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05/05/22 @ 2:23 pm EST
 DF Interview: Zack Kaplan unleashes a sci-fi techno thriller about grad students who put mind control into an app, in ‘Mindset’By Byron BrewerWhen an introverted tech geek accidentally discovers mind control, he and his friends do something unexpected – they put the science into an app to help users break their technology addiction. But as their Mindset app achieves a dangerous cult following, lies, conspiracies, and murder come to light. Are they helping people or controlling them? From Vault Comics comes Mindset by writer Zack Kaplan and artist John Pearson. The storyline pulled me in immediately, so I paid another visit to friend and scribe Zack Kaplan to chat up this new series. Byron Brewer: Zack, before we begin talking about Mindset, how does it feel to be doing your very FIRST comic for Vault? Zack Kaplan: Vault Comics has impressed me ever since I first met Adrian and Damian and the whole clan at SDCC 2016, which was both my first professional con and theirs. I instantly became an avid Vault reader as they put out one amazing book after the next. Vault has a real special slate of comics, and I’ve been talking with them for years about wanting to do something together, but this was finally the moment when the algorithms synced up. And I think it’s really a perfect match and well worth the wait, especially with the exciting creative team of John Pearson and Hassan Otsmane-Elhaou. Byron: As you have said, I do not believe this mag could be more timely. Starting not that many years ago, the situation has grown by leaps and bounds: our own dependency on technology. We even make jokes about it, but it’s true now more than ever. Talk a little as you can about how this is addressed through Mindset? Zack Kaplan: Let me just check my phone first. Yes, the devices are controlling us, but we’re totally okay with it, because we know it’s happening. This seems to be the new phase of humanity response to danger: as long as we know it’s there, it’s okay. What an odd sociological phase! But in fact, the technology is changing who we are and the way we interact with each other, and Mindset explores all of that. How we’ve become obsessed with our own online relevance, how we cannot define ourselves without social media and how we are okay manipulating others for influence. I think that’s what makes it resonant so much, because modern technology is mind control. I can say it’s a sci-fi idea, but it’s actually happening now. How many likes did that answer get? Byron: Haha!… Give readers a kind of overview of the book, or at least this first arc. Zack Kaplan: In 140 characters or less, right? Mindset is a sci-fi techno thriller about a group of grad students who accidentally discover mind control and try to do something good with it by putting it in a meditation app, which goes viral to a billion-user following and results in a twisted power struggle, murder and mayhem, and a dangerous question amongst the group – just who is controlling who? It’s really everything you’d want in a dark thriller about mind control, from a riveting character drama, a modern romance story and a lot of twists and turns. I would just say strap in and get ready! Byron: Introduce us to your protagonists. Zack Kaplan: Ben Sharp is really meant to be all of us who grew up in the shadow of social media, and watched as technology slowly boiled our lives. He kind of started life as a child with this idealism and optimism, but then found his dreams falling flat and his direction in life floundering. It’s juxtaposed with seeing others achieve success without substance through a social media lens, and so really, it’s looking at how technology makes us feel about each other and ourselves. And what do those feelings push us to do? Ben teams up with his two geeky friends Kushal and Josiah, as well as an enigmatic student named Eitan Moses and together they launch their mind control app: Mindset. It’s a very tight knit crew that has some major soul searching to do as they navigate the world of tech start-ups and their rags to riches success story. I’m also excited for readers to meet our love interest, Atlanta Hanna, who is this really strong, authentic vivacious young woman surviving in the world of elite Silicon Valley phonies. Lastly, there’s a VC named Winfield, a billionaire with some secrets, but I’ll leave it there. Byron: The chaos catalyst in Mindset is the discovery of mind control and its placement