Not in my reading or writing life, but I’m an avid RPGer, and when you’re gaming—whether online or in traditional pencil and dice campaigns—you’re going to end up submerged in heroic fantasy. Most relevant to this project was the online game Age of Conan. I never actually played it, but before the game officially launched, the role playing crowd took over one of the Beta message boards to use for Conan-themed round robin story-telling. I was very active there, playing an Aquilonian guard, so Sonja’s world felt like a place I’d already lived.
NC: You’ve worked in the video game industry in the past. How does writing for games compare to writing comics?
DG: There are a lot of similarities. Both start as blank pages but grow up to be primarily visual media, both have a commitment to inviting the audience to identify with the characters in as immediate a way as possible and both are shaped by external story limitations—continuity in the case of comics and game mechanics in the case of video games. Both are also unusually social experiences for a writer. Unless you’re working with a partner, writing is usually a pretty solitary exercise. Being alone with a story is one of my favorite parts of the writing experience. But with both comics and video game scripts, you’re just a cog in the wheel, working as part of a team and relying on those other team members to bring your vision to life. I love finishing a manuscript and eventually getting to hold an actual book in my hands, but it’s a whole different kind of thrill to finish a script and eventually get to see the characters acting out the dialog.
NC: Do you have anything on deck for 2014 that your fans should keep an eye out for?
DG: In addition to the YA novel series I briefly mentioned –which won’t make its debut in 2014–I’m currently working on a radio play, which will, and a few other projects it’s too early to talk about. I’m really enjoying being back in comics though and, who knows, there may even be some more work with Dynamite in my future.
And now over to Gail Simone:
NC: What inspired you to propose an All-Woman jam to celebrate the 40th anniversary of Red Sonja?
GAIL SIMONE: I have to give a lot of credit for this to Dynamite and to Nick Barrucci. They are just fantastically open to ideas, and consequently, you don’t feel like the doors are all shut and locked before you even try to open them.
I had what I thought was a fun idea, to have all the covers of my run on the ongoing RED SONJA title be drawn by women, all my favorites, and it’s just worked out amazingly well…they all turned out beautiful. And it made this nifty little side statement, as well, that some of the very best artists in the business are female, AND could draw this sword and sorcery stuff beautifully.
It was such a success, it made me think of how fun it would be to invite a bunch of my writing heroes to try the same thing, women who had provided inspiration to me with the quality of their work.
It turned out to be one of the most fun and rewarding things I’ve ever been a part of, we were all collaborating immediately. And we brought back people like Devin Grayson, Tamora Pierce and yourself, Nancy, to comics, who have been gone for too long. And we got Mercedes Lackey’s and Meljean Brook’s first comics stories, and a-list artist Nicola Scott’s first scripting credit…it just makes me happy. I am proud to be in this company, even if I cheated and put myself in!
NC: Did you have an interest in heroic fantasy prior to landing the monthly RED SONJA gig?
GS: Oh, yeah, absolutely. I often see people who object to the blood or flesh in this genre, particularly in the Robert E. Howard-inspired stuff, but really, I like it. It feels very primal, very ill-mannered. It’s not like the Tolkien stuff that I also love, it’s sweatier and lustier. But you can tell very sophisticated stories with the genre, heartbreaking and heart-soaring stuff. I love it.
C: How does it feel being the first woman to write for Red Sonja in the 21st century?
GS: Is that actually true? I believe one of my other heroes, the great Jen Van Meter, did a Sonja one-shot just a couple years back.
But as ONE of the first, what can I say, it’s one of those joyful things that happen that could never be predicted. I always loved Sonja, now I get to do ferocious things with her.
NC: What up-coming comics and special appearances can your fans look forward to in 2014?
GS: A lot, and some things I can’t mention yet, but the hugely successful Kickstarter graphic novel I did with co-creator and artist Jim Calafiore, LEAVING MEGALOPOLIS, is finally out to backers, and I am thrilled about that. I’m writing the TOMB RAIDER comic for Dark Horse, which has all the good history and travel stuff I love so much. I’m writing BATGIRL and THE MOVEMENT for DC Comics, both very close to my heart.