into an app, ironically designed to help users break their tech addictions. But is there any behind-the-scenes corporation or boogeymen? Or are the featured geek squad their own worst enemies? Zack Kaplan: The story really has a lot of layers to it, and a lot of things are viewed through a very subjective lens. John, Hassan and I really set out to explore a narrative that allowed the readers to dive deeper, to perhaps go back and read it again, and have a thought-provoking experience with the series. I say all of this because I don’t think that anything in the series is black or white, boogeymen or villains. The antagonist is technology and society and the question is how can you use mind control and technological influence in a positive way, or is it destined to lead to manipulative outcomes? My hope is that readers will come for the thriller, stay for the character drama and sleep with the themes. Byron: Elephant in the room: Zack, talk about enslavement (like us all) to today’s tech. Was there any one instance (I can relate several about myself) of tech addiction for you that led to this comic? Zack Kaplan: I don’t think so. There are so many micro experiences, and I think the short-term picture is confusing. Obviously, social media is very talked about right now, and which platforms might be most conducive to the truth or for comfort amongst peers. But take a step back from which platform we’re on. Ten years ago, you could describe yourself as a professional or creative, without the question “Where can people find you?” Now, we must define ourselves by our platforms and the historical record of our posts. I think one thing we explore in Mindset is our predilection to scroll and our need to return to our phones. I try not to check my phone in the morning or right before bed, but it’s a struggle. How many of you go to sleep without your devices? Who do you say good night to last? What is driving that behavior? Byron: Talk about working with Eisner-winning artist John Pearson. Zack Kaplan: He might deserve to win again. His work in this book is that good. I think I had read series like Department of Truth and Blue in Green, and I wanted to play with this level of diversity and duality in comics. I was drawn to John’s work in Blue in Green, and reached out with this idea, and we both had an appetite to really do something in an elevated way that used the themes of mind control and technology’s influence on us. And Hassan on letters and Adrian Wassel on editorial and Tim Daniel on design, we all approached the story to ask how can we identify the emotionality of a moment and really enhance that. John and I especially put together a collaborative approach to the scripts and layouts, going back and forth at both stages to make sure our visions aligned. John is using a digital painting style with texture and a mix of realism and surrealism to really give readers a breath-taking experience. There’s a lot of motifs going throughout the book and levels as to how characters are seen and experienced. Hassan and Tim deserve recognition for some amazing lettering and design as well. I’m very proud of the art work in this series, and I think readers are in for something special. Byron: Zack, you are currently on a roll with your comics series! What else current or coming in the near future of your projects can you tell readers about? Zack Kaplan: I’ll be announcing another series soon which will be my fourth series for the year, and I’m already deep into a lot of exciting things for 2023. It’s crazy that we’re already doing stuff for next year, but you know how comics is. But if readers want to stay in the loop on Mindset and on all my new series, they can find the social media me at @zackkaps and the real me at my newsletter Zack Kaplan’s Technobabble on Substack or my website www.zackkaps.com Dynamic Forces would like to thank Zack Kaplan for taking time out of his busy schedule to answer our questions. Mindset #1 from Vault Comics is slated to be on sale June 29th! For more news and up-to-date announcements, join us here at Dynamic Forces, www.dynamicforces.com/htmlfiles/, “LIKE” us on Facebook, www.facebook.com/dynamicforcesinc, and follow us on Twitter, www.twitter.com/dynamicforces. 08/31/25 @ 1:37 pm EST
It’s a weird weekend at the box office as Weapons returns to first place on its fourth weekend with $12.4M for the four-day stretch. A re-release of the classic Jaws takes second with $9.8M while the two new releases Caught Stealing ($9.5M) and Roses ($8M) take third and fifth respectively. Also on it’s fourth weekend, Freakier Friday pulls in $8.3M for fourth place. The big summer superhero films are hanging on with the Fantastic Four making $6M for seventh place and Superman swooping up another $3.28M even though it has already been released on home consumption. Not quite breaking into the top ten is the Toxic Avengers finally getting a theatrical release and earning $2.2 million over the holiday weekend.  08/31/25 @ 1:12 pm EST
With the new season of Peacemaker underway, DC fans have been wondering about the announced series set to focus on Amanda Waller, former head of ARGUS and Taskforce X. While on-line scoopers have called the series dead, co-head of DC Studios, James Gunn says that Viola Davis lead series is still in the works. The writer/director of Superman told People, “We’re working on it, so we’ll see what happens. Some things have moved faster than others. Waller’s not been the fastest. But I can’t wait to see Viola put on their Waller pants again.” The series was originally planned to run prior to the second season of Peacemaker, but Gunn has admitted that Waller has been a difficult series to crack and that he wrote the second season of Peacemaker quickly, which is why it came out first. The most recent update had Christal Henry from Watchmen and Doom Patrol creator Jeremy Carver on board to write the series, but those announcements were made a few years back.  08/30/25 @ 1:58 pm EST
Fans eager to return to the blood-soaked arenas of Outworld will have to wait a little longer. Warner Bros. has officially delayed the release of Mortal Kombat II, moving the highly anticipated sequel from its original October 24, 2025 slot to May 15, 2026. According to studio insiders, the decision wasn’t due to production issues—the film is reportedly completed and has already screened for press. Instead, Warner Bros. is making a strategic play, aiming to capitalize on the lucrative early summer box office window. The move mirrors the success of Final Destination: Bloodlines, which opened in mid-May and raked in over $50 million. An official post from the studio teased, “The tournament demands a new time and place, worthy of its spectacle”—a fittingly dramatic justification for the shift. The sequel introduces Karl Urban as Johnny Cage, a fan-favorite character who was notably absent from the 2021 reboot. Urban has described the film as “a significant level-up,” comparing it to how The Road Warrior elevated the Mad Max franchise. The trailer, which broke records with over 106 million views in 24 hours, showcases the franchise’s signature fatalities and brutal choreography. Directed by Simon McQuoid and written by Jeremy Slater, Mortal Kombat II promises to deliver the full tournament fans craved in the first film. This time, Earthrealm’s champions will face off against interdimensional foes in a no-holds-barred battle to stop the dark reign of Shao Kahn. The new release date places the film between The Devil Wears Prada 2 (May 1) and The Mandalorian & Grogu (May 22), giving it a prime spot to dominate the box office.  08/30/25 @ 1:45 pm EST
At today’s Destination D23 presentation, Marvel Studios pulled back the curtain—just slightly—on one of its most anticipated projects: Avengers: Doomsday. In a pre-recorded video message from the set in London, directors Joe and Anthony Russo addressed fans with palpable excitement, calling the film “the biggest movie they’ve ever made”. The Russo Brothers, known for helming Avengers: Infinity War and Endgame, are back in action, this time tackling a multiversal crisis of unprecedented scale. Filming is underway at Pinewood Studios and other international locations, including Bahrain and Windsor Great Park. The directors were joined in the video by Paul Rudd, who playfully interrupted their message, blocking the camera and turning the update into a light-hearted moment that delighted fans. Rudd added, “We’re surrounded by jaw-dropping sets and some truly incredible talent… Bringing this story to the big screen means the world to us, and we couldn’t do it without your support”. The film is co-written by Stephen McFeely and Michael Waldron (creator of Loki), with cinematography by Newton Thomas Sigel ( Bohemian Rhapsody, X-Men: Days of Future Past) and production design by Kasra Farahani. The plot centers on the collapse of the multiverse, with Earth’s Mightiest Heroes racing to stop catastrophic incursions—collisions between realities that threaten existence itself. At the heart of the chaos is Victor Von Doom, played by none other than Robert Downey Jr., marking a dramatic shift from his iconic role as Tony Stark. Doomsday is slated for release on December 18, 2026, followed by its sequel Avengers: Secret Wars on December 17, 2027.  08/24/25 @ 1:40 pm EST