And of course the LEGENDS OF RED SONJA anthology and the ongoing Sonja monthly title for Dynamite. There may be a few surprises, as well, it’s been a year of big changes for me.
As for appearances, yikes, my convention calendar is mostly filled up until 2015, but very few have been announced yet, so I have to keep mum about that.
Legends Of Red Sonja #1 goes on sale November 6th and features a cover by Jay Anacleto and interior art by Jack Jadson, Noah Salonga and Carla “Speed” McNeil.
Nancy A. Collins is the author of numerous novels, short stories, and comic books, including DC Comics’ Swamp Thing. A recipient of the Horror Writers Association’s Bram Stoker Award, The British Fantasy Society’s Icarus Award, as well as a nominee for the International Horror Guild, John W. Campbell, James Tiptree, Eisner & World Fantasy Awards, her works include Sunglasses After Dark, Lynch: A Gothik Western, and Knuckles And Tales. Legends of Red Sonja #1 marks her return to comics, and her newest novel is Magic And Loss, the 3rd book in the Golgotham series, scheduled to be released November 5th.
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01/10/26 @ 11:52 am EST
Takashi Yamazaki’s follow-up to the 2023 Godzilla Minus One is set to hit North American theaters on November 6th, 2026, three days after its premier in Japan. The Academy Award winning film took in $11.4 million in the US on its opening weekend and $57 million total during its domestic box office run. Godzilla Minus Zero is the second film in the franchise from Gkids since taking Toho acquired the company in 2024. David Jesteadt, president of Gkids, said in a statement: “Gkids is proud to bring Godzilla Minus Zero to North American audiences, following the incredible global reception of Godzilla Minus One. This next chapter is sure to become another defining moment for the most colossal monster ever to dominate the screen. It is only fitting that this bold, new Godzilla event be experienced in its fullest theatrical glory, and we’re honored that Toho has entrusted us to carry this legacy forward.” 
01/10/26 @ 11:38 am EST
As we get closer to the start of production on Matt Reeves’ The Batman Part 2, the cast starts to take shape with the second MCU veteran being added to the cast. We heard of Scarlet Johansson’s casting earlier in December and now multiple sources are saying Sebastian Stan has come on board as well, with the Hollywood Reporter’s Heat Vision report claiming that the actor who plays Bucky Barnes will now take on the role of District Attorney Harvey Dent aka Two-Face. This lines up with the rumors that Johansson would be playing Gilda Dent and that the story may be following the Long Halloween, a popular comic arch by Jeph Loeb and Tim Sale. While the story does focus on the Dents, many of the other characters in the story have already appeared in The Batman and The Penguin and have already been eliminated. Plus, the setting of the sequel is said to be set around a week after The Penguin series ended, just before Christmas. How ever the characters are used, if Stan is in the film, it then puts the fate of his MCU character in question as The Batman Part 2 will be filming around the same time as Avengers: Secret Wars. While the casting of both Stan and Johansson have not been made official, neither have they been denied by Reeves, James Gunn or DC Studios.  01/03/26 @ 1:19 pm EST
Deadline is reporting that Mike Flanagan is working on a new adaptation of Stephen King’s The Dark Tower series. Flanagan said his plan is to adapt the beloved franchise into a five-season series that would then be capped off by two stand-alone movies. The acclaimed horror director recently told Empire Magazine, “We’ve got a lot of scripts done for it. It’s the first priority.” He also made it clear that he doesn’t want the 2017 Idris Elba/ Matthew McConaughey film to be the final word on the property. That adaptation has a 16% critic rating on Rotten Tomatoes. Though Flanagan and Intrepid Pictures have a deal with Amazon, the rights to the Dark Tower were specifically carved out of their arrangement and could end up with another studio, but Amazon is also a possibility. Flanagan is known for his work on films like Gerald’s Game, Doctor Sleep and the Life of Chuck as well as series like The Fall of the House of Ushers, The Midnight Club and Midnight Mass. He also came up with the initial story and script for the upcoming Clayface movie that was so strong that James Gunn and Peter Safran has to greenlight a body horror film starring a B-level Batman villain as the third film released in their new DCU.  01/03/26 @ 12:45 pm EST