When Marvel Studios tapped Terry Matalas to helm Vision Quest, the upcoming Disney+ series centered on the synthezoid Avenger, it wasn’t just a smart hire—it was a signal. A signal that Marvel is ready to embrace deeper storytelling, character introspection, and genre-bending ambition. Matalas, best known for revitalizing Star Trek: Picard with its critically acclaimed third season, brings a unique blend of emotional intelligence, sci-fi pedigree, and serialized storytelling expertise that makes him the ideal architect for Vision’s next chapter. Vision’s arc has always been about identity. Created by Ultron, powered by the Mind Stone, and shaped by love and loss, Vision is a being caught between machine and man. After WandaVision, the original Vision was gone, and the “White Vision”—a blank-slate version with restored memories but no emotional context—was left to wander in search of purpose. This existential journey echoes the themes Matalas explored in Picard, where legacy, memory, and humanity were central. In fact, Matalas has openly stated that Vision’s arc in Vision Quest will mirror Spock’s journey in Star Trek IV: The Voyage Home, where the Vulcan grapples with his own resurrection and fragmented identity. It’s a bold, cerebral approach that fits Vision perfectly. Before Picard, Matalas created and ran 12 Monkeys, a time-travel series praised for its intricate plotting and emotional depth. He’s a showrunner who understands how to balance high-concept science fiction with grounded character drama. That’s exactly what Vision needs—a story that can explore artificial intelligence, memory, and morality without losing sight of the heart. Marvel Studios president Kevin Feige reportedly sought Matalas out after watching Picard Season 3, calling it “incredible” and wanting to find the person responsible. That kind of endorsement speaks volumes, especially in an era where Marvel is scaling back its Disney+ output to focus on quality over quantity. Matalas isn’t just continuing Vision’s story—he’s expanding it. Vision Quest will introduce new characters like Paladin (played by Picard alum Todd Stashwick) and a reimagined F.R.I.D.A.Y. AI (played by Orla Brady). James Spader returns as Ultron, promising a “unique” role that could redefine the character’s legacy. These additions suggest a layered narrative that blends Marvel lore with fresh sci-fi ideas. And Matalas is bringing his Star Trek crew with him. The production team is reportedly full of Trek veterans, creating a shorthand that allows for ambitious storytelling and thematic depth. It’s a fusion of Marvel’s superhero ethos with the philosophical weight of classic science fiction. Marvel’s early Disney+ shows often felt like extended films. But with Vision Quest, Marvel is embracing a more traditional TV model—complete with a dedicated showrunner, longer development cycles, and serialized arcs. Matalas thrives in this format. His ability to weave long-term character development with episodic intrigue makes him the perfect fit for a series that needs to rebuild Vision from the ground up. Set to premiere in 2026, Vision Quest marks Marvel’s first new live-action series pickup in nearly two years. It’s part of Phase Six of the MCU and represents a shift toward more thoughtful, character-driven storytelling. With Matalas at the helm, Vision’s journey promises to be more than just a superhero tale—it’s a philosophical odyssey through memory, identity, and what it means to be alive. In a universe filled with gods, monsters, and multiverses, Terry Matalas is the rare showrunner who can make us care about a synthetic soul searching for meaning. And that’s exactly what Vision—and Marvel—needs right now.  ... 08/24/25 @ 1:24 pm EST