Now that we’re in 2026, we need to keep an ear out for casting news for the two big DC Studios films shooting this year, Man of Tomorrow and The Batman Part 2. The Superman follow-up is the one going first and we already got the casting announcement for the main villain, Brainiac with the addition of German actor Lars Eidinger to the cast. There have been rumors that there was a female role being cast for a potential hero that many have assumed was going to be this universe’s Wonder Woman, and while that has not been confirmed, John Rocha of the Hot Mic podcast says his sources confirm that James Gunn is looking to cast the Amazon warrior for the film. That would make sense with the idea that DC is pushing Wonder Woman for a new film with Supergirl scribe Ann Nogueira said to be working on the script. This still falls into the rumor category, but Gunn has not debunked the story as of yet. With the film expected to begin production in the spring, more casting news is expected in the next few weeks/months, and we know that if the “scoopers” have it right, DC likes to get the news out their themselves as they did with Eidinger. So I wouldn’t trust any of the rumored castings as of now.  12/20/25 @ 12:26 pm EST
James Gunn took to social media this morning to welcome Lars Eidinger to the DCU and Man of Tomorrow in the role of Brainiac. Eidinger, while not a household name, is best known for his roles in Clouds of Sils Maria and Personal Shopper but also appeared in the recent Netflix film Jay Kelly. Gunn talked about a worldwide search for the iconic Superman villain led to Eidinger rising to the top. He will join David Corenswet, Nicholas Hoult and Rachel Brosnahan as the film is expected to begin shooting in the spring of 2026 for a release in July of 2027. There have been multiple attempts to use Brainiac in a Superman film, but each attempt has fallen to the wayside, and his only live-action appearance so far was in the short-lived SciFi series Krypton where he was played by Blake Ritson. 
12/20/25 @ 11:25 am EST
After having begun production in August of this year, director Destin Daniel Cretton revealed that Spider-Man: Brand New Day has wrapped filming as of Friday. The film, which is set to premiere July 31st, 2026, features the return of Tom Holland as Peter Parker and is the first in the MCU franchise to not be directed by Jon Watts. Cretton wrote on Instagram, “I’m so deeply grateful for the people who walked with me through the biggest, most rewarding film I’ve ever been a part of. To our amazing cast, for breathing so much life into these beloved characters and moving us every day. To our unbelievable crew, who worked tirelessly with unmatched creativity and craftsmanship, who made me laugh so hard my stomach never stopped hurting. I love you all so much and can’t wait for the world to see your stunning work on the big screen. And of course, to @tomholland2013, for your kind, generous leadership on and off screen, for your relentless work ethic, your fearless performances, and for your friendship. That’s a wrap on Spider-Man: Brand New Day!” This is Cretton’s second MCU film after having helmed Shang Chi and the Legend of the Ten Rings. He has also produced the Wonder Man series set to debut on Disney+ next month.  12/06/25 @ 2:03 pm EST
Scarlett Johansson is said to be in negotiations to join the cast of the highly anticipated sequel, The Batman Part 2. While Warner Bros. has not officially revealed which character Johansson would portray, speculation is rife across social media and film forums. Many fans are hoping she will take on the role of a major antagonist or perhaps bring a new dimension to an existing character from the Batman lore. Johansson’s acclaimed work in action and drama—especially her iconic run as Black Widow in the Marvel Cinematic Universe—positions her as a compelling choice for a complex role in Gotham’s shadowy streets. The Batman Part 2 is currently in pre-production, with filming scheduled to commence in May of next year. The film is targeted for a theatrical release in 2026, although official dates may be subject to change. Director Matt Reeves returns to helm the sequel, ensuring continuity in the vision and tone that made the first installment a critical and box office success. Johansson’s addition is expected to boost the already stellar lineup led by Robert Pattinson as Bruce Wayne/Batman. Within hours of the announcement, social media platforms lit up with enthusiastic posts and trending hashtags. Speculation is running rampant with guesses of her role ranging from villains like Poison Ivy and Harley Quinn to love interests like Silver St. Cloud and Vickie Vale. One of the more popular suggestions is that Johansson could be playing Andrea Beaumont, a love interest and antagonist from the hit animated film Mask of the Phantasm. The casting has not been confirmed and neither the studio nor Reeves has commented since the story broke. 