Peacemaker Season 2 has officially kicked off with a bang—and a surprise. Among the new faces in James Gunn’s irreverent DC series is David Denman, best known for his role as Roy in The Office. But this time, Denman isn’t playing a hot-headed warehouse worker—he’s suiting up as a superhero. And not just any hero: Denman plays Captain Triumph, a name that might ring a bell only for the most die-hard comic book historians. Captain Triumph first appeared in Crack Comics #27 back in 1943, created by Alfred Andriola. The original character was a pair of twin brothers—Michael and Lance Gallant—who shared a mystical bond. After Michael’s death, his spirit merged with Lance, granting him powers like flight, invisibility, and near invulnerability. The character was later absorbed into DC Comics but remained largely obscure, popping up occasionally in titles like Animal Man, Titans, and Harley Quinn. In Peacemaker Season 2, Gunn reimagines Captain Triumph entirely. Denman plays Keith Smith, Peacemaker’s long-lost brother, who was tragically killed in Season 1 due to their abusive father’s twisted games. But in the Season 2 premiere, “The Ties That Grind,” Peacemaker stumbles into an alternate reality where Keith is alive—and a superhero. Denman’s Keith is part of a crime-fighting trio with Peacemaker and their father Auggie, forming the “Top Trio” in this alternate dimension. Unlike the original Captain Triumph, Gunn’s version doesn’t involve ghostly twins or mystical birthmarks. Denman confirmed in an interview that Gunn opted for a fresh take: “I actually went to James and was like, ‘Is there any of that?’ and he goes, ‘No. This is a whole new character’”. This twist adds a poignant layer to the show’s emotional core. Peacemaker, haunted by guilt over Keith’s death, now faces a world where his brother thrives—and where their family is functional. It’s a dreamscape that forces Chris Smith to confront what he’s lost and what he might still become. Denman’s performance as Keith/Captain Triumph is already being praised for its emotional resonance. The character’s presence could reshape Peacemaker’s arc, offering a glimpse into the life he might have had—and perhaps a path toward healing.  ...
08/23/25 @ 12:54 pm EST
Paramount has made a dramatic pivot in its handling of the Dexter franchise, leaving fans both stunned and intrigued. After initially greenlighting two new series— Dexter: Original Sin and Dexter: Resurrection—the studio has reversed course, canceling the prequel while doubling down on the sequel. Originally announced as a deep-dive into Dexter Morgan’s formative years, Dexter: Original Sin premiered in December 2024 and wrapped its 10-episode run in February 2025. The series starred Patrick Gibson as a teenage Dexter, with Christian Slater portraying his father Harry Morgan, the architect of Dexter’s infamous code. Michael C. Hall lent his voice as narrator, tying the prequel to the original series. Despite a season 2 renewal announced in April, Paramount quietly pulled the plug on Original Sin, citing a lack of scheduled production and shifting priorities following its merger with Skydance. In contrast, Dexter: Resurrection—the sequel series starring Michael C. Hall—has become a breakout hit. Picking up after the events of Dexter: New Blood, the show sees Dexter surviving his apparent death and relocating to New York, where he reconnects with his son Harrison and crosses paths with a billionaire serial killer enthusiast played by Peter Dinklage. The series has earned rave reviews, boasting a 94% Rotten Tomatoes score and drawing 4.4 million viewers in its first week. Paramount is now opening a writers’ room for a potential second season, signaling strong confidence in the show’s future—even though an official renewal hasn’t yet been announced. The decision reflects a broader strategic shift at Paramount Television Studios, now under the leadership of Matt Thunell. Following the Skydance merger, the studio is prioritizing established hits and recognizable IP, with Dexter: Resurrection leading the charge.  08/23/25 @ 12:48 pm EST
In a recent interview, Margot Robbie revealed that Birds of Prey almost featured a very different villain: Oswald Cobblepot, aka the Penguin. The actress, who famously portrayed Harley Quinn in the 2020 film, shared that the original script by Christina Hodson had Penguin as the main antagonist—until Matt Reeves stepped in with his own plans for the character. While promoting her upcoming fantasy romance A Big Bold Beautiful Journey alongside Colin Farrell—who plays the Penguin in The Batman and its HBO spinoff—Robbie casually dropped the bombshell during their joint interview with Entertainment Weekly. “The first draft that Christina [Hodson] wrote of Birds of Prey, the villain was the Penguin,” Robbie said, prompting a visibly shocked reaction from Farrell. According to Robbie, Hodson’s version of the Penguin was “amazing,” and the character was set to stalk Harley Quinn and her newly formed team throughout Gotham. Robbie even teased that she still has a copy of the original draft on her computer and offered to share it with Farrell. The reason for the switch? Matt Reeves, director of The Batman, had already earmarked the Penguin for his own gritty crime saga. “Matt Reeves said, ‘Don’t use the Penguin. I’m going to use him in my thing,’” Robbie explained. To avoid overlap between DC’s cinematic universes, the Birds of Prey team pivoted to Roman Sionis, aka Black Mask, played by Ewan McGregor. This change gave the film a darker, more flamboyant crime-lord vibe, while preserving Penguin for Reeves’ noir vision.  08/23/25 @ 12:20 pm EST
James Gunn, the architect of the DC Universe, has once again stirred fan speculation—this time by teasing a “really, really, really big cameo” in the final episodes of Peacemaker Season 2. As the series continues to bridge the tonal gap between irreverent comedy and emotional depth, Gunn’s cryptic comments have fans buzzing about who might show up—and what it could mean for the future of the DCU. Season 2 of Peacemaker marks a clear shift from its DCEU roots into Gunn and Peter Safran’s newly minted DCU. The show now follows the events of Superman (2025), and features updated references to the Justice Gang instead of the Justice League. This recontextualization sets the stage for deeper integration with the broader DCU, and Gunn has confirmed that characters from Superman—including Guy Gardner’s Green Lantern, Hawkgirl, and Maxwell Lord—already appear in the season. In an interview with Entertainment Weekly, Gunn hinted at a major surprise waiting near the end of the season: “There might even be one really, really, really big cameo near the end of the show.” While he didn’t name names, the emphasis on scale and significance suggests this won’t be a throwaway gag or minor character. Given the DCU’s interconnected design, many fans suspect the cameo could be David Corenswet’s Superman himself, reinforcing Peacemaker’s relevance in the franchise’s future. This could also be an opportunity for Gunn to bring one of the Creature Commandos into live action such as David Harbour’s Frankenstein or Alay Tudyk’s Dr. Phosphorus. Gunn also mentioned the Quantum Unfolding Chamber (QUC), a piece of tech introduced in Season 1 and expanded upon in Superman. The QUC is central to Season 2’s plot, potentially opening doors—literally and figuratively—for cross-dimensional or multiversal appearances. This could allow for unexpected character returns or even alternate versions of familiar heroes. Whether it’s Superman, another Justice Gang member, or a surprise villain, Gunn’s promise of a “really big” moment suggests that Peacemaker Season 2 will end not with a whimper, but with a bang.  ... 08/17/25 @ 12:13 pm EST
James Gunn, co-head of DC Studios and the creative force behind the 2025 box office hit Superman, has confirmed that a follow-up film is already in motion—and it’s coming fast. In a series of interviews, Gunn revealed that he’s completed an extensive treatment for the next installment, which he’s calling part of the “Superman Saga”. Gunn’s treatment isn’t your average outline. He described it as a 60-page document packed with dialogue and scene breakdowns. “My treatments are incredibly intense,” he told Collider. “They’re not regular treatments. And so, now I’m just turning that into a script. We’re planning out when we’re going to shoot that. It’s going to be much sooner rather than later”. While Gunn hasn’t confirmed whether the film is a direct sequel or a new chapter altogether, he emphasized that it continues the narrative established in Superman, which starred David Corenswet as the Man of Steel. The film grossed $589 million worldwide, making it the seventh highest-grossing film of 2025. Gunn also revealed that the events of Superman will tie directly into Peacemaker Season 2, which premieres this month. “Superman leads directly into Peacemaker,” he said. “Lots of guest stars coming up, lots of characters that are showing up that we’ve already met in Superman”. This interconnected storytelling is part of Gunn’s broader vision for the DC Universe, where each project maintains its own tone and style—ranging from horror ( Clayface) to cosmic adventure ( Lanterns). With the treatment complete and production scheduling underway, the next Superman film could begin shooting within the year. 
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