12/06/25 @ 1:50 pm EST
In a dramatic shift for the entertainment industry, Netflix has announced its acquisition of Warner Bros, one of Hollywood's most iconic studios. This unprecedented deal marks a pivotal moment in the ongoing evolution of media and streaming services. Netflix, already a leader in streaming content, has been searching for ways to expand its library and production capabilities. Warner Bros, with its vast catalog of beloved films and television franchises—including the Harry Potter, DC, and Looney Tunes properties—represents a treasure trove of content and creative resources. The acquisition signals Netflix's commitment to not only dominating streaming but also to strengthening its influence in theatrical releases and television programming. Though Netflix has been against theatrical releases in the past, in a recent statement they said they planned to continue them for Warner Bros films just with a shorter release window. By purchasing Warner Bros, Netflix gains access to a library of classic and highly profitable intellectual properties. This move allows Netflix to offer exclusive streaming rights to blockbuster franchises, while also leveraging Warner Bros’ production infrastructure. The deal also positions Netflix to compete more directly with other major studios and streaming platforms, such as Disney and Amazon. Industry analysts predict that this acquisition will accelerate the consolidation trend within the entertainment sector. Other studios and streaming services may seek mergers or partnerships to remain competitive. Audiences can likely expect a surge in new content, including reboots, spin-offs, and original productions drawing from Warner Bros' legacy. For Netflix subscribers, the platform could soon become the go-to destination for both new releases and classic favorites. While some industry veterans express concern about further consolidation of media power, others see this as an opportunity for innovation and greater investment in high-quality storytelling. Only time will tell how this landmark deal reshapes Hollywood and the global entertainment landscape.  ... 11/29/25 @ 11:47 am EST
If you’re of a certain age, then you realize that Peter Hammond was not the first live-action Spider-Man to appear on television screens. That honor goes to Jim Hensen puppeteer Danny Seagren who was a regular on both Sesame Street and The Electric Company. Seagren was both a puppeteer and puppet maker and was the right hand of Ernie along with putting on the Big Bird suit on several occasions including an appearance on the Ed Sullivan Show. He was also the web slinger on the show that started the careers of Rita Moreno and Morgan Freeman as both shows fell under the Children’s Television Workshop. He went on to create puppets for other series like Curiosity Shop, Captain Kangaroo and Who’s Afraid of Opera. “Danny will be greatly missed by his family, friends and those throughout the community he loved living in,” his family said in his obituary. Seagren died on November 10th at the age of 81.  11/29/25 @ 11:31 am EST
Director Shawn Levy has officially hired renowned composer Thomas Newman to craft the score for his upcoming Star Wars: Starfighter film. The collaboration marks a significant moment for the celebrated sci-fi franchise, as Newman steps into a universe long defined by the iconic music of John Williams. His distinguished career includes memorable scores for films such as The Shawshank Redemption, Finding Nemo, and 1917, brings a fresh perspective to the Star Wars saga. Over the years, Newman has earned an impressive 15 Oscar nominations, a testament to his exceptional talent and enduring impact on the film industry. Levy, celebrated for his work on blockbusters like Free Guy and Deadpool and Wolverine, and the hit series Stranger Things, expressed enthusiasm for the partnership. He highlighted Newman's ability to blend sweeping orchestral moments with subtle, character-driven motifs—a style well-suited to the expansive and adventurous spirit of Star Wars. While plot details remain under wraps, Levy and Newman’s collaboration promises a thrilling and emotionally resonant cinematic experience.  |
